UMe celebrates the 40th anniversary of Pretty in Pink, the beloved 1986 film from Writer/Executive Producer John Hughes with a limited-edition reissue of its iconic soundtrack, available March 13. As essential as the film itself, the music captures the story’s emotional truth—freezing moments in time with the vivid clarity of memories that linger for decades. Film soundtracks hold a rare power to shape identity, influencing who we are, where we belong, and the social experiences that define youth. Few filmmakers understood the coming-of-age experience quite like John Hughes, and Pretty in Pink stands as one of his most enduring cultural touchstones.
Anchored by era-defining songs including The Psychedelic Furs’ Top 5 title track “Pretty in Pink,” OMD’s iconic “If You Leave,” The Smiths’ “Please, Please, Please Let Me Get What I Want,” and Echo & The Bunnymen’s sweeping anthem “Bring on the Dancing Horses,” and INXS fan-favorite deep-cut, “Do Wot You Do,” the Pretty in Pink soundtrack became a defining voice of its time—shaping mood, identity, and belonging in ways few films ever achieve. More than four decades after its theatrical release, Pretty in Pink continues to resonate across generations, its music and themes echoing with each new audience navigating the universal challenges of growing up.
The 40th Anniversary edition will be released as a limited-edition ‘Pretty in Baby Pink’ 1LP, housed in a gatefold sleeve featuring film photography, and will include two bonus tracks previously unavailable on the soundtrack: Otis Redding’s “Try a Little Tenderness” and Talk Back’s “Rudy.” A standard-weight black 1LP featuring the original tracklist will also be available. Preorder the 40th Anniversary editions of Pretty in Pink HERE.
The 40th Anniversary edition is released with the kind cooperation of Hughes Music and Paramount Pictures.
1LP ‘Pretty in Baby Pink’ Color Tracklist:
SIDE A 1. “If You Leave” – Orchestral Manoeuvres in the Dark (OMD) – 4:24 2. “Left of Center” – Suzanne Vega (feat. Joe Jackson) – 3:32 3. “Get to Know Ya” – Jesse Johnson – 3:33 4. “Do Wot You Do” – INXS – 3:17 5. “Pretty in Pink” – The Psychedelic Furs – 4:40 6. “Try A Little Tenderness” – Otis Redding – 3:49
SIDE B 1. “Shell-Shock” – New Order – 6:04 2. “Round, Round” – Belouis Some – 4:06 3. “Wouldn’t It Be Good” – Danny Hutton Hitters – 3:43 4. “Bring on the Dancing Horses” – Echo & The Bunnymen – 3:58 5. “Please Please Please Let Me Get What I Want” – The Smiths – 1:50 6. “Rudy” – Talk Back – 4:17
1LP Black Tracklist:
SIDE A 1. “If You Leave” – Orchestral Manoeuvres in the Dark (OMD) – 4:24 2. “Left of Center” – Suzanne Vega (feat. Joe Jackson) – 3:32 3. “Get to Know Ya” – Jesse Johnson – 3:33 4. “Do Wot You Do” – INXS – 3:17 5. “Pretty in Pink” – The Psychedelic Furs – 4:40
SIDE B 1. “Shell-Shock” – New Order – 6:04 2. “Round, Round” – Belouis Some – 4:06 3. “Wouldn’t It Be Good” – Danny Hutton Hitters – 3:43 4. “Bring on the Dancing Horses” – Echo & The Bunnymen – 3:58 5. “Please Please Please Let Me Get What I Want” – The Smiths – 1:50
Teen sensations Molly Ringwald (Sixteen Candles, The Breakfast Club) and Andrew McCarthy (St. Elmo’s Fire) drew rave reviews for their starring performances in this hit love story, directed by Howard Deutch, and executive-produced and written by John Hughes (Ferris Bueller’s Day Off, Planes, Trains, and Automobiles). Andie is a high school girl from the other side of town. Blane’s the wealthy heartthrob who asks her to prom. But as fast as their romance builds, it’s threatened by the painful reality of peer pressure. From its bittersweet story to its hip New Wave soundtrack, the film features great supporting performances from Harry Dean Stanton, Jon Cryer, Annie Potts, and James Spader. Available now on Digital in remastered 4K Ultra HD from Paramount Pictures and returning to theatres over Valentine’s day, February 13 – 16 from Paramount Pictures and Fathom Entertainment.
With his latest critically acclaimed project, Evangeline vs. The Machine, up for the Best Contemporary Country Album nod at next weekend’s GRAMMY Awards, 11-time nominee Eric Church is already entering 2026 at full throttle. Last night, Jan. 22, the Chief launched the new year with an intimate underplay at Washington, D.C.’s The Anthem, kicking off leg 2 of his Free the Machine Tour and setting the stage for a spring run from the man celebrated by Pollstar for “his high-energy, Springsteen-esque marathon performances.”
