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Jane Siberry, The Organ Albums Receive 2025 Slaight Family Polaris Heritage Prize Designation

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The two new Heritage Prize winners were announced at 9 PM at the 2025 Polaris Concert & Award Ceremony, which took place at Toronto’s Massey Hall on September 16.

The Polaris Heritage Prize is a hall-of-fame critics prize and public support campaign celebrating classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize album prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations. Each year, one album is selected by a public vote and one by the Polaris Heritage Prize jury.

Grab That Gun, this year’s Heritage Prize public vote winner, was released in 2004 and was Vancouver-based band The Organ’s only full-length album. Featuring a dramatic indie rock sound, the album topped the charts at Canadian campus radio stations for two months that year and included the singles “Brother” and “Memorize the City.”  

Jane Siberry’s 1985 album The Speckless Sky received its Heritage designation via jury vote. Siberry’s third album included the singles “One More Colour” and  “Map of the World (Part II).” Notably, “One More Colour” has been covered by the likes of The Rheostatics as well as Sarah Polley, who recorded a version of it for the film The Sweet Hereafter.

The Organ’s Katie Sketch provided the following statement:

“Winning the Polaris for Grab The Gun is a wonderful surprise. This record would not exist without the talents of Paul Forgues and the late Todd Simko, who poured countless hours into every song on a shoestring budget. Paul recorded most of the tracks in the back of an unfinished office space, and Todd mixed the album in his garage studio. We are deeply grateful to everyone who continues to listen, and to those who stood with us in a time when queerness was ridiculed and shamed. We also acknowledge that the landscape remains hostile towards trans people and we urge Canadians to protect our most vulnerable. ank you! Thank you! Thank you!”

Jane Siberry provided the following statement about The Speckless Sky:

“Forty years later, I still feel like a baby musician, still inching towards my prime. The songs on my new recording, Thicket, are about struggling to become more conscious, that darn ego, dogs, Atlantis, dogs and joy. So, nothing has changed really. I am grateful to be a musician, sweating a privilege to be a musician and possibly of service. Thank you to everyone, whoever you are, whatever you are doing. May whatever lights you up be your compass. Helping each other remember our original beauty, innocence and joy. Joy to musicians world-wide.”

There were 12 albums nominated for Heritage Prize consideration this year:

Choclair – Ice Cold

The Constantines – The Constantines

Franck Dervieux – Dimension M

Do Make Say Think – Goodbye Enemy Airship, The Landlord Is Dead

Doughboys – Crush

Dubmatique – La Force De Comprendre

Mort Garson – Mother Earth’s Plantasia

The Organ – Grab That Gun

Propagandhi – Today’s Empires, Tomorrow’s Ashes

Rascalz – Cash Crop

Jane Siberry – The Speckless Sky

Strawberry – Brokeheart Audio

Heritage Prize balloting was officially opened on August 5 and closed on August 21. Music fans were able to vote once per day to support their favourite albums. This was the first time Heritage Prize winners have ever been revealed during the annual Polaris concert event. In previous years, the Heritage Prize winners were announced in mid-October. This adjustment was one of many Polaris undertook this year as part of its 20th anniversary celebrations that also included the launch of the SOCAN Polaris Song Prize, the Polaris Festival and the Polaris Submission Portal.

This year’s Heritage Prize jury included Michael Elves, Phyllis Grant, Peter Hemminger, Lise Hosein, Omar Husain, Nancy Lanthier, Antoine-Samuel Mauffette Alavo, Mack Meyer, Rosheeka Parahoo, Blayne Smith and Dylan Hudecki. Forty-three albums have received Heritage Prize designation since its introduction in 2015. Past winning albums include Eric’s Trip Love Tara, Feist Let It Die, Harmonium L’Heptade, Faith Nolan Africville, and Neil Young After The Gold Rush.

Mariah Carey Announces ‘Christmastime in Las Vegas’ Holiday Residency at Dolby Live

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Mariah Carey is decking the halls of Las Vegas with her glittering holiday spectacular, Mariah Carey’s Christmastime in Las Vegas, at Dolby Live at Park MGM.

The festive run of ten magical performances will occur from November 28th through December 13th, transforming the Strip into a winter wonderland filled with holiday hits, sparkle, and Carey’s legendary vocals. The shows follow her critically acclaimed residency, Mariah Carey: The Celebration of Mimi Live in Las Vegas at Dolby Live in 2024 and 2025.

