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Post-Emo Band Hot Mulligan Release Fourth Album ‘The Sound a Body Makes When It’s Still’ on Wax Bodega

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 Post-emo rising stars Hot Mulligan’ announce their highly-anticipated ‘s fourth full-length LP, The Sound a Body Makes When It’s Still, out now via Wax Bodega.

“And a Big Load” is a bold, punk-infused rager that sets the tone for what listeners can expect from The Sound a Body Makes When It’s Still. Fueled by angst and frustration about the positions we put ourselves in, the track is a cathartic, scream-in-your-car first offering. In classic Hot Mulligan fashion, the lyrics bluntly capture the difficulty of being painfully self-aware, as the band laments, “Nothing good can come of me, I’m useless.” The accompanying music video, directed by Michael Herrick, captures the track’s perfectly chaotic energy with a high-energy skate park performance.

“It’s the consequences of your own actions. You could face them; you could avoid them entirely,” shares co-vocalist and guitarist Chris Freeman. “Our biggest conflicts and struggles are often self inflicted. Drink too much? Hangover. What did you say last night? Apologize… or don’t. You could commit suicide instead. You could commit to being sober. You could commit to drinking one million beers. At the end of the day it’ll all be left for you to deal with. It’s terrifying.”

The Sound a Body Makes When It’s Still is set to be Hot Mulligan’s most cohesive album yet. In addition to bold riffs and careful sonic nuances, it’s chock full of addressing fears, screaming unfiltered vulnerabilities, and finding solace in the fact that regardless of the uncertainty of the future, we exist in this moment. Despite the subject matter, Hot Mulligan strike a balance between sincerity and humor, and find the light moments of comfort, even when it feels impossible.

“‘The Sound a Body Makes When It’s Still’ is a lyric reference,” says co-vocalist Tade Sanville. “That lyric is in a song about paranoia, which is fear. With the album title, you can go the meditation route, or, the horror that you are in your body, and you have to exist. You have no choice, really. Even if you plan on killing yourself, right now you exist. And that is a terrifying thing.”

Metal Band VIMIC Announces Los Angeles Reunion Show Honoring Joey Jordison and ‘Open Your Omen’

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Following a successful Kickstarter Campaign, raising over $95,000 to fund the release of the long-awaited Open Your Omen album, VIMIC has announced an event reuniting the band and honoring Joey Jordison. Taking place in Los Angeles on October 3 at Teragram Ballroom, the Joey Jordison Charitable Fund will not only honor Jordison’s memory but also celebrate the release of the album.

VIMIC will be supported by Wednesday 13 (who worked with Jordison in Murderdolls) along with some very special guests; there will be exclusive event merchandise available. Tickets go on sale Friday, June 6th.

Funds raised from the Kickstarter campaign are being utilized to release Open Your Omen on CD/Double LP, market the album, print merch that Joey Jordison was involved with designing years ago, and produce the reunion event in October. Proceeds from the event will be focused on the Joey Jordison Charitable Fund’s partnership with Broken Strings. Broken Strings is a Non-Profit in Iowa (where Joey and his family are from) that gives out guitars to kids in each school district. The family would like to be able to do the same thing, but with drums.

Sports Commentator Stephen A. Smith Signs Multi-Year SiriusXM Deal for New Shows

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SiriusXM announced that it has signed a multi-year agreement with media powerhouse and New York Times bestselling author Stephen A. Smith that will enable Smith to showcase his no-holds-barred perspectives on sports, current events and more to listeners across North America. Stephen A. announced the news this morning in an appearance on “The Howard Stern Show” on SiriusXM.

Beginning this September, Smith will host and executive produce two new, original shows on SiriusXM. His new daily sports talk show will air weekdays on Mad Dog Sports Radio (channel 82), delivering his signature energy and unfiltered takes on the biggest headlines in sports. Smith’s new show will join a daily Mad Dog Sports Radio lineup that features the anchor program, “Mad Dog Unleashed,” hosted by the channel headliner and Smith’s weekly “First Take” teammate on ESPN, Christopher “Mad Dog” Russo.