The Free the Machine Tour returns following a landmark 2025 run that reaffirmed Church’s reputation for pushing the boundaries of the live concert experience. The 2026 dates carry that same spirit forward, pairing large-scale ambition with moments of raw immediacy.
Church hosted a special screening event for members of his passionate Church Choir in Nashville earlier this week, previewing the limited theatrical release that showcases Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life through a unique perspective that can only be achieved in IMAX. A full list of locations for the February showings is available via IMAX.com/EricChurch, with tickets on sale now.
With a new live release out today, the Free the Machine Tour back on the road and both an IMAX film and live album on deck, Church’s 2026 is already defined by momentum that continues to challenge expectations and reaffirm his place at the forefront of modern country music.
Evangeline vs. The Machine Comes Alive Track List *denotes songs out now 1. Hands Of Time (Live At The Pinnacle, Nashville, TN / May 24, 2025) 2. Bleed On Paper (Live At The Pinnacle, Nashville, TN / May 24, 2025)* 3. Johnny (Live At The Pinnacle, Nashville, TN / May 24, 2025) 4. Storm In Their Blood (Live At The Pinnacle, Nashville, TN / May 24, 2025) 5. Darkest Hour (Live At The Pinnacle, Nashville, TN / May 24, 2025) 6. Evangeline (Live At The Pinnacle, Nashville, TN / May 24, 2025) 7. Rocket’s White Lincoln (Live At The Pinnacle, Nashville, TN / May 24, 2025) 8. Clap Hands (Live At The Pinnacle, Nashville, TN / May 24, 2025) 9. Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)* 10. Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025)* 11. Homeboy (Live At The Pinnacle, Nashville, TN / May 24, 2025) 12. Sinners Like Me (Live At The Pinnacle, Nashville, TN / May 24, 2025) 13. Creepin’ (Live At The Pinnacle, Nashville, TN / May 24, 2025) 14. Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)* 15. Smoke A Little Smoke (Live At The Pinnacle, Nashville, TN / May 24, 2025) 16. The Outsiders (Live At The Pinnacle, Nashville, TN / May 24, 2025) 17. Hell Of A View (Live At The Pinnacle, Nashville, TN / May 24, 2025)* 18. Mistress Named Music (Live At The Pinnacle, Nashville, TN / May 24, 2025) 19. Springsteen (Live At The Pinnacle, Nashville, TN / May 24, 2025)
2026 Free the Machine Tour Remaining Markets, Venues and Special Guests: Jan. 23 || Washington, D.C. || The Anthem || Caylee Hammack Feb. 5 || Omaha, Neb. || CHI Health Center || Ella Langley Feb. 6 || Sioux Falls, S.D. || Denny Sanford PREMIER Center || Ella Langley Feb. 7 || St. Paul, Minn. || Grand Casino Arena || Ella Langley Feb. 12 || Toronto, Ont. || Scotiabank Arena || Ella Langley Feb. 13 || Buffalo, N.Y. || KeyBank Center || Ella Langley Feb. 14 || Albany, N.Y. || MVP Arena || Ella Langley Feb. 19 || North Little Rock, Ark. || Simmons Bank Arena || 49 Winchester Feb. 20 || Kansas City, Mo. || T-Mobile Center || 49 Winchester Feb. 21 || St. Louis, Mo. || Enterprise Center || 49 Winchester Feb. 26 || Tulsa, Okla. || BOK Center || Stephen Wilson Jr. Feb. 27 || Fort Worth, Texas || Dickies Arena || Stephen Wilson Jr. Feb. 28 || Austin, Texas || Moody Center || Stephen Wilson Jr. Mar. 5 || Knoxville, Tenn. || Thompson-Boling Arena at Food City Center || 49 Winchester Mar. 6 || Greensboro, N.C. || First Horizon Coliseum || 49 Winchester Mar. 7 || North Charleston, S.C. || North Charleston Coliseum || 49 Winchester Mar. 19 || Birmingham, Ala. || Legacy Arena at the BJCC || 49 Winchester Mar. 20 || Atlanta, Ga. || State Farm Arena || 49 Winchester Mar. 27 || Hollywood, Fla. || Hard Rock Live || Kashus Culpepper Apr. 3 || Greenville, S.C. || Bon Secours Wellness Arena || Ashley McBryde Apr. 4 || Charlotte, N.C. || Spectrum Center || Ashley McBryde Apr. 10 || Jacksonville, Fla. || VyStar Veterans Memorial Arena || Ashley McBryde Apr. 11 || Tampa, Fla. || Benchmark International Arena || Ashley McBryde
Stockings are one of those pieces that can either elevate an outfit or quietly ruin it if paired with the wrong shoes. Many people notice this only when they’re already heading out the door: the dress looks fine, the color is right, yet something still feels off. That’s why it helps to know how to combine stockings with different types of footwear to keep the whole look balanced, modern, and naturally cohesive.
