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Joe Ray McDonald Shares New Single “Rodeo Son” Ahead of Forthcoming Album ‘Cowboy Cake’

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After sharing “First Rains of May,” the stunning initial preview of his forthcoming album Cowboy Cake, rising Canadian alt-country singer/songwriter Joe Ray McDonald today makes another powerful statement with his new single “Rodeo Son.”

As with its predecessor, “Rodeo Son” showcases McDonald’s distinctive voice and recording approach, which could be best described as a homage to classic ’70s outlaw country artists in melding melody and top-notch musicianship with darkly evocative lyrics.

McDonald says, “‘Rodeo Son’ came out of thinking on a high plains drifter, Clint Eastwood type of character, roaming around doing his thing. The more I got to thinking on it and fleshing it out, I realized I was writing about my dad and my brother.”

Based in the Ottawa Valley near Canada’s capital city, McDonald has been turning heads since “First Rains of May” began drawing comparisons to the work of Townes Van Zandt and Tyler Childers. Moreover, McDonald’s flat-picking guitar skills and overall production aesthetic on the song set the bar high for the rest of Cowboy Cake, a standard that “Rodeo Son” lives up to, if not exceeds.

As with all of Cowboy Cake, McDonald meticulously constructed the track at his home studio with bassist Chris Pond and drummer Jose Garcia, before sending it to Nashville where Colter Wall band member Patrick Lyons overdubbed pedal steel and dobro. Further overdubs of Rhodes piano, harmony vocals, mandolin and fiddle completed the process.

McDonald then spent three months mixing Cowboy Cake himself, a choice stemming from a passion to learn all aspects of his craft, as well as a passion to hit all the right emotional notes, much like his favourite film directors Akira Kurosawa and Sergio Leone. “I am always trying to be a better songwriter, guitarist and human being,” Joe Ray says. “I really believe that who you are as a person has a huge impact on how you develop on your instrument and as a writer.”

Like flowers on a finely tailored cowboy shirt, Joe Ray McDonald’s music adds beautiful details to a durable form, raising country music songwriting to a higher artistic level. And the fact that he does it so effortlessly is perhaps the best reason to believe he will one day be mentioned in the same breath as his heroes and primary inspirations.

Canada has never had a shortage of great singer/songwriters, and as the alt-country genre has evolved, we continue to be at the forefront. Joe Ray McDonald is poised to become the latest to join that elite group of artists.

E-40 Brings Three Decades of Hyphy, Hits, and Hustle to the Tiny Desk

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E-40’s Tiny Desk is less a greatest-hits set than a living archive of West Coast rap evolution. Backed by a versatile band, he pivots from hyphy anthems to cult classics with effortless flair. His flow—eccentric, playful, unstoppable—remains one of hip-hop’s most enduring signatures.



SOCAN Celebrates 100 Years at 35th SOCAN Awards with Joni Mitchell, Drake, Boi-1da, and More

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On September 29, 2025, the 35th SOCAN Awards will mark SOCAN’s 100th anniversary, spotlighting Canada’s most accomplished songwriters, composers, and music publishers at Toronto’s renowned REBEL. Hosted by Arisa Cox and Andrew Phung, the event promises an evening of unforgettable performances and a celebration of the music creators ushering in the next 100 years of Canadian music.

This year’s honourees represent the breadth of talent and global influence of Canadian music.