In addition, Smith will create a weekly current events, pop culture and social commentary-focused show that will debut on SiriusXM and be the first place for listeners to hear Smith’s sharp commentary and compelling discussions on everything beyond the world of sports – from politics and social issues to entertainment news, pop culture trends and more. The show will air each week on a non-sports SiriusXM channel, to be announced later.

Both shows will give listeners across North America a chance to engage directly with Smith, as he also sits down with high-profile guests from the worlds of sports, politics, current events, and beyond. As part of the agreement, Stephen A. will also host multiple in-person SiriusXM subscriber events during the year.

“To say that I’m excited would be an understatement,” Smith said. “I’ve been on Mad Dog before, had the time of my life. So I’m loving the fact that I get to reunite with my guy, Mad Dog, on his turf. That, in itself, is a beautiful thing. But to then add a weekly show where I have a potent platform to discuss riveting subjects in the world of Pop Culture, Politics and Social Commentary…let’s just say it doesn’t get any better than that. September can’t come soon enough. It’s been a long time since I’ve been in radio…especially going back and forth with the callers. Can’t wait to get re-started. Buckle Up! I’m coming!”

“Stephen A. is a singular talent and one of the most influential voices in media today,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “While so many people know him for his unparalleled sports commentary, his interests extend far beyond the borders of sports and into the worlds of politics, news, entertainment and so much more. SiriusXM gives him the unfiltered creative freedom to delve into any topic and allows him to showcase his unique talents and perspectives.”

Smith’s Mad Dog Sports Radio show will debut on Tuesday, September 2. Smith’s current events and pop culture show will debut in September on a date to be announced.

Stephen A. Smith is one of the most prominent personalities on the air today. He is a featured commentator and executive producer on ESPN’s “First Take” weekday mornings, discussing and debating the sports topics of the day with a cast that includes Molly Qerim and SiriusXM’s own Christopher “Mad Dog” Russo. Since 2021 Smith has been an analyst on “NBA Countdown,” ESPN and ABC’s longstanding NBA pregame show.

Smith has hosted radio shows for ESPN and Fox Sports Radio. He began his career as a print journalist, first as a reporter with the Winston-Salem Journal, the Greensboro News and Record and the New York Daily News, before moving on to the Philadelphia Inquirer and serving as that paper’s NBA beat writer and NBA columnist, before becoming a general sports columnist, spanning 17 years.

In 2023 Smith released his New York Times bestselling memoir, “Straight Shooter; A Memoir of Second Chances and First Takes,” where he revealed his untold personal story for the first time.

Tribute Spectacle ‘The Concert: A Tribute to ABBA’ Comes to Avalon Theatre October 17–19

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Enjoy one of the best tribute celebrations of ABBA music as we welcome The Concert: A Tribute to ABBA to the Avalon Theatre from October 17 to 19. Tickets onsale now through ticketmaster.ca.

“The Concert: A Tribute to ABBA not only showcases the music of ABBA, but also celebrates the costume designs, along with powerful vocals,” said Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos.

The Concert: A Tribute to ABBA, is the ultimate ABBA tribute show and is often described as “The closest to ABBA you’ll ever get!” The show continues to be the top ABBA tribute group in the world, dazzling all who see with their fantastic performance while playing the most iconic hits, including “Mamma Mia,” “S.O.S,” “Money, Money, Money,” “Knowing Me, Knowing You,” “Waterloo,” “Gimme, Gimme, Gimme” and “Dancing Queen.”

Show dates & performances

The Concert: A Tribute to ABBA

Dates: October 17 to 19, 2025

Showtimes: October 17: 9:00pm; October 18: 3:00pm & 9:00pm; October 19: 3:00pm & 7:00pm  
Venue: Avalon Theatre

Soulful Singer-Songwriter Ali McGuirk Announces New Album ‘Watertop’

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Acclaimed singer-songwriter Ali McGuirk has announced that her highly-anticipated third album, Watertop will be released September 12th on Signature Sounds. Watertop is available for pre-save and pre-order here (and vinyl via Bandcamp).Her first release since the 2022 album Til It’s Gone, Watertop elevates McGuirk’s signature soulful and smoldering sound to new heights—this time, the production is richer, and the message is unflinching. McGuirk recently realized how much her voice as an artist has evolved while writing and arranging the new album. “I’m actually delivering a message, not necessarily processing my feelings, but delivering my thoughts on the matter. That felt like a different role to embody as a songwriter.”

