Men At Work delivered a sharp and instantly recognizable performance of “Who Can It Be Now?” during a recent appearance on Jimmy Kimmel Live, bringing their signature mix of tension, humor, and new wave cool to late-night television.
“Hadestown” Welcomes New Broadway Principals For Spring Run At Walter Kerr Theatre
Broadway’s “Hadestown” will introduce a new group of principal cast members beginning March 3 at the Walter Kerr Theatre. The incoming lineup features Tony and Grammy Award winner J. Harrison Ghee as Hermes, Joshua Colley as Orpheus, and Jordan Tyson stepping into the role of Eurydice. Gary Dourdan and Gaby Moreno will both make their Broadway debuts as Hades and Persephone, respectively, marking a fresh chapter for the long-running production.
The new principals will succeed the current leading cast, who are scheduled to give their final performances on March 1. The outgoing company includes Morgan Dudley, Kurt Elling, Allison Russell, Paulo Szot, and Jack Wolfe, all of whom have helped shape the show’s most recent Broadway chapter. The transition reflects the musical’s ongoing ability to evolve while maintaining its emotional and musical core.
Now in its seventh year on Broadway, “Hadestown” remains one of the most celebrated musicals of the past decade. With a book and score by Anaïs Mitchell and direction by Rachel Chavkin, the production reimagines the myths of Orpheus and Eurydice and Hades and Persephone through a folk and jazz-inflected lens. The show continues to resonate worldwide, with productions spanning the West End, international stages, and a record-setting North American tour.
Global Online Event Ticketing Market Marches Toward USD 99.31 Billion By 2032
The global Online Event Ticketing Market continues its steady expansion, with revenue projected to reach USD 99.31 billion by 2032, according to a new report from Verified Market Research. Valued at USD 56.7 billion in 2024, the market is expected to grow at a CAGR of 3.8 percent from 2026 to 2032, driven by rising smartphone penetration, improved internet access, and a broad shift toward digital-first ticket purchasing across live entertainment, sports, and hybrid events.
Digitalization remains the market’s strongest catalyst. Event organizers increasingly rely on cloud-based ticketing platforms to automate sales, manage audiences, and access real-time analytics. Mobile ticketing and cashless payments continue to reshape consumer behavior, offering convenience, faster entry, and reduced friction at high-volume events. The resurgence of concerts, sports tournaments, festivals, and hybrid conferences has further accelerated demand for scalable online ticketing solutions capable of serving global audiences.
Despite momentum, the market faces persistent challenges. Data security concerns, ticket fraud, and high platform service fees remain key restraints, particularly for enterprise clients and mid-sized organizers. North America currently leads the market thanks to mature digital infrastructure and strong event demand, while Asia-Pacific stands out as the fastest-growing region. Major industry players include Ticketmaster Entertainment LLC, Eventbrite, StubHub, TickPick, Fandango, Atom Tickets LLC, Movietickets, Cinemark Holdings Inc, and Big Cinemas, all competing through technology investment, fraud prevention, and mobile-first innovation.
Reggae Land Unveils Generation-Defining Lineup For Biggest UK Festival Weekend Yet
Reggae Land has revealed their full line-up for its sixth and biggest edition to date when it returns to Milton Keynes National Bowl on Saturday 1st and Sunday 2nd August 2026. With more than 120 artists due to perform across seven stages, the announcement proves that this will be the celebrated festival’s most ambitious year yet, with one of the biggest ever reggae and dancehall festival line-ups ever assembled anywhere in the world.
Since moving to Milton Keynes’ National Bowl, Reggae Land has transformed the iconic venue into a Caribbean cultural hub that carefully combines world-class performances with Caribbean food villages, rum bars, flea markets, museum spaces and immersive decor. In 2026, the festival expands further with the addition of two new stages, even higher levels of production and sound and up to 100,000 attendees across the weekend. All this and more makes Reggae Land a truly authentic and tastefully curated showcase of Caribbean music, food and art in many different forms.
Across the much anticipated August weekend, Reggae Land will once again celebrate a full spectrum from roots and reggae royalty to dancehall, dub, jungle and carnival energy, all while bringing together legendary names, global stars, emerging artists and scene-defining selectors.
Saturday’s Main Stage is led by the return of two reggae and dancehall legends, bringing their exclusive world debut of landmark supergroup The King & The Royals, which unites the king of dancehall himself, Beenie Man, alongside reggae royalty, Morgan Heritage, both returning to Reggae Land having performed separately in 2023 and 2025 respectively. The King & The Royals serve up a historic, unifying live experience that brings together their two Grammy-winning legacies for one powerful, deeply authentic celebration, with spiritual uplift and lyrical mastery at its core. Dancehall fire and reggae soul will collide and feature many of their global hits, timeless classics and an emotional, high-energy vibe designed for all ages and all generations. They will be joined by debut performances from Tarrus Riley, Barrington Levy and Jah9, as well as Konshens and Kranium, who both make their debut Reggae Land appearances.
