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The Killers Will Play To Millions Before The UEFA Champions League Final In Budapest

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The Killers are taking one of the biggest stages on the planet. The rock icons will headline the Kick Off Show at the UEFA Champions League Final on May 30 at Puskás Aréna in Budapest, Hungary. The show is presented by Pepsi and produced by Live Nation, broadcasting to an audience that annually surpasses the Super Bowl in global viewership.

This is a performance built for scale. Live Nation’s James Massing, SVP of Special Operations, is leading production, navigating the narrow pre-kickoff window with a full stadium show for millions watching live. The Killers have the catalog for exactly this kind of moment, with over 35 million albums sold and anthems like “Mr. Brightside,” “When You Were Young,” and “Human” that register across every language and time zone.

The band didn’t hesitate. The Killers said: “When we were asked to perform at the UEFA Champions League Final Kick Off Show presented by Pepsi, we said yes without hesitation, some stages speak for themselves.” That confidence is earned. Their last two reported Pollstar dates in August 2025 both sold out, including a 14,109-ticket night in Canandaigua, NY, that grossed over $1 million.

The Champions League Final appearance arrives as the quartet confirms its eighth studio album is in development, with a tour also on the horizon. Budapest is a statement of where The Killers stand right now, and what’s coming next only adds to the weight of the moment.

The UEFA Champions League Final Kick Off Show presented by Pepsi takes place May 30 at Puskás Aréna in Budapest.

Dermot Kennedy Brings ‘The Weight of the Woods’ To 32 North American Dates

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Dermot Kennedy has a new album arriving and a continent to cover. The Irish singer-songwriter releases ‘The Weight of the Woods’ April 3 via Interscope Records, and a 32-date Live Nation-promoted North American tour follows, opening September 4 at The Armory in Minneapolis and closing October 29 at Rogers Arena in Vancouver.

The routing is well-constructed and ambitious. Kennedy hits Forest Hills Stadium in Queens on September 29, Red Rocks Amphitheatre on October 17, the Greek Theatre in Los Angeles on October 19, and Toronto’s RBC Amphitheatre on September 15. Jonah Kagen supports most dates, with Hunter Metts stepping in for the Minneapolis and Milwaukee shows.

Before North America, Kennedy runs a major European and U.K. tour through May and June, including two sold-out nights at Dublin’s Aviva Stadium on July 11 and 12. He performed intimate pop-up shows recently in Los Angeles and New York ahead of the album drop, with similar record store appearances coming in the U.K.

Artist presale begins April 2. Fans can register through March 30 at 2 p.m. at dermotkennedy.club.os.fan/na-unlock. General on-sale is April 3 at noon local time at DermotKennedy.com.

Europe and U.K. Headline Tour 2026:

May 11 – Copenhagen, Denmark – Falkonersalen – SOLD OUT

May 12 – Stockholm, Sweden – Annexet

May 14 – Hamburg, Germany – Barclays Arena

May 15 – Berlin, Germany – Max-Schmeling-Halle

May 17 – Zurich, Switzerland – Halle 622

May 18 – Paris, France – L’Olympia

May 20 – Luxembourg – Rockhal

May 21 – Brussels, Belgium – Forest National

May 23 – Munich, Germany – Zenith

May 24 – Vienna, Austria – Gasometer

May 26 – Düsseldorf, Germany – Mitsubishi Electric Halle

May 27 – Amsterdam, Netherlands – AFAS Live

May 29 – Glasgow, UK – OVO Hydro

May 30 – Manchester, UK – AO Arena

June 1 – Cardiff, UK – Utilita Arena

June 2 – Leeds, UK – First Direct Bank Arena

June 4 – Birmingham, UK – Utilita Arena

June 5 – London, UK – The O2

July 11 – Dublin, Ireland – Aviva Stadium – SOLD OUT

July 12 – Dublin, Ireland – Aviva Stadium

North American Headline Tour 2026:

Sept. 4 – Minneapolis, MN – The Armory*

Sept. 5 – Milwaukee, WI – Landmark Credit Union Live*

Sept. 8 – Indianapolis, IN – Everwise Amphitheater at White River State Park

Sept. 9 – Maryland Heights, MO – Saint Louis Music Park

Sept. 11 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

Sept. 12 – Sterling Heights, MI – Michigan Lottery Amphitheatre

Sept. 15 – Toronto, ON – RBC Amphitheatre

Sept. 16 – Laval, QC – Place Bell

Sept. 18 – Boston, MA – MGM Music Hall at Fenway

Sept. 21 – Washington, DC – The Anthem

Sept. 22 – Philadelphia, PA – Skyline Stage at Highmark Mann

Sept. 24 – Gilford, NH – BankNH Pavilion

Sept. 26 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview

Sept. 29 – Queens, NY – Forest Hills Stadium

Oct. 1 – Richmond, VA – Allianz Amphitheater at Riverfront

Oct. 3 – Charlotte, NC – Skyla Credit Union Amphitheatre

Oct. 4 – Raleigh, NC – The Red Hat Amphitheater

Oct. 6 – Birmingham, AL – Avondale Brewing Company

Oct. 8 – Tampa, FL – Yuengling Center

Oct. 10 – Atlanta, GA – Synovus Bank Amphitheater at Chastain Park

Oct. 11 – Nashville, TN – Ascend Amphitheater

Oct. 13 – Austin, TX – Moody Amphitheater at Waterloo Park

Oct. 14 – Irving, TX – The Pavilion at Toyota Music Factory

Oct. 16 – Bellevue, CO – Mishawaka Amphitheatre

Oct. 17 – Morrison, CO – Red Rocks Amphitheatre

Oct. 19 – Los Angeles, CA – Greek Theatre

Oct. 21 – Phoenix, AZ – Arizona Financial Theatre

Oct. 22 – San Diego, CA – Cal Coast Credit Union Open Air Theatre

Oct. 24 – San Francisco, CA – Bill Graham Civic Auditorium

Oct. 26 – Seattle, WA – The Paramount Theatre

Oct. 27 – Portland, OR – Theater of the Clouds

Oct. 29 – Vancouver, BC – Rogers Arena

*Support by Hunter Metts / All other dates support by Jonah Kagen

Weezer’s “The Gathering” Brings The Shins And Silversun Pickups To 32 Arena Dates To The U.S. And Canada

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Weezer has a lot of ground to cover. The alt-rock icons have announced “The Gathering,” a 32-city Live Nation-promoted arena tour launching September 8 at Sacramento’s Golden 1 Center and closing October 24 at Crypto.com Arena in Los Angeles. The Shins and Silversun Pickups will support throughout.

The routing is comprehensive. Major stops include Chase Center in San Francisco, Climate Pledge Arena in Seattle, United Center in Chicago, TD Garden in Boston, Barclays Center in Brooklyn, and Scotiabank Arena in Toronto on September 25. The band moves through the South, the Midwest, Texas, and the Southwest before finishing on the West Coast. Thirty-two cities. No corners cut.

Weezer’s last North American arena run in 2024 celebrated the 30th anniversary of ‘The Blue Album,’ including a sold-out night at Inglewood’s Intuit Dome that drew 10,398 fans and grossed over $1 million. “The Gathering” follows that momentum with a tour built for rooms of that size from the jump.

Before the tour even begins, the band is running “Weezer: The Gathering, Initiation Week” in Los Angeles, a series of events starting with a trivia night at Barney’s Beanery March 26 and including a pickleball tournament March 30, plus pop-ups and surprises throughout the week.

Presale begins March 31 at 10 a.m. local through Citi, Verizon, Mastercard, American Express, and the Weezer fan club. General on-sale follows April 3 at 10 a.m. local. Full dates are below.