Presales start on Wednesday, September 17th, ahead of the general sale on Saturday, September 20th, at 10 am PT.

Carey and Live Nation Las Vegas will donate $1 of every ticket purchased to The Fresh Air Fund’s Camp Mariah. Camp Mariah is the summer component of the year-round Career Awareness Program. Children, ages 11-15, attend Camp Mariah for three weeks each summer. Campers explore their interests in classes like film, photography, fashion, culinary arts, debate and international relations. A careers class helps campers create resumes and cover letters and conduct mock interviews. Campers also play team sports, swim every day and explore the outdoors in environmental science class. Camp Mariah is named in honor of Board member Mariah Carey for her generous support.

Dolby Atmos is an immersive audio experience transforming how music is created and enjoyed. At Dolby Live at Park MGM, Dolby Atmos brings live performances to the next level by taking listeners inside the music to reveal details with unparalleled clarity and depth. Whether it’s hearing the layers of instruments move all around, catching the subtle breath a singer takes between lyrics, or being enveloped in a wave of melodies, nothing compares to hearing music live in Dolby Atmos.

Sammy Hagar Brings Back ‘The Best of All Worlds’ Residency to Las Vegas in 2026

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On the eve of his return to Las Vegas to perform at the 2025 iHeartRadio Music Festival, Rock & Roll Hall of Famer Sammy Hagar has announced the return of his hit The Best of All Worlds residency to Dolby Live at Park MGM for 11 performances for March 11-21 and September 18-26, 2026.

The 2026 residency will reunite Hagar with the powerhouse Best of All Worlds Band featuring fellow Hall of Famer and original Van Halen bassist Michael Anthony, 15-time Grammy nominee and guitar virtuoso Joe Satriani, powerhouse drummer Kenny Aronoff, and multi-instrumentalist Rai Thistlethwayte. The high-octane “only in Las Vegas” show is a celebration of Hagar’s legendary catalog, including the deepest dive yet into his tenure with Van Halen. The Las Vegas residency represents a once-in-a-lifetime opportunity to see this band of brothers deliver one of the most legendary hits-packed live shows of their careers.

“I can’t tell you how hard it’s been not to leak this announcement,” Hagar says. “Those last nine shows were some of the best shows I’ve done in my life. I love this band like no other and can’t wait to do it again. One listen to the live residency record coming out and you will understand this is my idea of retirement! Beats golf any day.”

Presales start tomorrow (Tues, Sept 16th) at 10 am local time ahead of the general sale on Friday, September 19th.

Adding to the excitement, Hagar will release Sammy Hagar & The Best of All Worlds Band – The Residency, a 19-track live album recorded during his first Dolby Live run, on October 10, 2025, via Big Machine Rock. The album captures rare deep cuts and Van Halen favorites, with the first advance track, “Summer Nights (Live),” available now on all DSPs.

Custom-built for Dolby Live’s intimate and electric atmosphere, The Best of All Worlds delivers an unfiltered connection to the music that defined a generation. With fresh setlists each night, Hagar dusts off Van Halen deep cuts, solo anthems, and fan favorites not heard live in decades. The residency was a critical and box office hit, with fans and media alike calling it one of the strongest rock residencies in Las Vegas history.

The Lemonheads Share New Single “Togetherness Is All I’m After” From Forthcoming Album ‘Love Chant’

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The Lemonheads have shared their new single “Togetherness Is All I’m After”, which is the fourth single from their forthcoming album, “Love Chant,” that arrives via Fire Records on Friday, October 24.

“Togetherness Is All I’m After” opens with a whallop before dissolving into a final whispered plea: “Baby, don’t blow it.” Between its crashing introduction and dissonant fade-out, lead singer/guitarist Evan Dando skips a gentle and familiar melody across a thick, dense, and beautiful bed of guitars whose bite doesn’t pierce but rather builds the track’s fuzzy sheath. His voice has gathered a wisdom about it since the last Lemonheads album 20 years ago, which gives the understated, natural delivery on “Togetherness Is All I’m After” a special gravity. The song was co-written by Evan Dando with John Strohm of Blake Babies.

“Listen to the wind blow / A whisper through the trees / Where did all the time go
What brought you to your knees / The strategy of time is you can speed it up you can slow it / And when you laid it on the line / Baby, don’t blow it.”