2025 SOCAN Special Achievement Winners:

  • Joni Mitchell’s “Both Sides, Now” has left an indelible mark on music and culture, inspiring generations with its timeless beauty and profound artistry. For the enduring influence of this iconic work, Joni Mitchell is receiving the SOCAN Cultural Impact Award.
  • Lowellbülow and Nathan Ferraro took the world by storm and captured international audiences with the chart-topping hit “TEXAS HOLD ’EM.” For their outstanding success on the global stage, they are receiving the SOCAN International Achievement Award.
  • Boi-1da has collaborated with the who’s who of rap and R&B artists over the past 15 years, helping define the sound of international music and elevating Canadian talent to the world stage. For his lyrical genius and groundbreaking production work, Boi-1da is receiving the SOCAN Global Impact Award.
  • Drake’s unmatched talent for creating songs that connect with audiences around the world has cemented his status as one of music’s most defining voices. In recognition of his extraordinary impact, he is receiving his fourth SOCAN Songwriter of the Year – Performer Award.
  • Jordan Gagne has crafted some of the most unforgettable soundscapes today. His powerful scores have brought stories to life on screens around the world. For his outstanding work scoring some of today’s most popular shows like “The Rookie” and “The Recruit,” he is receiving the SOCAN Screen Composer of the Year Award.
  • Evan Blair’s songwriting shines through the voices of today’s top artists, crafting hits that connect with audiences around the world like “toxic till the end” by ROSÉ and “Beautiful Things” and “Pretty Slowly” by Benson Boone. For his outstanding artistry behind the scenes, he is receiving the SOCAN Songwriter of the Year – Non-Performer Award.
  • Ozan “OZ” Yildirim has fast become one of the most in-demand producers in rap and pop music today. With tracks like “I KNOW?” by Travis Scott, “First Person Shooter” by Drake and J. Cole, and “Lovin On Me” by Jack Harlow, his innovative production and creative vision power the success of any song he touches. In recognition of his extraordinary impact behind the boards, he is receiving the SOCAN Producer of the Year Award.
  • Erica Procunier is redefining what it means to be a modern screen composer. With a gift for weaving emotion and energy into every note, she is earning recognition for her originality across genres in film and TV. In celebration of her creative impact and rising influence, she is receiving the SOCAN Breakout Composer Award.
  • SHUBH has quickly emerged as one of Canada’s most exciting new voices in music. His distinctive sound and lyrical talent have captivated audiences worldwide, amassing billions of streams and a rapidly growing global fanbase. For his remarkable rise and impact on the music scene, he is receiving the SOCAN Breakout Songwriter Award.

SOCAN Achievement Award winners receive “The SOCAN” – the world’s first and only music industry trophy that is also a musical instrument, incorporating five custom bronze crotales, tuned this year with notes from “Both Sides, Now” by Joni Mitchell.

The full list of this year’s SOCAN Award winners will be released on the evening of September 29, 2025.

The Mommyheads Announce 17th Album ‘No Quietus,’ A Vibrant Meditation on Mortality and Hope

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The Mommyheads will release their 17th album, No Quietus, on Friday, November 7, 2025. The title, Latin for “No Death,” sets the stage for a record that doesn’t lean on cliche character narratives or overblown rock operatics, yet carries a unifying theme that pulses through every rhythm and strum. Death is the unlikely protagonist of this sonic journey-though the music is far more inviting than one might expect. At its heart, No Quietus shows how deceptively simple songs can be both captivating and endlessly listenable: subtly mind-bending, yet irresistibly hummable in true Mommyheads fashion. The first single from the album is its title track, “No Quietus.” An official music video created by band frontman Adam Elk is streaming now.

“The video for ‘No Quietus’ captures the core message of the new album: the fear of losing the most important person in your life, and the relentless role of time in that struggle,” says Elk. “Clocks appear in nearly every scene, underscoring the helplessness we feel when a loved one’s life hangs in the balance. Each fleeting minute becomes both a torment and a reminder of how desperately we search for control – and for solace – in the face of something that feels so unstoppable.”

“Triumph and Crash” barrels in like an epic funeral march, reflecting on the empire’s collapse through the eyes of a fly. In “Black Veins,” the frailty of the narrator comes into sharp relief: “Take these black veins and turn them blue, I gave all my oxygen to you” – a piercing observation of the co-dependency woven into love. The title track marks a turning point, as the protagonist faces the possible loss of the most important person in his life. “I’m Your Apocalypse” finds the band at their most rebellious, layering jagged synths over a propulsive 7/8 groove. “Always Reaching” contrasts philosophical lyrics with danceable energy, perfectly balanced within its 4:40 runtime. Side one closes on a lush, late-’70s Bee Gees-inspired groove, inviting us to imagine how religion fits into this sweeping story.

Side two deepens the meditation with songs like “Finally Free,” “Strong,” and “It’s Only Life.” Here, the band confronts the universal struggle with mortality, offering a musical document that examines death from many angles- society, loved ones, ego, relationships, faith, and personal identity. Much like a prizefighter probing for weakness, No Quietus explores each facet with precision and compassion.

The result is a vibrant, genre-blending collage that feels both timeless and urgent. Paradoxically, this record about death may be the Mommyheads’ most hopeful work yet. In their long and fruitful career, they’ve never made an album about life’s end feel so alive.

3Quency and Soulidified Launch First-Ever ‘Bandemonium’ Tour 2025 After Viral TV Breakthrough

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Millions of fans watched as 3Quency and Soulidified emerged as breakout stars on viral show “Building The Band”, the hit series where 50 solo artists, sight unseen, came together to form bands and battle it out for the spotlight. Now, two of the show’s most beloved acts, winning group 3Quency and third-place fan favorite Soulidified, are hitting the road for their first-ever run: Bandemonium Tour 2025.

