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DUTCHMAN Releases “Springfield 78” and “Papa Fronc” With SUGARLOAF Collaboration And Biopic Cameo

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Following a long-form FM radio residency, streak of television appearances, award nominations, major film cameo and a collaboration with a bona fide 1970s rock legend, Frederica, Delaware-based Dutchman reveal the centerpiece of their momentum: the release of their Double A side singles “Springfield 78” and “Papa Fronc.”

Dutchman’s momentum began the first week of January, appearing on “The Bertram Newton Show”. Broadcasted on ‘Cruisin’ 92.1 WVLT-NJFM’, a four-hour deep-dive conversation covering the band’s history, self-built production, and behind the scenes stories of the band were carried onto late night radio. Unbeknownst to them, the appearance would spark a 8-month long residency at the station. Within days, Dutchman was everywhere. They appeared on multiple podcasts, including ‘33/24’ and ‘Recall The Podcast’ as well as sat down with the ‘Delaware State News’ for a profile that helped introduce their story to an even wider audience.

“The best part about Dutchman, is the energy in their craft. With so much going on, one episode of the podcast wasn’t enough. Dutchman was the first to ever have a back-to-back, two-episode interview on ‘Recall the Podcast’ in January and February. – Josh Kopelen

That momentum carried them into their first televised performances, beginning with ‘WBOC-CBS’s DelmarvaLife’, Dutchman delivered gripping renditions of their singles “I Need You Now” and fan-favorite “On the Run”. A second television appearance on ‘WRDE-NBC’s CoastlifeTV’ followed shortly after. This time premiering a new unreleased track “What She Never Wrote” performed live from the legendary studio “Midsouth Audio” located in Milton, Delaware. By February, Dutchman found themselves performing a blistering set at Dew Point Brewing’s “Cabin Fever” event, a performance that became a high point of the night reaching a record “112” on the venue’s decibel reader. As well as the crowd describing the rock group as one of the best and loudest bands to perform at the historical location. Following a trip through Pittsburgh, PA, scouting new venues and making new connections with their fan base, the month’s end brought a glowing review from Gable Music’s own Sug Daniel’s, revering the Delaware rock group for their “Warm and nostalgic sound”. 

Gravatt adds, “We seem to have one speed and its “Go!”. Since the first album there’s always been something waiting right around the corner, every step so far has brought a new opportunity greater than the last. This year has proven that tenfold.”

March and April found Dutchman back to ‘MidSouth Audio’ finalizing the mix for “Springfield 78”. Working with engineer Ross Douglas, the track was originally developed from three separate compositions. Combining the strongest elements of each, Johnson, Gravatt, Solorzano and Fez got to work stitching them together into a sweeping 6-minute masterpiece. From strong soaring vocals to harmony rich guitars reminiscent of ‘The Eagles’ and’ The Allman Brothers’, the song is taken to a breathtaking finale grounded by Franco Solorzano’s expressive piano and Mitch Wiseman’s soaring saxophone. Written by Johnson, he proudly considers the finished track the finest example of musicianship the band has ever put on tape.

Engineer Ross Douglas mentions, “Working with Dutchman has been a highlight of my career thus far, with both new tracks marking the first time I’ve ever recorded on analog tape. The band really brings a sound, nostalgic, to 1960’s/70’s while keeping originality to the music. They’re a talented group of musicians and a riot to be around. There’s never a dull moment working with them, they’re always cracking jokes and bringing ease to the working atmosphere. All this to say, working with them has been a journey that I am excited to keep going down”

During these sessions the band received an unexpected message from the team behind the biopic, “I Got a Song: The Story of Sugarloaf”. Meeting with Executive Producer Stacy Raymond & Director Kyle Lamar. The filmmakers showed interest in Dutchman not only appearing in the movie but potentially collaborating with Sugarloaf’s legendary guitarist Bob Webber for the movie’s soundtrack.

Through Stacy, Dutchman was introduced to Webber and soon connected with the band on a musical level. Chatting about everything from recording technique to vintage equipment, Webber soon agreed to team up with the Delaware rock group to create a legendary bridge between the past and present Rock & Blues scene. The result is “Papa Fronc”. A funky, blues-infused, jazz-leaning track driven by rich organ textures, bold piano lines, and of course the unmistakable lead guitar flair Webber is known for. Written by band leader, Connor Johnson with the film in mind, the track features prominent moments from Webber, Johnson, Gravatt & the band’s legendary keyboardist Franco Solorzano on a howling B3 organ. With Fez topping it off with the distinctive pocket his drums are known for, we find the band tapping into the evident influence ‘Sugarloaf’ has made on the young musicians.

