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Heritage Of London Trust Acquires David Bowie’s Childhood Home For Restoration And Creative Workshop Space

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Heritage of London Trust announces the landmark acquisition of David Bowie’s childhood home at 4 Plaistow Grove in Bromley, the modest south London terrace where the boy became David Bowie. The property served as Bowie’s creative sanctuary from ages 8 to 20, spanning 1955 to 1967, marking the site where his musical journey began and where he wrote his formative songs before regularly returning in the following years as he wrote breakthrough hit “Space Oddity,” which rocketed him to pop fame. The heritage project, due for completion in late 2027, will restore the railway workers’ cottage to its original early 1960s appearance. Working alongside curator Geoffrey Marsh, co-curator of the Victoria and Albert Museum’s definitive David Bowie Is exhibition, and utilizing a never-before-seen archive, the restoration will recreate the interior layout exactly as it was when Bowie’s father commuted to work at charity Dr Barnado’s and his mother worked as a waitress. The experience centers on Bowie’s 9 ft x 10 ft bedroom, the specific site where his trailblazing spirit was forged.

The project transcends simple bricks and mortar as a living continuation of Bowie’s legacy of free creative experimentation. Inspired by his 1969 Beckenham Arts Lab, which offered opportunities for everybody, the site will host creative and skills workshops for young people. Through the Trust’s Proud Places and Proud Prospects programmes, the house will act as a solid foundation for the next generation, teaching confidence and communication skills in the arts. A major £500,000 grant from the Jones Day Foundation, a charitable foundation funded by attorneys and staff of the Jones Day law firm, has been secured to anchor the restoration, with a public fundraising campaign launching this month. The house sits near the Edwardian Bowie bandstand, where the young musician performed in 1969 and which was restored by Bromley Council and Heritage of London Trust in 2024.

Geoffrey Marsh explains: “It was in this small house, particularly in his tiny bedroom, that Bowie evolved from an ordinary suburban schoolboy to the beginnings of an extraordinary international stardom. As he said ‘I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man’s-land of the living room.'” Dr Nicola Stacey, Director of Heritage of London Trust, adds: “David Bowie was a proud Londoner. Even though his career took him all over the world, he always remembered where he came from and the community that supported him as he grew up. It’s wonderful to have this opportunity to tell his story and inspire a new generation of young people and it’s really important for the heritage of London to preserve this site.” George Underwood, artist, musician and Bowie’s lifelong friend, recalls: “We spent so much time together, listening to and playing music. I’ve heard a lot of people say David’s music saved them or changed their life. It’s amazing that he could do that and even more amazing that it all started here, from such small beginnings, in this house. We were dreamers, and look what he became.” Fundraising for the project begins in January 2026 with plans to open at the end of 2027.

Warren Haynes Shares “I’ll Be The One” From Re-Mixed ‘Tales Of Ordinary Madness’ Arriving January 30

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GRAMMY Award-winning vocalist, songwriter, guitar legend, and Gov’t Mule frontman Warren Haynes releases “I’ll Be The One,” the latest single from the re-mixed and re-mastered version of his debut solo studio album ‘Tales of Ordinary Madness’, arriving January 30 via Megaforce Records. The expanded 12-track edition includes one bonus song not included on the original, produced by Chuck Leavell and co-produced by Haynes, re-mixed by Jim Scott at Plyrz Studios, and re-mastered by Greg Calbi and Steve Fallone at Sterling Sound. When ‘Tales of Ordinary Madness’ first arrived in March 1993, Warren Haynes, then a full-time member of The Allman Brothers Band, introduced himself as a solo artist with a collection balancing soulful songwriting and powerful guitar work against rock, blues, and soul. Rolling Stone called it “a powerful solo debut,” while AllMusic singled out Haynes’ vocal performance as the project’s lasting impact. Haynes supports the release with his Winter of Warren 2026 Tour, beginning in February with a rare, intimate solo run featuring stripped-down, two-set evenings where it’s just Warren and his guitar exploring every corner of his catalog, mixing hits and deep cuts with the music that shaped his sound. The 11-date solo tour includes a standout engagement at the new Blue Note Los Angeles on February 17 and 18 with two shows per night, followed by Warren Haynes Band dates from March 1-7 including a newly announced appearance at The Capitol Theatre in Port Chester as part of the venue’s 100th anniversary celebrations. Gov’t Mule, fresh off their 50th performance at NYC’s Beacon Theatre on New Year’s Eve, play spring headlining dates starting March 27 in Denver, then head out this summer for co-headlining shows with Joe Bonamassa from July 29 through August 16.