Kicking off October 30 in Lake Buena Vista, FL, the Bandemonium Tour will bring high-energy performances, soaring vocals, and undeniable chemistry to major cities including New York, Chicago, Los Angeles, and more, before wrapping November 28 at House of Blues Las Vegas. Fans can expect the bands to perform the same show-stopping covers that catapulted them both into the top 3 of “Building The Band”, along with their recently released singles.

The announcement comes as both bands continue to ride the wave of momentum. 3Quency dropped their debut single “Top Down” on Friday, September 5 via RECORDS/Columbia Records, while Soulidified’s latest track, “One & Only,” released August 19, is already gaining traction on streaming platforms.
TICKETS: Tickets will be available starting with Citi presale (details below) beginning Wednesday, September 10. Additional presales will run throughout the week ahead of the general onsale beginning Friday, September 12 at 10am local time.

PRESALE: Citi is the official card of the Bandemonium Tour. Citi cardmembers will have access to presale tickets beginning Wednesday, September 10 at 10am local time until Thursday, September 11 at 10pm local time through the Citi Entertainment program.

TOUR DATES:
Thu, Oct 30 | Lake Buena Vista, FL | House of Blues – Lake Buena Vista
Sun, Nov 02 | Baltimore, MD | Baltimore Soundstage
Mon, Nov 03 | Boston, MA | The Paradise Rock Club
Tue, Nov 04 | Philadelphia, PA | Theatre of Living Arts
Wed, Nov 05 | New York, NY | Irving Plaza
Fri, Nov 07 | St. Louis, MO | Delmar Hall
Mon, Nov 10 | Atlanta, GA | Buckhead Theatre
Wed, Nov 12 | Detroit, MI | The Fillmore Detroit
Fri, Nov 14 | Chicago, IL | House of Blues – Chicago
Sun, Nov 16 | Nashville, TN | Brooklyn Bowl*
Mon, Nov 17 | Kansas City, MO | Uptown Theater
Wed, Nov 19 | Denver, CO | Summit
Thu, Nov 20 | Salt Lake City, UT | The Depot
Sat, Nov 22 | San Diego, CA | The Observatory North Park
Mon, Nov 24 | Los Angeles, CA | The Belasco
Tue, Nov 25 | San Francisco, CA | The Fillmore
Wed, Nov 26 | Anaheim, CA | House of Blues – Anaheim
Fri, Nov 28 | Las Vegas, NV | House of Blues – Las Vegas
*This date is not part of the Citi Presale.

Amerie and Backyard Band Bring Go-Go Grooves and Summer Soul to NPR’s Tiny Desk

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When Amerie walked into the Tiny Desk, her smile alone set the stage for a summer celebration. Backed by go-go pioneers Backyard Band, she delivered a set blending old favorites like “Talkin’ to Me” and “Why Don’t We Fall in Love” with new gems like “Mine.” Surrounded by Warren Jones, Michael Dunklin, Eric Britt, Bobby Terry, Eugene Chapman, Nathaniel Fields, Paul Edwards, Keith Robinson, Tanesia Mack, Tonaee’ Burgess, and Zay’Marie, the performance pulsed with rhythm and heart. By the time “1 Thing” closed the show, Amerie had turned the Desk into a dance floor of endless possibilities.



God Alone Announce New Album ‘The Beep Test’ and Share Frenetic Single ‘Pink Himalayan’

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“Pink Himalayan” is the latest single from Ireland-based dance-infused math/noise rock outfit God Alone. The track comes off of the band’s forthcoming new full-length, The Beep Test, set for release on October 10th via Prosthetic Records.

With “Pink Himalayan,” God Alone has composed a true dance/mosh classic that fuses the beautiful chaos of The Armed and Black Midi. The track captivates with an instantly chantable chorus, which seesaws on an axis of flickering and flashing guitar and swaggering drums. It climaxes on the proclamation, “We’re going out tonight; it’s party time.”