Recorded at Sao Paulo’s A9 Audio with producer Apollo Nove (Rita Lee, Bebel Gilberto, Seu Jorge), Love Chant marks the welcome return of a justifiably legendary rock ‘n’ roll band, with founding singer-songwriter-guitarist Evan Dando joined by a bevy of dear friends and collaborators including J Mascis (Dinosaur Jr), Juliana Hatfield, Tom Morgan (as co-writer for “Deep End”), producer Bryce Goggin (Pavement, Antony and the Johnsons), Nashville’s Erin Rae, John Strohm of the Blake Babies co-wrote and played guitar on “Togetherness,” and Nick Saloman of The Bevis Frond (a songwriter and performer on the swirling psych-folk gem “Roky”). Adam Green of cult New York favorites The Moldy Peaches also contributes as co-writer on the loose-limbed country detour “Wild Thing.”

The album was heralded by the premieres of the hard-hitting singles, “In The Margin” and “Deep End,” as well as the introspective “The Key of Victory.” “In The Margin” is a classic Dando composition: half-broken, half-beautiful, wrapped around a melody that disarms before it detonates. “Deep End” was co-written by Dando with longtime collaborator Tom Morgan of Smudge, the churning, riff-powered track, which features an instantly identifiable guitar solo from J Mascis and backing vocals from dear friend and frequent Lemonheads guest Juliana Hatfield. The song was met by worldwide attention upon its premiere last month by such high-profile publications as Rolling Stone, Billboard, Uncut, Stereogum, and Consequence, the latter of which praised its long-awaited reprise of the Lemonheads’ “scrappy, guitar-forward rock sound.” An official music video, filmed on location in São Paulo, Brazil, by directors Carlão Busato and Luigi Parisi, is streaming now on YouTube.

“The Key of Victory” is all slow motion and soft shadows – a modal, meditative piece anchored by Apollo Nove’s winding guitar and Erin Rae’s spectral harmonies. The song was written with David Ashby (Rum Shebeen), and its vocal was recorded at Abbey Road. Stamped with a profound lightness and beauty, “The Key of Victory” is indicative of the songwriting diversity at play on Love Chant.

Slightly Stoopid Release “Step Into The Sun,” First Single From Upcoming Tenth Album

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Today, San Diego, CA based musical outfit Slightly Stoopid unveils their new single “Step Into The Sun,” a radiant feel-good summer anthem celebrating life, love and the uplifting sentiment of understanding. Recorded at the famed Sonic Ranch studios in El Paso Texas, the track captures the band’s unmistakable chemistry and the infectious energy that’s earned them a devoted global following over the course of 3 decades of creating music.

“Step Into The Sun” also marks the first single from Slightly Stoopid’s forthcoming tenth studio album, set for release next year. The record will be the band’s first full-length project in eight years, following 2018’s Everyday Life, Everyday People.

Opening with a breezy electric guitar riff layered over strummed acoustic chords, “Step Into The Sun” comes to life with warm flashes of organ, bursts of brass, and the signature vocal interplay of Miles Doughty and Kyle McDonald. They ask, “When’s the sun gonna shine across your eyes again? / When’s the tide gonna hide your footprints in the sand?” before offering a gentle reminder: “Whether you’re right, whether you’re wrong / Whether you see it, or whether you don’t / All in all it’s the life that you’re given / All in all it’s the way that you live it.” Blending elements of acoustic soul and classic rock, the song channels Slightly Stoopid’s unmistakable live energy — a genre-hopping groove that has captivated fans worldwide since their 1994 debut.

Speaking about their new track, Miles Doughty notes: “‘Step Into The Sun’ takes you on a journey as the band reflects on life, love and the ones we share it with. Through the energy of Sonic Ranch Studios we were able to capture the organic feel with the whole band jamming. Hope you feel the love!”

Slightly Stoopid recently visited the KROQ Helpful Honda Sound Space, where they performed “Step Into The Sun” live, along with fan favorites like “2 AM” and their new cover of Sublime’s “Slow Ride.” Watch the performance HERE

The new track kicks off what promises to be a busy summer for Slightly Stoopid, with a cross-country headlining tour launching June 12. Supported by Iration and Little Stranger, the tour hits major markets like Boston, Philadelphia, Austin, and Charleston, with standout shows at the Santa Barbara Bowl and a return to the iconic Red Rocks Amphitheatre. The band will also make several highly anticipated festival appearances, including sets at Bonnaroo, Cali Vibes, Brighter Daze, Point Break, and Reggae Rise Up (Oregon and Las Vegas). To get fans ready for the road ahead, Slightly Stoopid has launched a Step Into The Sun Summer Tour 2025 playlist on Spotify — a handpicked mix of sun-soaked tracks to set the vibe for the season. Listen HERE

