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Rhetty for History Revives Nostalgia with Vintage Toy and Gadget Sounds

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Remember the clack of a cassette door or the whirl of a ViewMaster disc? Rhetty for History brings those sounds back in a playful audio time capsule. It’s a trip down memory lane for some, and a puzzling mystery for others. Close your eyes, listen, and see where your imagination takes you.


Spotify Premium Introduces Custom Transitions for Playlists

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Spotify users around the world have soundtracked their everyday moments by creating nearly 9 billion playlists. Now, Premium users can take their creativity to the next level with the ability to add and customize transitions between tracks. 

The feature, now in beta, gives users even more control—allowing music lovers and playlist experts alike to easily create unique playlists. Seamlessly transition between tracks, customize how they flow together, and enhance your mix with features like volume, EQ, and effect curves.

Ready to mix things up? Make your playlist your own with seamless transitions.

    1. Open a playlist you’ve already created, or make a new one.
    2. Select “Mix” from the toolbar and see your playlist change. 
    3. Start with “Auto” for an instant blend, or tap to customize your mix and create unique transitions that fit your style. 
    4. When customizing, choose a preset like “Fade” or “Rise” to easily apply different transition styles.
    5. Experiment with specific settings for volume, EQ, and effects, and use the waveform and beat data to find the best spot in each track for your transition.
    6. Hit “Save,” then listen to your unique playlist. Share it, or even collaborate on a mixed playlist with friends who are also Premium users.
    7. You can toggle the mix on and off at any time by pressing the “Mix” button. 

New to audio mixing? These simple tips will help you level up your playlist.

    • Match tempos and keys: For the most natural-sounding transitions, choose songs with similar tempos and Camelot keys. When you tap “Mix,” we’ll automatically show the key and BPM (beats per minute) for each track, so you can easily scan and reorder to help your playlist flow more smoothly.
    • Start with transition-friendly genres: Mixing works best with music produced for seamless transitions. Dance genres like house and techno tend to blend more smoothly.
    • Consider the energy: Think about the mood and energy you want your playlist to have. Plan your song order to gradually build up or wind down the energy, guiding listeners through an emotional journey.
    • Tap into your best playlists: Mixing is perfect for moments when you want to avoid awkward pauses. For example, upgrade your running playlist for consistent BPMs to set your pace, or curate the ideal road trip or party playlist to keep the vibe going.
    • Visualize it: Make your playlist even more unique by creating your own cover art with new stickers and labels, available only for mixed playlists. 

Spotify Premium is the ultimate destination for fans to enjoy the music they love, and we’re always evolving to make it even better. With custom transitions in playlists, we hope to empower users to shape their listening experience and express themselves through the music they love.

This new feature is rolling out to eligible Premium users, so please make sure your Spotify app is up to date.

LEGO Fans Get a New Challenge with 1,000-Piece Botanical Bricks Puzzle

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Inspired by LEGO’s botanical brick sets, this vibrant 1,000-piece puzzle offers a fun twist on the classic building experience. Measuring 25” x 20,” it’s perfect for game nights or a cozy rainy day. A must-have gift for Adult Fans of LEGO.

Hainbach Revives the Rare Hammond Novachord the World’s First Polyphonic Synthesizer

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The Hammond Novachord, introduced in the late 1930s, is celebrated as the world’s first polyphonic synthesizer. With over 160 vacuum tubes, it created sounds ahead of its time. Hainbach brings this rare gem back to life in a stunning demo.


OREO Brings Peanut Butter Bliss with New Reese’s Cookies

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OREO is teaming up with Reese’s to create the ultimate cookie experience. Filled with smooth peanut butter crème, these limited-edition cookies are a dream come true. Grab them starting August 18, 2025!

Newton Faulkner Partners with Teenage Cancer Trust for New Single and Album ‘OCTOPUS’

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Twenty years of creative evolution collide in Newton Faulkner‘s triumphant new single ‘What Took You So Long‘, a track that represents both a return to form and a bold leap forward for the reinvented artist. Released 15th August via Cooking Vinyl, the song captures the essence of Faulkner’s artistic renaissance with the kind of raw honesty that only comes from decades of musical soul-searching.

