Birthed in the wet ground and grey skies of the Pacific Northwest, OLD MOON emerge with a singular vision rooted in grief, loss, and emotional reckoning. Today, the band unveil “A Rest To My Name”, the second single and lyric video from their forthcoming debut album ‘Home To Nowhere’, out May 8.
Darker, doomier, and more ominous in tone, “A Rest To My Name” expands OLD MOON’s sonic language. Orchestral passages swell beneath breath-held guitar melodies, weaving melodic death metal and post black metal into a tense, resonant atmosphere. The track draws strong responses for its compositional depth and the maturity of its emotional pacing, offering a striking contrast to the more direct intensity of earlier single “Obsidian”.
“‘A Rest To My Name’ is a song with two meanings,” explains founder Michael Priest. “More so with the ‘final death,’ the last time someone’s name is spoken. It’s written from the perspective of someone already gone, moving from never wanting to be forgotten to acceptance, ending with ‘forget my name and let me rest.’” The song, alongside “Obsidian”, appears on ‘Home To Nowhere’, available on CD, limited smoke-colored vinyl, and digital via M-Theory Audio.
Bruno Mars opens 2026 with the release of “I Just Might”, accompanied by an official video directed by Mars and Daniel Ramos. The single introduces his long-awaited fourth solo album ‘The Romantic’, arriving February 27. The song sets a confident tone, offering a clear snapshot of the album’s emotional sweep and melodic focus.
The announcement also brings news of “The Romantic Tour”, Mars’ first global headline tour in nearly a decade and his first full-scale stadium run. Launching April 10 in Las Vegas, the tour spans North America, Europe, and the UK, including major stops in Toronto, London, Paris, Amsterdam, and Los Angeles. Anderson .Paak joins all dates as DJ Pee .Wee, with Leon Thomas, RAYE, and Victoria Monét appearing on select shows.
Produced by Mars alongside Erik Ron, ‘The Romantic’ follows a period of historic success that includes chart-topping singles, record-breaking tours, and landmark global performances. The album and tour arrive with strong momentum, drawing widespread enthusiasm for their scale, ambition, and continued creative vitality. With new music, a massive live run, and trusted collaborators at his side, Mars steps into 2026 with clarity and purpose.
The Romantic Tour 2026 Dates April 10 – Las Vegas, NV – Allegiant Stadium April 14 – Glendale, AZ – State Farm Stadium April 18 – Arlington, TX – Globe Life Field April 22 – Houston, TX – NRG Stadium April 25 – Atlanta, GA – Bobby Dodd Stadium At Hyundai Field April 29 – Charlotte, NC – Bank Of America Stadium May 2 – Landover, MD – Northwest Stadium May 6 – Nashville, TN – Nissan Stadium May 9 – Detroit, MI – Ford Field May 13 – Minneapolis, MN – U.S. Bank Stadium May 16 – Chicago, IL – Soldier Field May 20 – Columbus, OH – Ohio Stadium May 23 – Toronto, ON – Rogers Stadium May 24 – Toronto, ON – Rogers Stadium June 20 – Paris, FR – Stade De France June 21 – Paris, FR – Stade De France June 26 – Berlin, DE – Olympiastadion July 4 – Amsterdam, NL – Johan Cruijff ArenA July 5 – Amsterdam, NL – Johan Cruijff ArenA July 10 – Madrid, ES – Riyadh Air Metropolitano July 14 – Milan, IT – Stadio San Siro July 18 – London, UK – Wembley Stadium Connected By EE July 19 – London, UK – Wembley Stadium Connected By EE August 21 – East Rutherford, NJ – MetLife Stadium August 22 – East Rutherford, NJ – MetLife Stadium August 29 – Pittsburgh, PA – Acrisure Stadium September 1 – Philadelphia, PA – Lincoln Financial Field September 5 – Foxborough, MA – Gillette Stadium September 9 – Indianapolis, IN – Lucas Oil Stadium September 12 – Tampa, FL – Raymond James Stadium September 16 – New Orleans, LA – Caesars Superdome September 19 – Miami, FL – Hard Rock Stadium September 23 – San Antonio, TX – Alamodome September 26 – Air Force Academy, CO – Falcon Stadium At The United States Air Force Academy October 2 – Inglewood, CA – SoFi Stadium October 3 – Inglewood, CA – SoFi Stadium October 10 – Santa Clara, CA – Levi’s Stadium October 14 – Vancouver, BC – BC Place
Following the euphoric release of “Sweat”, the title track from her forthcoming ninth studio album ‘Sweat’, Melanie C returns with a hypnotic deep house rework from Guz. The remix reshapes the electro-house anthem into a driving, late-night club cut, sharpening its focus on groove, momentum, and physical release.