A full tour itinerary can be found HERE

Along with the new music and summer tour, Slightly Stoopid recently announced the 11th edition of their Closer to the Sun all-inclusive concert vacation in Mexico. A one-of-a-kind concert experience known for its vibrant community of fans, artists, and crew, the vacation includes three shows by Slightly Stoopid with a stacked lineup of additional performers. Attendees can expect multiple shows by Dirty Heads, Pepper, The Elovaters, The Movement, HIRIE, DENM, Little Stranger, and Z-Trip. Additional concerts from Rebelution, and Rome, plus a special ‘Traffic Jam” performance by Damian Jr. Gong & Stephen Marley, and an Old Soul Unplugged set by Stephen Marley to round out the musical vacation. 

Julien’s Auctions and Grand Ole Opry Announce Exclusive London Fan Experience

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Julien’s Auctions continues making its music mark in Nashville through a new partnership with the Grand Ole Opry to offer a once-in-a-lifetime experience.

Bidding is NOW OPEN for the “GRAND OLE OPRY LIVE IN LONDON FAN EXPERIENCE” here – an exclusive auction package that provides a truly unforgettable, collector-worthy immersion into the making of a historic musical event: the Grand Ole Opry’s inaugural show at London’s Royal Albert Hall on September 26, 2025, featuring Luke Combs, Carly Pearce, Marty Stewart, Ashley McBryde, and Darius Rucker. Bidding is now open and will end on September 19, 2025, at 10:00 AM PDT/1 PM EST.

For the first time in their 100-year history, the Grand Ole Opry is going global. On September 26, country music’s ultimate showcase is taking over London’s iconic Royal Albert Hall for one extraordinary night.

This unique opportunity allows a single winner and a guest to be among the very first to witness the Opry’s debut on a UK stage and gain unparalleled behind-the-scenes access during rehearsal at Abbey Road Studios. This rare VIP access will not be offered anywhere else.
The exclusive auction package includes:

Two (2) Premium Grand Ole Opry Tickets for the London show at the Royal Albert Hall on September 26, 2025.

Exclusive Behind-the-Scenes Rehearsal Experience: A private session on September 22, 2025, to watch the Opry band rehearse as they prepare for the big evening at London’s most celebrated recording venue – Abbey Road Studios.

A commemorative “Opry at the Royal Albert Hall” poster, signed by the artists on the program.

Estimate: $2,000 – $4,000
For anyone who cherishes cultural milestones, this auction shouldn’t be missed. The winner and a guest will witness a piece of country music history, gain intimate behind-the-scenes rehearsal access with musical legends at Abbey Road Studios, and celebrate the Opry’s centennial in style at London’s Royal Albert Hall.

All proceeds from the auction will benefit the Opry Trust. Please note that travel and accommodation are not included in this package. Bidders are responsible for arranging and covering their own flights, hotel stays, and transfers.

Paul Bradshaw Edits Landmark Anthology ‘Beyond the Bassline: 500 Years of Black British Music’

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The story of Black British music is a five-hundred-year journey from the court of King Henry VIII to the ‘Ends’ of South London; from Africa to the Caribbean to the UK and back; from subterranean shebeens and church halls to royal command performances and sold-out stadiums; and from outsider influence to domestic chart domination. It is a story that grapples with the slave trade, the prejudice of unwelcoming institutions and the bias of ignorance while ultimately celebrating the creativity and perseverance of the pioneers and today’s digital age innovators.

Published alongside the major British Library exhibition, Beyond the Bassline is a landmark volume of essays, features and interviews which traces a new timeline underpinned by the Black artists and musicians who, over centuries, have shaped Britain’s unique and globally significant musical culture. Illustrating this vibrant history which traverses musical genres from classical, gospel and jazz through to reggae, jungle and Afrobeats are more than three hundred images including contemporary and classic photographs, paintings, posters and record sleeves.

Introduced by the exhibition’s curators, Dr. Aleema Gray and Mykaell Riley, and edited by Paul Bradshaw, music journalist and publisher of Straight No Chaser magazine, Beyond the Bassline tells its essential story through specially commissioned pieces from musicians, composers, DJs, writers and photographers, as well as important voices in politics and history.