Newton Faulkner has announced an exciting partnership with Teenage Cancer Trust to accompany his new single ‘What Took You So Long’ (out 15th August via Cooking Vinyl). The collaboration will feature limited edition stamped “bootleg” CDs of his upcoming album ‘OCTOPUS’ (19th September 2025) plus exclusive stripped back tracks, with all proceeds supporting the charity’s vital work.

‘What Took You So Long’ carries the weight of a twenty-year journey—from its initial conception to its current incarnation as the cornerstone of Faulkner’s upcoming album ‘OCTOPUS‘. Co-written and produced with longtime collaborator Adj, whom Faulkner first met two decades ago, the track embodies the kind of fearless creativity that emerges when an artist stops seeking external validation.

“This track set the tone for me for the whole record,” Faulkner explains. “It came in early, and when I listened to it for the first time with fresh ears the next day, I remember thinking, ‘This! This is the kind of record I want to make!’ It was decades in the making in many ways. I first met Adj (co-writer and producer) about 20 years ago. The verse idea – I remember playing it to an A&R team at least a decade ago – and they looked at me like I was totally nuts, asked what was wrong with me, and the idea got shelved. Now I don’t listen to anyone when it comes to making music that I love. Very glad I dusted it off. In many ways… what took me so long?”

The single’s journey from rejected concept to career-defining moment perfectly encapsulates Faulkner’s current creative phase—one marked by his symbolic break from the past when he cut off his iconic dreadlocks on stage at London’s Islington Assembly Hall in November 2024. That moment of liberation continues to fuel his most authentic work yet.

Following the bold statements of ‘Alright Alright Alright’ and the collaborative triumph of ‘Hunting Season (feat. Lissie & Los Bitchos)’, ‘What Took You So Long’ proves that this double platinum artist’s creative renaissance is no flash in the pan. Crafted in his East London studio sanctuary, the track showcases the full spectrum of Faulkner’s sonic evolution—from the acoustic foundations that built his reputation to the electronic experimentation that now defines his forward momentum.

‘What Took You So Long’ will be available across all streaming platforms from 15th August, serving as another tantalizing preview of the full album ‘OCTOPUS’, set for release 19th September 2025 via Cooking Vinyl Records.

Sometimes the best things are worth the wait. Sometimes they’re worth two decades.

As part of the new album campaign a series of collector’s edition CDs and vinyl have been made available to pre-order across Amazon, HMV, indie retail and Newton’s store. Each edition features exclusive, one-of-a-kind artwork created especially for this project – making them a must-have for fans and collectors alike. 

UK & Ireland Tour Dates on Sale Now

IN STORE DATES:

19th Sept – HMV, Birmingham (5pm)

20th Sept – Vinilo, Southampton (1pm)

20th Sept – Resident, Brighton (6:30pm)

21st Sept – Rough Trade, Nottingham (6pm) *SOLD OUT*

22nd Sept – Vinyl Whistle, Leeds (1pm)

22nd Sept – Wax & Beans, Bury (7:30pm) *SOLD OUT*

23rd Sept – Jacaranda, Liverpool (6pm)

24th Sept – Rough Trade, Bristol (6:30pm) *SOLD OUT*

25th Sept – Rough Trade East, London (7pm)

26th Sept – St Peters Church, Marlborough (7:30pm)

