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Lady Gaga Teams with Tim Burton for Haunting New Video “The Dead Dance”

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14-time GRAMMY, Oscar and Emmy Award winner Lady Gaga today released the music video for her new single “The Dead Dance,” which she debuted last night.  The project marks her first creative collaboration with visionary director Tim Burton, who brought the story to life on location at Isla de las Muñecas—Mexico’s infamous Island of the Dolls. The cinematic video shifts between stark black-and-white and bursts of vivid color, weaving eerie imagery of dolls with Gaga’s commanding performance. The video was produced by Gaga and Michael Polansky, alongside Burton and Natalie Testa. Costumes were designed by Colleen Atwood, with choreography from Parris Goebel and featured choreography from Corey Baker.  

Produced by Gaga alongside Andrew Watt and Cirkut, Gaga debuted “The Dead Dance” last night while it was simultaneously featured in Netflix’s Wednesday Season 2 (Part 2), where she makes a cameo as the mysterious Rosaline Rotwood.  Gaga shared “the inspiration for ‘The Dead Dance’ was a breakup, and it was all about the way that we sometimes feel when it’s over; how a relationship ending can kill our ability to feel hopeful about love. It’s got this really cool, funky beat underneath it. And that is when the song becomes not just about the relationship; it becomes about having fun with your friends when you’ve been through something tough and amazing. I can’t wait for people to listen to it.”

Early reactions have praised “The Dead Dance” as both “haunting” and an “electro pop banger,” with “a bouncy 1980s electro pop vibe, propelled by funhouse keyboards and bright drum machine beats” (BILLBOARD).  ROLLING STONE called it a “soaring pop track” with a “serious dance-ready beat, while NME highlighted the spooky, funky energy, pointing to its “infectious bassline, ‘Thriller’-esque synths and licks of electric guitar.”

The release follows news of Gaga’s return to the MTV VMAs on September 9, where she will perform live from Madison Square Garden. An 18-time VMA winner and this year’s top nominee, she is up for 12 awards including Best Album for MAYHEM and Video of the Year for her Grammy-winning collaboration, “Die With a Smile.”

Gaga is also in the midst of her sold-out The MAYHEM Ball World Tour, supporting her acclaimed eighth studio album, MAYHEM. Critics have been unanimous in their praise: The NEW YORK TIMES hailed it as a “deliciously campy extravaganza” and declared Gaga “operating at the peak of her powers.” ROLLING STONE highlighted Gaga’s creative evolution, writing that she “didn’t just revisit [Coachella]—she expanded it, sharpened it, sprinkled in some nostalgia, and fully realized the gothic dream she had only just introduced.” VARIETY called the show a “breathless, finely-tuned spectacular,” and “a welcome reminder of her many, many talents,” while BILLBOARD hailed the show as “a theatrical, electric and delicious live affair,” emphasizing the charged performances of MAYHEM’s standout tracks and past dancefloor staples. 

The MAYHEM Ball features a setlist that blends album standouts with fan favorites spanning Gaga’s career, including “Abracadabra,” “Killah,” “Vanish Into You,” “LoveDrug,” “Summerboy,” “Just Dance,” “Judas,” “Born This Way,” “Shallow,” and more. Produced by Gaga and Michael Polansky, the show expands on the conceptual world introduced at Coachella, with direction by Ben Dalgleish (Human Person), creative direction by Gaga, Polansky, Goebel and Human Person, choreography by Goebel, and costumes styled by Hunter Clem, Gaga’s sister Natali Germanotta (Topo Studio) and HARDSTYLE.

MAYHEM debuted at No. 1 on the Billboard 200—Gaga’s seventh consecutive No. 1 solo album—and remained a dominant global force, topping the Dance/Electronic Albums chart for 17 weeks, spending 12 weeks in the Top 20, and holding a Top 10 spot on the Pop Albums chart for 15 consecutive weeks. The album has since been Certified Platinum by the RIAA.