Authors/Contributors include Tej Adeleye, Christian Adofo, Ishmahil Blagrove Jr., Stephen Bourne, Garth Cartwright, Monique Charles, Dalia Al-Dujaili, Tracy Durrant, Juliet Fletcher, Vivien Goldman, Julian Grant, Linton Kwesi Johnson, Anthony Joseph, Julian Joseph, Cassie Kinoshi, Kevin Le Gendre, Charis McGowan, Rasheda Ashanti Malcolm, Tony Montague, Malik Al Nasir, Sharon O’Brien, Michael I. Ohajuru, Lisa Amanda Palmer, Amar Patel, Ade Egun Crispin Robinson, Angus Taylor, Chardine Taylor-Stone, Andy Thomas, Julia Toppin, Ayanna van der Maten McCalman, Derek Walcott, Richard Williams, Val Wilmer, Anthony Wright, Benjamin Zephaniah.

Dylan Jones Declares ‘1975: The Year the World Forgot’ the Greatest Year in Rock

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There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs.

Wrong.

The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition.

1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell and A Night at the Opera by Queen, amongst countless other legendary albums.

These records were magisterial; records that couldn’t be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses?

1975, as Dylan Jones expertly illustrates, was the greatest year of them all. 1975: The Year the World Forgot is a 2025 book by British journalist and author Dylan Jones that argues that 1975 was an unfairly overlooked, highly significant year for music and culture, positioned between the end of the idealistic 1960s and the punk revolution of 1976. Jones, a former editor of i-D, The Face, and GQ, explores this “adult pop” era of sophisticated songwriting, concept albums, and artistic ambition, highlighting the period’s rich output of classic albums by artists like Bob Dylan, The Who, David Bowie, Brian Eno, Joni Mitchell, and Queen.

Harry Freedman Explores Dylan’s Heritage in New Biography ‘Bob Dylan: Jewish Roots, American Soil’

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From the day that Bobby Zimmerman first turned on the radio in his parents’ home in Hibbing, he’d had a pretty good idea that big things were happening.

When Bob Dylan arrived in New York one winter morning in 1961 he was a complete unknown. His music and spirit would go on to capture the hearts and minds of a generation, but what no one knew then was that, like so many before him, Dylan was concealing his Jewish origins.

Covering the same turbulent years as the hit film starring Timothée Chalamet, this entertaining biography offers new insights into Bob Dylan’s early career. For Harry Freedman, Dylan’s roots are the key to grasping how this young musician burst onto the scene and reinvented not only himself, but popular music. The instinct for escape and reinvention has defined Dylan’s long career.

Freedman traces the heady atmosphere of the 1960s and the folk-rock revolution spearheaded by Dylan. Right up until the moment in 1966 when Dylan stepped out onto the stage and went electric – exploring how his musical decisions, genius for reinvention and his Jewishness go inescapably hand in hand.

Harry Freedman is Britain’s leading author of popular works of Jewish culture and history. His books include Leonard Cohen: The Mystical Roots of Genius, Shylock’s Venice: The Remarkable History of Venice’s Jews and the GhettoThe Talmud: A BiographyBritain’s Jews: Confidence, Maturity, Anxiety and Kabbalah: Secrecy, Scandal and the Soul. He has a PhD on an Aramaic translation of the Bible from the University of London. He lives in London with his wife Karen. You can follow his regular articles on harryfreedman.substack.com.

Lakelin Lemmings Debuts Official Video for “Parking Lot”

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QHMG / Stone Country Records’ newest signing, girl-next-door singer-songwriter Lakelin Lemmings, has released her debut official music video, “Parking Lot.”

A laid-back modern country waltz offering the perfect groove for just hangin’ out with friends, “Parking Lot” is Lakelin’s loving tribute to a favorite meeting spot among small-town teenagers.

Directed by Sam Aldrich, the track’s official music video was filmed in the parking lot of Chester County High School in Lakelin’s hometown of Henderson in West Tennessee, a two-and-a-half-hour drive from Nashville. The video captures Lakelin and her friends tailgatin’ and talkin’ amidst the highs and lows of teenage life.

Penned by Lakelin alongside co-writer Tiffany Goss and the track’s producer, Ash Bowers, the official audio for “Parking Lot” was released on Sept. 5.

“It’s your friends you meet there who make it special, but I wanted to write a song that shows some love to country parking lots,” says Lakelin. “This is a song for all my friends, and anyone else our age, who knows what it’s like to live in a small town, to sometimes have nowhere better to hang out than the parking lot, and all the memories you make at that place.”