August 2, 2013, Wacken Open Air: Alice Cooper took the main stage of the world’s largest metal festival and delivered exactly the kind of shock-rock spectacle that built his reputation across 5 decades, complete with guillotine, snake, costumes, and a band firing on all cylinders, with Nita Strauss and Ryan Roxie on guitars and Glen Sobel driving the whole thing from behind the kit.
Robin Trower Brings 19-Date US Tour This Fall Behind a Landmark Year of New Releases
Robin Trower has packed more into 2026 than most artists manage in several years, and now he’s hitting the road to match it. The former Procol Harum guitarist has announced a 19-date US tour launching September 15 in Fort Lauderdale and wrapping October 14 in St. Charles, Illinois, following a 5-date UK run in late August and early September.
The touring comes on the back of a remarkable run of releases. January brought ‘One Moment in Time: Live in the USA’, recorded across his 42-date 2025 American tour. April delivered an expanded edition of the classic ‘Robin Trower Live!’, including the complete 1975 Stockholm concert in full for the first time. And last month, Trower confirmed he’d just finished an entirely new studio album, the follow-up to last year’s ‘Come and Find Me’.
For a guitarist whose 1974 breakthrough ‘Bridge of Sighs’ remains a touchstone of blues-rock, this level of sustained output and live commitment speaks to an artist still fully engaged with the craft.
Robin Trower 2026 Tour Dates:
Aug 31 – Sunderland, UK @ Sunderland Central Fire Station
Sep 1 – Edinburgh, UK @ The Queen’s Hall
Sep 3 – Manchester, UK @ Manchester Academy
Sep 4 – Cambridge, UK @ Cambridge Junction
Sep 5 – London, UK @ O2 Shepherds Bush Empire
Sep 15 – Fort Lauderdale, FL @ The Parker
Sep 17 – St. Petersburg, FL @ Jannus Live
Sep 18 – Orlando, FL @ The Plaza Live
Sep 20 – Atlanta, GA @ Center Stage
Sep 21 – Nashville, TN @ The Fisher Center
Sep 24 – Alexandria, VA @ Birchmere
Sep 25 – Jim Thorpe, PA @ Penn’s Peak
Sep 26 – Montclair, NJ @ The Wellmont Theater
Sep 29 – Northampton, MA @ Academy of Music Theatre
Sep 30 – Ridgefield, CT @ The Ridgefield Playhouse
Oct 2 – Olmstead Falls, OH @ Palace Theatre
Oct 3 – Columbus, OH @ KEMBA Live!
Oct 4 – Northfield, OH @ Northfield Park Racino
Oct 7 – Cincinnati, OH @ Andrew J. Brady Music Center
Oct 8 – Royal Oak, MI @ Royal Oak Music Theatre
Oct 9 – Fort Wayne, IN @ Clyde Theatre
Oct 11 – St. Louis, MO @ The Factory
Oct 13 – Milwaukee, WI @ Pabst Theater
Oct 14 – St. Charles, IL @ Arcadia Theatre
Lamb of God and Trivium Bring a Co-Headline Metal Juggernaut to Australia This October
Two of heavy metal’s most formidable live acts are hitting Australia together this October. Lamb of God and Trivium have announced a 5-city co-headline arena tour presented by Destroy All Lines, with Glasgow metalcore outfit Bleed From Within along for all dates as special guests.
For Lamb of God, the run marks their first full headline Australian tour in nearly a decade. The Grammy-nominated Virginia groove-metal veterans last played the country at Knotfest Australia in 2024, and they arrive this time behind ‘Into Oblivion’, their 10th studio album released earlier this year. Their catalog of “Laid to Rest,” “Redneck,” “Walk With Me in Hell,” and “Now You’ve Got Something to Die For” has cemented them as cornerstones of the genre across 3 decades.
Trivium, Grammy-nominated and multiple Billboard 200 top 20 act, last toured Australia in 2023 for the inaugural Knotfest Australia. Their most recent output includes 2021 full-length ‘In the Court of the Dragon’ and 2024’s ‘Struck Dead’ EP, with a packed summer of European festival appearances ahead before the Australian run.
Bleed From Within bring 20 years of metalcore credibility to the support slot, fresh off their seventh studio album ‘Zenith’ in 2025, having previously shared stages with Slipknot, Bullet for My Valentine, and Megadeth.
