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Live Nation Unveils The Truth A New 4,400 Capacity Nashville Music Venue

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Live Nation today unveiled The Truth, a 4,400 capacity indoor music venue set to open fall 2026 in Nashville’s Wedgewood Houston neighborhood. Built for live performance, The Truth celebrates Nashville’s creative culture, honoring the city’s rich legacy while providing a bold, modern stage for artists and fans alike.

ā€œThe legendary songwriter Harlan Howard said all you need for a good country song is three chords and the truth. The Truth is built on that same idea,ā€ said Sally Williams, President of Nashville Music & Business Strategy, Live Nation. ā€œOur goal is to create a space that could only exist here — where raw, honest music meets world-class production, and where fans and artists from across all genres can connect in a way that feels unmistakably Nashville.ā€

Designed by Blueprint Studio, Live Nation’s in-house design and development group, The Truth will blend authenticity, craftsmanship, and innovation. The venue will feature a flexible floor plan with three levels of fans close to the stage, accommodating both standing-room and fully seated shows. Every detail reflects Nashville’s creative DNA, from Harlan’s, a whiskey bar honoring the legendary Harlan Howard, to the Vinyl Room, an exclusive two-story listening lounge celebrating the neighborhood’s deep vinyl roots. Elevated food and beverage menus will highlight local favorites, including Nashville-made whiskeys and spirits.

​​Located on Chestnut Street, The Truth adds to the creative fabric of Wedgewood Village, a mixed-use destination where fashion, art, music, and entertainment intersect. ā€œOur vision for Wedgewood Village has always been to build on the creative energy that has defined this neighborhood long before we became stewards here,ā€ said Eric Hassberger, President of AJ Capital Partners. ā€œWedgewood Houston has become a true intersection of heritage and innovation, and The Truth is a natural fit, giving live music a permanent home in the neighborhood.ā€

Live Nation will bring a wide range of talent to The Truth, from global headliners to local favorites, creating unforgettable performances and special moments for every fan.

As part of its launch, Live Nation is investing in Nashville’s creative community through multi-year commitments to two cornerstone organizations: the Nashville Songwriters Association International (NSAI) and the W.O. Smith Music School. Both partnerships reflect the spirit of The Truth: honoring the city’s foundation, while fostering the next generation of creators.

For nearly six decades, NSAI has championed the voices that make Music City sing—protecting songwriters’ rights, nurturing new talent, and preserving landmarks like The Bluebird CafĆ©. From the Music Modernization Act to the ELVIS Act, the organization has led landmark legislation safeguarding artists’ voices and likenesses in the era of artificial intelligence. With Live Nation’s continued support, NSAI will continue advancing its mission and sustaining the songwriting community at the heart of Nashville’s identity.

Just up the street from The Truth on 8th Avenue South, W.O. Smith Music School has been transforming lives through music since 1984. Founded to make music education accessible to children from low-income families, the school now serves hundreds of students annually, offering instruments, instruction, and performance opportunities. Through resources, mentorship and access, the collaboration underscores Live Nation’s belief that Nashville’s creative future depends on investing in its youngest musicians.

ā€œNSAI is excited that Live Nation is recognizing Nashville songwriters as the backbone of our music community,ā€ said Bart Harbison, Executive Director, NSAI. ā€œFrom naming their amazing new venue,  ā€˜The Truth,’ derived from legendary songwriter Harlan Howard’s famous saying, to lyric displays and other songwriter recognitions inside the remarkable facility, the space will highlight the important contribution of songwriters to the industry ecosystem. In addition, Live Nation’s generous financial support for NSAI will help us continue the work we do for the songwriting profession. We are very enthusiastic about the possibilities we can employ as we work together.ā€

The Truth represents a significant investment in Nashville. The venue is projected every year to generate $74 million in economic impact, support 430 jobs, and contribute $6 million in state and local tax revenue.

ā€œThe backbone of Music City is the songwriters that put words to our feelings, stories, and joys. I’m excited that The Truth will be a venue that is dedicated to cultivating and supporting great songwriting,ā€ Mayor Freddie O’Connell said. ā€œWhen I expressed interest in music at a young age, the W.O. Smith Music School helped cultivate my passion, and allowing more folks to have that opportunity is a great way we ensure all Nashvillians can follow their Music City dreams.ā€

The Steel Wheels Mark 20 Years With Self Titled Album And New Tour Dates

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o coincide with their 20 year anniversary, Virginia-based Americana band The Steel Wheels have released their new self-titled album on CD, vinyl, and full mp3 download. The band have also shared the four-song Need The Help EP, which previews the record, with full streaming for the album set for March 14, 2026. Primary songwriter Trent Wagler says, “We wanted to present it as a complete body of work, not just a collection of singles dropped over time,” emphasizing the decision to prioritize physical formats and full-album listening.