“Our Sugarloaf band members and the family of our bass player, who passed away in 2016, are working on a movie “I Got a Song – the Story of Sugarloaf.” Stacy Raymond, the screenwriter and executive producer of the film, connected me with ‘Dutchman’ to possibly collaborate on a tune. Dutchman has a track – Papa Fronc – that sounds like something that could have been on a Sugarloaf album. It’s funky, jazzy, bluesy, and something that I needed to play on. A great B3 organ sound sets up a tasty melody that lets me add my guitar style for a nice jazz-fusion flavor. Some fine piano work kicks off the track and really puts down a great foundation throughout the tune. Many thanks to the band! I am so humbled that they would want me to add some of my guitar work to their tune. The homage to “Green Eyed Lady” was deliberate and it was inspired by the vibe that Papa Fronc creates”

– Bob Webber of ‘Sugarloaf’

By June, Dutchman found themselves traveling west to Cripple Creek, Colorado. There, perched in a remote cabin at 10,500 feet called “The Fern House”, they recorded additional material in an environment Fez describes as “a place where the music could breathe.”

While in Colorado, the band spent 12 hours on set filming their cameo for the Sugarloaf biopic, inside Denver’s historic ‘Aztlan Theater’. While on set, they took the opportunity to meet the cast and crew as well as lend the production team some of their guitars for the film. While on set, the production team also allowed the band to shoot a live music video for their track “On the Run”. The video features Dutchman performing their fan favorite track on the famous Aztlan Theater stage with Colorado Actor “Sean Vadney” filling in Franco Solorzano’s spot on keys. Sean is starring in the forthcoming biopic as legendary singer/songwriter Jerry Corbetta.

Screenwriter and executive producer, Stacy Raymond, adds, “Their passion for Sugarloaf and genuine interest in our film project has added a new layer of authenticity in what we want to portray to our audience. We look forward to sharing Dutchman’s musical brilliance as well as their on-camera screen debut!  Dutchman, in the flesh, coming to you live from backstage in “I Got a Song – The Story of Sugarloaf.” 

July and August brought more television appearances and radio features. Returning to ‘WBOC-CBS’s DelmarvaLife’ with New Jersey Guitarist, Connor O’malley, The band performed fan favorites “Springfield 79” & “It’s a Wild Life,” as well as a heartfelt cover of Gordon Lightfoot’s “Sundown”. That same month found the group in Boston, Massachusetts for a live performance and interview with “Boston Wave Radio” on “Rick’s Rock Shop”. While in town, the boys took the opportunity for some equipment, expanding upon their vintage arsenal. They acquired a 1960’s Lowrey organ, a Fender Rhodes, and a 1973 Martin D-28 nicknamed “The Nun”. Fittingly, the Martin acoustic was owned by a local musician named “Dutch”. Upon their return to Delaware, Dutchman found themselves attending The 2025 “Hometown Hero Awards” garnering two nominations. Their single “In Your Heart” was nominated for “Best Country/Americana Song” as well as Fez, for “Best Drummer.

2025 has been a whirlwind for the band. From multiple television appearances, FM radio residency, movie cameo and film soundtrack. Dutchman’s reach has spread far and wide. This hard work has earned them over 175,000 streams, 8,200 playlist adds, and 65,000 new listeners in just eight months. You can stream “Springfield 78” and their historical collaboration with the legendary Bob Webber on “Papa Fronc” anywhere you find music.

Americana Singer-Songwriter David Nyro Explores The Universal Sting Of Silence In Haunting Single ‘Ghosted’

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David Nyro (rhymes with hero), an award-winning “genre-chameleon” and confessional singer-songwriter, has officially released his latest single, ‘Ghosted’. Following a Golden Kayak award win, Nyro delivers a poignant Americana folk-rock reflection on the modern phenomenon of sudden, inexplicable silence. The track serves as a significant precursor to his ambitious upcoming album, ‘Rubicon’, scheduled for release on March 15, 2026, marking the beginning of a prolific new chapter for the Tacoma-based artist.