Artist early bird presale opens Friday May 15 at 9 am local. General tickets go on sale Thursday May 21 at 9 am local via destroyalllines.com.
Lamb of God and Trivium 2026 Australian Tour:
Oct 2 – Perth @ HPC
Oct 4 – Adelaide @ AEC Theatre
Oct 6 – Melbourne @ John Cain Arena
Oct 9 – Sydney @ Hordern Pavilion
Oct 11 – Brisbane @ Riverstage
Candy Whips Gives Heaven 17’s “(We Don’t Need This) Fascist Groove Thang” a Timely New Life
Wendy Stonehenge, the electro/New Wave project Candy Whips, has released a cover of Heaven 17’s “(We Don’t Need This) Fascist Groove Thang,” and the timing is no accident. Originally released 45 years ago, the song’s political lyrics have lost none of their edge, and Stonehenge recognized it immediately. “This song was originally released 45 years ago, and it’s more relevant than ever,” he says. “I decided it needed to be given a new life.”
The interpretation slows the tempo slightly while deepening the dance groove, stripping back the arrangement to give the lyrics room to land. “My version is much more stripped down but also even more danceable,” Stonehenge explains. “This is the first time I’ve made a straight up dance track. It was a fun challenge to work outside of my usual comfort zone.”
The new single follows ‘Moonlight’, Candy Whips’ doo-wop covers EP featuring reimagined versions of The Flamingos’ “I Only Have Eyes For You,” Marvin and Johnny’s “Cherry Pie,” and the Chordettes’ “Mr. Sandman.” Ripe with vocal effects, drum machines, and synths, ‘Moonlight’ connected classic source material to a modern production sensibility. “If I could turn young people on to this older music, that would be amazing,” Stonehenge says.
An established member of Northern California glam rock outfit Glitter Wizard, Stonehenge launched Candy Whips during the pandemic as a focused outlet for synthpop and electronic experimentation, fusing punk energy with electronic production in ways that didn’t fit the Glitter Wizard mold. Critics have placed the project alongside Devo, Gary Numan, NEU!, Trevor Horn, Oingo Boingo, Wall of Voodoo, and Sparks, and the new single adds another strong entry to a catalog that keeps finding new ground.
“(We Don’t Need This) Fascist Groove Thang” is out now via Kitten Robot on all major platforms.
Amy Martin Announces New Album ‘Bones’ Due July 17 With Title Track Out Now
Amy Martin has announced ‘Bones’, her new album arriving July 17, 2026, produced by Chance McCoy of Old Crow Medicine Show. The title track is out today alongside an official music video. Drawing from southern gothic, indie-folk, and alt-country, the 8-track collection sits firmly in the territory of grief, endurance, and self-reflection, delivered with the Appalachian-rooted directness that defined her 2023 debut ‘Travelin’ On’.
Martin describes the album’s origins with the kind of clarity that runs through her writing. “Bones started as one song, and writing it unearthed a lot of grief I thought I’d already dealt with: unresolved faith, losses, and things I’d buried and called healed,” she says. “I’m not interested in wallowing. I’m interested in reckoning.”
A former vocalist in an alt-bluegrass ensemble in Harrisonburg, Virginia, Martin relocated to Denver in 2021 and crowdfunded ‘Travelin’ On’, which established her as a genuine presence in the Americana community. ‘Bones’ builds on that foundation with sharper lyricism, deeper emotional range, and a sound that balances weight with warmth throughout.
‘Bones’ Track Listing:
“Old Red”
“Bones”
“Give Me Hell”
“Intervention”
“Writer’s Block”
“Oh No No”
“How Do I Move On?”
“Under The Rubble”
Zara Larsson’s Stunning 2021 Stockholm Symphony Concert Is Now Available to Watch
In 2021, Zara Larsson brought her catalog to Stockholm’s Berwaldhallen with the Swedish Radio Symphony Orchestra under conductor Hans Ek, who reimagined her pop anthems with full orchestral arrangements and described the experience as unlocking the “hereditary melancholy” beneath the surface of her music. Broadcast on Swedish national radio and television, the performance placed Larsson’s voice against a rich, dynamic backdrop that shifted the emotional weight of familiar songs entirely.
