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Hartlepool Newcomers Champ Arrive With Their New Single “Born In The Wild End” From The EP ‘Born In The Wild End’

Eric Alper
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Hartlepool Newcomers Champ Arrive With Their New Single “Born In The Wild End” From The EP ‘Born In The Wild End’

Hartlepool newcomers Champ recently released the title track “Born In The Wild End” from their debut EP ‘Born In The Wild End’. This guitar-driven anthem highlights the specific songwriting of frontman Jonny Bee, focusing on themes of friendship and the complicated relationship one maintains with a hometown. The track serves as the foundation for the band, marking the very first piece of music written under the Champ moniker. It is a triumphant and massive wall of sound that perfectly captures the spirit of small town dreaming.

This group creates a significant sonic presence that aligns with the energy of acts like Wunderhorse and The War On Drugs. Their schedule remains packed with upcoming live performances in Manchester and Stockton, leading up to a major hometown headline show. Previous singles “Taste To Run” and “Future” already secured airplay on BBC Radio 1 via Jess Iszatt and earned early coverage in NME and DIY. The band relies on concrete musical structures and big-hearted melodies to tell stories of late nights and the characters that define their upbringing.

Discover The Cinematic Indie Folk Magic In The New Pavey Ark Single “Epoch” From ‘More Time, More Speed’

Eric Alper
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Discover The Cinematic Indie Folk Magic In The New Pavey Ark Single “Epoch” From ‘More Time, More Speed’

Hull based outfit Pavey Ark delivered a massive addition to the indie-folk canon with their single “Epoch” from the sophomore album ‘More Time, More Speed’. This track centers on the finger-picked guitar work and evocative vocals of Neil Thomas. The lyrical content tackles the transition from the Holocene to the Anthropocene, focusing on the scale of human impact on the planet through a planetary lens. It is a breathtaking piece of music that balances weight with a soaring, euphoric energy.

The song structure provides a distinct duality that mirrors its complex themes. Swelling strings and vibrant horns rise during the first half, creating an upbeat atmosphere that translates perfectly to a live setting. This energy eventually shifts gears as the tempo slows, allowing a string quartet to take the lead. These intricate arrangements were recorded at the band’s own converted farm studio near Hull, capturing a specific earthy and expansive atmosphere.

Producer Paul Butler provided the mixing for this track, applying the same analogue warmth found in his work with Michael Kiwanuka and Andrew Bird. The result is a recording where guitars, brass, and strings weave together with absolute precision. This sonic depth supports the haunting closing refrain and the sharp observational songwriting Thomas provides throughout the piece. The instrumental sections highlight a band comfortable with cinematic scales and quiet, astonishing folk traditions.

This release follows a string of major appearances at SXSW in Texas and the Glastonbury Acoustic Stage. The band previously supported acts like This Is The Kit and Billie Marten, building a reputation for sublime live performances. ‘More Time, More Speed’ follows their debut ‘Close Your Eyes and Think of Nothing’ and focuses on how time stretches and folds. The music moves with a confident stride and a clear sense of identity.

Lillian King Explores Grief And Grace On Her Soulful Debut Album ‘In Your Long Shadow’ Featuring “Shadow”

Eric Alper
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Lillian King Explores Grief And Grace On Her Soulful Debut Album ‘In Your Long Shadow’ Featuring “Shadow”

Lillian King delivered a profound collection of ten songs on her debut album ‘In Your Long Shadow’ released through the Pronounced Kroog label. This record serves as a clear-eyed reflection on family and the passage of time following the loss of her father. King spent a decade refining her songwriting through solo sets across Canada and the United States before entering the studio with producer Jack Henry. The track listing includes the central focus track “Shadow” along with previous singles “Tiber Creek” and “Echo” which highlight her understated yet soulful vocal delivery.

The musical arrangements benefit from the atmospheric keys of Nick DePrey and the rhythmic contributions of Robert Salazar. This collaboration results in a grounded sound that moves seamlessly between sparse folk ballads and textured full-band sections. The sonic landscape of this record is a brilliant achievement in emotional honesty and musical restraint. Support for the project came from Spencer Krug who signed King after a successful tour pairing. The final product reflects a career built on genuine storytelling and the quiet rituals of daily life.

Ernest Honors Southern Heritage On His Self Produced New Single “Blessed” From ‘Live From The South’

Eric Alper
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Ernest Honors Southern Heritage On His Self Produced New Single “Blessed” From ‘Live From The South’

Ernest continues his prolific streak with the arrival of his latest project titled ‘Live From The South’ through Big Loud. This collection utilizes vivid Southern imagery such as Friday night football and cooling pies to ground the music in a specific sense of place. The lead track “Blessed” is available now and features the artist in a self-produced role alongside co-writers Mark Holman, Jordan Merrigan, and Matt Mulhare. This song highlights a perspective of gratitude centered on family ties and simple faith. The recording process emphasizes traditional instrumentation with prominent fiddle, guitar-picking, and pedal steel throughout the arrangements.

