The 3.7 earthquake a few miles west of Atascadero wasn’t the only seismic activity to rock San Luis Obispo County last night, as Foo Fighters treated a capacity crowd of FF faithful at the Fremont Theater — many of whom camped out overnight for tickets — to a career-spanning set featuring the thunderous debut of new FF drummer Ilan Rubin.
And they’re doing it again — as announced this morning, Dave Grohl, Nate Mendel, Pat Smear, Chris Shiflett, Rami Jaffee and Ilan Rubin will play their second show of 2025 Monday, September 15 at the Observatory in Santa Ana, CA.
For Santa Ana ticket info, doors, showtime and more, go to https://foofighters.com/news/live-in-santa-ana-monday-sept-15
Foo Fighters Shake Up San Luis Obispo with Ilan Rubin Debut Before Announcing Santa Ana Show
Tiny Chef Fans Rally After Nickelodeon Cancellation with Crowdfunding and Community
The end of Tiny Chef’s Nickelodeon run sparked a new chapter for the pint-sized vegan cook and his team. When creators Rachel Larsen and Ozlem Akturk shared a short video of Chef being “fired” by a fictional Mickelfodeon, fans immediately responded. The clip, which has topped more than a million views on YouTube, transformed a tough moment into a groundswell of support. Within days, crowdfunding campaigns raised $140,000 and the relaunched “Fwiends Club” subscription drew 10,000 members, proving the character’s charm reaches far beyond a single network.
What makes this moment so important is how clearly it shows the shifting power dynamic in media. By speaking directly to their audience, Larsen and Akturk demonstrated that creators don’t have to rely solely on traditional platforms to survive. Instead, they can build loyalty, attract brand partnerships, and chart their own course. Tiny Chef’s future may look different, but with this level of community behind him, it’s clear his story is far from over.
Panda Bear Brings Experimental Indie Pop to NPR’s Tiny Desk with Full Band Debut
Panda Bear beams as his layered soundscapes finally get the live treatment. “Ferry Lady” glitters with wistful energy, while “Defense” swells with harmony. By the closing “Song for Ariel,” the set feels rare and radiant.
Jake Worthington Delivers Pure Honky-Tonk Gold on New Country Album ‘When I Write The Song’
Today Big Loud Texas country traditionalist Jake Worthington releases his sophomore album When I Write The Song, a 14-song jaunt made for barrooms and honky tonks. A follow up to his critically acclaimed debut album, the new record features all-star collaborations with Miranda Lambert, Marty Stuart and Mae Estes.
“When I Write The Song is just a testament to myself and for the better or worse it’s who I am and what I do and it’s what I love,” Worthington shares. “When I get behind the old pen and paper, it’s not always the good things that come to mind that I find the easiest to say. I revere the songwriter more than I revere anybody else in the music industry and I’m proud to have had a hand at writing these songs on this record.”
Worthington’s new album doubles down on the authentic country sound he is known for that Texas Monthly defines as “gorgeous beer-joint purism.” When I Write The Song was produced by esteemed hitmakers Joey Moi, Jon Randall and Chuck Ainlay – the forces behind some of country music’s most beloved records. The ethos of the album, sonically reminiscent of greats like Jones, Jennings and Strait, can be summed up as, “music undaunted by time” (The Tennesseean).
Unforgettable songs on the album have begun to carve out a space in the cultural ecosystem from viral “It Ain’t The Whiskey” that has racked up over 40 million listens and is nominated for Texas Country Music Association’s Country Single of the Year toditty “My Home’s In Oklahoma” that led Saving Country Music to claim, the “singles have been lights out.” Home to defining songs like Lambert collab “Hello Shitty Day,” “I’m The One (feat. Marty Stuart)” and the immensely witty “Two First Names,” the title track shines as the product of a solo write by Worthington that MusicRow describes as “a honky-tonk ballad that he invests with heart and a beautifully phrased, bent-note vocal.”