Understanding the silhouette
It’s best to start not with the stockings, but with how the shoes shift your proportions. Classic pumps visually lengthen the leg, while chunky boots shorten it slightly. Thin women’s stockings always emphasize the leg line, so avoiding harsh contrasts is key. In Mariemur collections, this idea is easy to spot: the focus is always on a clean silhouette and a smooth transition between fabric and footwear. It’s a useful reference point when figuring out how balance works.
Things to keep in mind:
dark stockings visually “reduce” the leg, which helps when shoes are heavier or bulkier;
sheer or light stockings require cleaner lines – pumps, ballet flats, and delicate sandals create the best transition.
Once this logic sinks in, choosing the right shoes stops feeling like guesswork.
Pumps, ballet flats and understated classics
The simplest pairing is stockings with pumps, but even here, subtlety matters. For example, matte stockings in the 40–80 den range paired with a pointed toe add structure to the outfit, especially if your clothing is more formal: a tailored dress, a straight blazer, a pencil skirt. For very thin stockings, it’s better to avoid overly glossy shoes – patent leather pumps can make the look louder than intended.
In everyday outfits, ballet flats work just as well. Here it helps to:
choose stockings without noticeable shine;
make sure the toe shape is elongated rather than rounded; otherwise, the silhouette shortens.
Such combinations look calm and versatile.
Boots, loafers and more urban styles
This is where stockings stop being an accessory and become part of the outfit. Chunky boots pair best with slightly denser stockings – they make the whole look more grounded. Playing with contrast can work too: a light dress + dense stockings + rugged boots create a lively, urban vibe.
Loafers are a different story. They pair best with:
thin, understated stockings;
minimalistic shoe designs with little or no decoration.
This combination almost always looks more refined. It’s a small detail, but a consistently effective one.
Sandals and open-toe shoes
This pairing is no longer considered a fashion faux pas. The key is choosing stockings with an ultra-thin or invisible toe area. With delicate strappy sandals, neutral sheer stockings that don’t add shine work best. For a more modern look, matte black or graphite options are a strong alternative. Mariemur highlights the main principle here: the cleaner the lines, the better the effect.
With these principles in mind, stockings turn into a thoughtful detail that supports the entire silhouette and settles into the outfit naturally.
The passive income landscape has shifted dramatically in recent years, leading many to investigate the latest DFY Vending reviews to see if automated retail lives up to the hype. For the aspiring entrepreneur or the full-time professional seeking a side hustle that does not demand forty hours a week, the “Done-For-You” (DFY) model presents an intriguing proposition. Instead of scouting locations, hauling heavy machinery, and negotiating with property managers, investors are opting for a turnkey solution where the heavy lifting is handled by a specialized team. But does the reality on the ground match the marketing materials? To find out, we have conducted an objective analysis of the performance, legal protections, and financial outcomes reported by partners over the last six to twelve months.
The Evolution of the DFY Model
Vending has long been a staple of the American economy, but the traditional “route driver” model is notorious for its physical demands. You had to own a truck, have a warehouse for inventory, and be prepared to fix a jammed coin slot at three in the morning. The DFY Vending approach flips this script. By leveraging institutional relationships and bulk purchasing power, the company aims to place high-end, credit-card-ready machines in premium locations before the partner even takes over.
For the target audience of this article, time is the most valuable currency. The appeal of this model is not just the money; it is the decoupling of income from labor. In the last year, the influx of new partners has provided a wealth of data regarding how quickly these machines go from “contract signed” to “revenue generating.”
Breaking Down the Contract Details
One of the biggest hurdles for someone researching “scam” versus “legit” is the fine print. Objective reviewers know that a business is only as solid as its legal framework. In our review of the standard DFY Vending agreements from the past year, several key pillars stand out:
Location Guarantees: The contract typically specifies that the company is responsible for finding a “high-traffic” location. This is crucial because, in vending, location is everything. Partners are not left to wander the streets asking local businesses for space; the contract mandates that the DFY team secures these placements.
Equipment Ownership: Unlike some “business opportunities” that are essentially leases, the partners in this model actually own the physical assets. This provides a layer of security; even in a worst-case scenario, you own a piece of hardware with a defined resale value.
Maintenance and Support: The last twelve months have seen an emphasis on remote monitoring. The contracts now frequently highlight the use of telemetry software, allowing partners to see their inventory levels and sales figures from a smartphone app. This reduces the need for “check-up” visits, keeping the time commitment to the promised minimum.
When looking at feedback from the last six to twelve months, a clear pattern emerges. The most successful partners are those who view this as a long-term asset rather than a “get rich quick” scheme.
One partner, a project manager from Ohio, noted that her primary concern was the “hidden work.” She reported that after the initial setup phase, her actual time commitment dropped to about three hours a week, mostly spent on reviewing sales data and coordinating with the local restocking service. This aligns with the “side hustle” appeal for those who cannot quit their day jobs but want to build a secondary income stream.