On Sunday, the Main Stage welcomes one of the most sought after dancehall artists on the planet, making his long awaited Reggae Land debut, the one and only Vybz Kartel. He is one of dancehall’s most influential and prolific artists and has long redefined the genre with his razor sharp lyricism, endless creativity and unmatched cultural impact. He’s a global hit machine with standouts including ‘Summertime,’ ‘Wine to the Top’ and “Party With Me” plus a catalogue that spans street anthems, club classics and melodic crossovers. On stage, Kartel brings intensity, presence and unifying singalongs charged with attitude and an unmistakable sound that has shaped modern dancehall.
Alongside him is another debut Reggae Land performance from the incredible Grammy nominated Shenseea, as well as the return of one of Jamaica’s most commercially successful exports, Shaggy, making his first appearance since headlining the very first Reggae Land back in 2022. Super Cat, Inner Circle and Mo’Kalamity & The Wizards make up the rest of Sunday’s mainstage line-up, who all continue the festival’s tradition of showcasing iconic voices alongside contemporary global stars.
The One Love Stage continues to honour roots, culture and conscious sounds. Saturday’s lineup includes Richie Spice, Ken Boothe, Jesse Royal, Samory I, League of Rebelz and Ras Kwame, while Sunday sees performances from Sanchez, Mr Vegas, Alborosie, Third World and Hollie Cook.
New for 2026, the Dancehall Stage delivers high-energy performances and sound system culture across both days. Saturday features T.O.K, Charly Black, Stylo G, The Heatwave presents Hot Wuk and sets from Seani B, Kash & Pharaoh G, DJ Larni and DJ Dennyhus & Prime. Sunday brings Cham, Serani, Ding Dong, David Rodigan, Becca D, Shayna Marie, DJ Nate and DJ Davda.
The Carnival Stage brings crossover energy and bass-driven sounds. Saturday includes General Levy, the Jungle Cakes takeover featuring Ed Solo, Deekline, Benny Page, Navigator and Killa P, Eva Lazarus, Robbo Ranx, Prince Fatty & Horseman, Jamie Rodigan and Sugarkane. Sunday hosts Congo Natty, Fabio & Grooverider & MC GQ, Top Cat (Live), Ragga Twins Crew, Shabba presents Janelle Wynter, Serocee & Friends, Ras Kwame’s Reggae Recipe and Kaya Fyah.
The Dub Stage returns with heavyweight sound system culture across both days, including Mad Professor, Little Lion Sound, Reggae Roast, Scientist, Mungos Hi Fi & Charlie P, Aba Shanti I, YNG CPTN Sound, Sisters in Dub, Saxon Sound, Side by Side Soundsystem, King Tubby’s Soundsystem and more.
Rompa’s Reggae Shack returns with Ayito, Clapper Priest, Chez, Boxer Banton, Daddy Nature, DJ Ardi, DJ Dansey, Uncle Dugs, Lionpulse and more across the weekend, while the newly introduced Bob’s Bar Stage provides a dedicated space for roots reggae, dub and lovers rock. Across the weekend, artists include Earl Gateshead, Don Letts, Iration Steppas, Channel One, Dub Pistols Sound System, Rhoda Dakar, Greensleeves Hi Fi, Josh Skints, Mark Ryder, Gully B and Queen Bee.
Nowhere in the country, or arguably anywhere in Europe, serves up such a rich, tasteful blend of Caribbean music and culture than Reggae Land, so make sure you’re part of this year’s biggest ever celebration. Tickets go on sale Friday 30th January at 9AM from £74.50 + booking fee. Sign up via www.reggaeland.co.uk.
CBMA Brings Toronto’s Black Music Legacy To Life This Black History Month
The Canada Black Music Archives hosts its annual Black History Month Showcase on Thursday, February 5, 2026, celebrating Black music, culture, and community in Toronto. Taking place at the City of Toronto Archives, the free event brings together artists, historians, and audiences for an evening rooted in legacy and living creativity. Support comes from TD Bank Group through TD Ready Commitment and the Government of Canada via the Department of Canadian Heritage.
The day begins with a special afternoon presentation featuring musician and chef Roger Mooking in conversation with CBMA co-founder Phil Vassell. The discussion centers on creativity, heritage, and the role of Black artists in shaping Canadian culture. The exchange highlights lived experience and cultural memory, grounding the celebration in reflection as well as recognition.
The evening showcase delivers a powerful lineup of Black Canadian talent. Performances include Jully Black, Liberty Silver, Tanika Charles, Divine Brown, and Dru of In Essence, with DJ Carl Allen on the decks. Hosted by Mel Boogie, the night brings soul, R&B, and shared history into one room. The program stands as a joyful and resonant celebration of Black excellence in Canadian music.
