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Darren Kiely Reimagines The Killers’ Classic “When You Were Young” with Folk-Rock Grit

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Free Flight Records artist Darren Kiely today releases a cover of “When You Were Young,” originally released by The Killers. Kiely, who grew up a fan of The Killers, sought to pay homage to the original while putting his own unique spin on the track with his signature gritty, emotional vocals.

“The Killers captured something timeless in this song – youth, longing, the raw edge of hope,” Kiely shared. “For me, it’s about honoring the energy and nostalgia of the original while reimagining it through the lens of where I come from.”

Kiely is currently touring throughout the US for his “Your Love, Your Lightning Tour.” For tickets, visit darrenkiely.com. The US tour comes on the heels of Kiely’s worldwide tour this summer, including festivals and headlining shows across the globe.

Hailing from a quaint town in Co. Cork, Ireland, Darren Kiely’s fresh, folk-infused sound originates from his inherited love of traditional Irish music, intertwined with modern influences such as The Lumineers, Mumford & Sons, and Noah Kahan. At just five years old, Darren learned the tin whistle, and at eight years old he picked up the fiddle, eventually teaching himself to play guitar as well. Darren began singing in 2019, quickly garnering attention for his raw and fervent vocals and emotive delivery. After winning numerous honors at a national level in Irish traditional music, Darren found his way to NYC in 2022 to continue developing his own music and sound, and soon after headed to the songwriting hub of Nashville. Signing to Free Flight Records, Kiely’s unique presentation of folk-inspired melodies and production, along with lush storytelling, which echoes the backdrop of the Irish countryside where he was raised, are the forefront of his debut EP, Lost. The seven-track project explores the triumphant war of overcoming self-doubt, struggling to find himself, questioning emotions and seeking answers, while his follow up EP, From The Dark, Kiely takes his craft to new heights as he explores the harsh realities that come with growing up and moving on. Lost features the track “Mom & Dad,” which debuted in the Top 40 on the Irish Singles Chart and Top 5 on the Irish Homegrown chart, as well as fan-favorite “Sunrise” which reached No. 1 on the chart. 

Jeff Larson and Gerry Beckley Bring Golden Harmonies to New Album ‘Jeff Larson with Gerry Beckley’

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Singer, songwriter, and mainstay of the Bay Area music scene Jeff Larson and longtime collaborator Gerry Beckley—known mostly as half of the Grammy Award-winning multi-platinum-selling rock group America with co-founder Dewey Bunnell—have joined forces to create the album JEFF LARSON WITH GERRY BECKLEY. Due October 24 on the Nashville-based Melody Place label, it’s a fresh modern-sounding recording with roots in the golden California sound and highlighted by two voices which often soar in tight harmony.

This is especially illustrated by release of the first single “C’mon Home,” out today (September 12) and coinciding with Beckley’s birthday. The Beckley-Larson composition possesses distinctive twin lead vocals, glistening harmonies, ringing guitars, and lyrics that movingly offer a guiding hand to someone who’s lost their way: “Where you gonna run to now boy/When you’re all alone?/Riding like a lonesome cowboy/You were born to roam/…Why don’t you come on home.” Listen to the song HERE and pre-order/pre-save it HERE.

“‘C’mon Home’ was the last song to be added to this project,” says Larson. “I think we knew we had a strong set of songs but maybe lacked one more to fill it out. Gerry sent me a track he was working on that I could tell already had a vibe and a hook with the slide part he did. He had the initial verse lines and chorus idea, so he asked if I would fill the lyric in and sing it. To me this is classic Gerry Beckley production with hooks all over. It seems to have almost written and sung itself.”

The eleven compositions on JEFF LARSON WITH GERRY BECKLEY extend the longtime collaboration that began in 1998 when Larson recorded a song by America co-founder Beckley. Not long after, Gerry returned the favor and sang on one of Jeff’s songs. A friendship was born. 2008 saw the release of Heart of the Valley. Inspired by 1970’s Nilsson Sings Newman, on which Harry Nilsson paid tribute to his contemporary Randy Newman with Randy on piano, Heart of the Valley found Larson movingly interpreting the Beckley songbook with Gerry contributing voice and accompaniment. The gorgeously atmospheric title song of Heart of the Valley might have referred to the California freeway known as the 405 (which indeed runs through the heart of the San Fernando Valley) but its appeal and universality extended far beyond the Golden State.