Another testimonial from a retired couple in Florida emphasized the “hands-off” nature of the placement. They highlighted that the DFY team handled a mid-year relocation when the initial office building saw a decrease in foot traffic due to a company move. This flexibility is a recurring theme in positive reviews; the ability of the company to pivot when a location underperforms is a hallmark of a legitimate operation.
Analyzing the ROI: The Last 6 to 12 Months
ROI is the metric that matters most to any investor. Based on data reported by partners who started their journeys in late 2023 and early 2024, the Return on Investment typically falls into three phases.
The Setup Phase (Months 1 to 3): This is the period of capital outflow and machine placement. ROI is technically negative here, as the machines are being shipped and calibrated. Partners who understand this timeline tend to be much more satisfied than those expecting immediate cash flow on day one.
The Stabilization Phase (Months 4 to 8): This is where the “real” numbers start to show. On average, partners have reported that their machines begin to hit a “rhythm.” In high-traffic areas like gym lobbies, logistics hubs, or medical centers, the machines often see a steady climb in daily transactions as the local population becomes accustomed to the convenience.
The Growth and Recoup Phase (Months 9 and Beyond): In the latter half of the first year, many partners report that they have dialed in their product mix. By analyzing the telemetry data, they can swap out slow-moving snacks for high-margin items. Reported profit margins in this period often hover between 15 percent and 30 percent after accounting for product costs and location fees.
It is important to note that “ROI” in vending also includes the tax benefits of equipment depreciation. Many partners have used Section 179 of the tax code to deduct the full purchase price of the equipment in the first year, significantly boosting their effective return by lowering their overall tax liability.
Legit vs. Scam: How to Spot the Difference
In any industry involving “Done-For-You” services, skepticism is healthy. The “scam” label is often thrown around by people who encountered companies that promised “guaranteed” millions with zero risk.
Objective indicators of legitimacy found in the DFY Vending model include:
Transparent Pricing: There are no “hidden” fees revealed halfway through the process.
Physical Assets: You are buying real machinery, not a “digital certificate” or a vague “spot in a queue.”
Realistic Projections: The company does not promise you will be a millionaire in a month. Instead, they focus on the steady, incremental growth of a vending route.
Current partners emphasize that the “legit” factor comes from the support system. If a card reader breaks or a machine is vandalized, the presence of a dedicated support team to facilitate repairs is what separates a professional operation from a fly-by-night scheme.
The Side Hustle Reality
For the aspiring entrepreneur, the question is: “Can I do this while working 9 to 5?” The data from the last twelve months says yes. Because the DFY model handles the logistics, the partner’s role shifts from “laborer” to “manager.”
You are managing an automated retail portfolio. You are checking apps to see which snacks are selling. You are looking at the ROI of a specific location and deciding if it is time to add a second machine. This intellectual work is far more sustainable for a busy professional than the physical work of traditional vending.
Conclusion
The last six to twelve months have proven that the vending industry is undergoing a professionalization phase. The DFY Vending model has opened doors for people who previously lacked the time or technical knowledge to start a route from scratch.
While no business is without risk, the combination of physical asset ownership, contractual location guarantees, and the latest remote monitoring technology makes this a compelling option for those seeking a legitimate side hustle. By focusing on the data, the contracts, and the honest feedback of current partners, it becomes clear that for the right individual, a vending portfolio is a powerful tool for building long-term wealth without the burden of a second full-time job.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Award-winning Country music star, Parker McCollum, has released the much-anticipated fan-favorite track, “Big Ole Fancy House,” out now. The song, which has been in McCollum’s live set list for years, is now finally coming straight to the fans. Written by McCollum, Lori McKenna, Liz Rose and Hillary Lindsey, and centered around the theme that material things in life mean nothing without someone to share it all with, the song is a powerful reminder that the most valuable thing a person can have is someone to love them.
“Y’all been asking for this one for a while so I’m glad it’s finally getting to you. Took a couple of times of cutting it before it felt good enough to release, and I think I got it the way it should be heard. Appreciate all the love everyone has shown this song. Means a lot,” says Parker McCollum.
“Big Ole Fancy House” will be one of four new tracks featured on the Deluxe Edition of McCollum’s critically acclaimed album, PARKER MCCOLLUM, which was released last year (via MCA). The album is a reflection of his authentic artistry and shows an evolution of poignant storytelling against a musical backdrop that anchors to a traditional, yet still contemporary, sound. PARKER MCCOLLUM Deluxe Edition will be available on March 20th.