LIVE

Mon 13th Oct – Norwich, The Waterfront

Tues 14th Oct – Manchester – Academy 3

Wed 15th Oct – Cardiff – Tramshed

Thurs 16th – Birmingham – Academy 2

Sat 18th Oct – Exeter – Lemon Grove

Sun 19th Oct – Bath – Komedia

Mon 20th Oct – Cambridge – Junction

Wed 22nd Oct – Leeds – Project House

Thurs 23th Oct – Newcastle – Northumbria Student Union

Sat 25th Oct – Aberdeen – OGV Podium

Sun 26th Oct – Glasgow – SWG3

Tues 28th Oct – Liverpool – Arts Club Theatre

Wed 29th Oct – Leicester – 02 Academy 2

Thurs 30th Oct – London – Earth Concert Hall

Thurs 13th Nov – Belfast – Limelight 1

Sat 15th Nov – Dublin – The Ambassador

Sun 16th Nov – Cork – Cyprus Avenue

National Music Centre Announces Artists for OHSOTO’KINO Music Incubator Showcase September 17

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The National Music Centre (NMC) is excited to announce that Beaatz, Beatrice Love, Brandi Vezina, Damase Elis, Lacey Hill, Raven Reid, and Uncle Trent and Friends have been selected as participants in the OHSOTO’KINO Music Incubator program for Indigenous musicians. The program kicks off next month and will feature a live showcase and reception on September 17 at Studio Bell.

Beaatz is an award-winning Indigenous artist and producer from Tobique First Nation, New Brunswick, and a prominent figure in East Coast music. With years of experience and deep roots in hip-hop, he is best known as a founding member of the acclaimed group City Natives.

Cree soul-pop singer-songwriter Beatrice Love, who hails from Treaty 8 territory and belongs to the Sturgeon Lake Cree Nation and Horse Lake First Nation, has appeared as a contestant on Canada’s Got Talent, and describes her music as the sonic love child of James Brown and Janis Joplin.

Brandi Vezina is a Métis singer-songwriter from Manitoba who blends heartfelt narratives and unapologetic grit with modern country influences.

With Métis and Colombian roots, Calgaryfolk singer-songwriter and multi-instrumentalist Damase Elis channels her cultures and queer identity through her music.

Hailing from the Six Nations of the Grand River First Nation in southwestern Ontario, Lacey Hill describes her music as “Indigenous Soul,” full of heart and shaped by years of growth and exploration.

Indigenous folk singer-songwriter Raven Reid, originally from the Mikisew Cree First Nation in the Northwest Territories and now based in Saskatoon, is best known for her raw, emotional lyrics inspired by her experiences as a Sixties Scoop survivor.

Led by Cowessess First Nation country-roots artist Trent Agecoutay, Uncle Trent and Friends brings together a collective of musicians with a shared passion for creating music that resonates.

“Bringing together artists from a wide range of styles highlights the vast amount of community talent that is thriving. The OHSOTO’KINO programming will help elevate their chances of success in reaching both their personal goals and those within the music industry,” said David McLeod (Minegoziibe Anishinabe, formerly Pine Creek First Nation, Treaty 4), NMC Board Member and Chair of NMC’s National Indigenous Programming Advisory Committee. “We’re excited to welcome this year’s mentors and are eager to hear the ideas, collaborations, and inspiration that will rise from bringing everyone together in such a good way. The OHSOTO’KINO Music Incubator has been a force in supporting Indigenous musicians, and it’s wonderful to see it thrive thanks to TD.”

The selected artists will converge at Studio Bell, home of the National Music Centre in Mohkinstsis (Calgary), for five days to learn new skills, connect with music industry experts from across the country, and hone their craft and professional chops. Artists for the music incubator were selected by NMC’s National Indigenous Programming Advisory Committee, which includes First Nation, Métis and Inuit representation, and acts as a guiding voice for NMC Indigenous programs and content.

Launched in early 2022 and recently renewed for another three years, OHSOTO’KINO is an Indigenous programming initiative supported by TD that emphasizes three key pillars: creating new music in NMC’s recording studios, fostering artist development through a music incubator program, and amplifying Indigenous voices through storytelling in NMC’s exhibitions, including the annually updated Speak Up! gallery and NMC’s online platform, Amplify. The name OHSOTO’KINO, a Blackfoot phrase meaning ‘to recognize a voice of,’ honours the Blackfoot people and the land on which the National Music Centre stands.