Luke Bryan Announces New Album ‘Signs’ and Drops “Fish Hunt Golf Drink” on American Idol Finale
Luke Bryan used last night’s American Idol finale, his ninth season as a celebrity judge, to announce his new studio album ‘Signs’, arriving September 18 and available for pre-order now. To mark the moment, he performed new track “Fish Hunt Golf Drink” live on the show.
Written by Bryan alongside Chase McGill and Matt Dragstrem and produced by Jeff Stevens and Jody Stevens, “Fish Hunt Golf Drink” is out now across all digital platforms. It’s the third new song Bryan has released in 2 months, following “Word On The Street” in February and radio single “Country And She Knows It,” which hit country radio March 30 and is climbing the charts.
Bryan described the album’s creative approach with characteristic directness. “I’ve been working on this album for the past year, and I just love how it turned out,” he said. “I feel like my fans have always let me record songs that make you feel good, so I went into this album wanting everyone to just have fun.”
The Word On The Street Tour launches May 29 and 30 with back-to-back shows in Gilford, New Hampshire, running through a December stadium date in Las Vegas. Bryan and Jason Aldean have also expanded their co-headlining Double Down Tour with 4 additional stadium concerts, following a sold-out show at UGA Sanford Stadium 2 weeks ago that drew 63,000 fans. Support across select dates includes Gavin Adcock, Dasha, Chase Matthew, Jon Pardi, Dylan Scott, and Lauren Watkins, with Dee Jay Silver and DJ Rock opening all dates. The tour is promoted by Live Nation.
This week, Bryan returns for a second consecutive year of Farm Tour dates in California on May 15 and 16. Since the Farm Tour launched in 2009, he has awarded 90 college scholarships to students from farming families near each tour stop. Farm Tour 2026 is sponsored by Bayer and Fendt.
Farm Tour 2026:
May 15 – Clovis, CA @ Owens Mountain Parkway/168 Triangle
May 16 – Elk Grove, CA @ Mahon Ranch
Word On The Street Tour:
May 29 – Gilford, NH @ BankNH Pavilion
May 30 – Gilford, NH @ BankNH Pavilion
Jun 5 – Myrtle Beach @ Carolina Country Music Fest
Jun 11 – Fort Worth, TX @ Dickies Arena
Jun 12 – Lubbock, TX @ United Supermarkets Arena
Jun 13 – Albuquerque, NM @ First Financial Credit Union Amphitheater
Jun 18 – Wichita, KS @ INTRUST Bank Arena
Jun 19 – Des Moines, IA @ Casey’s Center
Jun 20 – Winsted, MN @ Winstock Country Music Festival
Jun 25 – Allentown, PA @ PPL Center
Jun 26 – Buffalo, NY @ Taste of Country
Jun 27 – Nashville, TN @ Alan Jackson Last Call at Nissan Stadium
Jul 9 – Kansas City, MO @ Morton Amphitheater
Jul 10 – Moline, IL @ Vibrant Arena
Jul 11 – Clarkston, MI @ Pine Knob Music Theatre
Jul 12 – Clarkston, MI @ Pine Knob Music Theatre
Jul 23 – Southaven, MS @ Bank Plus Amphitheater at Snowden Grove
Jul 24 – Brandon, MS @ Brandon Amphitheater
Jul 25 – Orange Beach, AL @ The Wharf Amphitheater
Jul 30 – Rapid City, SD @ Summit Arena at The Monument
Jul 31 – Billings, MT @ First Interstate Arena at MetraPark
Aug 1 – Missoula, MT @ Washington-Grizzly Stadium*
Aug 6 – Bend, OR @ Hayden Homes Amphitheater
Aug 7 – Airway Heights, WA @ BECU Live at Northern Quest
Aug 8 – Auburn, WA @ White River Amphitheatre
Aug 14 – Mountain View, CA @ Shoreline Amphitheatre
Aug 15 – Long Beach, CA @ Long Beach Amphitheater
Aug 16 – San Diego, CA @ PETCO Park*
Aug 20 – Washington, DC @ Nationals Park*
Aug 22 – Charlotte, NC @ Truliant Amphitheater
Aug 26 – Canandaigua, NY @ Constellation Brands-Marvin Sands Performing Arts Center
Aug 27 – Ottawa, ON @ Canadian Tire Centre
Aug 29 – Saratoga Springs, NY @ Albany Med Health System at SPAC
Sep 10 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre
Sep 12 – West Palm Beach, FL @ iTHINK Financial Amphitheatre
Sep 26 – East Troy, WI @ Alpine Valley Music Theatre
Dec 11 – Las Vegas, NV @ Allegiant Stadium*
*Double Down Tour with Jason Aldean
MGK and Wiz Khalifa Reunite for “Girl Next Door” Ahead of Lost Americana Tour’s Canadian Dates
MGK and Wiz Khalifa are back together for the first time since 2013’s “Mind of a Stoner,” dropping new joint single “girl next door” today alongside a playfully nostalgic music video. The timing is deliberate: Wiz joins MGK on the second North American leg of the lost americana tour, which resumes Friday. Listen here.