Today, McGuirk shares the album’s second single, “More Than Enough.” Joined by Dwight Ritscher and Nicole Nelson of Dwight & Nicole, the track is a tender song about the highs of finding your person. Grounded by the creative use of an organ and D’Vibes keys, the song’s percussion literally shimmers.

It’s hard to pinpoint the exact moment that led to the freedom in McGuirk’s songwriting on Watertop. Perhaps it was when she began treating social activism—and her care for others—as a spiritual practice. This transformation gave Watertop its raison d’etre, which comes at you quickly with the opening track, “Love Goes First.”

On Watertop, McGuirk takes a magnifying glass to the complexities of human and societal value, unraveling the meanings of care, empathy, love, and even greed. Sonically, she leans into creating experimental soundscapes filled with her soulful, smoldering sound and aims right for the heart with her songwriting. Altogether, the songs are a microscopic look at our societal values. McGuirk shies away from nothing, exploring the meaning of things like God, empathy, love, and greed.

Blending classic soul power with a folk songwriter lyricism, New England’s Ali McGuirk has the rare ability to silence a room with just a few words of a song. With a voice that is raw and sultry and a style rooted in improvisation, her sets are a hypnotic and intimate journey. More new music is expected from Ali in 2025.

On her 2022 Signature Sounds debut ’Til It’s Gone, McGuirk delivered a sublime set of songs that pairs her trademark soul sound with rootsy turns and raw rock ‘n’ roll detours. The album landed on the Boston Globe’s Top 50 Albums list for 2022. Consequence of Sound raved, “‘All Back’ feels like it could exist somewhere outside of space and time– it could be on a record in the background of a party in a 1970s bungalow, or it could be on your Discover Weekly playlist on Spotify. Either way, it’s a great listen.”

McGuirk co-produced ‘Til It’s Gone with Jonah Tolchin (a star singer-songwriter in his own right) and a set of session legends: Little Feat guitarist/mandolinist Fred Tackett, organist Larry Goldings (James Taylor, Norah Jones), singer Valerie Pinkston (Ray Charles, Luther Vandross), percussionist Lenny Castro (Stevie Nicks, Stevie Wonder). They provided the astounding chops, but the true magic of the album comes from McGuirk’s singular voice as both singer and songwriter. The nine tracks run from intimate introspection to wider meditations on oppression and justice, from tough r&b and tender soul to big rock guitar and twangy folk. And McGuirk’s voice – bold, buttery, spellbinding – carries each song to the next til they’re gone.
McGuirk currently divides her time between touring North America and Europe and crafting new compositions in her lakeside Vermont cottage . She has performed spellbinding sets at Boston Calling, Merlefest, Americanafest, and NPR’s Mountain Stage.

Nashville Songwriter Adam Wright Shares Side Two of ‘Nature of Necessity’ Ahead of September Release

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GRAMMY-nominated Nashville songwriter Adam Wright has shared Side Two of his ambitious four-part solo record, Nature of Necessity: “a masterpiece” (WMOT) that brings his “richly crafted melodies” (Billboard) and intricate storytelling to the forefront. The complete 18-track collection arrives September 25.

Side Two finds Wright delving into rich character portraits and philosophical musings, anchored by the evocative new track “Warm Wind” – a lingo-cryptic swirl through a hot night at the table for a trick shot dice thrower. “There is something alluring about this professional enterprise built on the collision of skill and chance” says Wright. “I’m not much of a gambler, but I found myself reading some remarkable interviews and stories of high stakes players and some of their biggest nights. It was a fun song to write.”

Nature of Necessity finds Wright stepping out of the writer’s room and into the spotlight. “Unpredictable, transporting, and fiercely smart” (WMOT), the epic 18-track collection is produced by Frank Liddell (Miranda Lambert, Lee Ann Womack) and recorded at East Iris in Nashville, TN with renowned musicians Glenn Worf on bass (Mark Knopfler) and Matt Chamberlain on drums (Fiona Apple). When it comes to the story behind the upcoming album, Wright says: “The story is there is no story. I didn’t get sober. There was no breakup. I didn’t awaken to some new awareness. I’m just a lyric junkie with a melody addiction. And this is rock bottom.