Her record-breaking collaboration with Bruno Mars, “Die With a Smile,” further cemented the album’s impact. It spent 18 weeks at No. 1 on the Billboard Global 200, hit No. 1 on the Hot 100 for five weeks, and broke Spotify records as the fastest song to surpass both 1 billion (96 days) and 2 billion (200 days) streams. 

The MAYHEM Ball follows Gaga’s headlining performances at Coachella and a landmark series of international shows, including stadium dates in Mexico City and Singapore. In Rio de Janeiro, her free show at Copacabana Beach drew an estimated 2.5 million fans—setting a new record for the highest attended concert by a female artist in history.

Oasis Live ’25 Launches Los Angeles Flagship Merch Stand at the Rose Bowl

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Following the kickoff of the Official Oasis Live ’25 Fan Store on Hollywood Blvd, a tricked out Los Angeles Flagship Merch Stand will be rolling up to the Stadium on Friday.

Kicking off this Friday, September 5th, the flagship merch stand will be open from 12pm – 6pm PST and from 12pm until end of show on show days, Sept. 6th & 7th. The stand, located on the way to the Brandi Chastain Statue at 1001 Rose Bowl Drive, Pasadena, CA 91103, is open to the public and another custom opportunity for fans to celebrate the cultural phenomenon that is Live ’25.

The merch stand is stocked and curated with unique city-themed items such as Los Angeles-branded event merchandise, the Oasis Live ’25 Adidas Touring Line, a signature Oasis Live ’25 collection emblazoned with LA show dates, and other flagship exclusives.

This news comes on the heels of the opening of the Oasis Live ’25 Fan Store at 6250 Hollywood Blvd in Los Angeles, open daily at 10am, now through September 9th. Each store, also free and open to the public, features official Live ’25 merchandise, including menswear, womenswear, children’s wear, vinyl and more; the highly coveted “adidas Originals x Oasis” collection; limited edition exclusive tees with Oasis album and single artwork graphics, and more.

WARRANT Return After 11 Years with New Album ‘The Speed Of Metal’ Out October 10

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After eleven long years, German speed heavy metal pioneers WARRANT return with their long-awaited new studio album, “The Speed Of Metal”, set for release on October 10, 2025 via Massacre Records.

The legendary band – originally formed in 1983 and known for their cult albums “First Strike” (1984) and “The Enforcer” (1985) – are back with a record which reconnects with their roots while pushing their sound into the present.

The first single, “Falling Down”, is available now and serves as a fierce statement of intent. A dark anthem for a world in free fall, the track rages against hypocrisy, hatred, and betrayal – a battle cry of resistance in the face of collapse.

Recorded and mixed by Martin Buchwalter at Gernhart Studios (Troisdorf), mastered by Michael Schwabe at Monoposto (Dusseldorf), and featuring cover artwork by renowned artist Gyula Havancsak, the album captures WARRANT’s uncompromising vision with power and precision. Produced by frontman Jorg Juraschek, the record also features pre-production by Norman Jonas.

Alongside brand-new material, “The Speed Of Metal” includes two special highlights: “It’s Up to You” – originally written in 1988, re-recorded and reborn with new energy – and “Windy City” – a powerful cover of a song by glam legends The Sweet, a lifelong dream of vocalist/bassist Juraschek.

With the addition of guitarist Adrian Weiss alongside longtime member Michael Dietz, WARRANT return to their classic four-piece lineup, delivering a wall of dual-guitar power, blistering solos, and relentless speed.

Tony Joe White’s Lost Album ‘The Real Thang’ Unearthed with 18-Track Reissue

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Back in 1980, the beloved Louisiana singer-songwriter and guitarist Tony Joe White recorded an album called The Real Thang. Only released on vinyl and met with mixed reviews, the eight-song collection flew under the radar in its time, but listening to it today, White’s beautifully distilled brand of swampy, funky country music was just on the cusp of blossoming on The Real Thang, a sound that’s come full circle, emanating from young artists’ burgeoning catalogs and filling dancehalls and festival grounds nearly five decades later. Eventually, the groovy outlaw country vibe became a staple of the rest of White’s career, both on stage and in the studio, until he died in 2018. Legendary performances, such as his Austin City Limits television appearance in 1982, set the benchmark for incorporating even the most left-field influences into country music.