Produced by SlimXX, BazeXX, and No Love For The Middle Child, “girl next door” samples indie electronic duo Sweet Trip, fusing hazy dream-pop with dance-floor synths and propulsive drums. The two move between high-energy bars and melodic stretches with the ease of performers who know exactly how the other operates. The video, directed by Sam Cahill and Gianni Paolo and featuring Lindsey Fishman, Naomi Baker, and Trevor Wallace, matches the song’s warm, unhurried energy.
The new single follows a very different kind of MGK moment: last month’s “FIX UR FACE” featuring Fred Durst, which scored his first ever number 1 on Billboard’s Hot Hard Rock Songs chart and topped the Billboard Hard Rock Digital Song Sales chart. The visual was shot across Berlin, Dublin, London, Prague, Munich, Nashville, and Los Angeles during the tour itself, capturing last-minute fan meet-ups along the way.
Lost americana, released last year, became MGK’s third consecutive number 1 on Billboard’s Top Rock and Alternative Albums chart. The album’s standout “cliché” spawned a remix with Jonas Brothers, a choreography-driven video with Sean Bankhead, and a piano-stripped “cliché (sad version)” that kept the song in rotation well past its release cycle.
2026 has moved fast for Wiz as well. He dropped album ‘Khaotic’ in January, starred in and executive produced the soundtrack for film Moses the Black, followed it with the surprise release of ‘Girls Love Horses’ in February, and capped April with The Macrodose Tour, closing at Red Rocks Amphitheatre.
The lost americana tour arrives in Canada June 14 at RBC Amphitheatre in Toronto, then continues through Vancouver and into the Pacific Northwest.
Lost Americana North America Amphitheater Tour:
May 15 – Wheatland, CA @ Toyota Amphitheatre
May 16 – Concord, CA @ Toyota Pavilion at Concord
May 17 – Chula Vista, CA @ North Island Credit Union Amphitheatre
May 20 – Albuquerque, NM @ Isleta Amphitheater
May 22 – Austin, TX @ Germania Insurance Amphitheater
May 23 – The Woodlands, TX @ The Cynthia Woods Mitchell Pavilion
May 24 – Dallas, TX @ Dos Equis Pavilion
May 27 – West Palm Beach, FL @ iTHINK Financial Amphitheatre
May 29 – Atlanta, GA @ Lakewood Amphitheatre
May 30 – Charleston, SC @ Credit One Stadium
May 31 – Charlotte, NC @ PNC Music Pavilion
June 2 – Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek
June 3 – Bristow, VA @ Jiffy Lube Live
June 5 – Bangor, ME @ Maine Savings Amphitheater
June 6 – Hartford, CT @ Xfinity Theatre
June 9 – Holmdel, NJ @ PNC Bank Arts Center
June 10 – Burgettstown, PA @ The Pavilion at Star Lake
June 12 – Scranton, PA @ The Pavilion at Montage Mountain
June 13 – Darien Center, NY @ Darien Lake Amphitheater
June 14 – Toronto, ON @ RBC Amphitheatre
June 16 – Clarkston, MI @ Pine Knob Music Theatre
June 17 – Grand Rapids, MI @ Acrisure Amphitheater
June 19 – St Louis, MO @ Hollywood Casino Amphitheater
June 20 – Noblesville, IN @ Ruoff Music Center
June 22 – Shakopee, MN @ Mystic Lake Amphitheater
June 23 – Kansas City, MO @ Morton Amphitheater
June 26 – West Valley City, UT @ Utah First Credit Union Amphitheatre
June 27 – Boise, ID @ Ford Idaho Center Amphitheater
June 29 – Vancouver, BC @ Rogers Arena
June 30 – Auburn, WA @ White River Amphitheatre
July 1 – Ridgefield, WA @ Cascades Amphitheater
How Drake Redefined Global Hip-Hop
He started as a kid on a Canadian teen drama. He ended up with more charted songs than anyone in Billboard history. Here’s how Aubrey Drake Graham changed everything.