The inspiration for ‘Ghosted’ was born from a deeply personal experience—the sudden disappearance of a close associate Nyro had worked with for over five years. Nyro captures the jarring transition from normalcy to “nothingness” with evocative lyrics: “I call you on the phone, I text and email too; No one is ever home, I don’t know what to do. When I saw you that last time, everything seemed fine”. Reflecting on the track, Nyro notes that while the behavior has existed for centuries, it has found a new cultural label. “One thing for sure: this is something universal that’s happened to all of us, I suspect,” Nyro says of the experience.

Elevating the single’s Americana sound is an elite roster of guest musicians. The track features esteemed bassist Andy Stoller, a longtime member of Tracy Chapman’s recording and touring band who played on the multi-platinum, Grammy-winning album ‘New Beginning’ and has performed with Heart. Joining him is legendary drummer Ben Smith, who spent over 25 years touring and recording with Heart and has worked extensively with Ann and Nancy Wilson’s side projects, including The Lovemongers. Together, they provide a world-class foundation for Nyro’s vulnerable exploration of an “inexplicable disgrace”.

“Ghosted” was recorded at the legendary London Bridge Studios (Alice In Chains, Pearl Jam, Soundgarden) with Grammy-nominated Eric Lilavois co-producing with Nyro, and engineering.

Musically, Nyro draws from a vast well of influence, ranging from the folk-rock sensibilities of Jackson Browne and Joni Mitchell to the raw vulnerability of Elliott Smith and Leonard Cohen. ‘Ghosted’ balances this lineage with a sharp, contemporary edge, as the song’s bridge offers a chilling historical parallel, noting it “brings to mind that ‘ol Soviet Union, where people were erased… gone without a trace”. It is a track that explores the frustration of “leaving me twisting in the wind” without a chance for redemption or a final scene.

Nyro’s path to this release is as eclectic as his sound. Having lived in 12 states and worked as a TV news anchor, radio DJ, construction worker, factory worker, and even a census-taker, his writing is informed by a lifetime of diverse observations. He famously once almost joined the Clyde Beatty circus to care for elephants, only to be scared away by a “very tall, sinister clown” and a “strutting prima donna elephant prince” who reminded him of Joffrey from Game of Thrones. This unique perspective fuels a staggering creative output; Nyro estimates he has written nearly 3,000 songs, with only about ten and a half of them currently memorized.

Currently recording at Pacific Studios in Tacoma, WA, Nyro is working through a backlog of approximately 55 songs to be released in a series of upcoming albums. While ‘Ghosted’ serves as the current focus, Nyro continues to share music with a conscience, such as his song ‘Sunflowers’, dedicated to the brave people of Ukraine. As he prepares for the 2026 launch of ‘Rubicon’, he remains a quintessential storyteller who is “still trying to figure out what he wants to be when he grows up,” provided that he ever actually does.

Former Nylons Star Micah Barnes Returns to the Stage with ‘Up On The Roof’

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Get ready for a powerful mix of intimacy, showmanship, and pure star power. Micah Barnes—the velvet-voiced former member of the world-renowned a cappella sensation The Nylons—is hitting the road with his most personal show to date: “Up On The Roof: An Evening with Micah Barnes”.

As a chart-topping Alma Records/Universal Music Canada artist and Vocal Coach for Canada’s Got Talent, Barnes is stepping away from the television cameras to bring his signature “Leonard Cohen meets Tony Bennett” sophistication to stages across the country.

More than just a concert; Micah is planning to take audiences on a musical journey through a career that has taken him from the Jazz & cabaret clubs of Toronto to the bright lights of New York and Los Angeles and beyond. Performing solo at the piano, Barnes will be mixing his personal original songs with the classic Jazz and Blues that topped charts on his acclaimed albums ‘New York Stories’ and ‘Vegas Breeze’.

“This kind of solo-at-the-piano concert allows me to meet audiences in the kind of intimate setting that creates a deeper conversation,” says Barnes. “Now that I am a ‘Solo Nylon,’ it is a chance for the fans to really get to know me—and yes, I’ll be performing your favorite Nylons song!”

When he isn’t dominating the Jazz charts, Barnes is the “Coach to the Stars,” serving as the secret weapon behind some of the industry’s biggest names. His client list includes Grammy nominee J.P. Saxe, Emmy winner Tatiana Maslany, and Juno Award-winners Monowhales.

“UP ON THE ROOF” 2026 TOUR & WORKSHOP DATES:

The Concert Series:

January 11: Frankie’s Jazz Club – Vancouver, BC.