Date: Thursday, February 5th, 2026
Time: 5 PM – 10 PM Location: City of Toronto Archives: 255 Spadina Road, Toronto, ON M5R 2V3
Admission: FREE! Reserve your tickets here.
Zac Brown Band Takes ‘Love & Fear’ On The Road With Massive U.S. Tour
Zac Brown Band announces the Love & Fear US tour presented by Margaritaville at Sea, launching a 27-date run that stretches from July through November 2026. The tour follows the band’s landmark engagement at Sphere Las Vegas and the release of their eighth studio album, ‘Love & Fear’. Stops include iconic venues such as Fenway Park in Boston, Forest Hills Stadium in New York, and Red Rocks Amphitheatre in Colorado, bringing the band’s expansive live show to major markets nationwide.
The Love & Fear era reflects a bold creative chapter for the band, blending their roots-driven foundation with immersive storytelling and large-scale production. That vision took shape at Sphere, where the album’s themes of gratitude, resilience, and connection anchored a career-spanning performance. The upcoming tour builds directly from that momentum, pairing beloved songs with newer material in a set that highlights the band’s range, chemistry, and genre-crossing musicianship. The response to the album and recent shows has been resoundingly enthusiastic, reinforcing the band’s enduring connection with their audience.
“I can’t wait to get this back on the road after an epic experience at Sphere,” says Zac Brown. “Every night we play is a chance to turn it up, mix things around, and share an unforgettable night with our incredible fans.” He adds, “The Love & Fear tour is all about big energy, our new album, entertaining covers, the hits you know and love, a few unexpected curveballs, and a whole lot of fun.” Support on select dates includes Grace Potter, Brothers Osborne, Old Crow Medicine Show, and Fitz and the Tantrums.
Zac Brown Band Love & Fear Tour Dates:
July 17 – Grand Rapids, MI @ Van Andel Arena
July 18 – Cleveland, OH @ Rocket Arena
July 31 – Albany, NY @ MVP Arena
Aug 2 – Boston, MA @ Fenway Park
Aug 13 – Pittsburgh, PA @ PPG Paints Arena
Aug 14 – Columbus, OH @ Nationwide Arena
Aug 15 – Columbia, MD @ Merriweather Post Pavilion
Aug 27 – Forest Hills, NY @ Forest Hills Stadium
Aug 28 – Forest Hills, NY @ Forest Hills Stadium
Aug 29 – Philadelphia, PA @ TD Pavilion at Highmark Mann
Sept 10 – Kansas City, MO @ T-Mobile Center
Sept 11 – St. Louis, MO @ Enterprise Center
Sept 17 – Charleston, SC @ Credit One Stadium
Sept 18 – Tampa, FL @ Benchmark International Arena
Sept 19 – Hollywood, FL @ Hard Rock Live at Seminole Hard Rock Hotel & Casino
Oct 8 – Knoxville, TN @ Thompson-Boling Arena at Food City Center
Oct 9 – Greenville, SC @ Bon Secours Wellness Arena
Oct 10 – Greensboro, NC @ First Horizon Coliseum
Oct 19 – Morrison, CO @ Red Rocks Amphitheatre
Oct 20 – Morrison, CO @ Red Rocks Amphitheatre
Oct 23 – Minneapolis, MN @ Target Center
Oct 24 – Sioux Falls, SD @ Denny Sanford PREMIER Center
Nov 5 – Buffalo, NY @ KeyBank Center
Nov 6 – Detroit, MI @ Little Caesars Arena
Nov 19 – Lincoln, NE @ Pinnacle Bank Arena
Nov 20 – Des Moines, IA @ Casey’s Center
Nov 21 – Rosemont, IL @ Allstate Arena
Jessie Ware Opens A New Era With Sweeping Single “I Could Get Used To This”
Jessie Ware returns with “I Could Get Used To This,” a bold new single that opens the door to her next creative chapter. Out now via Interscope Records, the track arrives as a confident opening statement, pairing emotional release with classic pop grandeur. Built on cascading strings and a sense of theatrical lift, the song places Ware’s voice squarely at the center, poised, powerful, and completely assured. The record radiates confidence and joy, landing as an immediate and exhilarating listen.
Speaking about the track, Ware calls it “an invitation into the world of this album.” She adds, “I wanted to set the scene of the world that I’m trying to paint in the album; romance, real love, performance, celebration and pleasure (always!) in a garden full of gods and goddesses.” Written with Miranda Cooper, Sophia Brenan, and Jon Shave, the song also marks a personal milestone. “First key change I’ve ever done,” Ware notes, calling it an exciting starting point for what’s to come.