Singer/songwriter and multi-instrumentalist Parker McCollum has reached the ranks of a bona fide Country music superstar by connecting with fans and critics alike through his relatable and authentic sound. His most recent album, Never Enough (released on May 12, 2023 via MCA Nashville), is a statement collection of music that cemented his status as one of Country’s strongest new voices. His massive Burn It Down Tour throughout 2024 saw McCollum performing at some of the most iconic venues around the nation and appearing at Country music’s top music festivals. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” Music Row listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and has sold out major concert venues around the U.S. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold. In 2025, McCollum played his third consecutive sold out show at Houston’s signature event. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards and scored two back-to-back CMA Awards nominations (2022 & 2023) for New Artist of the Year. He was nominated for a CMA Award for “Song of the Year” (2024) for his explosive Platinum hit “Burn It Down” – marking his third straight nomination. McCollum scored his second ACM Award for “Visual Media of the Year” for his music video for “Burn It Down.” The hit single marks his fourth consecutive #1 – following his other chart toppers “Pretty Heart,” “To Be Loved By You,” and “Handle On You.” McCollum released his self-titled fifth studio album, PARKER MCCOLLUM, in 2025 is an artistic achievement for this legacy making Country superstar that shows him at his best. PARKER MCCOLLUM is available now.
Multi-platinum, BRIT Award-winning, and GRAMMY-nominated global pop visionary MIKA releases his highly anticipated new album Hyperlove today via Republic Records. Marking his first English-language studio album since 2019, Hyperlove introduces a bold new chapter, one rooted in raw emotion, and the fearless joy that has defined MIKA’s career. Released alongside the album is “Excuses For Love,” a euphoric, bass-driven single that captures the heart of Hyperlove’s message: radical emotional honesty in a world that encourages restraint. Listen here.
Across Hyperlove, MIKA returns to the piano as the emotional core of his songwriting, pairing his classically trained voice with richly textured, vintage production. Built entirely from analogue and retro sources, the album explores the tension between human vulnerability and modern technology, while reaffirming music’s power to connect, uplift, and transcend. The album reunites MIKA with Nick Littlemore, the creative force behind Empire of the Sun and PNAU, and producer of MIKA’s acclaimed The Origin of Love. Adding another distinctive layer, legendary filmmaker and cultural icon John Waters appears as a guest narrator across the album, delivering sharp, and witty interludes.
To celebrate the release, MIKA will bring his dazzling, kaleidoscopic live show back to North America next spring. The Spinning Out Tour launches April 29, 2026 in Boston and will travel through major cities including New York, Chicago, Los Angeles, San Francisco, Dallas, Austin, and more.
For nearly two decades, MIKA has remained one of pop music’s most distinctive voices. Born Michael Holbrook Penniman Jr., he burst onto the international stage with the 2007 smash “Grace Kelly” and the multi-platinum debut Life in Cartoon Motion, which sold over 8 million albums, generated more than 2.8 billion streams, and topped charts in 12 countries. His acclaimed catalogue includes The Boy Who Knew Too Much, The Origin of Love, No Place in Heaven, and My Name Is Michael Holbrook, alongside collaborations with Pharrell Williams, Ariana Grande, Gregg Wells, and more.
Beyond music, MIKA is an internationally celebrated television personality. He has served as a judge on X Factor Italy, a coach on The Voice France, and the host of the Rose d’Or–winning Italian series Stasera Casa Mika. In the UK, he continues to mentor emerging talent on The Piano, now entering its fourth season, and in 2025 he expands his global television presence as a coach on La Voz Spain. In 2020, following the Beirut explosion, MIKA produced the global benefit event I Love Beirut, raising over €1 million for relief efforts and reaching audiences in 106 countries.
With Hyperlove, MIKA delivers an album fueled by curiosity, craftsmanship, and an unwavering belief in the power of love without excuses.
SPINNING OUT TOUR — NORTH AMERICA 2026: April 29 — Boston, MA — Citizens House of Blues May 1 — Silver Spring, MD — The Fillmore Silver Spring May 2 — New York, NY — The Rooftop at Pier 17 May 4 — Laval, QC — Place Bell May 5 — Philadelphia, PA — The Fillmore May 7 — Chicago, IL — Riviera Theatre May 9 — Dallas, TX — Factory in Deep Ellum May 10 — Austin, TX — ACL Live at The Moody Theater May 13 — Los Angeles, CA — Orpheum Theatre May 14 — San Francisco, CA — The Castro (SOLD OUT)
Interscope Records announces the release of Vacancy, the brand new album from GRAMMY-nominated R&B artist Ari Lennox. Marking her third full-length release since 2022. Vacancy signals a sophisticated new chapter defined by creative autonomy, confidence, and growth. Listen to VacancyHERE.
Recorded over the course of three years in Atlanta, Los Angeles, and Miami, Vacancy reflects a deeply intentional process shaped by patience, self-reflection, artistic freedom, and collaboration. Ari wrapped the album’s final sessions in summer 2025 alongside the project’s executive producer, Elite, bringing the record into focus with clarity and conviction. She co-wrote every track on the album, showcasing sharp lyricism in addition to her celebrated vocal performances.