JEFF LARSON WITH GERRY BECKLEY continues their collective story in song. Produced and engineered by Beckley and Larson, it’s a melodic and eclectic set of songs by two friends, singers, and songwriters. Their vocal blend is a sweet and near-familial one as the singer-songwriters reflect on love, loss, and connection—and the poignant connection they’ve made here is one that’s both deeply rooted and vividly in flight. For these two artists, the song’s the thing.

“This project started by going through some of the songs Gerry and I had tracked between 2024–2025,” offers Larson. “We have been writing and recording at a steady pace since 2020–on average a song a week. Over time, some songs had their own personality where they didn’t fit either of our solo endeavors. These were also the songs that were more 50/50 collaborations. I was simply gathering a playlist of those songs, along with a handful of others that fit the idea of a more collaborative project. I sent the playlist to Gerry, and he came back immediately with, ‘There’s an album here.’”

From the opening strains of “Baby Goodbye,” Jeff Larson with Gerry Beckley proves transporting. The song’s farewell may be an emphatic one, but the importance of connection, and lightening one’s load, courses through the album. “One Last Time” conjures the image of standing on a precipice in life, while the pulsating “Looking at the Rain” poses the question, “Where do we go from here?” The lyric “only love survives” might offer a hint as to the answer. The ravishing “Sleight of Hand” finds its narrator at the crossroads, for sure, but with an undercurrent of hope.

If “Sleight of Hand” lopes at a wistful gait recalling Burt Bacharach’s best, the ruminative “Oh Diane”—a Beckley solo tune—basks in a beautiful melancholy redolent of both Bacharach and one of Beckley’s musical heroes and close friends, Brian Wilson. (It’s no surprise that Bacharach and Wilson were mutual admirers and onetime collaborators.) “C’mon Home” glides along on a California breeze with a tinge of “Sister Golden Hair” as Beckley’s still-reassuring slide guitar lines provide cool comfort.

At a time when joy is in short supply, Jeff Larson with Gerry Beckley offers it in abundance, as on the Larson original “Oh Wow!” Lyrically inspired by the innocence and wonder of a child, it doubles as an expression of the sheer adrenaline rush of love in full bloom. A loose, NRBQ-flavored rock-and-roll vibe infuses the track. An unexpected cover of David “Shel” Shapiro, Mogol, and Michael Julien’s “Live for Today” underscores the timelessness and relevance of a great song. “Live for Today” was first recorded in Italian in 1966 by British singer-guitarist Shapiro’s expatriate band, The Rokes, and popularized in the U.S. the next year by L.A.’s Grass Roots. It found particular resonance with young American soldiers fighting overseas in the Vietnam War who identified with its sentiments to “take the most from living, have pleasure while we can.” As reimagined by Larson and Beckley, the urgent admonition to “Live for Today” could have been written yesterday.

Gerry Beckley knows the life of a touring musician well. In 2024, he stepped away from the road after over 50 years on stages around the world with America. The jagged rhythms of “Waiting Game (Jet-Lagged Zombie)” complement its evocative and memorable imagery. “Again” is an arresting and introspective portrait of a traveling man: “It takes a sky to wonder why/If not now, then when?” The album culminates with the Beckley-penned “Amnesia.” With mournful piano and stately strings, it’s raw and devastating (“Why is it that all of the things we recall are the ones we truly regret?”) yet filled with hard-won wisdom and, above all, humanity. With an emphasis on matters of the heart, JEFF LARSON WITH GERRY BECKLEY revisits the era in which songcraft was paramount.