Weezer “The Gathering” Tour Dates:

Tue Sep 08 – Sacramento, CA – Golden 1 Center

Wed Sep 09 – San Francisco, CA – Chase Center

Fri Sep 11 – Portland, OR – Moda Center

Sat Sep 12 – Vancouver, BC – Rogers Arena

Sun Sep 13 – Seattle, WA – Climate Pledge Arena

Tue Sep 15 – West Valley City, UT – Maverik Center

Wed Sep 16 – Denver, CO – Ball Arena

Sun Sep 20 – Saint Paul, MN – Grand Casino Arena

Tue Sep 22 – Chicago, IL – United Center

Wed Sep 23 – Detroit, MI – Little Caesars Arena

Fri Sep 25 – Toronto, ON – Scotiabank Arena

Sat Sep 26 – Laval, QC – Place Bell

Sun Sep 27 – Boston, MA – TD Garden

Tue Sep 29 – Philadelphia, PA – Xfinity Mobile Arena

Wed Sep 30 – Brooklyn, NY – Barclays Center

Fri Oct 02 – Washington, DC – Capital One Arena

Sat Oct 03 – Charlotte, NC – Spectrum Center

Sun Oct 04 – Raleigh, NC – Lenovo Center

Tue Oct 06 – Columbus, OH – Nationwide Arena

Wed Oct 07 – Milwaukee, WI – Fiserv Forum

Fri Oct 09 – Nashville, TN – Bridgestone Arena

Sat Oct 10 – Atlanta, GA – State Farm Arena

Sun Oct 11 – Orlando, FL – Kia Center

Tue Oct 13 – Sunrise, FL – Amerant Bank Arena

Wed Oct 14 – Tampa, FL – Benchmark International Arena

Fri Oct 16 – Houston, TX – Toyota Center

Sat Oct 17 – Dallas, TX – American Airlines Center

Sun Oct 18 – Austin, TX – Moody Center ATX

Tue Oct 20 – Phoenix, AZ – Mortgage Matchup Center

Wed Oct 21 – San Diego, CA – Viejas Arena

Fri Oct 23 – Las Vegas, NV – T-Mobile Arena

Sat Oct 24 – Los Angeles, CA – Crypto.com Arena

Lily Allen’s ‘West End Girl’ Arena Tour Is Hitting North America This Fall

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Lily Allen is taking ‘West End Girl’ to arenas. The Live Nation-produced “Lily Allen Performs West End Girl” tour launches September 3 at Madison Square Garden and runs through September 25, wrapping at the Kia Forum in Inglewood. Twelve dates. Major rooms across the U.S. and Canada. This is a full-scale arena run built around her critically acclaimed album.

The routing hits hard. Arena stops include Montreal’s Bell Centre, Chicago’s United Center, San Francisco’s Chase Center, and Vancouver’s Rogers Arena. There’s a night at Red Rocks on September 18, theater plays in Boston, Detroit, and Minneapolis, and a Toronto date at RBC Amphitheatre on September 10. The range of venues reflects an artist operating at real scale.

Allen’s theater tour of North America kicks off next month, so this fall run gives audiences a second opportunity to experience ‘West End Girl’ live. That’s two separate tours built around the same album, which says plenty about the demand surrounding this material and what Allen has built with it.

Artist presale runs April 1 from 10 a.m. to 10 p.m. General on-sale follows April 3 at 10 a.m. local time.

“Lily Allen Performs West End Girl” Tour Dates:

09/03 – New York, NY – Madison Square Garden Arena

09/04 – Boston, MA – MGM Music Hall at Fenway

09/06 – Philadelphia, PA – Xfinity Mobile Arena

09/08 – Montreal, QC – Bell Centre

09/10 – Toronto, ON – RBC Amphitheatre

09/12 – Detroit, MI – Fox Theatre

09/13 – Chicago, IL – United Center

09/16 – Minneapolis, MN – The Armory

09/18 – Morrison, CO – Red Rocks Amphitheatre

09/21 – Vancouver, BC – Rogers Arena

09/23 – San Francisco, CA – Chase Center

09/25 – Inglewood, CA – The Kia Forum

Paul McCartney’s Post-Beatles Decade Gets the Deep-Dive Audio Treatment It Deserves

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The 1970s were the most turbulent and misunderstood chapter of Paul McCartney’s life. Now, in a three-hour Audible Original titled ‘The Man on the Run,’ the full story finally gets the space it needs. Released exclusively on Audible as the 42nd installment of the acclaimed Words + Music series, this audio experience expands on Prime Video’s documentary of the same name, which premiered February 27.