The album opens with the Elite-produced “Mobbin’ in DC,” a soulful nod to Ari’s hometown roots. Early singles — “Under the Moon,” the title track “Vacancy”— reunited the singer with GRAMMY-winning producers Jermaine Dupri and Bryan-Michael Cox, the duo behind her Billboard-charting, RIAA platinum-certified single “Pressure.” Their renewed collaboration brings a timeless sensibility to the project, allowing Ari’s emotive delivery and vocal nuance to take center stage once again.
The album’s focus track, “High Key,” produced by J White Did It, demonstrates the playful vocal energy found all over the project. The latest single, “Twin Flame,” produced by Tommy “TBHits” Brown and Leather Jacket, is a tender yet intoxicating lovers’ ode that captures the thrill of emotional intimacy. The track has quickly gained momentum at radio and among fans, and Ari showcased its emotional depth with a performance on The Jennifer Hudson Show earlier this week.
Other standout tracks include “Soft Girl Era (Dupri/Cox), the retro-leaning “24 Seconds” (Trickey Stewart/Dream Sarah), the playful “Horoscope,” and the anthemic “Hocus Pocus.” The album features one guest appearance: Jamaican music icon Buju Banton on “Company,” produced by SupaDups and Stephen “Di Genius” McGregor. The track blends R&B and dancehall with effortless chemistry, resulting in a fusion that feels both timeless and contemporary.
In addition to her television performance, Ari Lennox has continued to elevate her live presence with standout appearances, including Robert Glasper’s Blue Note residency in Los Angeles and a featured set at the 80th EBONY Power 100 Gala. Vacancy is available now on all streaming platforms.
Vacancy Tracklist: 1. Mobbin In DC 2. Vacancy 3. Pretzel 4. Under The Moon 5. High Key 6. Twin Flame 7. Soft Girl Era 8. Deep Strokes 9. 24 Seconds 10. Cool Down 11. Horoscope 12. Wake Up 13. Company (Feat. Buju Banton) 14. Dreaming 15. Hocus Pocus
Today, SIENNA SPIRO releases the highly anticipated official music video for her heart-shattering phenomenon of a single “Die On This Hill.” Premiering on Lyrical Lemonade, the spare but deeply moving visual is the first that Lyrical Lemonade founder Cole Bennett has directed for a female pop solo artist and the first to live on Lyrical Lemonade’s tastemaking YouTube channel (21 million subscribers).
The black-and-white “Die On This Hill” video cuts through the deafening buzz to remind us of the emotional weight at the center of the song, which SIENNA has described as “about stubborn love — the kind that makes you stay when you know you should leave.” In a sparsely furnished room, she sits across from a life-sized burlap man and sings her heart out to him. In another shot, she slow-dances with him. But as the song moves toward a devastating finale, we see SIENNA on the floor surrounded by shredded fabric and tufts of cotton — handfuls of nothing commemorating a hollowed-out illusion of love.
Says SIENNA, “Making new friends is always special, but getting to work with them is a privilege. Bringing this video to life taught me so much. I am so grateful for the love that this song has been shown so far and to get to work with such an incredible artist in Cole, who I also can call a friend!”
Says Cole Bennett, “I immediately was a fan of SIENNA, even before I met her, but once we became good friends it really clicked that she is a once in a generation talent. She played me ‘Die On This Hill’ a couple weeks before its release and it blew my fucking mind. We continued to let the friendship grow before jumping into working with each other. Through that I was able to understand her more and how she wants her art to be communicated to the world. I had never really done a video for a pop artist like this so it was all very new territory for me. I was a bit nervous, but the excitement outweighed that. I’m incredibly thankful to have gotten to work with SIENNA and I hope to do more.”
The video arrives as “Die On This Hill” holds steady in the Top 10 of Spotify’s global chart (#9), affirming SIENNA’s status as one of only three UK artists in the bracket (next to RAYE and Olivia Dean) and the only one in the Top 10 who has yet to release a debut album. With over 200 million global streams to date, the staggering ballad continues to climb the Billboard Hot 100, where it’s currently #21 and trailed by SIENNA’s earlier single “You Stole The Show” (#63), which has surpassed 125 million global streams.
Of course, this isn’t the first time SIENNA’s brought “Die On This Hill” to life. Part of the hit’s explosion includes the spellbinding live performances she’s shared. Earlier this month she brought an unforgettable rendition to The Tonight Show Starring Jimmy Fallon, inspiring a standing ovation and flabbergasting her host — watch HERE. SIENNA also sang it on Later… with Jools Holland and TODAY, not to mention her six-night run opening for Sam Smith’s historic “To Be Free: New York City” residency in late 2025.