Track Listing — JEFF LARSON WITH GERRY BECKLEY

  1. Baby Goodbye (Gerry Beckley, Jeff Larson)
  2. One Last Time (Gerry Beckley, Jeff Larson)
  3. Looking at the Rain (Gerry Beckley, Jeff Larson)
  4. Oh Diane (Gerry Beckley)
  5. C’mon Home (Gerry Beckley, Jeff Larson)
  6. Let’s Live for Today (David Shapiro, Ivan Mogul, Michael Julien)
  7. Sleight of Hand (Gerry Beckley, Jeff Larson)
  8. Waiting Game (Jet-Lagged Zombie) (Gerry Beckley, Jeff Larson)
  9. Oh Wow! (Jeff Larson)
  10. Again (Gerry Beckley, Jeff Larson)

Prog Rock Legend Jon Anderson Launches Limited Edition Signed Turntable

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With continued growth by consumers of the vinyl record market, former YES frontman Jon Anderson has teamed up with online retailer StuckOnDecoupage to create a limited edition, branded, signed turntable for purchase on their online store.

YES was one of the pioneers of the album rock format, and their classic albums such as Fragile and Close To The Edge continue to be strong vinyl sellers to this day.

Jon Anderson has continued that tradition with his current band, The Band Geeks, who released their debut album TRUE in 2024 on double vinyl and their live album Perpetual Change in 2025 on triple vinyl. The case of the turntable features artwork from the Perpetual Change live album.

The turntable is available today at https://www.stuckondecoupage.com.

Rock Icons Evanescence To Livestream Louder Than Life Festival Set Free Worldwide

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On Sunday, September 21, Veeps will livestream GRAMMY Award-winning rock band Evanescence’s full set from the Louder Than Life Festival, completely free for fans worldwide and can be watched here. The broadcast offers fans the chance to be part of the festival crowd and experience the band’s powerful live set in real time.

The performance comes during a landmark year for Evanescence: they returned to the charts with Afterlife (from Netflix’s Devil May Cry) and “Fight Like A Girl (Feat. K.Flay)” (from Lionsgate’s John Wick spinoff Ballerina), as well as Amy debuting new collaborations like “End of You” with Spiritbox’s Courtney LaPlante and Poppy, and “Hand That Feeds” with Halsey (from Lionsgate’s John Wick spinoff Ballerina). The band recently announced a handful of Australian headline dates, set to run alongside their stint as special guests on Metallica’s M72 tour.

With new music coming soon, the Louder Than Life livestream marks an opportunity for Evanescence fans everywhere to connect with the band at a moment of creative resurgence.

Jazz Visionary Aaron Parks Expands His Sound With “By All Means”

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On Nov. 7, pianist Aaron Parks will release his latest musical offering, By All Means, his 3rd Blue Note album which expands his acclaimed trio with bassist Ben Street, and drummer Billy Hart into a quartet with the addition of tenor saxophonist Ben Solomon to explore a new color palette. The luminous set of new Parks original compositions includes poignant dedications to his wife and son, as well as the sly lead single “Parks Lope,” which is out today.

Over the past two decades, Parks has earned a reputation for pushing jazz’s aesthetic boundaries, applying his jazz training to music that boldly defies genre lines. On an album like his 2024 Blue Note return, Little Big III, the pianist led his band Little Big through electric music that blended jazz’s cutting edge with Radiohead, blues, electronica, krautrock and more.

Sometimes, in the midst of so much brilliant synthesis, it might seem easy to forget that Parks is still first and foremost a working jazz musician — a performer who adores a durable tune, a deeply swinging rhythm section and a great horn foil, and who feels most at peace in a dimly lit basement nightclub. By All Means is a gorgeous reminder of his lifelong devotion to swinging music, as well as an homage to a group he feels honored to share the bandstand with. It features one of today’s most soulfully connected rhythm sections (Hart and Street) along with a newcomer (Solomon).

Still, for all their wonderful evocations of 20th-century jazz, the seven original compositions that make up By All Means are unmistakably the work of Aaron Parks. “I don’t conceive of this as being so utterly distinct from past projects,” he says. “It’s another book of songs that felt like they were calling for their own context, for a certain group of musicians to bring them to life.”

“This is a record that loves the jazz tradition, the tradition of Black American Music,” he adds. “It’s not about nostalgia or preservation. It’s about being alive within that lineage, that continuum. That’s what the title points to — it’s a big yes, a way of saying ‘absolutely, let’s join that party.’”