Warren Haynes Solo:

February 12 – Grass Valley, CA @ The Center for the Arts

February 13 – San Francisco, CA @ The Fillmore

February 14 – Napa, CA @ Uptown Theatre Napa

February 15 – Santa Cruz, CA @ Rio Theatre for the Performing

February 17 – Los Angeles, CA @ Blue Note Los Angeles (2 shows)

February 18 – Los Angeles, CA @ Blue Note Los Angeles (2 shows)

February 20 – Santa Fe, NM @ Lensic Performing Arts Center

February 22 – Austin, TX @ The Paramount Theatre

February 23 – Dallas, TX @ The Kessler Theater

February 24 – Houston, TX @ The Heights Theater

February 26 – Pelham, TN @ The Caverns

Warren Haynes Band:

February 27 – Live Oak, FL @ Suwannee Amp Jam #2

March 1 – Birmingham, AL @ Iron City

March 3 – Rochester, NY @ Kodak Center

March 4 – Wilkes-Barre, PA @ F.M. Kirby Center for the Performing Arts

March 6 – Port Chester, NY @ The Capitol Theatre

March 7 – Ithaca, NY @ State Theatre

Gov’t Mule:

March 27 – Denver, CO @ Mission Ballroom

April 7 – Shipshewana, IN @ Blue Gate Performing Arts Center

April 8 – Nashville, IN @ Brown County Music Center

April 10 – Charleston, SC @ The Refinery

April 10–12 – Miramar Beach, FL @ Joe Bonamassa’s Sound Wave Beach Weekend

Gov’t Mule co-headlining with Joe Bonamassa:

July 29 – Vienna, VA @ Wolf Trap

July 31 – Bangor, ME @ Maine Savings Amphitheatre

August 1 – Gilford, NH @ BankNH Pavilion

August 8 – Baltimore, MD @ Pier Six Pavilion

August 9 – Youngstown, OH @ Youngstown Foundation Amphitheatre

August 14 – Interlochen, MI @ Kresge Auditorium

August 15 – Welch, MN @ Treasure Island Resort & Casino

August 16 – Lincoln, NE @ Pinewood Bowl

Band Of Horses Announce Spring Tour Celebrating 20th Anniversary Of ‘Everything All The Time’

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Band Of Horses plot their spring tour celebrating the 20th anniversary of debut album ‘Everything All The Time’, kicking off March 19 at The Vera Project in Seattle before headlining The Showbox on March 21 and 22. On March 20, they release an expanded 19-track edition with bonus tracks including songs from the 2005 tour EP. Producer Phil Ek notes: “I want records that I produce to feel like you can walk into them, to have a three-dimensional depth.” Ben Bridwell adds: “This album made all of my dreams come true. Forever grateful for the desperation that fueled its inspiration.”

Band Of Horses spring tour dates
3/19 – The Vera Project – Seattle, WA
3/21 – The Showbox – Seattle, WA
3/22 – The Showbox – Seattle, WA
4/09 – State Theatre – Portland, ME
4/10 – The Cabot – Beverly, MA
4/12 – The Paramount – Huntington, NY
4/14 – The Fillmore – Philadelphia, PA
4/15 – The Wellmont Theatre – Montclair, NJ
4/16 – Capitol Theatre – Port Chester, NY
4/18 – Nevermore Hall – Baltimore, MD
4/19 – Electric City – Buffalo, NY
4/21 – Rosina Theatre – Pittsburgh, PA
4/22 – The Fillmore – Detroit, MI
4/24 – Agora Theatre – Cleveland, OH
4/25 – Bluegate PAC – Shipshewana, IN
4/27 – The Sylvee – Madison, WI
4/29 – The Fillmore – Minneapolis, MN
5/01 – Uptown Theatre – Kansas City, MO
5/02 – Rose Park – Columbia, MO