The sonic direction follows the path established by his previous record ‘Nashville, Tennessee’ with production assistance from Jacob Durrett. This new music carries a grounded weight and a clear focus on storytelling. The production on this track is a masterstroke of clarity and warmth. Ernest recently headlined two nights at the Ryman Auditorium to celebrate this new chapter of his career. He is currently preparing for his “Live From The South Tour” which begins in Denver and includes stops in New York, Houston, and Boston. New dates for the tour also include performances in Charlotte, Knoxville, and Jackson Hole.

Warren Zeiders Reaches New Heights On His Soulful Version Of The Classic Hymn “How Great Thou Art”

Eric Alper
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Warren Zeiders Reaches New Heights On His Soulful Version Of The Classic Hymn “How Great Thou Art”

Warren Zeiders recently released his rendition of the timeless hymn “How Great Thou Art” through Warner Records. This specific recording holds deep personal significance for the artist as it represents a favorite song shared by his father and grandparents. Zeiders recorded the track to capture the sense of reverence and gratitude inherent in the lyrics. The release follows his recent original single “Only Bible” and his expansive twenty-one track album titled ‘Relapse, Lies, & Betrayal’. The arrangement highlights the power of his vocal range while maintaining the traditional solemnity of the source material.

The instrumentation provides a sweeping backdrop that mirrors the awe described in the classic verses. This performance is a staggering display of vocal control and raw passion. Zeiders is currently wrapping up his “Relapse, Lies, & Betrayal” tour with a sold-out appearance at the Giant Center in Hershey, Pennsylvania. With billions of streams and a recent CMT Award win, he continues to build on a massive year of radio success. His schedule remains busy with a confirmed appearance at Stagecoach in April 2026 as he continues to share new music with his growing audience.

Jamey Johnson And Riley Green Ignite Alabama Country Roots On Their New Song “Smoke”

Eric Alper
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Jamey Johnson And Riley Green Ignite Alabama Country Roots On Their New Song “Smoke”

Alabama native powerhouses Jamey Johnson and Riley Green showcase a massive creative collision on their new song “Smoke” which the pair co-wrote alongside Erik Dylan. This recording session marks the first time these two Jacksonville State alumni have officially captured their chemistry in the studio after years of shared stages and golf courses. The track arrived via sessions at The Cash Cabin and Big Gassed Studios with producers Kyle Lehning and Jim “Moose” Brown steering the ship. The lyrical content navigates various incarnations of the title subject including rising gravel dust, burning cigarettes, and the lingering heat of anger.

The musical architecture features a captivating arrangement where one instrumental part descends while another climbs. This specific sonic choice provides a sturdy foundation for the baritone grit these men bring to the microphone. A stellar lineup of musicians contributed to the recording including Bobby Terry on steel guitar, Shawn Camp on acoustic guitar, and Greg Marrow on drums. The sheer technical precision of this band creates a heavy, authentic country atmosphere that demands a high volume setting. This collaboration highlights a natural vocal blend that rings out with total authority.

Jamie O’Neal Captures Heartbreak In The New Single “All The Same” From Her Upcoming Album ‘Gypsum’

Eric Alper
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Jamie O’Neal Captures Heartbreak In The New Single “All The Same” From Her Upcoming Album ‘Gypsum’

Jamie O’Neal delivers a poignant look at the end of a relationship with her new single “All The Same,” written by Nashville Songwriters Hall of Fame member Dean Dillon and Scotty Emerick. This track serves as the third release from her forthcoming studio album titled ‘Gypsum’ which is scheduled for arrival on January 23. Produced alongside her husband Rodney Good, the song focuses on the difficult decision to walk away from a connection that has become mutually exhausting. The production utilizes traditional country instrumentation to ground O’Neal’s powerful vocal delivery in a landscape of authentic storytelling. This recording is a soulful and honest triumph that highlights her enduring ability to interpret complex emotional narratives with absolute clarity.

The ten-track ‘Gypsum’ project marks O’Neal’s first full-length studio collection since her 2020 release and features six songs co-written by the artist herself. This album honors her twenty-five-year legacy in the genre, which began with consecutive number-one hits like “When I Think About Angels.” To celebrate this milestone, she recently shared an updated version of “There Is No Arizona” featuring harmony vocals from The Isaacs. Every arrangement on the new record emphasizes a return to the melodic structures and soaring vocal parts that defined her platinum-selling early career. This music offers a direct and unfiltered connection to an artist who continues to shape the country music mainstream with technical precision and emotional depth.