Displaying his honky-tonk stylings on stage, Billboard declared that a recent live set of Worthington’s, “conjured up the ghosts of country legends like George Jones and Waylon Jennings with his twangy, authentic traditionalism and big voice.” He will continue to bring pure country anthems to venues across North America, joining Zach Top as direct support on all dates of the Cold Beer & Country Music Tour, followed by supporting slots on Jon Pardi‘s Honkytonk Hollywood Tour. For tour dates, visit jakeworthington.com.
When I Write The Song Tracklist
- It Ain’t The Whiskey (Jake Worthington, Will Banister, Jeff Hyde, Roger Springer)
- Hello Shitty Day (feat. Miranda Lambert) (Dean Dillon, Jessie Jo Dillon, Jesse Frasure, Miranda Lambert)
- Too Much To Think (Jake Worthington, Monty Holmes, Roger Springer)
- King Of The World (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
- I’m The One (feat. Marty Stuart) (Jake Worthington, Jenna LaMaster, Marty Stuart)
- Drownin’ In Whiskey (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
- Not Like I Used To (Jake Worthington, Monty Criswell, Derek George)
- When I Write The Song (Jake Worthington)*
- Two First Names (Jake Worthington, Wyatt McCubbin, Brett Tyler)
- I Only Drink When It Rains (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
- I Still Believe In Miracles (Jake Worthington, Robert Arthur, Roger Springer)*
- I Feel You (feat. Mae Estes) (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)*
- My Home’s In Oklahoma (Jake Worthington, Will Banister, Roger Springer)*
- Get Gone Too (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
Produced by Joey Moi and Chuck Ainlay
*Produced by Jon Randall and Chuck Ainlay
Madison McFerrin Performs at NPR’s Tiny Desk with Loop-Driven Soul and Family in Harmony
Madison McFerrin stacks harmonies live, building worlds out of her voice and pure feeling. “I Don’t” lands with humor and heart as she dishes McFerrin family tea between songs. Every moment is precise, playful, and entirely her own.
How Baseball’s Magic Number Works
Every September, baseball fans start saying two words like it’s a chant, a countdown, or a prophecy: magic number. But what is it? Who decided it was magic? And how do teams know when to pop the champagne? Here’s how it works — no calculator required.
The Short Answer
The magic number is the combination of wins by your team and losses by the second-place team needed to clinch a playoff spot or division title.
That’s it. It’s the finish line math that says, “If we win X more games or they lose Y more, it’s over.”
The Actual Formula
Here’s the basic version:
Magic Number = 163 – (your team’s wins + second-place team’s losses)
Why 163? Because that’s one more than the number of games in a season (162), to guarantee you finish ahead.
For example, if your team has 90 wins and the second-place team has 65 losses:
Magic Number = 163 – (90 + 65) = 8
Any combo of your wins and their losses that adds up to 8 will clinch it.
The Vibe
It’s like playing poker with the standings.
Your team wins — it drops.
Their team loses — it drops.
The moment it hits zero? You’re in. You pop bottles. You start debating playoff rotations. And somewhere, a player dumps Gatorade on a coach wearing expensive shoes.
The Tiebreaker Era Is Over
This used to get messy. In past seasons, a tie in the standings meant a Game 163 — a one-game showdown to settle it. But MLB ended that in 2022. Now tiebreakers are head-to-head records, so the math is a little cleaner — and the magic number means a little more.
Why We Love It
Because baseball’s long. It’s a 6-month saga. And the magic number turns the stretch run into a race against the clock. It gives fans permission to hope, scoreboard-watch, and overanalyze every half-game shift like it’s life or death.
And when it gets to one — just one — it’s not magic. It’s momentum.
TL;DR For Your Group Chat
The magic number = the mix of wins and rival losses needed to clinch.
When it hits zero, your team is in the playoffs.
Baseball math never felt so electric.