The Steel Wheels is the band’s ninth studio album and was co-produced by D. James Goodwin, who previously mixed their 2019 album ‘Over The Trees’. Recorded during a winter session at Goodwin’s Shenandoah Valley studio, the album reflects the band’s harmony-driven roots and their evolution into folk rock over two decades. Alongside the release, the band have announced 2026 tour dates, including Red Wing Winter Roots in Harrisonburg, Virginia, and shows in Florida and Louisiana.

2026 Tour Dates
January 17 – Fernandina Beach, FL – Tigre Island Room
January 18 – Gainesville, FL – Heartwood Soundstage Indoor
January 19 – Tampa, FL – Orpheum
January 20 – Boca Raton, FL – Funky Biscuit
January 22 – New Orleans, LA – Folk Alliance Official Showcase
January 24 – Harrisonburg, VA – Red Wing Winter Roots

Kaitlin Butts Opens A New Chapter With Covers EP ‘Yeehaw Sessions’

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Kaitlin Butts has released her ‘Yeehaw Sessions’ EP, out now, marking her debut under her newly signed deal with Republic Records. The Nashville-based singer-songwriter recently shared her cover of Jimmy Eat World’s “The Middle” alongside a music video, giving listeners an early look at the project. Reflecting on her recent journey, Butts says, “From releasing my album over a year ago as an independent artist, to having a viral song, to now signing a record deal with such a prestigious label like Republic Records, the journey has felt nothing short of surreal.”

In the spirit of her 2022 covers release ‘Sad Yeehaw Sessions’, the EP features reimagined versions of songs she has been performing live, including “Red Wine Supernova” by Chappell Roan, “Sin Wagon” by The Chicks, “Tulsa Time” by Don Williams, and “The Middle”, alongside a new recording of “You Ain’t Gotta Die (To Be Dead to Me)”. On her connection to “The Middle”, Butts shares, “I needed to hear those words in that exact moment.” She adds, “I hope my version meets someone the way that song met me in that moment.”

Trivium Sharpen Their Edge On Three Song EP ‘STRUCK DEAD’

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Trivium have released their three-song EP ‘STRUCK DEAD’, out now via Roadrunner Records, alongside a video for the title track. The EP was created after the band built their own studio at The Hangar, giving them space to work freely and independently. Bassist Paolo Gregoletto says, “In August 2023, we set out to design and build our own studio at The Hangar – a place to create freely, on our own terms.” The release captures a focused burst of energy shaped by intention and control.

The creative spark came from revisiting the band’s past while looking ahead. “Born from months of revisiting and performing Ascendancy in full, this EP channels that familiar power and spirit while pushing into new territory,” Gregoletto explains. “We feel that Struck Dead stands as the first step into a bold new era for us.” Produced by Trivium, recorded with Mark Lewis at Hangar Studios, and mixed and mastered by Josh Wilbur, the EP delivers a concise yet forceful statement driven by riff-heavy precision and dual-style vocals.

The Funeral Portrait Unleashes Live Chaos With ‘Live From Suffocate City’

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The Funeral Portrait release their first-ever live album ‘Live From Suffocate City’, out now via Better Noise Music as a CD and Blu-ray combo and on vinyl in green and purple. The album documents the band’s sold-out Suffocate City Town Hall Meeting at The Masquerade in Atlanta, capturing the emo-rooted group in front of a packed hometown crowd. The release invites listeners inside a night defined by raw emotion, high-energy theatrics, and fan-favorite anthems.

The album includes live performances of “Holy Water” featuring Ivan Moody of Five Finger Death Punch and “Suffocate City” featuring Spencer Charnas of Ice Nine Kills, both #1 singles on Billboard’s Mainstream Rock Airplay and Mediabase’s Active Rock charts. A live version and video of “Voodoo Doll” are also out now. Frontman Lee Jennings says, “‘Voodoo Doll’ is about the pain of watching someone you love disappear into addiction.” He adds, “This live video captures that raw emotion exactly how it felt that night.”

Duff McKagan Captures A Sold Out Night With Live Album ‘LIGHTHOUSE: LIVE FROM LONDON’

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Duff McKagan has released his new live album and full-length concert film ‘LIGHTHOUSE: LIVE FROM LONDON’, out now across multiple formats including digital, CD, CD plus Blu-ray, and vinyl editions. The 19-track collection was recorded and filmed on October 5, 2024, at a sold-out show at London’s Islington Assembly Hall during Lighthouse Tour ’24. The performance features McKagan and his band playing songs spanning his career, including material from his 2023 solo album ‘LIGHTHOUSE’.

Recorded and mixed by longtime collaborator Martin Feveyear, the album captures live versions of McKagan originals like “I Saw God On 10th St.”, “Lighthouse”, and “Chip Away”, alongside covers including “I Wanna Be Your Dog”, “I Fought The Law”, and Guns N’ Roses’ “You’re Crazy”. The release also features a guest appearance from Sex Pistols guitarist Steve Jones, with the pair performing “Can’t Put Your Arms Around A Memory” and “Heroes” together during the concert.