A songwriter’s songwriter, Adam Wright has penned songs for Garth Brooks, Brandy Clark, Sierra Hull, Alan Jackson, Randy Newman, Lee Ann Womack, Hailey Whitters and more. Hailed a “wildly brilliant genius” by Robert Earl Keen and “one of the best of the best songwriters and storytellers there is” by Buddy Miller, Wright is a lyrical force to be reckoned with. “Even if you don’t know Adam Wright’s name, you almost certainly know his songs,” says The Tennessean. Wright also collaborated with Parker McCollum on his self-titled album, which comes out this June. Earlier this May, Wright supported Robert Earl Keen at Texas’ legendary Gruene Hall.

Adam Wright’s songs are deeply rooted in the lives of people. A true singer-songwriter, Wright breathes life into his characters so vividly that you’d need a series of novels to fully tell their stories. A self-proclaimed bookworm with a fondness for classic literature, Wright quips, “I probably should’ve just written short stories instead of playing music. It would’ve been easier on my fingers.”

From heart-wrenching ballads like “So You Don’t Have to Love Me Anymore” (recorded by Alan Jackson, which earned a Grammy nomination for Best Country Song) to raw, defiant tracks like “All The Trouble” (recorded by Lee Ann Womack and nominated for both a Grammy and an Americana Music Association Song of the Year award), Wright has proven himself a master of the art of songwriting. His work has been recorded by Nashville heavyweights like Jackson, Womack, Garth Brooks, and Trisha Yearwood, alongside renowned artists such as Brandy Clark, Robert Earl Keen, and Bruce Robison. Wright has also contributed numerous songs to bluegrass bands like Lonesome River Band and Balsam Range, earning IBMA Song of the Year nominations for each.

Yet his solo albums carve out a distinct, deeply personal path that doesn’t always align with his collaborations. Across his solo releases to date, all but one song has been written solely by Wright. While this level of self-reliance isn’t uncommon in the singer-songwriter world, it’s rare in Nashville’s Music Row. From the playful optimism of “I Win” (which AP writer Steve Wine called “the antidote to 2020”) to the haunting beauty of Dust, Wright’s songwriting voice remains consistent—a testament to his unwavering dedication to his craft.

Garage Rock Revivalists The Chesterfield Kings Return with Explosive Single “Your Strange Love” on Wicked Cool Records

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Legendary garage rock revivalists The Chesterfield Kings return with their explosive new single “Your Strange Love” – out now via Wicked Cool Records on limited edition green vinyl. Co-written by founding King Andy Babiuk and Steven Van Zandt, the track marks another powerful collaboration between the longtime friends and rock ‘n’ roll purists. The single’s flip side is a cover of The Beatles’ “It’s Only Love”—the band’s first-ever Beatles cover in their decades-long career.

“I always like writing songs with Steven,” says Babiuk. “I had this song idea for ‘Your Strange Love’ and Stevie took the lyrics to a whole different level with a Venus in Furs vibe and had us add a tambura to give the song a more mystic feel. Stevie knows how to get the job done!”

“Your Strange Love” has already been selected as the Coolest Song in the World on Little Steven’s Underground Garage—a clear nod to the track’s psychedelic atmosphere, rich textures, and gritty, melodic hooks.

On the flip side, the band tackles the Beatles’ “It’s Only Love” with reverent swagger. “Through the years we never touched a Beatles song because we always felt it was almost like sacrilegious,” says Babiuk. “But when the label asked us to record some covers, I thought, ‘fk it, let’s do a Beatles song.’ After all, they are my favorite band! This is our tribute.”

The new single is pulled from the band’s thunderous new LP ‘We’re Still All The Same’, produced by Ed Stasium (Ramones, Talking Heads, The Smithereens). The 14-track album features recent singles including “Fly The Astral Plane”, “Electrified” (also co-written with Van Zandt), “Meet You After Midnight,” and the title track.

The LP showcases the band’s signature sonic chemistry, fueled by over 50 vintage guitars and an arsenal of classic amps and keyboards from Babiuk’s vast collection—delivering a record that’s both timeless and unapologetically raw.