Although the album — co-produced by Parks and Street — came together quickly following a fiery run at the Village Vanguard, its roots reach back decades. Parks, Street and Hart first came together on record for 2017’s Find the Way, which subsumed their chemistry into the well-defined aesthetic of the ECM label. When a new opportunity emerged with Blue Note, Parks decided to reorient the lineup so that this great piano trio could become a great rhythm section and enjoy the art of supporting a soloist. Or, as Parks says with a laugh, “I just wanted to comp. And I knew the special way that Billy played with horn players.”

Parks’ new album is a kind of heartfelt thank-you note: to his influences, his family, his bandmates — and to jazz itself. “More than anything it’s about the joys of playing together, improvising with one another over a song form,” Parks says. “This record is simply about loving the music.”

Evan Dando Sets The Record Straight In Wild Memoir “Rumors Of My Demise”

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The Lemonheads front man and GenX music icon Evan Dando sets the record straight on everything the media got wrong, divulges stories never-before-told, and shares a treasure trove of personal photos never-before-seen. 

Evan Dando, the “poster boy—and prettiest boy—of Gen X” (The New York Times), spills the true story of his band’s tumultuous history and what it was like to be famous in the pre-internet days in this candid, colorful, and unputdownable memoir.

After Kurt Cobain’s passing in 1994, everyone expected Evan Dando to be next. The Lemonheads front man, songwriter and actor started in the ’80s hardcore scene and went on to become a ’90s icon. Think of Evan Dando, and you think of heroin chic, grunge, and celebrity burnout. Perhaps known as much for his partying and boyish good looks, after two gold records and the kind of fame that you just can’t enjoy anymore, the Lemonheads cooled off and life went on.

Dando grew up in Boston, the son of a lawyer and a model, and attended the prestigious Commonwealth School. Fame was never what motivated him but the lure of the wild life proved trickier to refuse. From sneaking into concerts as a child, to sleeping on floors in the punk rock days, to crashing at Johnny Depp’s place in Hollywood, he was right there in the thick of it. So much so, that social media once reported his death.

Now, very much alive, sober, and enjoying a life in South America when he’s not on the road, Evan Dando is going to tell his own story. His memoir will remind readers what was so great about the pre-internet ’90s: the innocence, the access, and the anonymity. Reclaiming the purity and exuberance of his early days and encapsulating the spirit of the era, this candid autobiography presents a portrait of an artist who lives wholly for his music, and one that makes no apologies for doing so.

Falling In Reverse, Hollywood Undead, and Point North at Toronto’s Budweiser Stage on September 10, 2025

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All photos by Mini’s Memories. You can contact her through Instagram or X.

Elijah Woods Drops Playful Pop Gem “Slicked Back Hair” Ahead Of Debut Album

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Fresh off his headline tour across Asia, breakout pop artist and producer elijah woods returns with his vibrant new single, “Slicked Back Hair.” The track follows his recent release “Ghost on the Radio” and previews his highly anticipated debut album, Can We Talk?, out October 14.

Equal parts playful and heartfelt, “Slicked Back Hair” is a feel-good anthem about growth, vulnerability, and lasting connection. “This song is about meeting someone who changes everything—the kind of person who turns you from a caterpillar into a butterfly,” says elijah.

His debut album, Can We Talk?, marks a defining moment in elijah’s career. Over the past five years, he has built a global presence as a fully independent artist, amassing more than 1 billion streams, cultivating a fanbase of over 5 million followers, and touring the world entirely on his own terms. The record captures the intimacy and emotional depth that define his music, while leaning fully into the clever, infectious pop sensibilities that have fueled his rise.

Originally from Ottawa and now based in Los Angeles, elijah woods is a multi-platinum pop artist, singer, songwriter, and producer. Known for his irresistible hooks, vivid storytelling, and signature production style, he has become one of pop’s most compelling solo acts as well as a sought-after collaborator.