January 17: Lynn Valley United Church – Vancouver, BC

March 8: Polaris Theatre – RockyView County (Calgary), AB

March 13: SING! Festival Headliner (Orange Hub Theatre) – Edmonton, AB  

The Master Classes:

January 17: Vocal Master Class – Lynn Valley United Church, Vancouver

March 15: Indigenous Voices Master Class – Fringe Theatre Arts Barns, Edmonton

For tickets, photos, and more information, visit http://www.micahbarnes.com

Celldweller Unites With SWARM And REEBZ For The Cybernetic New Single “Fakebreaker” From ‘God Mode’

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Celldweller has unleashed “Fakebreaker,” the high-octane debut vocal single from his recently completed Detroit studio and a primary glimpse into the upcoming ‘God Mode’ EP. This track is a massive industrial-metal assault created in collaboration with dark bass producer SWARM and UK electronic-metal artist REEBZ. The composition opens with cinematic synths before shifting into a landscape of heavy midtempo drops and cybernetic textures that define the project’s gaming-inspired aesthetic. Every arrangement on this single reflects the technical precision and relentless energy that has solidified Celldweller’s reputation as a pioneer of the electronic-rock genre. This record is a thunderous return to form that dominates the senses with its mechanical intensity and vocal grit.

The arrival of “Fakebreaker” is accompanied by a live-action music video directed by Michael Levine, marking Celldweller’s first live-action visual project in over eight years. The video depicts Klayton and REEBZ navigating a dystopian cyberpunk world designed to mirror the side-scroller mechanics of a video game. This visual narrative amplifies the song’s themes of rebellion and chaos, utilizing high-stakes imagery to match the punishing rhythmic drive of the music. REEBZ contributes a range of heavy and melodic vocals that spar with the 303 acid basslines and aggressive breakbeats. This collaboration represents a perfect storm of talent, merging retro-tinged electronic elements with modern industrial weight.

Laptop Rebels Against Conformity With The Cross-Generational Single “I Don’t Know” From ‘On This Planet’

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NYC innovators Laptop have released their new single “I Don’t Know,” a deadpan anthem previewing the upcoming album ‘On This Planet’ scheduled for Spring 2026. This project marks the return of Jesse Hartman, now collaborating with his nineteen-year-old son Charlie Hartman as a father-son duo. The track originated years ago following a standardized test where a young Charlie purposefully answered every question with the phrase “I don’t know.” This recording incorporates the original audio of four-year-old Charlie during the intro and outro, blending family history with a satirical protest against social expectations. The composition features a cinematic cast including vocalist Anna Hadeed and a soulful harmonica performance by Santo Fazio.

The track arrived following the viral momentum of previous singles “Weirder” and “Additional Animals,” which earned millions of views and support from Radio 6 and Radio X. Finalized in New York City after sessions in Spain and the Caribbean, the song benefits from the mixing expertise of Grammy winner Mario McNulty. Jesse Hartman, a former member of the Voidoids with Richard Hell, utilizes a dry, synth-pop aesthetic that mirrors the “insincere sincerity” noted in his earlier Island Records releases. The accompanying music video, filmed at Bravo Studios, utilizes a green screen and surreal choreography to reimagine a classroom as a stage for this absurdist rebellion. This record is a sharp and refreshing blast of intellectual indie-pop that demands a focused listen.

Laptop recently returned to live performance with a fourteen-piece ensemble at New York’s Sony Hall and a headlining appearance at London’s The Waiting Room. These large-scale spectacles signify the ambition behind the band’s first hometown shows in two decades. The new material evolves the project’s cult legacy, moving from the early 2000s sound of ‘Opening Credits’ into a cross-generational dialogue. By combining satire with catchy, rhythmic hooks, the music addresses modern life through a lens of skepticism and humor. The upcoming album represents the first full-length collection from this new iteration of the band.

Dublin Born Rockers Music City Team Up With Tina Halladay On “Common Sense” From ‘Welcome To Music City’

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Dublin-born and London-based outfit Music City adds a bold new chapter to Ireland’s rock legacy with the release of their hook-driven single “Common Sense” featuring Tina Halladay of Sheer Mag. This swaggering anthem serves as a primary look into their debut album ‘Welcome to Music City’ which arrives February 6, 2026, via Redundant Span Records. Songwriter Conor Lumsden, known for his work in The Number Ones, captures the raw spirit of garage rock through a riff designed to mirror the unfiltered joy of a first electric guitar. The track utilizes muscular rhythm sections and chiming guitars to build a wall of sound that supports a high-energy vocal performance. This recording is a glorious celebration of power-pop aesthetics and punk-fired execution.