Released alongside the single is a video directed by Fa & Fon, drawing inspiration from the goddess Juno and the language of theatrical performance. The visual world leans into ceremony, glamour, and feminine power, reinforcing the song’s sense of scale and confidence. “I Could Get Used To This” introduces an era shaped by pleasure, clarity, and freedom, presenting Jessie Ware at her most radiant and fully realized.
The Paper Kites Return With Warmth And Wonder On New Album ‘If You Go There, I Hope You Find It’
The Paper Kites release their seventh studio album, ‘If You Go There, I Hope You Find It’, available now via Nettwerk. The album captures a moment of reconnection for the band, shaped by time spent writing together at their longtime rehearsal farm in Melbourne’s Yarra Valley. “This record feels like a band remembering what made them fall in love with playing music in the first place,” says lead vocalist Sam Bentley. “Five friends, five musicians, rediscovering what made them want to do this together.”
That shared space left a clear imprint on the songs. “A lot of these songs were written out at the farm we rehearse at, which has become a place of great direction and growth for us over the years,” Bentley explains. “As such, the record has taken on much of the character of that place, and you’ll see it reflected in the colours and visuals surrounding the album.” The result is an intimate and emotionally clear collection that feels grounded, cohesive, and deeply human.
Recent singles “Change Of The Wind,” “Shake Off The Rain,” “Every Town,” and “When The Lavender Blooms” each arrived with videos filmed at the farm, spotlighting individual band members and reinforcing the album’s personal tone. The response has been strongly enthusiastic, with critics praising the band’s restraint, warmth, and honesty. The album resonates as a quietly powerful listen that rewards stillness and attention.
The release also includes a new video for the previously unreleased track “Morning Gum.” Reflecting on the process, Bentley adds, “We had a beautiful time making this album. There’s a lot of the five of us in this record. We hope you enjoy.” The statement feels fitting for an album built on connection, patience, and the enduring bond between collaborators.
White Denim Finds Strength, Groove, And Connection On New Album ’13’
White Denim steps forward with ’13’, a vibrant and deeply personal album due out April 24, 2026 via Bella Union. Built around ideas of community, family, and creative freedom, the record reflects James Petralli’s lived experience with clarity and intent. “I’ve always wanted to make work that’s a reflection of my life experience,” he says. The album engages themes of power, generational cycles, shame, violence, and survival while holding firmly to connection as its core value.
Musically, ’13’ moves with restless confidence. Rock, funk, soul, dub-inflected calypso, blues, and sunshine pop blend into a groove-heavy statement that feels immediate and alive. The opening track and lead single, “(God Created) Lock And Key,” sets the tone with sharp funk-blues energy and visceral impact. The record lands as a bold, gripping listen that commands attention from start to finish.
Tracklist:
- (God Created) Lock And Key
- Chew Nails
- Only A Fool
- Time Time
- Crossfyre
- Keep Calling Me (Baby)
- Earth To
- That’s Rap
- Hired Hand #2
- Ruby
- Matchbook Baby
- Quiet Moment
- Drive Trucks
Here Is Who Is Playing The Super Bowl Plus All The Big Details
Bad Bunny headlines the Apple Music Super Bowl halftime show on February 8, 2026, at Levi’s Stadium in Santa Clara. This performance marks a historic moment as he becomes the first Latino and Spanish-speaking artist to headline the event as a solo act. He describes the upcoming show as a celebration for his people and his culture. The production will be directed by Hamish Hamilton and produced by Jesse Collins and Roc Nation.
The pregame lineup features a variety of generational talents including Charlie Puth, Brandi Carlile, and Coco Jones. Charlie Puth will perform “The Star-Spangled Banner” after auditioning with a personal demo for Jay-Z and Roger Goodell. Brandi Carlile is set to perform “America the Beautiful” while Coco Jones will deliver a live rendition of “Lift Every Voice and Sing.”
The broadcast will feature inclusive performances from deaf artists Fred Beam, Julian Ortiz, and Celimar Rivera Cosme. In a historic first, Rivera Cosme will lead a multilingual signing program for the halftime show that incorporates Puerto Rican Sign Language. These collaborations with Alexis Kashar and Howard Rosenblum ensure the global celebration remains accessible to all fans. The NFL and Roc Nation emphasize that these artists embody the best of music and culture. Bad Bunny reveals that receiving the call from Jay-Z was a very special moment that inspired him to immediately double his workout intensity.
This Super Bowl marks the 60th anniversary of the game and is expected to draw a massive global audience on NBC and Telemundo. The halftime show follows a year of record-breaking success for Bad Bunny, including his 2025 album ‘Debí Tirar Más Fotos’ and becoming Spotify’s most-streamed artist of the year. While the setlist remains a secret, the production team notes that the focus is on a grand spectacle rather than viral rumors. This event represents a massive cultural collision of sports and pop music on the industry’s most significant entertainment stage. The show will officially kick off around 6:00 p.m. local time following the first half of the game.