Moreover, fans will get a chance to witness SIENNA’s gift in person on her forthcoming “The Visitor Tour,” which sold out within seconds, inspiring her to add more dates to what will be her first-ever North American headlining run. The stateside leg launches on March 3 at the historic Troubadour in West Hollywood and concludes with back-to-back nights at New York’s Bowery Ballroom (March 17 and 18) before she proceeds to the UK and Europe. Go HERE for all ticket info and to view the full itinerary.
SIENNA entered 2026 shortlisted for the BRIT Awards’ highly esteemed Critics’ Choice for 2026 award, placing her in a class that includes Adele, Dua Lipa, James Blake, Lewis Capaldi, and Smith, among others. She also landed on Vevo DSCVR’s “Artists to Watch” list for 2026 — after receiving similar nods from the likes of Billboard, Stereogum, Pigeons & Planes, HypeBae, and L’Officiel — and was recently featured on the cover of Notion Magazine. She also starred in Gap’s “Give Your Gift” holiday campaign, performing a soulful reinterpretation of Miley Cyrus’s “The Climb” backed by a diverse, multi-generational choir.
With her increasingly renowned mix of staggering vocals, emotional storytelling, and immense poise, it’s almost impossible to believe that SIENNA is just 20 years old. And yet, she’s found a global audience by not only releasing cinematic, soulful, and timeless yet subtly modern songs, but also — especially — by performing them live to jaw-dropping effect. A DIY-minded artist who first started penning songs when she was only 10, SIENNA’s earliest inspirations included Frank Ocean, Etta James, Frank Sinatra, and Amy Winehouse. She soon began integrating jazz elements into her music while gently leaning toward more contemporary sonic aesthetics, as heard on her stunning early 2025 debut EP SINK NOW, SWIM LATER.
She turned plenty of heads then, bringing breakout track “MAYBE” to The Late Show with Stephen Colbert, joining Teddy Swims on his summer U.S. tour, and stopping by COLORSxSTUDIOS to play her track “Dream Police,” but things accelerated quickly from there. Now, with a new project on the way, SIENNA SPIRO is continuing to evolve. She’s figuring out before our eyes where she stands when it comes to love, femininity, and adulthood, and is building an immersive world to match.
Catch SIENNA SPIRO at one of the dates below to watch that world come to life in person.
Social drinking patterns are changing, with many people opting for a unique beverage experience that elevates social events. In particular, music venues have noticed this trend and have begun offering a wide range of beverages.
The right drink can be the difference between a good and an awesome concert. Here are the top 5 drinks that you are likely to see at concerts and why they remain popular among concertgoers.
1. Cannabis Drinks
The popularity of cannabis drinks has been steadily increasing as people are looking for healthier ways to get a buzz. Consumers looking for an alternative to smoking cannabis will find that cannabis-infused drinks, like Crescent 9 THC Seltzer, are a great option when they want to relax and unwind after a concert.
Moreover, cannabis drinks are easy to drink while providing uplifting and euphoric effects, making them ideal for a relaxed concert environment. These drinks provide attendees with a calm, social experience that enhances their enjoyment of the show.
These drinks are popular nationwide at bars and music venues because of how they elevate the concert experience. They are also a healthier alternative to alcohol.
2. Water (Flat and Sparkling)
The most crucial beverage at a concert is water, so that the crowd can stay hydrated. Most music venues now provide bottled water, refillable water stations, and sparkling waters in cans.
Sparkling water also continues to become a popular beverage choice among concert-goers, as it offers the refreshment of a beverage without being as heavy as a carbonated drink. Many patrons will alternate between water and other beverages during the concert.
3. Beer
Beer has always been a large part of live music venue beverage sales. Beer is easy to store and serve, and is generally well known to most patrons at the venue. Beer is also a perfect complement to the laid-back and fun atmosphere of a concert.
4. Ready-to-Drink Cocktails (RTDs)
Ready-to-drink (RTD) and pre-mixed cocktails are wildly popular at events and concerts, so many venues offer a massive RTD variety. These drinks eliminate the typical wait times associated with the traditional preparation of cocktails. They offer a consistent, high-quality flavor that hardly ever fails to delight.
People typically choose to buy canned margaritas, vodka sodas, and hard lemonades at events. As these drinks can be served quickly, concertgoers do not need to wait in long lines to get them. This way, they do not miss any performances.
For venues, RTDs are convenient because each drink tastes the same, regardless of how busy the bar may be. More importantly, for concertgoers, RTDs offer a sense of familiarity along with convenience.
5. Energy Drinks and Sodas
Energy drinks and sodas are perfect if you want to maintain alertness and energy level so you can enjoy an extended performance or stay awake throughout a long event, particularly during a late-night performance.
Energy drinks and regular sodas (e.g., cola or lemon-lime) are commonly consumed due to their energizing properties. These drinks are especially popular at electronic dance and music festivals, which can last for several hours. They provide quick energy, and concertgoers typically pair them with food to sustain themselves until the last act.