Music City has recently sharpened their live performance on tour supporting The Lemon Twigs across Europe, alongside previous runs with Parquet Courts. The upcoming album documents a constant struggle between hope and disappointment, translating the highs and lows of modern life into eleven tracks of wry storytelling and stacked harmonies. Lumsden’s compositions have earned international attention from platforms like WFMU and BBC 6 Music, building on the cult success of the earlier single “Pretty Feelings.” The band is currently scheduled for a February headlining tour with stops in London, Manchester, and a homecoming show at The Grand Social in Dublin.

Tour Dates:

Feb 05: London, UK – The Social

Feb 06: Sheffield, UK – Delicious Clam

Feb 07: Manchester, UK – The Rat & The Pigeon

Feb 08: Newcastle, UK – Zerox

Feb 14: Margate, UK – Where Else

Feb 26: Dublin, IE – The Grand Social

Heavy Metal Powerhouse Engineered Society Project Delivers The Crushing New Single “Blink Of An Eye”

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Engineered Society Project has unleashed their thunderous new single “Blink Of An Eye,” now available across all major streaming platforms. This track delivers the band’s signature fusion of crushing riffs and melodic leads, exploring the fragile nature of time and the sudden shifts that redefine human existence. Formed in 2014, the USA-based heavy metal outfit continues to build on their reputation for socially conscious lyrics and modern aggression. The song serves as a powerful reminder to capture the moment, anchored by a wall of sound that satisfies both traditional metalheads and fans of contemporary heavy music. This recording is a high-octane triumph that balances raw intensity with precise musical execution.

Melody’s Echo Chamber Explores The Avant-Garde With “Eyes Closed” From The New Album ‘Unclouded’

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Melody’s Echo Chamber has released the vibrant new single “Eyes Closed,” a highlight from her fourth studio album ‘Unclouded’ available now via Domino. This track serves as a bold exploration of psych-soul and krautrock, featuring propulsive breakbeats from British drummer Malcolm Catto. The production reflects a sculptural and avant-garde approach, moving away from previous realism into a brighter, more playful sonic territory. By utilizing intricate rhythms and layered textures, the song captures a feeling of deep devotion and the appreciation of transient beauty. This recording is a stunning achievement in modern psychedelic pop that rewards listeners with every nuanced detail.

The collaborative depth of ‘Unclouded’ is significant, featuring co-production and writing from Swedish musician Sven Wunder. The album also includes contributions from strings expert Josefin Runsteen and the rhythmic foundation of Daniel Ögen and Love Orsan. Additionally, Leon Michels and Reine Fiske add their distinct musical signatures to the record, creating a rich tapestry of sound that spans from delicate pop to dense instrumental grooves. These sessions resulted in twelve tracks that celebrate the present moment through a lens of resilience and harmony. Every performance on the album highlights the synergy between Prochet and her world-class studio ensemble.

Prochet is currently preparing for an extensive international tour across Europe and North America to support the new release. The upcoming dates include stops at major venues such as the Electric Ballroom in London, Webster Hall in New York, and the Belasco in Los Angeles. These live shows provide a physical space for the album’s intricate arrangements to expand into immersive audience experiences. The tour reflects the same positive energy that fueled her previous global run, emphasizing a newfound love for the living experience. Witnessing these compositions live confirms her status as a singular voice in contemporary music.

Tour Dates:

Feb 25: Saint-Brieuc, FR – Bonjour Minuit

Feb 26: Lorient, FR – Hydrophone

Apr 14: Berlin, DE – Lido

Apr 15: Copenhagen, DK – VEGA

Apr 17: Brussels, BE – Botanique

Apr 18: Cologne, DE – Gebäude 9

Apr 19: Amsterdam, NL – Tolhuistuin

Apr 21: London, UK – Electric Ballroom

Apr 22: Lille, FR – L’Aéronef

Apr 23: Paris, FR – Le Trianon

Apr 24: Nantes, FR – Stereolux

Apr 25: Rouen, FR – Le 106

May 11: Chicago, IL – Thalia Hall

May 12: Washington, DC – Black Cat

May 13: Philadelphia, PA – Union Transfer

May 14: Boston, MA – Royale

May 15: New York, NY – Webster Hall

May 19: Los Angeles, CA – Belasco

May 20: San Francisco, CA – Bimbo’s 365

May 22: Portland, OR – Revolution Hall

May 23: Seattle, WA – The Crocodile

Shao Hao Explores Identity And Displacement On The Debut UK EP ‘SH17’ Led By “Where Is My Home”