McCartney narrates his own journey through depression, isolation, creative rebirth, and the formation of Wings, all in his own words. The interviews were conducted over three years across Los Angeles, New York, and London, structured as conversations rather than formal sessions. One of those conversations took place on December 8th, 2025, the 45th anniversary of John Lennon’s death. That detail alone signals the depth of what’s here.

The material is intimate and specific. McCartney talks about building a baby bed for daughter Mary from potato pallets during his Scotland retreat. He opens up about painting as a way to process Linda’s illness. He revisits his post-Wings years with honesty. And a performance of “Yesterday” featuring John Lennon’s original introduction lands with real emotional weight.

McCartney said it plainly: “Morgan got me to think about stuff I hadn’t thought about for a long time. He was asking all the right questions and I was happy to be transported back.” That openness defines the entire listening experience. This is McCartney unguarded, working through a decade that shaped everything that followed.

‘The Man on the Run’ is available now exclusively on Audible. It sits alongside previous Words + Music releases from Patti Smith, Snoop Dogg, Yo-Yo Ma, Smokey Robinson, and others, all part of a series that has consistently delivered something the standard documentary format cannot.

Dash Crofts, One Half of Seals & Crofts, Has Died at 87

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Darrell “Dash” Crofts, the musician who helped define the sound of 1970s soft rock as one half of Seals & Crofts, passed away on March 25th, 2026 at the age of 87, surrounded by his family. His daughter Lua Crofts Faragher confirmed the news, writing that the family mourns “a man whose loving-kindness, remarkable compassion, beautiful and tender voice has uplifted hearts across the globe.” Producer Louie Shelton, who helmed several of the duo’s most celebrated albums, offered his own tribute: “Sad to hear our dear brother and partner in music has passed away today. R.I.P. my brother.”

Crofts was born in Cisco, Texas, picking up piano at five and drums by ten. By high school he had formed a band with a saxophone player named Jim Seals, a partnership that would define both their lives. After high school the two relocated to Southern California and joined The Champs, eventually striking out under the name Seals & Crofts in 1969. Their sound, breezy, melodic, and rooted in their shared Bahá’í faith, found its fullest expression on 1972’s ‘Summer Breeze’, which went double platinum and produced a title track that peaked at number six on the Billboard Hot 100. The follow-up ‘Diamond Girl’ went gold and delivered another top-ten single of the same name. Together the duo earned four gold albums, two platinum certifications, and two Grammy nominations across a catalog that has never stopped finding new listeners.

The music endured well beyond its moment. “Summer Breeze” was covered by the Isley Brothers and by Type O Negative, whose heavy reimagining appeared on the soundtrack to the 1997 thriller I Know What You Did Last Summer. The 2024 HBO documentary ‘Yacht Rock: A Dockumentary’ brought fresh attention to the genre Seals & Crofts helped create, and the duo’s warmth and melodic instincts continue to resonate with audiences discovering them for the first time. Crofts released a solo album, ‘Today’, in 1998, and he and Seals reunited for a final album together, ‘Traces’, in 2004.

Jim Seals passed away in June 2022 at the age of 79. With Crofts’ death, both halves of one of soft rock’s most enduring partnerships are gone. Crofts is survived by his wife Louise, his daughter Lua Crofts Faragher, two additional children, Faizi and Amelia, and eight grandchildren. His legacy lives in every breeze that passes through a jasmine vine.

Best 10 AI Music Generators for Creators in 2026

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By Mitch Rice

AI music isn’t just a tech demo anymore—it’s a daily tool that working creators actually rely on. Instead of building every track from a blank session, more musicians, YouTubers, podcasters, and indie developers are letting AI handle the heavy lifting of composition, vocals, and production, then stepping in to fine‑tune and add their own signature on top.