White’s estate, helmed by his son, Jody White, has just announced a grand unearthing of The Real Thang, with a deeper dive into what made the era so intriguing. “The original album included 8 songs from this wildly experimental time in Tony Joe’s career,” says Jody. “As I began to explore a re-release of this lost album, I discovered that TJW had written and recorded many more songs during this period of exploration, but most of them had never seen the light of day. They were kept locked away in his large stash of studio reel-to-reels, and nobody was able to listen…..until now.”

The new version of The Real Thang is a tale of two albums. The first half is a showcase of White’s singing and songwriting as a country artist and includes several songs he wrote and sang with Waylon Jennings during their time together in the ’70s. The back half finds White moving into more of the “swamp funk” jam sessions, which became instrumental in his live shows. “The result,” says Jody, “is eighteen songs that take the listener on a ride from the Texas countryside into the swamps of Louisiana, and a journey through a forgotten time of ‘The Swamp Fox.'”

Yesterday, Holler. premiered the first single from the upcoming re-release, “Cowboy Singer.” Co-written with Jennings, “Cowboy Singer” depicts the life of a touring country music superstar, or in Jody’s words, “traveling the country in private jets, meeting new women, and living a country singer’s life on the road that ‘can make you rich…or make you poor,'” alluding to the song’s foreboding chorus. Bouncing along the more country side of White’s disposition, “Cowboy Singer” isn’t without a bluesy guitar interjection or lonesome harmonica fill.

Portugal. The Man Drops New Track ‘Denali’ and Announces Headline Tour

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Hot off the heels of their surprise summer EP, uLu Selects Vol #2, indie-favourites Portugal. The Man is back with the buzzing new track, “Denali.” Thick distorted synths and grunge-guitar grind beneath frontman John Gourley’s slick vocals. The Alaskan-bred, Portland-based band calls back to their roots with the new track, named after the renowned Alaskan mountain.

Earlier this summer, they announced their upcoming “Denali Headline Tour” slated for this fall. The tour will kick off on November 6th in Portland and will make stops in Seattle, San Francisco, Los Angeles, Chicago, Toronto, Boston, New York, D.C., and wrap up with a final show in Austin. Find tickets here for a show near you and see the full list of tour dates below!

Portugal. The Man ‘Denali’ Tour:

Nov 6 – Portland, OR – Revolution Hall – Night 1
Nov 7 – Portland, OR – Revolution Hall – Night 2
Nov 9 – Seattle, WA – Showbox SoDo
Nov 11 – Oakland, CA – Fox Theater
Nov 15 – Pomona, CA – The Glass House
Nov 16 – Los Angeles, CA – The Wiltern
Nov 19 – Denver, CO – The Mission Ballroom
Nov 21 – Minneapolis, MN – First Avenue
Nov 22 – Chicago, IL – The Salt Shed / Beyond Hunger Benefit
Nov 25 – Detroit, MI – Royal Oak Music Theatre
Nov 27 – Toronto, ON – HISTORY
Nov 29 – Boston, MA – Roadrunner
Dec 3 – New York, NY – Terminal 5
Dec 4 – Philadelphia, PA – Union Transfer
Dec 5 – Washington, DC – The Anthem
Dec 7 – Pelham, TN – The Caverns
Dec 8 – Asheville, NC – The Orange Peel
Dec 9 – Atlanta, GA – The Eastern
Dec 11 – Dallas, TX – The Factory in Deep Ellum
Dec 12 – Austin, TX – ACL Live – Moody Theater

JJ Grey & Mofro’s ‘Orange Blossoms’ Returns as Deluxe 2-LP Sunburst Vinyl Reissue

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On Friday, October 31, Alligator Records will reissue JJ Grey & Mofro‘s critically acclaimed album Orange Blossoms as a deluxe 2-LP vinyl set. The album, pressed on special sunburst splash vinyl and housed in a high-quality, gatefold jacket with previousy unreleased photos, is newly remastered and spins at 45rpm to deliver the best possible sound. Originally released on Alligator Records in 2008 on CD only, the success of Orange Blossoms helped cement Grey as one of his generation’s deepest, most profound songwriters and among the most emotionally powerful live performers on the scene.