Guz brings his signature touch to “Sweat (Guz Remix)”, layering heavyweight basslines, crisp percussion, and a stripped-back intensity that nods to underground house culture and peak-time festival energy. The remix draws enthusiastic responses for its darker pulse, transforming the original workout-rave crossover into something sleek, immersive, and built for packed dance floors.
“I’ve loved watching ‘Sweat’ take on a life of its own,” says Melanie C. “This remix amplifies everything the song stands for, movement, confidence and collective energy, and hearing it in a club context is incredibly exciting.” The remix leads off Melanie’s Music That Moves Me playlist on Apple Music as part of the platform’s January fitness activation.
Originally released as the lead single from ‘Sweat’, due May 1, “Sweat” has already surpassed 2.5 million global streams. Sampling Diana Ross’ “Work That Body”, the track channels vintage fitness-video euphoria while celebrating freedom and collective joy. The remix arrives during a high-profile run that includes appearances at ABC Sydney New Year’s Eve, New York’s Jingle Ball, The Kelly Clarkson Show, and Good Morning America, alongside a major UK headline date at O2 Academy Brixton on October 23.
Fishbone launch into 2026 by honoring their roots with a 40th anniversary reissue of their debut album ‘In Your Face’. First released in 1986, the album stands as a foundational statement that helped reshape punk, ska, funk, and alternative music, setting the tone for a career defined by fearless genre-blending and social urgency.
The ‘In Your Face’ 40th Anniversary Reissue arrives as a limited-edition two-disc vinyl set, with pre-orders for black and Tiger’s Eye variants beginning January 9 through the band’s webstore. Limited to 1,000 copies worldwide, each pressing includes special collector inserts, with additional tour and independent retail editions to be announced.
Disc One presents the original ‘In Your Face’ album in full, while Disc Two, titled ‘Cover Your Face’, features newly recorded interpretations of songs from the album by artists from around the world. This tribute format draws enthusiastic responses for turning influence into dialogue, with participating artists to be revealed soon.
Originally produced by David Kahne, the reissue brings the story full circle under the coordination of Pablo Mathiason of Civilized Artist Management. Upon its original release, ‘In Your Face’ earned acclaim from Billboard and The New York Times, recognition that continues to echo today as Fishbone remain creatively active following their 2025 album ‘Stockholm Syndrome’ and ongoing work toward a new studio release in early summer 2026.
German rock metal trio The Hirsch Effekt return with the new single “Die Brücke”, the third track unveiled from their upcoming studio album ‘Der Brauch’, out January 30 via Long Branch Records. The song arrives alongside a new video and offers a focused, human-scale moment within the band’s ever-expansive sound world.
“‘Die Brücke’ takes on a less heavy theme,” says singer Nils Wittrock. “It’s more of an everyday scene. Two people meet at home after a long day and ask each other how it went. One goes to bed, the other keeps working. Amidst the stress, the protagonist tries to remain a safe harbor.” The track draws an enthusiastic response for its emotional clarity and restrained intensity, showing how weight can live in small, familiar moments.
‘Der Brauch’ continues The Hirsch Effekt’s evolution beyond fixed genre lines. Following ideas first explored on ‘Holon: Anamnesis’, the album moves fluidly between acoustic intimacy and progressive metal force, with cello, classical guitar, and blast beats coexisting naturally. Fans voted ‘Holon: Anamnesis’ among the greatest German-language albums of all time in VISIONS Magazine, and ‘Der Brauch’ carries that adventurous spirit forward with confidence and identity intact.
This spring, Bush return to the road with their 2026 “The Land Of Milk And Honey Tour”, joined by Mammoth and James And The Cold Gun. The North American run launches April 7 in Pittsburgh and moves through major cities including Washington DC, New York City, and Boston, before closing May 16 at the Sonic Temple Festival in Columbus, Ohio.
The tour supports Bush’s tenth studio album, ‘I Beat Loneliness’, released last year. Produced by Gavin Rossdale and Erik Ron, the album brings together the band’s grunge-rooted power with fresh sonic textures and lyrical themes centered on mental health, solitude, and resilience. The record continues to draw strong reactions for its emotional clarity and focused intensity.
Formed in London, Bush remain a defining force in rock music. Since the release of their 1994 debut ‘Sixteen Stone’, the band has sold more than 24 million records worldwide, earned over one billion streams, and delivered multiple No. 1 singles. Rossdale, Chris Traynor, Corey Britz, and Nik Hughes continue to carry that legacy forward with energy and conviction.