With 4x JUNO Award nominations, multiple platinum and gold certifications, and five EPs released in just the past three years, elijah’s independent ascent has been extraordinary. After selling out his first Canadian headline tour in 2023, he quickly expanded onto the international stage, selling out shows across Asia, opening for Niall Horan in Jakarta, and performing at Seoul Jazz Festival and Japan’s Summer Sonic Festival.

Blending charisma, individuality, and a bold fashion sensibility, he has been spotlighted on the cover of Esquire Singapore and profiled by The Greatest Magazine and VMAN SEA. With his debut album on the horizon, elijah woods is primed to make 2025 his biggest year yet.

The Most Insane Bohemian Rhapsody Flashmob Takes Over Paris

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Paris just witnessed a flashmob for the ages—30 singers and musicians belting “Bohemian Rhapsody” in full Queen glory. Julien Cohen led the charge with pure Freddie Mercury spirit. A viral, once-in-a-lifetime street performance!


Grandmaster Flash Joins Primary Wave Music Roster

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Primary Wave Music announces the addition of trailblazing DJ and one of hip-hop’s founding fathers, Grandmaster Flash (Joseph Saddler), to its roster. The prolific mix master joins an impressive roster of diverse management clients at Primary Wave, including Cypress Hill, Bell Biv DeVoe, CeeLo, Green, Jefferson Starship, Melissa Etheridge, Eric Benét, Skid Row, and more.

“It was very important for me to find the right fit. In my search, I came upon Primary Wave, which sounded like a school for electronics like my alma mater, Samuel Gompers,” Grandmaster Flash shares regarding the partnership. “Hmmm… I took a look and said yes, this multi-department setup is amazing. Meeting Eric and the staff sealed the deal for me.”

Undeniably one of the genre’s architects, few names have become as well-known to hip-hop lovers and music historians globally as Grandmaster Flash. A true musical innovator, his use of turntables has sparked a timeless legacy that has extended from the Bronx block parties of the early 1970s to all corners of the globe today. Using duplicate copies of vinyl, Grandmaster Flash figured out a way to manipulate the vinyl with his fingertips and the crossfader of the DJ mixer. With what he eventually coined as The Quick Mix Theory, Grandmaster Flash laid the groundwork for the modern DJ and eventually birthed the art of beat-making and sampling.

By the end of the 1970s, Grandmaster Flash had set the foundation for breakdancers and emcees to perform over his seamless beats. The first rapper to join Flash in 1974 was Keith Wiggins, known as Cowboy. Two years later, Kid Creole and his younger brother Melle Mel joined, followed by Scorpio and Raheim. Throughout the 70’s, Grandmaster Flash and The Furious Five became known as one of the primary supergroups on the streets of The Bronx, later becoming recording artists and hitmakers. The group made waves with songs like “Superappin’,” “Freedom,” “The Adventures of Grandmaster Flash on the Wheels of Steel,” and eventually, their revolutionary hit “The Message,” which prominently used hip-hop as a vehicle for social commentary. The multi-platinum single serves as a cornerstone for hip-hop’s most foundational tracks. Over the next decade and beyond, Grandmaster Flash continued to dish out heavy hitters, ultimately racking up five certified platinum or gold albums.

No stranger to firsts, in 2007 Flash was recognized with yet another inaugural accomplishment – as Grandmaster Flash and the Furious Five became the first hip-hop group to be inducted into the Rock & Roll Hall of Fame. In addition to his Rock Hall induction, Grandmaster Flash has also been the recipient of several notable awards throughout his five decade career, including a Grammy Lifetime Achievement Award, RIAA’s Lifetime Achievement Award, The BET Icon Award honoring his contributions to hip-hop, VH1’s Hip-Hop Honors, the DJ Vanguard Award presented by Bill Gates, and the prestigious international Polar Music Prize.

Throughout the years, Flash’s musical contributions and legacy have also been cemented through several other creative feats – including his 2008 memoir, The Adventures of Grandmaster Flash: My Life, My Beats, his guidance as music director and role re-enactment in the 2016 hit Netflix series The Get Down, feature in A&E’s Origins of Hip Hop docuseries in 2022, and even more to come as he steps into this latest partnership.