According to Grey, “Hard to believe 17 years have passed since this album was released. Bookended with the title track, which was an old story told to me about lost love, and capped by I Believe (In Everything), a story I lived one crazy night in a car crash. Life is so surreal.”

Orange Blossoms was produced by Grey and his long-time friend and cohort Dan Prothero. It was recorded in north Florida and boasts some of JJ’s most memorable and moving music. The album features 12 songs (including 11 originals) inspired by Grey’s life experiences and visionary observations. He moves effortlessly from gospel-tent fervor to Southern-fried rockers to deeply emotional soul. Orange Blossoms is a fan favorite: a groove-driven masterpiece fueled by JJ’s gritty, smoldering vocals and intense, funk-infused guitar and keyboard work.

Like Florida’s state flower, the orange blossom, musician JJ Grey’s songs are fascinating, beautiful, and complex. Both are products of the same ground: the rich, fertile and ancient soil of the Sunshine State. Born and raised just outside of Jacksonville, Florida, JJ comes from a long tradition of Southern musical storytellers and, like the best of the great Southern writers, he fills his songs with details that are at once vivid, personal, and universal. His multi-textured music overflows with dynamic rhythms and thought-provoking lyrics.

The Chicago Sun-Times described Orange Blossoms as, “Inspired front-porch soul-storytelling with a bit of the Delta at its heart…intriguing and deliriously funky…deep-in-the-pocket soul stirrers.”
 
From his early days playing cover music in a Jacksonville juke joint while working at a lumberyard, to headlining sold-out shows worldwide, JJ Grey has always poured his soul into his music. Since his debut album Blackwater in 2001, JJ has delivered moving, funk-infused rock and Southern soul. His latest album is 2024’s groundbreaking Olustee. Through vivid lyrics and passionate delivery, he reminds listeners to respect the natural world, live in the moment, and, most importantly, enjoy life’s good times.

Orange Blossoms Track Listing:
Side 1
Orange Blossoms
The Devil You Know
Everything Good Is Bad

Side 2
She Don’t Know
The Truth
WYLF

Side 3
On Fire
Move It On
Higher You Climb

Side 4
Dew Drops
Ybor City
I Believe (In Everything)

Ashley Riley Balances Heartfelt Honesty and Playful Spirit on New Single ‘Best Try’

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Fierceness and vulnerability might seem like different sides of the same coin, but with her new single, Ashley Riley is showing that they’re not all that different. Today, the singer-songwriter reveals her brand new track “Best Try,” a lighthearted song with a serious side to it. She originally penned the song as a kind of joke, inspired by a visit to her doctor. Riley wrote the song when she was feeling fairly jolly and laid-back about things, but its message is both deep and heartfelt.

The words and the melodies might suggest that she is coming from a very delicate place. But really, there is a certain boldness and bravery in being able to look at yourself in the mirror and have a laugh at yourself. Only a truly well-rounded individual can both appreciate the serious and the amusing side of things, and that’s what Riley is doing in “Best Try.”

As an artist, Riley is a songwriter’s songwriter. It’s like she was born to do it. She has spent a lot of time on the road, learning and earning her keep with her sleeves rolled up. Over the last decade, she has been carving out her own niche as a rootsy singer-songwriter. She got her start hosting open mic nights in her hometown of Decatur, Illinois. She soon formed a band and began to be known within the local scene. Riley has become well established in the Midwest, opening for artists like Kim RicheyEllis PaulRobbie Fulks, and Jill Andrews.

As a solo artist, Riley has had her music featured on Starbucks’ in-store radio, and her songs have also found their way into MTV’s Teen Mom and Are You the One. Her 2021 album Set You Free was well-received, which led to a busy touring schedule. She has also launched a podcast titled Made of Dreams. It’s an appropriate title for an artist who, no matter what the odds, has strived towards achieving her dreams, with both fierceness and vulnerability.