Reckless Eden Confronts Power And Truth On Hard Hitting Single “Toxic”

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Rock trio Reckless Eden channel intensity into their latest single “Toxic”, a hard-hitting anthem about breaking free from manipulation, gaslighting, and the moment clarity sets in. Fueled by soaring vocals, driving riffs, and emotionally direct lyrics, the track captures the breaking point where power shifts back to the person walking away. The song leans into raw emotion and rock energy while keeping its focus tight and personal.

Alex Belew, the band’s vocalist and a professional chef who won Hell’s Kitchen Season 21, explains, “The song dives into the reality of toxic relationships – whether personal or professional. It’s about putting someone on a pedestal only to realize they’re not who you thought they were. Eventually, you hit that breaking point where you stop pretending, stop caring about their approval, and finally walk away from all the fake smiles and empty words.” Following their debut single “Falling”, the 2025 EP ‘All You’ve Done’, and singles “Innocent Man” and “Back Then”, “Toxic” continues Reckless Eden’s focus on emotionally charged rock songwriting.

Alas de Liona Returns To The Night With Vampiric Single “For Forever”

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“For Forever” is out now from Alas de Liona, a gloomy and cinematic single that explores immortality through the eyes of a brooding vampire. Released alongside a self-written and directed 80s-inspired “Lost Boys” video, the track highlights her elegant vocals and imaginative songwriting. Tailor-made for her favorite season, the song leans into dark romance and atmosphere while offering a clear glimpse into her wider vampire-themed creative world. The track lands with dramatic weight and emotional clarity, giving it the space to fully breathe.

Following her widely praised album ‘Gravity of Gold’, Alas de Liona continues to expand her artistic scope across music, visuals, and collaboration. She recently performed at Fringe by the Sea and Leith Depot, while also preparing a unique Studio Faire Play collaboration with Viktoria Grynenko and Sacha Lattuca, recorded in the south of France and set for release out now. Rooted in her Mojave Desert origins and her life in Scotland, her work carries a dreamlike depth that continues to earn strong critical attention and live acclaim.

Romeopathy Lay It Bare With “Alone” A Grunge Confession That Cuts Deep

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“Alone” is out now from Romeopathy, a grunge-laced alt-rock confessional that dives headfirst into emotional isolation. Built on haunting melodies and gritty, layered guitars, the track unfolds like a late-night truth session where humor and bravado fall away. Its raw honesty feels immediate and unfiltered, capturing the quiet moments when noise fades and self-reflection takes over. The song carries a brooding intensity that lingers long after the final note.

Lyrically intimate and self-aware, “Alone” acknowledges destructive cycles while holding onto the desire for change, even without a clear direction forward. Romeopathy strip their songwriting to its emotional core here, letting vulnerability lead without sacrificing power or edge. The result is moody, compelling, and deeply human, a track that stands confidently in its own lane while echoing the cathartic spirit of grunge and UK alt-rock.

15 Underrated 70s Rock Guitarists

The 1970s produced a deep bench of guitarists whose work shaped records, bands, and entire scenes. Many of them focused on tone, rhythm, and musical conversation rather than spectacle. They built signature sounds that listeners recognize instantly, even if the names arent always cited first. Their influence runs through rock, pop, prog, and blues recordings that still circulate today. These players earned their reputations through consistency, taste, and the trust of their bands.

Rory Gallagher
Raw tone, ferocious touch, zero gimmicks. His live records prove a single Strat could sound orchestral. Ask anyone who saw him live – he converted rooms.

Terry Kath
Jazz chops with hard rock muscle. His playing on early Chicago tracks blends Hendrix fire with harmonic daring that still stuns musicians.

Roy Buchanan
Volume swells, pinch harmonics, emotional control. Jeff Beck called him the best unknown guitarist in the world – listen and it makes sense.

Elliot Easton
Pop songs, killer solos. His concise, melodic leads on Candy-O show how to elevate hits without hijacking them.

Buck Dharma
Heavy riffs plus melodic intelligence. His solos balance science fiction drama with classic rock clarity.

Alvin Lee
Known as a speed king at Woodstock, forgotten later. His precision and stamina were unmatched in the era.

Denny Dias
Jazz harmony inside rock songs. His solos on Steely Dan tracks are masterclasses in taste and restraint.

Lindsey Buckingham
Fingerpicking, alternate tunings, percussive attack. Fleetwood Mac needed two guitarists to replace him live.

Mick Ronson
Glam with grit. His arrangements and tone shaped Ziggy Stardust as much as the songs themselves.

Tommy Bolin
From fusion to hard rock. His range across Billy Cobham and Deep Purple shows fearless musical curiosity.

Mike Campbell
Economy and hooks. He wrote riffs that defined Tom Pettys catalog and penned Boys of Summer.

Alex Lifeson
Often overshadowed by prog flash. His chord voicings and textures built Rushs evolving sound.

Jeff ‘Skunk’ Baxter
Rock meets theory. His angular lines added bite and intelligence to Steely Dan and beyond.

Brad Whitford
The other half of Aerosmiths punch. His rhythm work and leads are the glue under the swagger.

Frank Marino
Hendrix influence without imitation. Sustained tone, long-form solos, and serious feel.