The real question in 2026 isn’t “does AI music work?” but “which generator matches the way you create?” Some platforms are built for fully sung songs from plain text, others specialize in cinematic scores, endless background streams, or scene‑aware video soundtracks. Below are the best 10 AI music generators for creators right now, with Text to Song AI leading the lineup when you want a prompt or set of lyrics transformed into a complete, vocal‑driven track in minutes.

1. Text to Song AI – From Words to Finished Songs in One Step

Text to Song AI is built around a very straightforward promise: type what you hear in your head and get back a complete song with vocals, melody, and arrangement. You can paste full lyrics or write a short description of the track you want—genre, mood, energy—and the system handles composition, singing, and production for you.

The output doesn’t feel like a rough sketch. Tracks come out with natural‑sounding vocals, balanced mixes, and enough polish that you can drop them directly into videos, podcasts, or playlists without extra engineering work. If you want professional‑sounding songs without diving into complex tools, this is a very easy first stop.

2. Suno – Big, Vocal‑Driven AI Anthems

Suno is the platform people mention when they talk about AI songs that feel “radio‑ready.” It excels at generating full pieces with lyrics, harmonies, and instrumental backings that span everything from modern pop and rock to heavier or more experimental genres.

You describe the scenario or story you want—anything from a breakup ballad to a high‑energy club track—and Suno returns finished songs that often sound surprisingly close to major‑label releases. It’s a strong fit when you care about emotional vocals and cinematic drama.

3. Udio – Iterative Song Craft for Producers

Udio targets creators who like to shape songs over multiple passes. It can generate complete vocal tracks from text, but its strength is in how easily you can extend, revise, and re‑arrange what it gives you.

You might begin with a short chorus, then ask Udio to build verses, alternate bridges, or new endings until the structure feels right. With its clean, modern sound and flexible workflow, it’s appealing for producers who see AI as a collaborator rather than a one‑click button.

4. Soundraw – Tailored Instrumentals for Video and Ads

Soundraw is built squarely for video editors, marketers, and brands that need a steady stream of adaptable background music. Instead of focusing on vocals, it focuses on customizable instrumentals you can match to scenes, durations, and pacing.

You choose genre, mood, and length, then tweak structure inside the interface so your track actually fits the cuts and emotional beats of your edit. For intros, product demos, explainers, and social ads, it’s a much more flexible solution than looping the same stock track again and again.

5. NanoMusic.AI – Monetizable, “Release‑Ready” Tracks at Scale

NanoMusic.AI positions itself as an end‑to‑end production engine: you type an idea, paste lyrics, or pick a mood, and it writes, sings, and produces a track that’s ready to monetize. Unlike tools that mainly generate loops or bare instrumentals, NanoMusic focuses on complete songs with verses, choruses, bridges, harmonies, and polished vocals baked in.

Its engine is tuned for human‑like singing: it emphasizes breath, phrasing, and emotion so that listeners often can’t tell the voice is synthetic. Under the hood it supports 40‑plus genres, from trap and K‑pop to jazz and bossa nova, and each style aims to capture the real production signatures and groove of that genre rather than just applying a generic “filter.” Tracks are delivered at streaming‑standard loudness, and paid users get full commercial rights plus stem exports for vocals, drums, bass, and more—making NanoMusic particularly attractive if you want to release AI‑generated songs on platforms or license them for campaigns.

6. Boomy – Instant Songs for Social and Streaming

Boomy is designed for speed and accessibility. You pick a style, click generate, and within seconds you have a full track you can adjust, title, and even distribute to streaming platforms.

It’s aimed more at experimentation and fun than hyper‑detailed sound design, but that’s exactly what many users want. If you like the idea of turning quick ideas into shareable songs, or you just need fresh background tracks for streams and short‑form content, Boomy makes that process almost effortless.