Presales for the tour begin Monday, January 12, followed by the general on-sale Friday, January 16 at 10 am local time. Limited VIP packages are also available. With a new album fueling the setlist and a wide-ranging itinerary, Bush’s 2026 tour places their enduring catalog and current creative momentum on full display.
Bush 2026 The Land Of Milk And Honey Tour Dates: April 7 – Pittsburgh, PA – UPMC Events Center April 9 – Washington, DC – The Anthem April 10 – New York, NY – Brooklyn Paramount April 12 – Boston, MA – MGM Music Hall at Fenway April 14 – Raleigh, NC – Red Hat Amphitheater April 15 – Charlotte, NC – Skyla Credit Union Amphitheatre April 17 – Biloxi, MS – Mississippi Coast Coliseum & Convention Center April 18 – Brandon, MS – Brandon Amphitheater April 21 – Irving, TX – The Pavilion at Toyota Music Factory April 22 – San Antonio, TX – Freeman Coliseum April 25 – Indio, CA – Stagecoach, Empire Polo Club April 28 – Portland, OR – Theater of the Clouds April 29 – Seattle, WA – WAMU Theater May 1 – West Valley City, UT – Maverik Center May 3 – Denver, CO – The Fillmore Auditorium May 5 – Moline, IL – Vibrant Arena at The MARK May 6 – Oshkosh, WI – Oshkosh Arena May 8 – Bonner Springs, KS – Azura Amphitheater May 9 – Camdenton, MO – Ozarks Amphitheater May 12 – Hollywood, FL – Hard Rock Live May 13 – Clearwater, FL – The BayCare Sound May 15 – Franklin, TN – FirstBank Amphitheater May 16 – Columbus, OH – Sonic Temple Festival
Psychedelic institution Gong have announced their new album ‘Bright Spirit’, set for release on March 13 via Kscope. The news arrives alongside a new single and video, “The Wonderment”, which finds the band in a deeply meditative and exploratory space, rooted in texture, movement, and expansive atmosphere.
Speaking on the track, frontman Kavus Torabi said, “Structured around modulating glissando guitar and a pulsating analogue synth sequence, The Wonderment finds Gong in deeply meditative form. A mystical and explorative journey both inwards and outwards. Timeless and expansive.” The song draws an enthusiastic response for its sense of calm intensity and its ability to feel both ancient and futuristic at once.
Recorded with long-time collaborator Frank Byng in his South London studio, ‘Bright Spirit’ marks the third chapter in a trilogy that includes ‘The Universe Also Collapses’ and ‘Unending Ascending’. Dreams, love, and liminal states shape the album’s inner logic, from the opening transmission of “Dream Of Mine” to the tenderness of “Fragrance Of Paradise”. Gong take this material on the road throughout 2026, continuing to channel their ever-evolving cosmic vision into live settings across Europe and the UK.
GONG TOUR DATES: March 19 – Brighton, UK – Gong & Henge March 20 – Canterbury, UK – Gong & Henge March 21 – Swansea, UK – Gong & Henge March 25 – Birmingham, UK March 26 – Lincoln, UK – Gong & Henge March 27 – Manchester, UK – Gong & Henge March 28 – Liverpool, UK – Gong & Henge
April 09 – Pordenone, Italy April 10 – Livorno, Italy April 11 – Borgomanero, Italy April 14 – Jena, Germany April 15 – Karlsruhe, Germany April 16 – Russelsheim am Main, Germany April 17 – Antwerp, Belgium April 18 – Oslo, Norway April 19 – Zoetermeer, Netherlands
July 07 – Balma, France – Gong & Blood Incantation July 08 – Aix-en-Provence, France – Gong & Blood Incantation
July 25 – Teramo, Italy – MoonJune Festival July 26 – Treviso, Italy – Prog Event: Treviso
August 09 – Builth Wells, UK – Kozfest 2026 August 23 – Hernhill, UK – A New Day Festival 2026
Elbow return to WFUV for a radiant FUV Live session that captures the warmth, humor, and musical connection that define the band. The performance is also available via the “FUV Live Sessions” podcast, extending WFUV’s long-running tradition of intimate live sessions and interviews into a new weekly format with episodes dropping every Monday.
The session arrives alongside Elbow’s renewed North American presence, following their autumn 2025 tour, their first visit since 2017. That run followed the release of ‘Audio Vertigo’ and the 2025 EP ‘Audio Vertigo Echo’, a period documented with joy and gratitude across the band’s social channels and reflected clearly in their relaxed, confident performances.