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Shao Hao has released his debut UK single “Where Is My Home,” an unapologetically raw confession detailing his decade-long journey as a British-Chinese immigrant. The track serves as the lead offering from his upcoming EP titled ‘SH17’, which functions as a musical time travel to his teenage years. Moving to the UK at seventeen to study music, Shao spent years navigating the friction between two cultures, eventually becoming a British citizen while still feeling caught between worlds. The instrumental production mirrors this binary identity, blending the gritty, narrative storytelling of Brit-pop with the high-octane energy of K-pop. Punchy bass guitars and soaring synths create a vibrant backdrop for his silky, airy vocal delivery.

Before launching this solo artist project, Shao established himself as a powerhouse songwriter for major East Asian acts. His portfolio includes number-one hits for Stefanie Sun and Angela Zhang, along with successful compositions for the Taiwanese rock duo Power Station and the Japanese virtual group V.W.P. Most recently, his work was featured as the ending theme for the Japanese anime series Kamitsubaki City Under Construction on TBS Television. This transition from behind the scenes to center stage allows him to reclaim his own narrative through a personal and honest lens. The music video for the new single was filmed at his old boarding school, St Leonards School in Scotland, grounding the visual story in his actual history.

Shao is currently engaging with a new generation of listeners through an extensive school tour across the United Kingdom. These performances at institutions like Stone St Mary’s and Kimbolton School combine live music with open discussions about neurodivergency and the importance of embracing one’s differences. This grassroots approach allows him to hone his live skills while providing a supportive community for young people who feel like outsiders. The feedback from these sessions has been overwhelmingly positive, reinforcing his commitment to building a kinder and more inclusive musical landscape. Every show on this run highlights his growth from a resident artist at the Roundhouse to a confident, multi-platinum songwriter.

The artistry on this EP confirms a unique ability to bridge cultural gaps while maintaining a deeply personal tone. By weaving together his experiences as an immigrant and a neurodivergent creator, Shao produces a sound that is both cinematic and intimate. The lyrics “Been running for so long/Forgot where I came from” capture the universal search for belonging that anchors the entire project. This collection of songs marks the beginning of a significant new chapter for an artist who has already left a major mark on the global pop charts. Listening to ‘SH17’ reveals a musician who has finally found his home within his own voice.

Joshua Scarratt Returns With The Lyrical Single “Freedom From Care” From His Upcoming EP

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Indie riser Joshua Scarratt has returned to the spotlight with his latest single “Freedom From Care,” marking his first new music since his debut EP ‘Riding through the desert of my dreams’. This track explores themes of naivety and the internal collapse of imagined narratives, delivering a sharp lyrical perspective on the dangers of self-induced fantasy. The songwriting showcases a sophisticated sensibility, utilizing a classic indie structure to ground the emotional weight of a crumbling mental world. This release confirms a massive step forward in Scarratt’s artistic journey, following the heavy acclaim of his earlier work supported by Radio X and HERO Mag.

The production on the new track highlights a refined musicality that has become a hallmark of Scarratt’s studio sessions. Collaborations with musicians like Nick Hinman and Callum Brown helped define the textured sound of his previous tracks, and this momentum continues as he prepares a second EP for 2026. The arrangements provide a perfect landscape for Scarratt’s vocal delivery, which possesses a rare ability to translate raw psychological tension into a melodic and memorable experience. This single is a stunning demonstration of a songwriter operating with complete clarity and melodic precision.

Fans can catch these new compositions live during a headline show at The Waiting Room in London on February 19, 2026. This performance serves as a primary showcase for the new material arriving throughout the early part of the year. The live setting offers a physical space for the cinematic textures of Scarratt’s music to expand, moving beyond the digital realm into a visceral audience experience. Every song in the current setlist reflects a deep commitment to the craft of songwriting and an authentic rejection of fleeting industry trends.

The upcoming year remains a central focus for the artist as he finalizes plans for his next extended release. By focusing on honest closure and personal evolution, the music avoids generic tropes and instead offers a nuanced look at modern isolation and connection. The arrival of “Freedom From Care” serves as a definitive bridge between his initial breakthrough and the expansive creative horizon ahead. Listening to this new work reveals a musician who has moved past introspection to deliver a bold, outward-facing statement of intent.