There are artists who dominate their era. And then there are artists who rewrite the rules entirely. Drake is the second kind.
Born Aubrey Drake Graham on October 24, 1986, in Toronto, Drake is credited with popularizing R&B sensibilities in hip-hop through rap-singing, and journalists have long referred to him as one of the greatest rappers of all time. That reputation wasn’t handed to him. It was built, methodically and relentlessly, over two decades of work that refused to stay inside any one lane.
Here’s how he did it.
He Came From Nowhere — And Then Came From Everywhere
Drake’s big break came in 2009 when he dropped So Far Gone, a mixtape that included the hit single “Best I Ever Had.” The track quickly gained mainstream attention, catching the ear of Lil Wayne, who invited Drake to join his Young Money label. That moment changed everything. He became the first unsigned act from Canada to have his music video played on BET, a small milestone that pointed to something much larger coming.
In 2010, Drake released his debut studio album, Thank Me Later. It debuted at No. 1 on the Billboard 200 and featured hits like “Over” and “Find Your Love.” His introspective lyrics, emotional vulnerability, and melodic flow set him apart from other rappers, establishing him as a unique voice in the industry from day one.
He Made Vulnerability a Superpower
This is perhaps Drake’s most lasting contribution to hip-hop. Before him, emotional openness in rap was a liability. After him, it was a blueprint.
Drake brought an emotional and vulnerable style of rapping that was a departure from the genre’s traditional toughness. His music paved the way for artists such as Lil Uzi Vert, Juice WRLD, and Post Malone. Think about how different the sonic landscape of the past decade would look without those three names alone. Every rapper who sings hooks today owes something to what Drake normalized.
He Turned Toronto Into a Global Music Capital
Before Drake, Toronto was not a city that defined global pop culture. After Drake, it was impossible to ignore. He popularized the term “The 6” for his hometown and helped bring entirely new musical styles to a global audience. His success opened doors for other Canadian artists, solidifying Toronto as a major player in the global music scene. The Weeknd, PartyNextDoor, NAV, a whole pipeline of talent followed Drake out of that city. He built the runway.
He Made Genres Irrelevant
Drake didn’t just work within hip-hop. He absorbed everything around it and fed it back to the world. He blends rap, R&B, dancehall, Afrobeat, and UK drill, creating music that crosses borders and defies easy categorization. His collaborations with Wizkid and Kyla on “One Dance” introduced Afrobeat rhythms to mainstream listeners worldwide. His embrace of UK drill and dancehall demonstrated an ongoing drive to innovate and celebrate sounds that mainstream American hip-hop had largely ignored. In 2022, he dropped an entire dance music album with Honestly, Nevermind. Critics scratched their heads. Fans streamed it anyway. That’s the Drake effect.
The Numbers Don’t Lie — They Stagger
No conversation about Drake’s legacy is complete without the statistics, and the statistics are almost absurd. He holds Billboard Hot 100 records for the most top 10 singles, the most top 40 singles, the most charted songs overall, and the most consecutive weeks on the chart. He has 14 Billboard 200 number-one albums, a joint record among male soloists. Billboard named him the Artist of the Decade for the 2010s, the highest-grossing hip-hop touring artist, and the fourth greatest pop star of the 21st century. By 2025, he had surpassed 115 billion total streams on Spotify, a milestone no other artist had reached. He is the only musician in history with more than 300 songs on the Billboard Hot 100.
What It All Means
Drake didn’t just have a great career. He shifted the entire center of gravity of popular music. He proved that a kid from Toronto who had never been through the traditional hip-hop origin story could not only compete with the genre’s giants but outlast them on nearly every measurable level. He made rap more emotional, more global, more genre-fluid, and more commercially dominant than it had ever been before. Whether you love him or not, the music industry of 2026 is shaped in his image. That’s not a small thing. That’s a legacy.