With the release of “Your Strange Love,” the band kicks off their first UK/European tour in decades beginning June 12. Fans can also catch an in-depth 7-page feature interview in the July issue of Vintage Guitar Magazine, where the band breaks down the making of the new LP and the vintage gear behind the sound.

Formed in the late ’70s and hailing from Rochester, NY, The Chesterfield Kings have long been heralded as architects of the 1980s garage rock revival. They’ve released 11 albums and 15 singles, toured worldwide, and appeared on Jimmy Kimmel Live, Late Night with Conan O’Brien, and The Sopranos.

Indie Songwriter Duncan Lloyd Unveils New Single “Rituals” Ahead of ‘Unwound’ Album

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English songwriter-guitarist Duncan Lloyd presents his new single ‘Rituals’, a unique pop song born of a challenging year. Blending a modern sound with a deeply personal message about habits and healing, all while rotating through a circular, radio-like musical journey, this is the second taste from his new 12-track ‘Unwound’ album, forthcoming via Reveal Records.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also a member and co-writer (with Sarah Suri) in the indie band Nano Kino. Through a career spanning over two decades, Duncan Lloyd is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

‘Rituals’ follows his latest invigorating single ‘Laugh So Loud’, which features a guest appearance by Joe Boyer (Cloud Nothings, Autopolitan) and accompanied by an adrenaline-rush of a video, this song is about self-doubt and passing things off as being fine.

“If there is a pop song on the album this is the closest song to one, although it didn’t start out that way. I wrote it during a difficult year and as with a few of the songs on the record it’s fundamentally a personal message to a loved one. I got a little obsessed with the sound of the production as i wanted it to be different from anything i’d done before so it has this modern sense to it,” says Duncan Lloyd.

“The song is about habits, good and bad. It’s also a song about trying to help someone recover. Musically i was thinking of it being like a circle where the rhythm changes but the chords keep rotating, i wanted it to sound like it was coming through several broken radios with only one being crystal clear.”

‘Unwound’ is the first studio album of new material that Lloyd is releasing via Reveal Records, his previous albums having been released by Warp Records or independently. With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody.

Partly recorded by Julie McLarnon (The Vaselines, Lankum, King Creosote, Jeffrey Lewis, Brigid Mae Power) at Analogue Catalogue Studios in Ireland and by Lloyd himself at his studio in Newcastle Upon Tyne, this album also features contributions by Maximo Park keyboardist Jemma Freese and drummer Tom English.

Writing, recording (and painting) under his own name over the last decade, the Derby-born songwriter received an enthusiastic message from UK indie label/manager Tom Rose of Reveal Records in 2019, suggesting a future collaboration on his solo works (Rose had been listening to Lloyd’s 2019 album ‘Outside Notion’ whilst on tour with now label-mate Joan As Police Woman). Requesting Duncan sent everything he’d recorded to date in whatever form, reissues of Lloyd’s early solo albums followed. The colossal 31-track selected works collection ‘Green Grows Devotion’ came out in 2022, followed by ‘Fun City’, a trilogy of three EPs recorded in succession throughout 2024.

While ‘Unwound’ is very much an album with Duncan Lloyd stepping front and centre, his career is dotted with collaboration with various musicians and producers, including Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, The Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batida and as part of Africa Express with legendary Afrobeat drummer Tony Allen.

‘UNWOUND’ ALBUM TRACK LIST

  1. Gothic Pill
  2. I’m On It
  3. One Step Closer To The Dam
  4. Swim
  5. Bright Field
  6. Radio Silent
  7. Laugh So Loud
  8. Together, So To Speak
  9. Lightning Bottle
  10. Rituals
  11. Thin Place

Folk-Punk Rebels The Dreadnoughts Unleash ‘Polka Pit’ on Punkerton Records

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The Dreadnoughts’ ‘Polka Pit’ a riot of punk, polkas, and protest anthems for the end of the world.The Dreadnoughts are trying to start a revolution, and Polka Pit is the soundtrack. Polkas, tarantellas, sea shanties and protest songs are mixed with gut-crunching street punk, and it sounds like the end of the world… and the beginning.

The Dreadnoughts, now based in New York but rooted in Vancouver, British Columbia, have been redefining folk-punk since their formation in 2006. With a fiery fusion of sea shanties, polkas, waltzes, and street punk, they champion the seamless union of folk traditions and punk energy.