Rocket Share Full Performance Live On KEXP

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Rocket share a full performance live on KEXP, recorded November 18, 2025 and hosted by Larry Mizell Jr. The five-song set features “Pretending,” “One Million,” “Wide Awake,” “Number One Fan,” and “R Is For Rocket,” showcasing the band’s dynamic interplay across vocals, bass, guitar, keys, and drums. Alithea Tuttle handles vocals and bass, Desi Scaglione plays guitar, Baron Rinzler covers guitar and keys, and Cooper Ladomade anchors the rhythm on drums. The session captures the band’s live energy in the KEXP studio, translating their recorded work into a stripped-down yet powerful performance that highlights their chemistry as a unit. KEXP sessions carry weight in the music community for their ability to showcase artists in their rawest form, and Rocket delivers exactly that kind of presence across the 18-minute set.


Paige Kennedy Shares Campy Breakup Anthem “Oh Honey!” Ahead Of ‘Style Over Substance’ EP Release

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Paige Kennedy releases new single “Oh Honey!” as the last preview of their forthcoming EP ‘Style Over Substance’, arriving February 6. The bouncy retro-indebted tune covers one of life’s more relatable, albeit painful, moments with theatrical flair. Paige explains: “I’m a longtime fan of campy breakup anthems from the likes of Janet Jackson, Prince, and Annie Lennox. When I went through my own cataclysmic heartbreak, I seized the opportunity to write one myself. As someone with a penchant for theatrics, I had a lot of fun writing 80s guitar lines, stacked backing vocals and even slipping in a cheeky key change. The lyrics are raw, focusing on loss and confusion, while the instrumental is fabulously silly.” The video takes a typically slanted view of the situation, with Paige dressed as if attending a funeral while in incongruous locations like a 1950s bathroom and tiki bar, perfectly illustrating the desolation in the lyrics juxtaposing with glossy instrumentation. It follows hot on the heels of “Male Friend” and “Medical Emergency,” which set in motion the alchemy between emotional gut-punches and the absurd, cementing Paige’s ability to turn heartbreak into something you can dance to without losing the sting.

With an eye for wry vignettes and a whacky, off-the-wall persona, Paige Kennedy builds an ever-growing audience through social clips that translate into a killer live show getting feet moving on sticky floors and grassy fields alike. The London-based artist and producer from Kent has written, produced, and mixed all their music to date, combining danceable baselines with quirky lyrics and hook-laced songwriting. Paige’s self-released tracks have gained serious traction on BBC Radio, securing accolades including Radio 1 Introducing Track of the Week and 6 Music Recommends Track, with airplay from Greg James, Jack Saunders, Vick and Jordan, Arielle Free, Lauren Laverne, Steve Lamacq, and crucial champion John Kennedy at Radio X. Live gigs include a sold-out recent debut London headline at The George Tavern and full UK support runs for She Drew The Gun and Moonchild Sanelly, alongside previous spots supporting BC Camplight and Billy No Mates. Festival appearances span the DIY Stage at The Great Escape, Trans Musicales, Homobloc, Boia Festival, Liverpool Sound City, Focus Wales, Swn, Left of the Dial Rotterdam, the BBC Introducing Stage at Latitude Festival, Night Currents, Multitude Festival, and Manchester International Festival. The EP will be supported by a headline tour through February.