Earlier this year, singer-songwriter Raymond Sewell and powwow and round dance artist Marlon Deschamps were awarded OHSOTO’KINO Recording Bursaries, granting them the opportunity to record a commercial album at Studio Bell. In June, the Speak Up! exhibition was also updated to feature a new lineup of Indigenous trailblazers, including Beatrice Deer, Dakhká Khwáan Dancers, Ray St. Germain, Harry Rusk, and Kelly Fraser. The current exhibition will be on display until June 2026.The OHSOTO’KINO Music Incubator Showcase and Reception takes place on September 17 at 7:00 pm. Tickets are $10 or $5 for NMC Members. Visit studiobell.ca/whats-on to get your tickets or to become an NMC Member and save on events, visit studiobell.ca/members.

Scottish Producer Stuart Smillie Explores the Swiss Tradition of Yodeling in New Video

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Stuart Smillie journeys to Switzerland to uncover the history of yodeling in the Alps, from its roots to modern contests. He meets Swiss yodelers, attends Jodlerfest Altstätten, and learns how the art is judged. Along the way, he receives a personal lesson from Melanie of Oesch die Dritten.


Atlanta Rap J.I.D Announces New Album ‘God Does Like Ugly’ Out August 8

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  • Grammy-nominated and platinum-selling rapper J.I.D has announced the name and release date for his fourth studio album. The dynamically named project, God Does Like Ugly, is available for pre-order now and will be released this summer, on August 8th.

Giving fans a taste of what they can expect on this new album, J.I.D also released a short visual depicting scenes from a lost world, borrowing inspiration from films like The Warriors and Mad Max, but as always with J.I.D, set upon the backdrop of Atlanta.

The album announcement comes on the heels of J.I.D’s most recent release, called “WRK,” the “high energy offering [ushering] the start of a new era” (Hypebeast). The song was produced by Grammy-winning producer Pluss and longtime collaborator Christo. It centers J.I.D’s signature double time bars, infectious word plays and vocal changes that keep the listener hooked for the length of the three-minute track.

Though the Atlanta rapper has stayed busy with sold-out tours and collaborations with Lil Yachty, Ab-Soul, NewJeans, Eminem and more, “WRK” is the first solo cut from J.I.D since the release of his critically acclaimed album, The Forever Story (Dreamville/Interscope Records, 2022). The album, which Rolling Stone, Complex, NPR, GQ, XXL and more included in their “Best Albums of The Year” lists, bore fruit well past its release date.

Almost a year after its release, a cut from the record — the infectious track “Surround Sound” — soared to viral acclaim with its own TikTok challenge and ended the year in the #1 position across Billboard Viral 50, TikTok Viral, and TikTok 50. The song featuring Atlanta natives 21 Savage and Baby Tate re-entered the Billboard Hot 100 charts in 2024 and went on to be 3x platinum certified.

Soulful Fusion Ottawa’s Mecca of Stank Release New Single ‘The Other Side’

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Ottawa band Mecca of Stank’s new single “The Other Side” is pure vibes. It’s the kind of song you can listen to, drift off, and forget the world for a while. It’s smooth, soulful, and has an undeniable feel-good energy.

The song starts off with a soft, soulful and almost lo-fi feel, with the vocals tastefully filling the space. As it progresses, it then transforms into something more dreamy and jazzy. The lyrics paint a picture of an imaginary place where music plays every night, worries disappear, and everyone’s living in the moment. “Welcome to the other side / Worries fade, we’re feelin’ fine / Music’s playing almost every night / And all your dreams come alive / If only for a while.”

The band’s sound is forged out of many influences—funk, soul, R&B, jazz, reggae, and a dash of Latin groove. That mature sound has been present with the project from the start. Mecca of Stank emerged on the scene in 2019, turning heads with their debut “Dopamine Dreams,” and getting a 2023 OMIC nomination for Best Newcomer.