7. Mubert – Endless AI Music Streams

Mubert takes a slightly different approach from traditional “one song at a time” generators. It’s built to deliver continuous AI‑generated audio streams you can tailor to different use cases: focus playlists, workout sessions, gaming, or live broadcasts.

You configure genre and intensity, then let the system produce an endless flow of algorithmic music that fits that profile. For app developers, co‑working spaces, or long‑form streamers who need non‑stop, rights‑safe background music, this can be more practical than generating thousands of individual tracks.

8. AIVA – Orchestral Scores and Classical Compositions

AIVA is one of the more established names in AI composition, with a focus on orchestral and cinematic music rather than mainstream pop.

You can guide structure, instrumentation, and emotional arc, and AIVA returns full pieces with strings, brass, and other traditional elements that work well for film, games, and trailers. It’s not the go‑to for lyric‑driven songs, but if you need sweeping scores or refined classical‑style works, it fills that niche extremely well.

9. Beatoven – Music That Follows Your Edit

Beatoven AI is built around the idea that the music should follow your story. You upload a video, mark emotional segments or transitions, and the platform generates tracks that match those shifts in tone and intensity.

Instead of cutting stock music to fit your timeline, you get cues that were composed for your specific pacing. For documentary makers, YouTubers, and agencies working on narrative content, this can save a lot of time while improving how tightly music and visuals line up.

10. Loudly and Soundful – Creator‑Friendly Beat and Track Makers

Loudly and Soundful round out the list as creator‑focused platforms that give you more hands‑on control over the arrangement.

Loudly lets you explore different genres, stems, and loops to assemble tracks that still feel personal while using AI to guide composition and sound design. Soundful, meanwhile, leans into royalty‑free music for content creators, giving you clear licensing and a simple way to generate tracks that won’t trigger copyright problems on major platforms.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

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Roxy Music Guitarist and Rock Hall of Famer Phil Manzanera Brings “An Evening Of Words And Music” to the Midwest This May

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Phil Manzanera has one of the most genuinely extraordinary life stories in rock music, and “An Evening Of Words And Music With Roxy Music’s Phil Manzanera” gives audiences a rare chance to hear it told in person. The Roxy Music guitarist, Rock & Roll Hall of Famer, OBE recipient, and esteemed record producer returns to the United States in May for four Midwest dates supporting his memoir and companion CD ‘Revolucion To Roxy’, following a highly successful West Coast run earlier this year.

The format is as distinctive as the man himself. Each show blends conversation with live performance, Manzanera discussing the memoir while also picking up the guitar to take the room through musical highlights. The response from the West Coast run was unambiguous. The San Jose Mercury News praised it as “a great night for fans,” while Parklife DC called Manzanera “a right proper gentleman” whose storytelling kept audiences “glued to our seats,” adding that “you could simply feel the room bursting with joy” when he played. That combination of candor, wit, and genuine musicianship makes these shows something well beyond a standard book tour appearance.

The memoir itself covers remarkable ground. Manzanera writes vividly about living through the Cuban Revolution, discovering a 17th century Caribbean Jewish pirate ancestor, and an Italian musician grandfather, before moving into his years with Roxy Music and encounters with Bob Dylan, David Gilmour and Rick Wright of Pink Floyd, Paul Simonon of The Clash, and Chrissie Hynde of The Pretenders. The companion CD on Expression Records via BFD/The Orchard features ten tracks including five previously unreleased songs. The Cleveland date at the Rock & Roll Hall of Fame on May 14th features a conversation with VP Jason Handley, while the Chicago Space show on May 18th pairs Manzanera with legendary WXRT-FM DJ Terri Hemmert.