Music Day in Canada Returns for Its 2nd Edition with a Coast-to-Coast Celebration of Live Music

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Music Day in Canada, an annual nationwide celebration dedicated to live music, community connection, and artist development, is pleased to announce its 2nd edition taking place on Saturday, September 27, 2025. This one-night event will activate venues across 11 cities, promoting local talent and creating a powerful, united moment for Canadian music fans coast to coast.

The event is powered by an incredible network of partners, including One Dream At A Time, Lemmon Stage, Stingray, Symphonic, Long & McQuade, Showpass, and The Trenches. Together, they are helping to spotlight artists, strengthen Canada’s live music scene, and ensure that communities from coast to coast have access to vibrant, high-quality music experiences.

“At its core, Music Day in Canada is about connection,” said Michael Scriven, Co-Founder of The Lemmon Foundation. “It’s a chance to share stories, celebrate creativity, and showcase the incredible talent that defines Canadian music, while giving artists across the country the opportunity to shine.”

2025 Participating Cities & Venues:

  • Antigonish – Candid Brewing
  • Barrie – The Rec Room Park Place
  • Calgary – Venue TBA
  • Edmonton – Blakbar Tavern
  • Mississauga – The Rec Room Square One
  • New Glasgow – Wranglers Lounge
  • Oshawa – The Biltmore Theatre
  • Saskatoon – Amigos Cantina
  • St. John’s – The Ship Pub
  • Vancouver – Hollywood Theatre
  • Winnipeg – The Royal Albert (BreakOut West Showcase)


Fans can expect an unforgettable experience filled with performances that showcase the resilience and creativity of Canada’s music community. Proceeds from the event support The Lemmon Foundation’s ongoing mission to build sustainable careers for artists and nurture a connected live music scene across the country.

For full lineups, city-specific details, and ticket links, visit musicdayincanada.ca.

20 Songs Inspired by Real People (and the Wild True Stories Behind Them)

Behind every unforgettable chorus, there’s usually someone unforgettable too. Sometimes it’s an ex. Sometimes it’s a civil rights icon. Sometimes it’s a hitchhiker from Miami. Real people have been shaping our favorite songs for decades—standing behind the curtain while the spotlight shines on the music they inspired. Here are 20 tracks that owe their heart, soul, and spark to someone who lived, breathed, and maybe broke a heart or two.

“All of Me” – John Legend
Chrissy Teigen gets serenaded in one of the greatest modern love songs ever written. Bonus points for “smart mouth” being the opening line—marriage goals, melody edition.

“Andy Warhol” – David Bowie
David Bowie strummed this acoustic ode to the pop-art king himself. Legend has it Warhol hated it—but art inspiring art is still a masterpiece, even if the muse grimaces.

“Biko” – Peter Gabriel
South African activist Steve Biko’s legacy roars through this haunting anthem. Gabriel’s voice becomes a battle cry for resistance, proving that melody can march just as hard as any protest.

“Dear John” – Taylor Swift
A song about heartbreak so laser-precise that John Mayer had to publicly defend himself. “Dear John” is a musical open letter that reads like a diary entry, written in eyeliner and blood-red ink.

“Don’t Speak” – No Doubt
When Gwen Stefani broke up with her bandmate Tony Kanal, she didn’t just cry into a pillow—she wrote a power ballad that shattered radios and chart records alike. Breakup therapy, set to ska-tinged sadness.

“Don’t Stop Believin’” – Journey
Keyboardist Jonathan Cain’s dad gave him advice that became a global mantra. Somewhere, a suburban dad is still yelling it at a Little League game—and it still rocks.

“Elvis Is Everywhere” – Mojo Nixon
A rockabilly fever dream where Elvis pumps gas, flips burgers, and haunts every jukebox. One rule: everyone has Elvis in them—except for the Anti-Elvis.

“Hurricane” – Bob Dylan
Rubin “Hurricane” Carter was a boxer with fists of fury—and a story that gripped a nation. Dylan turned his wrongful conviction into a roaring anthem for justice and rattled the walls of complacency along the way.