Langhorne Slim Unveils The Cinematic “Haunted Man” Video From His Upcoming Album ‘The Dreamin’ Kind’

Eric Alper
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Langhorne Slim Unveils The Cinematic “Haunted Man” Video From His Upcoming Album ‘The Dreamin’ Kind’

Langhorne Slim has released the official music video for “Haunted Man,” a central track from his ninth studio album ‘The Dreamin’ Kind’ arriving January 16 via Dualtone Records. Directed by Jordan Noel, the video utilizes a fog-filled haunted house setting to explore themes of anxiety and self-consumption. The project features production from Sam F. Kiszka of Greta Van Fleet, who also performs on the record alongside his bandmate Daniel Wagner. This collaboration marks a sonic shift for the Nashville-based artist as he embraces an electric guitar-driven sound. The composition moves with a raw energy that captures the spirit of garage-punk rehearsals while maintaining Slim’s signature lyrical conviction.

The recording of ‘The Dreamin’ Kind’ provided a specific opportunity for Slim to move away from his typical acoustic arrangements toward a larger-than-life rock and roll aesthetic. This album is his first full-length collection in over four years, following the success of his previous debut on the Billboard 200. Kiszka and Wagner contribute to the thick, propulsive textures found on tracks like “Rock N Roll” and the roots-influenced “Dream Come True.” The synergy in the studio resulted in a set of songs that prioritize physical performance and high-volume riffs. This record is a thunderous testament to the power of creative evolution and collaborative trust.

The songwriting on ‘The Dreamin’ Kind’ draws from a life-changing period of personal growth and sobriety, resulting in a direct and unfiltered narrative voice. By plugging in and getting loud, Slim has channeled his internal experiences into a vibrant and outward-facing statement. The technical production by Kiszka ensures that the soul of the performance remains at the forefront of the mix. This music offers a clear view of an artist operating with total confidence and a renewed sense of creative freedom. Hearing these tracks reveals a musician who has successfully integrated his folk roots with the grit of a rock ensemble.

Iron Savior Reforges The Iconic “Fame” Into A Power Metal Anthem From ‘Awesome Anthems Of The Galaxy’

Eric Alper
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Iron Savior Reforges The Iconic “Fame” Into A Power Metal Anthem From ‘Awesome Anthems Of The Galaxy’

Hamburg power metal outfit Iron Savior has delivered a high-velocity rendition of the Irene Cara classic “Fame,” serving as the first single from their upcoming album ‘Awesome Anthems of the Galaxy’ arriving March 2026 via Reigning Phoenix Music. This project transforms a selection of 1980s pop hits into melodic metal epics, utilizing roaring guitars and the trademark precision of frontman Piet Sielck. The collection follows the success of previous covers like Seal’s “Crazy” and the Eurythmics’ “Sweet Dreams,” responding to decades of requests for a dedicated full-length cover record. Every arrangement maintains the original melodic spirit while injecting the band’s signature cosmic energy and heavy rhythmic drive. This recording is a thunderous celebration of pop history reimagined through a lens of pure German metal fire.

The track list for ‘Awesome Anthems of the Galaxy’ includes a diverse array of cinematic hits, ranging from the dramatic pulse of Phil Collins’ “Against All Odds” to the adrenaline-fueled “Maniac” by Michael Sembello. The band also tackles the synth-pop brilliance of A-ha’s “Take On Me” and the theatrical “When The Rain Begins To Fall” originally by Jermaine Jackson and Pia Zadora. Sielck describes the outcome as a seamless fusion of nostalgia and futurism that remains entirely consistent with the Iron Savior sound. These tracks serve as a factual guide to the band’s ability to adapt external material into their own heroic, melodic framework. This album stands as a bold mission to prove the enduring power of classic hooks when backed by a wall of distorted sound and soaring vocals.

Soundgarden Guitarist Kim Thayil Details The Band’s Historic Rise In The Memoir ‘A Screaming Life’

Eric Alper
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Soundgarden Guitarist Kim Thayil Details The Band’s Historic Rise In The Memoir ‘A Screaming Life’

Soundgarden founding member and guitarist Kim Thayil has confirmed the release of his memoir titled ‘A Screaming Life: Into The Superunknown With Soundgarden And Beyond’ arriving May 19, 2026, via William Morrow. This book documents the band’s progression from the Seattle punk club circuit to their status as global rock icons. Thayil provides a factual account of how he and bandmates Hiro Yamamoto, Ben Shepherd, Matt Cameron, and Chris Cornell navigated the challenges of the nineties alternative rock era. The narrative specifically examines how his Indian heritage and Yamamoto’s Japanese background influenced the band’s identity and their experiences within the music industry. This work stands as a vital historical record of a group that redefined the boundaries of heavy music.

The memoir explores the creative process behind the band’s era-defining sound and their involvement with underground subcultures after Thayil and Yamamoto moved from Chicago to Seattle as idealistic youths. Thayil spent several years compiling these stories to offer a behind-the-scenes perspective on the formation of Soundgarden and their subsequent cultural impact. The text covers the technical aspects of their musicianship alongside the personal triumphs that defined their career. By detailing the evolution of their songwriting and stage presence, the book offers a concrete look at the transformation of a local scene into a worldwide phenomenon. This story is a powerful and essential document of a guitarist who helped shape the landscape of modern rock.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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