‘Audio Vertigo’ stands as a groove-forward, invigorating record and a creative reset for Guy Garvey, Craig Potter, Mark Potter, Pete Turner, and Alex Reeves. The album draws enthusiastic responses for its rhythmic energy and emotional clarity, sitting comfortably alongside the band’s expansive catalog while opening a fresh chapter.
For this FUV Live session, Elbow perform a beautifully balanced trio of songs spanning eras: “Her to the Earth,” “The Seldom Seen Kid,” and “Magnificent (She Says).” Joined by Cat Parker and Fiona Brice on strings, and Sarah Field and Carol Jarvis on brass, the nine-piece lineup fills the studio with depth, color, and cohesion.
During the interview, Garvey reflects on the late Bryan Glancy, whose spirit continues to echo through Elbow’s music, particularly in “The Seldom Seen Kid.” The conversation also touches on the making of ‘Flying Dream 1’ and the band’s affection for playing intimate U.S. venues, with Garvey describing New York crowds as powered by goodwill and cooperation, a feeling that sings back from the audience.
On January 9, 2026, Playing For Change premiered a powerful new Song Around The World honoring the enduring legacy of The Doors. Their global rendition of “Riders On The Storm” brings together original members John Densmore and Robby Krieger, celebrates the memory of Ray Manzarek, and channels the unmistakable spirit of Jim Morrison.
Featuring more than 20 musicians and dancers from eight countries, the performance opens with the grounding pulse of the Red Cloud Drum Group and unfolds into a sweeping, borderless collaboration. Each performance adds emotional depth and texture, drawing enthusiastic responses for its sense of unity, reverence, and musical storytelling on a global scale.
The collaboration includes standout contributions from Lukas Nelson, Micah Nelson, Sierra Ferrell, Don Was, and Rami Jaffee, alongside artists spanning cultures, instruments, and traditions. From kora and didgeridoo to cello, bandoneon, and trumpet, the arrangement expands the song’s atmosphere while honoring its original spirit.
This release marks a meaningful full-circle moment for the Playing For Change Foundation. Proceeds and awareness from the song support the Foundation’s first U.S.-based music program, developed in partnership with First Peoples Fund to uplift Indigenous communities and preserve cultural rhythms and stories.
“Riders On The Storm” was written by John Densmore, Robby Krieger, Ray Manzarek, and Jim Morrison. Reimagined through the Playing For Change lens, the song stands as a moving reminder that music remains a universal language, capable of connection, healing, and shared purpose across the world.
On January 10, 2026, SeaVerse announced the global launch of the world’s first AI-native creation and deployment platform. SeaVerse integrates large language models, image generation, video generation, and AI agents, enabling users to package any creative idea into a product—demo, application, or web page—with just a single prompt. SeaVerse addresses the challenge of fragmented AI tools by emphasizing “All in AI Native,” representing a forward-looking revolution for AI creators and teams.
SeaVerse’s innovation lies in its departure from traditional workflows using separate tools. Instead, it builds an end-to-end AI-native loop—from generation to preview, publishing to iteration—all within the same workspace. Users start with natural language, view results directly, and deploy online without additional setup.
The platform supports collaborative development. After publishing, developers can invite collaborators to experience, provide feedback, and contribute improvements within the same workflow and product instance, enabling teams to move from prototypes to production-ready outcomes in one environment.
“All in AI Native”
Generate everything: Create multimodal assets (images, videos, music, games) from a single prompt. Input “a futuristic 3D racing game” to simultaneously generate scenes, music, code, and videos—all in one workspace.
Build the product for you: Combine AI-generated outputs into runnable products. Transform game scenes, models, code, and sounds into a complete, playable game—not just isolated assets.
One-Click Publish: Publish with one click—no servers, domains, or scripts needed. Games auto-deploy to the cloud with shareable links, playable directly in browsers.
Collaborative Iteration: Team members comment, provide feedback, and improve directly on the platform. All modifications occur in the same product instance with automatic version syncing.
“Our goal is to collapse the distance between an idea and a real product,” said SeaVerse’s CEO. “SeaVerse’s ‘All in AI Native’ capabilities help creators deliver faster and iterate more conveniently.” This enables the vision of “one person as a team.”
SeaVerse is building the world’s first AI-native creation and deployment platform, designed to help anyone move from idea to deployable product in one place. As the name suggests: create a universe from a single idea.