“An Evening Of Words And Music With Roxy Music’s Phil Manzanera” Tour Dates:

May 14 – Cleveland, OH – Rock & Roll Hall of Fame (in conversation with Jason Handley)

May 18 – Chicago, IL – Space (in conversation with Terri Hemmert)

May 19 – Milwaukee, WI – The Shank

May 20 – Minneapolis, MN – The Quinlan Room

Courtney Barnett Releases “One Thing At A Time” and Announces North American Tour Behind Fourth Album ‘Creature of Habit’

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Courtney Barnett’s fourth studio album ‘Creature of Habit’ arrives Friday March 27th via Mom+Pop Music, and its focus track “One Thing At A Time” makes an emphatic case for why this is one of the most anticipated indie rock records of the year. Directed by Lance Bangs, the video accompanies a track that is quintessential Barnett, two minutes of stomping, internally combusting tension, featuring Flea on bass, before a mid-song reckoning gives way to a euphoric three-minute guitar solo and a final lyric that lands like a genuine exhale: “I’m ready for a change.” It is one of the most cathartic moments she has committed to tape.

‘Creature of Habit’ was written in the wake of Barnett relocating from Australia to Los Angeles and closing her long-running label Milk! Records, a period of genuine upheaval that she channeled directly into the recording process rather than keeping at arm’s length. The album’s central question, how to get out of your own way so you can truly feel your life, runs through every track, and the accumulated weight of previous singles “Stay in Your Lane,” “Site Unseen” with Waxahatchee, “Mantis,” and “Sugar Plum” makes “One Thing At A Time” feel like the record’s emotional payoff. This is Barnett at her most emotionally exposed and musically assured, and one of the defining indie rock albums of 2026.

A North American tour kicks off May 1st in Austin with support from Truman Sinclair, featuring additional support from Momma on select Northeast dates, Built to Spill on select West Coast dates, and Zoh Amba on the August run. The San Francisco Fillmore date on August 26th is already sold out, with August 27th running low on tickets.

2026 North American Tour Dates:

May 1 – Austin, TX – RADIO/EAST (with Truman Sinclair)

May 2 – Houston, TX – White Oak Music Hall (with Truman Sinclair)

May 3 – Dallas, TX – The Bomb Factory (with Truman Sinclair)

May 5 – Nashville, TN – Ryman Auditorium (with Truman Sinclair)

May 6 – Atlanta, GA – Tabernacle (with Truman Sinclair)

May 8 – Richmond, VA – The National (with Truman Sinclair)

May 9 – Brooklyn, NY – Kings Theatre (with Momma & Truman Sinclair) LOW TICKETS

May 10 – Washington, DC – The Anthem (with Momma & Truman Sinclair)

May 12 – Philadelphia, PA – The Fillmore (with Momma & Truman Sinclair)

May 13 – Boston, MA – Roadrunner (with Momma & Truman Sinclair)

May 15 – Madison, WI – The Sylvee (with Truman Sinclair)

May 16 – St. Paul, MN – Palace Theatre (with Truman Sinclair)

May 19 – St. Louis, MO – The Hawthorn (with Truman Sinclair)

May 20 – Columbus, OH – Newport Music Hall (with Truman Sinclair)

May 21 – Detroit, MI – Majestic Theatre (with Truman Sinclair)

May 22 – Toronto, ON – History (with Truman Sinclair)

August 11 – Cleveland, OH – Agora Theater (with Zoh Amba)

August 12 – Pittsburgh, PA – Roxian Theatre (with Zoh Amba)

August 14 – Cincinnati, OH – MegaCorp Pavilion (with Zoh Amba)

August 15 – Kansas City, MO – The Truman (with Zoh Amba)

August 18 – Seattle, WA – Woodland Park Zoo Amphitheater (with Built to Spill & Zoh Amba)

August 19 – Portland, OR – Pioneer Courthouse Square (with Built to Spill & Zoh Amba)

August 21 – Denver, CO – Mission Ballroom (with Zoh Amba)

August 22 – Salt Lake City, UT – Rockwell at The Complex (with Zoh Amba)

August 24 – Sacramento, CA – Channel 24 (with Zoh Amba)

August 26 – San Francisco, CA – The Fillmore (with Zoh Amba) SOLD OUT

August 27 – San Francisco, CA – The Fillmore (with Zoh Amba) LOW TICKETS

August 29 – Los Angeles, CA – Hollywood Palladium (with Built to Spill & Zoh Amba)