The Beep Test Track Listing:

  1. The Beep Test
  2. Sir Laplage
  3. Tony Gawk
  4. Pink Himalayan
  5. Hold Tight
  6. Bluesine
  7. Rinser
  8. Rubber Hands
  9. Yupasaid

Wolf Alice Release Video for ‘Just Two Girls’ Celebrating Friendship and Connection

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Wolf Alice have shared the official music video for their latest single ‘Just Two Girls.’ The video, directed by Colin Solal Cardo and choreographed by Ryan Heffington (also responsible for ‘Bloom Baby Bloom’), stars actor Lucy Boynton (Bohemian Rhapsody, The Politician) and finds the two girls catching up over some drinks in a bar before causing some gentle mayhem throughout the restaurant in the name of frivolity. A snapshot into the connection between two friends without a care in the world, enjoying each other’s company and hoping others come along for the ride.

A love letter penned for female friendships, it’s a song celebrating the power of connection and unadulterated adoration for your best friend, your soul mate, your wife for life. To the ones who get you, know you, understand your hang ups, passions and inner thoughts – sometimes even before you do. The ones who can help you navigate life and make some sense of the world, one date at a time.
Ellie explains: “I was inspired by going for dinner with my friends – a couple of friends, at different times, just one-on-one. I noticed how much I was saying Oh my god yeah you’re so right! And I thought it was so nice to see how validating these conversations with my girlfriends are, how much I’m learning in these chats. I think I’ve been trying to figure out a lot of things, like getting older. I feel it’s really been a strange time of thinking about appearance. And these are things you hash out with your girlfriends and suddenly you don’t feel so sh*t about them again. I just felt like there deserved to be a song about that.”

Following a packed summer of historical festival slots at Primavera Sound, Radio 1’s Big Weekend and Glastonbury, the band will celebrate The Clearing with a sold-out tour across North America, which starts on September 10 in Atlanta, GA

Blink-182, Twenty One Pilots, and Mumford & Sons to Headline 2026 Innings Festival in Tempe

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Blink-182, Twenty One Pilots and Mumford & Sons will headline the eighth edition of Innings Festival, returning to Arizona’s Tempe Beach Park & Arts Park, February 20-22, 2026.

Expanding to three days in 2026, the festival brings together more than 25 artists across three stages for no overlapping sets including performances from heavy hitters Cage The Elephant, Sublime, Lord Huron, Goo Goo Dolls, Myles Smith, Public Enemy, Dashboard Confessional, Grouplove, Big Boi, Peach Pit, OK Go and more.

Fans can look forward to interactive baseball activities and appearances by Major League Baseball legends Torii Hunter, Brandon Crawford, Jason Kipnis, Jake Peavy, among many others, plus Olympic medalist and ESPN analyst Jessica Mendoza.

Off the Mound with Ryan Dempster will return with live interviews and special performances from surprise guests including artists from the festival lineup.

Fans may sign up now for the festival SMS list at InningsFestival.com/Innings to receive an access code for the presale that will begin Thursday, September 11 at 10AM PT. Any remaining tickets will go on sale to the public following the presale.

Steven Rings Explores the Sonic World of Bob Dylan in Forthcoming Book ‘What Did You Hear?’

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Discover a new side of the songs of Bob Dylan by exploring the virtues of rough sounds, peculiar intonation, and a raspy voice.
 
Folk troubadour, rock star, country crooner—for a musician who adopted so many personas, Bob Dylan always sounds like himself. While he’s written many of the most iconic and impactful lyrics of the past sixty years, Dylan’s music has also reshaped our sonic imagination with his ragged voice, wailing harmonica, and rough-hewn guitar.
 
Music theorist Steven Rings argues that such sonic imperfections are central to understanding Dylan’s songs and their appeal. These blemishes can invoke authenticity or persona, signal his social commitments, and betray his political shortcomings. Rings begins—where else?—with Dylan’s voice, exploring its changeability, its unmistakable features, and its ability to inhabit characters, including the female narrator of “House of the Rising Sun.” Rings then turns to Dylan as an instrumentalist, examining his infamous adoption of the electric guitar in 1965, as well as his stylistically varied acoustic playing, which borrows sounds and techniques from Black blues musicians, among other influences. Rings charts the histories audible in Dylan’s harmonica as well as piano, which has been central to his music making since his earliest days of imitating Little Richard in his hometown of Hibbing, Minnesota. Finally, Rings guides readers through one of Dylan’s most famous songs, “A Hard Rain’s a-Gonna Fall,” analyzing its musical sources as well as variations in live performances. A companion website of audio and video examples helps readers notice the nuances and idiosyncrasies inherent in Dylan’s work and, even more importantly, their effects.
 
A close look at an underdiscussed but essential aspect of Dylan’s oeuvre, What Did You Hear? offers a fresh understanding of a singular performer, his musical choices, and the meanings that we can hear in his imperfect sounds.