Paige Kennedy Tour Dates:

03 February – Where Else? (Margate)

04 February – The Prince Albert (Brighton)

05 February – The Louisiana (Bristol)

06 February – Clwb Ifor Bach (Cardiff)

07 February – Heartbreaker’s (Southampton)

10 February – The Lexington (London)

11 February – Hallamshire Hotel (Sheffield)

12 February – Zerox (Newcastle)

13 February – The Hug and Pint (Glasgow)

Mumford & Sons Announce Sixth Studio Album ‘Prizefighter’ With Chris Stapleton, Hozier, Gracie Abrams Collaborations

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Mumford & Sons announce their sixth studio album ‘Prizefighter’, arriving February 13 as the follow-up to the band’s 2025 album ‘Rushmere’. The new record features collaborations with Chris Stapleton, Hozier, Gracie Abrams, and Gigi Perez, co-produced and co-written by Aaron Dessner of The National. Pre-release singles include “The Banjo Song,” co-written by the band, Dessner, and John Bellion, along with “Rubber Band Man,” the collaboration with Hozier, and the title track “Prizefighter.” Marcus Mumford describes the band’s current mindset: “We feel like we’re hitting our prime as a creative force. We’re putting everything we have into this now, and we’re using everything about our experience so far to embrace exactly who we are. We’re comfortable in our skins these days. And Prizefighter is us going for it, serious and playful, sometimes bruised and always hopeful. We’re nowhere near done yet. I hope and believe we’re in the beginning of something we don’t want to let up on. I’m more excited to be in this band than I’ve ever been.”

‘Prizefighter’ Tracklist:

  1. “Here” (with Chris Stapleton)
  2. “Rubber Band Man” (with Hozier)
  3. “The Banjo Song”
  4. “Run Together”
  5. “Conversation With My Son”
  6. “Alleycat”
  7. “Prizefighter”
  8. “Begin Again”
  9. “Icarus” (with Gigi Perez)
  10. “Stay”
  11. “Badlands” (with Gracie Abrams)
  12. “Shadow Of A Man”
  13. “I’ll Tell You Everything”
  14. “Clover”

Mumford & Sons Tour Dates:

December 27—San Diego, CA—Wild Horses Festival

January 8-11—Cancun, Mexico—Out of the Blue Festival

February 20-22—Tempe, AZ—Innings Festival

July 1—Groningen, Netherlands—Stadspark

July 2—Werchter, Belgium—Rock Werchter Festival

July 4—London, U.K.—BST Hyde Park (with special guest The War on Drugs)

July 7—Rome, Italy—Rock in Roma

July 9—Berlin, Germany—Waldbuhne

August 1—St. Charles, Iowa—Hinterland Music Festival

ASP Drop Sixth Major Single “Pipe Dream” As Final Year Before WACK Reset Begins

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Following the seismic announcement that 2026 will mark the final year for ASP, with all WACK-affiliated groups set to conclude activities as the agency undergoes a full-scale reset, the Japanese alternative idol group begins the countdown with their sixth major single “Pipe Dream,” dropping January 14. The three-track single sees ASP continuing to blur the lines between idol, rock, and underground culture. Title track “Pipe Dream” and accompanying song “JUSHO” are produced, sound-designed, and composed by Yohji Igarashi, a DJ and producer whose résumé spans work with ATARASHII GAKKO!, kZm, and HIYADAM, and who also operates as one half of Ski Yu & Yohji Igarashi alongside King Gnu drummer Ski Yu. Lyrics for both tracks are written by Pecori, MC of Japanese hip hop group ODD Foot Works and the creative force behind Number_i’s viral hits “INZM” and “GOAT,” which have amassed over 200 million YouTube plays. The Igarashi and Pecori partnership previously powered ASP’s single “BA-BY,” and their return brings a familiar intensity to this pivotal moment.

“Pipe Dream” pairs finely detailed guitar work with lyrics that capture emotional instability without ever losing resolve, an introspective yet forceful track that hits with direct emotional weight. “JUSHO” offers a bittersweet composition with layered lyrics reflecting ASP’s current state with striking clarity, while closing track “Warp!!” follows the trajectory set by the upbeat single “Get New MIRAI.” Produced once again by Japanese rock band Age Factory, “Warp!!” fuses high-speed momentum with a lingering sense of melancholy, its explosive energy and forward-thrusting hooks creating the sensation of being warped onward. The single’s vivid, surreal cover artwork is directed by JACKSON kaki, who also crafted the striking visuals for “BA-BY,” built in 3DCG with distorted expressions and uncanny atmosphere that mirror the tension, urgency, and controlled chaos defining ASP at this pivotal moment. With the end now in sight, “Pipe Dream” carries the weight of a group wrestling with uncertainty while standing their ground, not a farewell yet but something that acknowledges everything coming.