Unlike bands that use folk elements as a gimmick, The Dreadnoughts delve deeply into these styles, bringing raw power and authenticity to their music. They have become renowned for their electrifying live performances, which transform venues into raucous celebrations of community, music, and revelry.

Their most recent album, Green Willow, is a testament to their dedication to preserving and invigorating folk traditions. Featuring folk-punk renditions of traditional songs, with the standout exception of the closing track “Roll Northumbria,” the album embodies their ethos of breathing new life into historical sounds.

Over the years, The Dreadnoughts have built a formidable discography, including standout records like Polka’s Not Dead (2010), Foreign Skies (2017), and Into the North (2019), showcasing their versatility and ability to weave poignant storytelling with spirited rhythms.
From their origins in the dive bars of Vancouver to performing on stages in over 30 countries, The Dreadnoughts have never wavered in their mission.

Their music is influenced by legends like The Pogues, Stan Rogers, and Gogol Bordello, but their sound remains distinctly their own. Now joining Punkerton Records, The Dreadnoughts continue to champion the marriage of folk and punk, inviting audiences worldwide to immerse themselves in their wild, cider-soaked, musical adventure.

R&B Duo Rosita & P.U.R.P. Debut with Funky Single ‘Jody’ Featuring Akeem Ali

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Mississippi’s finest are stepping into the spotlight with a bold debut collaboration. Born in Jackson, MS, and raised in Inglewood, CA, Rosita got her start in the entertainment world after returning to the south to study music at the University of Southern Mississippi. Though an interest in journalism briefly took her off her musical path, leading her to New Orleans’ bustling film scene, where she worked behind and in front of the camera, her true calling never faded.

“I always knew that music was my passion,” she says. Enter P.U.R.P.—rapper, songwriter, engineer, and a friend from her university days, born and raised in Hattiesburg, MS. The two reconnected when Rosita returned to LA and shared a creative chemistry that sparked this effortless collaboration.

Their signature sound is a seamless fusion of R&B, soul, and funk: smart, groovy, and dripping with personality—just what this summer has been waiting for. Their debut single “Jody” puts all that flavor front and center, not only introducing Rosita and P.U.R.P. to the world, but making it clear-hey’re an emerging force to be reckoned with.

Their debut single just so happens to feature another Mississippi standout, an up-and-comer who’s taken the world by storm with his 70s nostalgic branding. Akeem Ali joins Rosita & P.U.R.P. for a silky-smooth verse, helping unravel the tensions of a complicated love triangle. Wrapped in a sultry blend of lo-fi R&B and modern-day flair, “Jody” follows the hearts of two men entangled in a no-strings-attached romance love affair, yet, both more than willing to sweep “their girl” off her feet when the moment calls. It takes a lot of courage to break new ground, yet, despite being new to the game, Rosita’s steady, self-assured delivery stands on its own two feet. Her vocals are silky and expressive, carrying the cool confidence of a woman who knows exactly what she wants. P.U.R.P.’s decadently smooth flow glides on a mellow bassline, soft keys, and shimmering synths, crafting a track that glistens with a summer sheen, evoking smiles and late-night laughter. Then Ali steps in: charismatic, candid, and commanding, laying it all out without room for confusion. The chemistry between all three artists is unmistakable. The track oozes grown-and-sexy energy without losing its playful charm, making it the perfect track to keep on repeat all season long.

Rosita’s film background and sharp eye for visual storytelling truly shine in the “Jody” music video. Presented almost like a mini-film, this tangled, dramatic love affair comes to life on screen: where both “Jody’s” discover that they’re not the only ones. As soon as her man leaves for work, “Jody” escapes for a sultry, romantic getaway, free from the dull constraints of her relationship. But there’s a twist: her other lover, played by Akeem Ali, assumed he was the only one. Perplexed and furious, the first love interest calls in reinforcements, suspicious of her two-timing ways. The video has all of the elements that keep viewers hooked: intrigue, surprise, and a touch of humor are just a natural part of the experience with these three. But beyond the storyline, it offers a rare glimpse into the magnetic personalities of Rosita, P.U.R.P. and Akeem Ali—vibrant, quirky, and full of life—with much more to come.