“In Your Eyes” – Peter Gabriel
Rosanna Arquette inspired this slow-burn love song that ended up under a boombox in Say Anything…. Proof that a great muse can also greenlight your film sync.

“James K. Polk” – They Might Be Giants
History class just got a power-pop upgrade. TMBG celebrates America’s 11th president with an accordion and more enthusiasm than any textbook ever dared.

“Man on the Moon” – R.E.M.
Andy Kaufman danced the line between genius and absurdity. R.E.M. turns that magic into a moonlit melody that’s part tribute, part puzzle, and all heart.

“Me & Mr. Jones” – Amy Winehouse
Amy doesn’t name names, but Nas fans caught the clues. Equal parts sass and sultry, it’s the only love song that ever got mad about missing a gig.

“Pride (In the Name of Love)” – U2
Martin Luther King Jr.’s legacy gets immortalized in Bono’s voice, echoing with reverence and fire. One man. One dream. One unforgettable middle-eight.

“Shine On You Crazy Diamond” – Pink Floyd
Syd Barrett, the ghost in the studio, gets a eulogy soaked in synths and sorrow. It’s the kind of song that floats through time, whispering “remember when?”

“The Ballad of Ira Hayes” – Johnny Cash
A Marine, a flag, and a story America needed to hear. Cash gave Ira Hayes his due—through the lens of justice, compassion, and a deep, resonant baritone.

“The Living Bubba” – Drive-By Truckers
Gregory Dean Smalley faced death with a guitar in his hands. This song isn’t just a tribute—it’s a love letter to defiance, to late nights, and to one man’s refusal to stop playing.

“Uptown Girl” – Billy Joel
Elle Macpherson may have started the melody, but Christie Brinkley gets the final verse. Billy Joel turned doo-wop dreams into a model love triangle for the ages.

“Walk on the Wild Side” – Lou Reed
A glam-glazed road trip through Andy Warhol’s inner circle. From Holly to Candy to Joe, Lou Reed’s gallery of downtown dreamers became rock ‘n’ roll legends just by being themselves.

“You Oughta Know” – Alanis Morissette
Alanis didn’t name names, but Dave Coulier felt the sting. Jagged Little Pill turned alt-rock into an emotional exorcism—and gave us the most cathartic karaoke line of all time.

“You’re So Vain” – Carly Simon
Warren Beatty earns his lyrical roast in this iconic mystery track. The best part? He’s only one verse. The rest? A deliciously veiled hall of fame for Hollywood egos.

5 Ways to Love Your Music Without the Metrics

In a world where graphs grow and playlists shuffle endlessly, it’s easy to feel like your worth as a musician lives in the numbers. But here’s a little reminder: music is magic, not math. Whether you’re spinning vinyl in your room or strumming on stage, your sound already matters. Here are 5 ways to separate self-worth from stream stats—because you, dear artist, are already golden.

1. Celebrate the Creation, Not the Clicks
The moment a song is born—from humming to harmony—is already a win. That spark of expression is priceless and doesn’t wait for algorithms to approve. A melody that made you dance in your kitchen is already a hit in your heart.

2. Let Art Be the Audience
When your guitar listens, when your journal listens, when the sky listens—that’s enough. A song whispered to the wind counts just as much as one blasted to millions. Every note holds value the moment it’s sung.

3. Redefine “Success” as “Satisfaction”
Instead of charting numbers, chart your joy. Did the song say what you needed it to say? Did it help you sleep better, cry better, or laugh out loud? Success lives in that moment of release and relief.

4. Build Your Creative Garden
Think of each song like planting a wildflower—some may grow tall and visible, others might bloom quietly. Your job is to plant, water, and play. The garden isn’t for counting—it’s for growing.

5. Make Music a Mirror, Not a Measure
Your songs reflect who you are, not how you rank. They catch your feelings, your hopes, your experiments. They’re your mirror—not a measuring stick. And that reflection? Always radiant.

So go ahead—tune your guitar, spill your soul, and press record. Let your music breathe without expectations. The streams may flow or trickle, but your value? It’s already singing. Keep making sound just because it feels good. That’s the most beautiful metric of all.