Beyond The Black Release Sixth Studio Album ‘Break The Silence’ With Ethno-Infused Melodic Metal

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Symphonic metal sensation Beyond The Black release their sixth studio album ‘Break The Silence’, a concept record rooted in melodic metal with ethno influences that explores themes of communication, inner strength, resilience and the urgent need to reconnect in a divided world. Tracks like “Let There Be Rain,” “(La Vie Est Un) Cinéma,” “Ravens” and “The Flood” examine how words and their absence shape our reality, creating an emotional, multi-layered experience that mirrors today’s complex world. Coinciding with the album release, Beyond The Black premiere a music video for “Let There Be Rain,” which features Gergana Dimitrova, a soloist of the Grammy award-winning ensemble The Mystery Of The Bulgarian Voices, on guest vocals. Singer Jennifer Haben explains: “‘Let There Be Rain’ is about embracing the storm instead of fighting it, because sometimes the rain is what we need to let go, find clarity and move forward. With this song, our chapter is complete and we’re excited that the full story is now yours to experience.” The combination of Haben’s commanding vocals with Dimitrova’s distinctive Bulgarian folk texture creates something that transcends typical symphonic metal boundaries.

The 10-track album features collaborations with Lord Of The Lost on “The Art Of Being Alone” and Asami from Lovebites on “Can You Hear Me,” expanding the sonic palette beyond traditional genre limitations. Beyond The Black launch their Rising High headline tour 2026 with guests Setyoursails and Seraina Telli, bringing ‘Break The Silence’ to stages across Europe and the UK.

‘Break The Silence’ Tracklist:

  1. Rising High
  2. Break The Silence
  3. The Art Of Being Alone (feat. Lord Of The Lost)
  4. Let There Be Rain (feat. The Mystery Of The Bulgarian Voices)
  5. Ravens
  6. The Flood
  7. Can You Hear Me (feat. Asami from Lovebites)
  8. (La vie est un) Cinéma
  9. Hologram
  10. Weltschmerz

Beyond The Black Rising High Headline Tour 2026:

15.01.26 UK-Manchester, O2 Ritz

16.01.26 UK-London, O2 Shepherd’s Bush Empire

17.01.26 FR-Paris, Bataclan

19.01.26 CH-Zurich, X-tra

20.01.26 DE-Munich, Tonhalle

22.01.26 HU-Budapest, Barba Negra

23.01.26 AT-Vienna, Arena

24.01.26 DE-Geiselwind, MusicHall

26.01.26 DE-Stuttgart, Wagenhallen

27.01.26 DE-Wiesbaden, Schlachthof

28.01.26 DE-Hanover, Capitol

30.01.26 PL-Warsaw, Proxima

31.01.26 DE-Leipzig, Haus Auenseee

01.02.26 DE-Berlin, Huxleys

03.02.26 DE-Hamburg, Insel Park Arena

04.02.26 BE-Antwerp, Trix

05.02.26 DE-Oberhausen, Turbinenhalle

06.02.26 NL-Nijmegen, Doornroosje

08.02.26 DK-Copenhagen, Pumpehuset

09.02.26 SE-Gothenburg, Pustervik

11.02.26 NO-Oslo, Vulkan

12.02.26 SE-Stockholm, Kollektivet Livet

14.02.26 FI-Helsinki, Aäniwalli

Jack Savoretti Announces Ninth Studio Album ‘We Will Always Be The Way We Were’ Arriving April 10