Hannah Harper: The American Idol Winner You Need to Know Right Now
Hannah Harper embarked on her musical journey at just 9 years old. Growing up in Southeast Missouri, she was part of a family steeped in the rich traditions of bluegrass gospel music, with the legacy of Bob Lewis and The Bob Lewis Family as her foundation. This musical heritage, passed down through generations, set the stage for Hannah’s early exposure to music.
Traveling with her family, The Harper Family, honed her musical talents and developed a profound passion for songwriting and music ministry. Taking a position as worship leader at a small church in Missouri brought a new chapter in her life — it’s where she met her husband, Devon. They married in 2018 and soon began building a family. Now a mom of three little boys, Hannah and Devon live a quaint life in a little white house in the woods, balancing family, faith, and music.
Last night, Hannah Harper was crowned the winner of American Idol Season 24. If you haven’t been following along, you’re about to want to catch up fast — because this woman’s story is one of the most compelling we’ve seen come out of that show in years.
Here are five things you need to know.
1. She’s from Willow Springs, Missouri, and bluegrass gospel is in her blood.
Hannah Harper, 25, grew up in Southeast Missouri in a family rooted in the traditions of bluegrass gospel music. Her musical foundation traces back to the legacy of Bob Lewis and The Bob Lewis Family. Before she ever stepped in front of an Idol camera, she was already performing as part of the Harper Collective — a family band featuring her parents Katrina and Gaylon, her brothers Dillon and Dalton, and Dalton’s wife Makeena. That group won the SPBGMA International Band Contest back in 2010 and recorded two albums on Pisgah Ridge and Crossroads Records. This is not a newcomer to music. This is someone who has been doing the work for a very long time.
2. She made history — and it matters.
Hannah Harper is the first female country artist to win American Idol since Carrie Underwood took home the title back in 2005. That’s 21 years. Think about that for a moment. And the fact that Underwood herself was sitting at the judges’ table when Harper walked through the door? That’s a full-circle moment that couldn’t have been scripted better.
3. Her audition song “String Cheese” broke the internet — and broke Carrie Underwood.
When Harper performed her original song “String Cheese” — written about her personal experience with postpartum depression — Underwood was moved to tears. The song, which she released on May 11, 2025, was inspired by a moment with her youngest son when she was struggling on the couch, deep in a difficult stretch, and he kept asking her to open his string cheese. That small, ordinary moment became a spiritual turning point for her. Her audition video has since hit over one million views on YouTube. Mothers flooded the comments. That kind of connection doesn’t come from talent alone — it comes from truth.
4. She’s a stay-at-home mom of three boys who married a fishing addict.
Before Idol, Hannah Harper’s full-time job was motherhood. She and her husband Devon Mendenhall — married in April 2018 — have three sons, the youngest of whom was just one year old when she auditioned in the fall of 2025. Devon held things together at home while Hannah pursued this dream, and she has spoken about him throughout the season with deep gratitude. She told USA TODAY after her win: “All the sacrifices have been made to make this happen. Had it not been for my husband… that poor man has sacrificed his entire life.” Devon, for his part, describes himself in his Instagram bio simply as a “fishing addict.” Love it.
5. She is already on the road — and her 2026 tour dates are stacked.
Don’t sleep on seeing this woman live. Hannah Harper has a full slate of shows already booked across the country this summer and fall, including a set at Dollywood on September 30th, a run at the Walhalla Performing Arts Center on October 9th and 10th, and a co-headlining date with Mo Pitney in Pelham, Tennessee on September 27th. Earlier in the summer she’ll hit the Ozark Folk Center State Park in Mountain View, Arkansas (June 5), Rudy Fest 2026 in Morehead, Kentucky (June 25), and the Backbone Bluegrass Festival in Strawberry Point, Iowa (July 24). There’s even a date at Kosair Live in Louisville on July 18th on a bill that includes Dan + Shay, Bailey Zimmerman, and Gabby Barrett. The momentum is real. Get your tickets.
Hannah Harper’s win last night wasn’t a surprise to anyone who had been paying attention. It was the inevitable conclusion of a season that gave a stay-at-home mom from Missouri the stage she always deserved. Remember the name.