Savoring the Moment, One Sip at a Time
The right beverage can dramatically enhance your experience at concerts and events. Good refreshments make live performances go from great to outstanding.
. For unforgettable experiences at events, concerts, and live performances, all you need is your favorite people, some great music, and a wonderful beverage to complement the vibe.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Today, Holly Humberstone announces her highly anticipated second album Cruel World, to be released on 10 April 2026. One of the defining voices of her generation returns with an album that captures the tension between pain and pleasure, where chaos and acceptance exist side by side. Renowned for her forensic songwriting ability – nominated for an Ivor Novello for her debut EP and winning the BRIT Rising Star in 2022 – Holly has grown into a global force, whose lucid storytelling resonates far beyond her own walls. Entering Cruel World, Holly escapes into a dark fairytale world of her own making, where childhood relics, monsters and memory collide. Today Holly allows us to look through the looking glass with the soaring new single “To Love Somebody”, accompanied by an enchanting video directed by Silken Weinberg (Ethel Cain). Inspired by Victorian theatre, Brothers Grimm and Nosferatu, “To Love Somebody” is a visceral opening statement for the 26-year-old, as the new year begins. Love now, for Holly, is both grounding and destabilising. “The record explores love as beautiful and inherently painful,” she says.
“In To Love Somebody I wanted to capture that contradiction: to love somebody, is to hurt somebody and to lose somebody, well at least you got to love somebody. In order to feel extreme happiness, you have to know extreme sadness. That’s the tension of the record,” says Holly. The past two have been defined by repair, belonging, and rediscovering talismans to her past, moments that were forgotten when she was catapulted into the public sphere at just 20-years-old. Where her top 3 debut album Paint My Bedroom Black was marked by turbulence and longing, Cruel World is anchored in stability and recollection. Visually, Holly has built a world with her sister Eleri and creative director Silken Weinberg, inspired by childhood trinkets unearthed while leaving the Haunted House she grew up in. From ballet shoes, to Alice in Wonderland books, and films like Edward Scissorhands and James and the Giant Peach, sifting through her girlhood belongings reframed the ghosts of her past into something playful and magical.
From winning the BRIT Rising Star in 2022 having only released two EP’s and an Ivor Novello nomination for “Haunted House”, to releasing her top #3 critically acclaimed debut album Paint My Bedroom Black in 2023, Holly has become known for her unflinching honesty and ability to articulate the quiet turbulence of young adulthood. Selling out Brixton Academy and Eventim Apollo, to headline tours in North America, Holly recently joined Sam Fender on his Australian tour in November with a run of headline dates. This February Holly will tour Europe for a run of intimate headline dates, with a UK tour in March and April, culminating at Shepherds Bush on 2 April 2026.
Holly’s story began with Falling Asleep At The Wheel, the breakthrough EP that revealed a young woman translating her haunted childhood home and three-sister household into vivid, unforgettable songs like “Vanilla,” “Overkill” and “Deep End.” The intimacy and precision of her lyrics marked her as a diarist of the small details that make up big emotions. That voice quickly carried her from her gothic family home to the international stage: performing “London Is Lonely” live to millions at the BRIT Awards in 2022, supporting Olivia Rodrigo and Girl in Red across North America, and releasing her acclaimed debut album Paint My Bedroom Black in 2023, written partly in hotel rooms while living the dream she had imagined as a girl.
Cruel World was written with a new discipline through daily studio sessions with collaborator Rob Milton and draws deeply on love – romantic, platonic, and feminine. Raised among strong women, Holly speaks to the way girls are taught to see one another as competition, unlearning that instinct and reclaiming solidarity as survival. Gothic love songs on the record like “Die Happy”, which was BBC Radio 1’s Hottest Record in November, explore devotion, danger and desire, pulling from fairytales, Dracula and the ache of seasons changing.
INTERNATIONAL TOUR DATES ● 09 February 2026 — AB Club, Brussels, BE ● 10 February 2026 — Kulturkirche Köln, Cologne, DE ● 11 February 2026 — Peter Edel, Berlin, DE SOLD OUT ● 13 February 2026 — Nalen, Stockholm, SE SOLD OUT ● 14 February 2026 — Lille (Little) Vega, Copenhagen, DK SOLD OUT ● 16 February 2026 — Zonnehuis, Amsterdam, NL ● 17 February 2026 — Les Étoiles, Paris, FR ● 29 March 2026 — Old Fruit Market, Glasgow, UK ● 30 March 2026 — New Century Hall, Manchester, UK SOLD OUT ● 01 April 2026 — Electric, Bristol, UK SOLD OUT ● 02 April 2026 — Shepherd’s Bush Empire, London, UK SOLD OUT ● 12 April 12, 2026 — Coachella, California ● 07 June 2026 — Governors Ball, New York City