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Jack Savoretti announces his ninth studio album ‘We Will Always Be The Way We Were’, a bold return to his musical roots recorded at Eastcote Studios in West London and arriving April 10. Marking 20 years since his debut ‘Between the Minds’, the new record finds Savoretti reconnecting with the raw storytelling and cinematic soul that defined his earliest work. Written and recorded with his long-time touring band, the album celebrates the craft, camaraderie and creative freedom that have carried him through two decades at the forefront of British songwriting. The album’s title track drops today, a song with a pounding beat and a feel-good clarion cry of encouragement. Jack describes the track as “a celebration of that full circle feeling when nostalgia becomes timeless,” adding “I don’t think we ever really change. We grow, and we evolve.” The single captures something rare: the ability to look back without getting stuck there, turning memory into momentum rather than melancholy.

‘We Will Always Be The Way We Were’ follows 2024’s ‘Miss Italia’, Savoretti’s acclaimed Italian-language album, and features recent singles “Do It For Love” co-written with Miles Kane and “Only Gonna Cry For You” featuring Steph Fraser. Across its 12 tracks, the record moves between smoky, late-night balladry, widescreen pop optimism on “I Hear You Calling,” a duet with KT Tunstall on “Tempting Fate,” and the shimmering Italo-disco pulse of its title track. Jack explains the concept: “This is a full-circle album. It’s going back to my roots, to the neighbourhood where I first started making music with the same friends and musicians I met around Ladbroke Grove and Portobello Road. It’s the album I always wanted to make when I was starting out, but didn’t yet have the courage or experience to make. Now I do.” Produced by Tommaso Colliva, known for his work with Muse and Damon Albarn, the record was captured live over eight days at Eastcote Studios with Savoretti’s long-time band featuring Jesper Lind on drums, Sam Davies on bass, Sam Lewis on guitar, Nikolai Torp on keys and organ, and Shannon Harris on piano and Wurlitzer. The spontaneity and chemistry of the sessions translate into an album that carries the weight of two decades without losing any of its forward motion.

Joe Bonamassa Unveils Final Five Songs From ‘B.B. King’s Blues Summit 100’ Ahead Of February Release

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Joe Bonamassa shares Vol. V of ‘B.B. King’s Blues Summit 100,’ unveiling the final five songs ahead of the full album’s arrival on February 6 via KTBA Records. This latest installment completes the monthly rollout of the landmark centennial tribute, featuring “Three O’Clock Blues” with Marc Broussard and Josh Smith, “How Blue Can You Get” with Warren Haynes, “Ghetto Woman” with Ivan Neville, “Never Make A Move Too Soon” with Dion, and “When My Heart Beats Like A Hammer” with Dannielle De Andrea. The release follows national attention including a CBS Mornings feature exploring Bonamassa’s personal history with King alongside the making of Blues Summit 100, while Esquire featured the album in its list of the Most Anticipated Albums of 2026 alongside The Rolling Stones, Lucinda Williams, Mumford & Sons, Lana Del Rey, and Madonna. Producer Josh Smith describes Marc Broussard as “one of those dudes that can sing the phone book,” noting that B.B. King’s first ever single “Three O’Clock Blues” required a world class singer to pull off. Warren Haynes steps into “How Blue Can You Get,” famously captured on ‘Live at the Regal,’ with Smith calling it “a pillar of B.B.’s catalog” that needed someone serious to deliver. Ivan Neville brings emotional weight to “Ghetto Woman,” a song whose subject matter remains as resonant today as when King first recorded it, while Dion requested “Never Make A Move Too Soon” as his all-time favorite B.B. King song.


B.B. King’s Blues Summit 100 – Full Tracklist

Disc 1:
1. Paying The Cost To Be The Boss feat. Christone “Kingfish” Ingram
2. Don’t Answer The Door feat. Marcus King
3. To Know You Is To Love You feat. Michael McDonald, Susan Tedeschi & Derek Trucks
4. Let The Good Times Roll feat. Kenny Wayne Shepherd & Noah Hunt
5. Sweet Little Angel feat. Buddy Guy
6. When It All Comes Down (I’ll Still Be Around) feat. Larry McCray
7. When Love Comes To Town feat. Slash, Shemekia Copeland & Myles Kennedy
8. The Thrill Is Gone feat. Chaka Khan & Eric Clapton
9. Watch Yourself feat. Jimmie Vaughan
10. Why I Sing The Blues feat. Bobby Rush
11. Sweet Sixteen feat. Jimmy Hall & Larry Carlton
12. Don’t You Want A Man Like Me feat. Larkin Poe
13. I’ll Survive feat. Keb’ Mo’
14. Heartbreaker feat. Trombone Shorty & Eric Gales
15. There Must Be A Better World Somewhere feat. George Benson
16. Chains And Things feat. Gary Clark Jr.
 
Disc 2:
1. How Blue Can You Get feat. Warren Haynes
2. You Upset Me Baby feat. Chris Cain
3. Ghetto Woman feat. Ivan Neville
4. Night Life feat. Paul Rodgers
5. Ain’t Nobody Home feat. Jade MacRae & Robben Ford
6. Bad Case Of Love feat. Joanne Shaw Taylor
7. Never Make A Move Too Soon feat. Dion
8. Three O’Clock Blues feat. Marc Broussard
9. Think It Over feat. Train & Chris Buck
10. It’s My Own Fault feat. Kim Wilson
11. Every Day I Have The Blues feat. D.K. Harrell
12. Please Accept My Love feat. John Nemeth
13. So Excited feat. Aloe Blacc
14. When My Heart Beats Like A Hammer feat. Dannielle De Andrea
15. Playin’ With My Friends
16. Better Not Look Down feat. Kirk Fletcher
 
U.S. SPRING TOUR 2026
February 21 – South Bend, IN – The Morris Performing Arts Center
February 23 – Cedar Rapids, IA – Paramount Theatre
February 25 – Madison, WI – Overture Center for the Arts
February 27 – Peoria, IL – Prairie Home Alliance Theater
February 28 – Cincinnati, OH – Taft Theatre
March 2 – Wilkes-Barre, PA – F.M. Kirby Center for the Performing Arts
March 4 – Springfield, MA – Springfield Symphony Hall
March 6 – Westbury, NY – Flagstar at Westbury Music Fair
March 7 – Pittsburgh, PA – Benedum Center
March 8 – Red Bank, NJ – Count Basie Center for the Arts
March 10 – Reading, PA – Santander Performing Arts Center
March 11 – Virginia Beach, VA – Sandler Center
March 13 – Durham, NC – DPAC
March 14 – Greenville, SC – Bon Secours Wellness Arena
March 17 – Knoxville, TN – Knoxville Civic Auditorium
March 19 – Huntsville, AL – VBC Mark C. Smith Concert Hall
March 20 – Macon, GA – Atrium Health Amphitheater w/ special guest Christone “Kingfish” Ingram
March 21 – Clearwater, FL – The BayCare Sound  w/ special guest Christone “Kingfish” Ingram
March 25-29, 2026 – Miami, FL – Keeping The Blues Alive at Sea XI
April 10-12, 2026 – Miramar Beach, FL – Sound Wave Beach Weekend
 
U.S. SUMMER TOUR 2026
June 26 – Bethel, NY – Bethel Woods Center for the Arts w/ special guest JJ Grey & Mofro & D.K. Harrell
June 27 – Atlantic City, NJ – Ocean Casino Resort
June 28 – Newark, NJ – New Jersey Performing Arts Center
July 29 – Vienna, VA – Wolf Trap w/ Gov’t Mule
July 31 – Bangor, ME – Maine Savings Amphitheater w/ Gov’t Mule
August 1 – Gilford, NH – BankNH Pavilion w/ Gov’t Mule
August 3 – Hyannis, MA – Cape Cod Melody Tent
August 5 – Bridgeport, CT – Hartford HealthCare Amphitheater w/ special guest JJ Grey & Mofro
August 7 – Selbyville, DE – Freeman Arts Pavilion
August 8 – Baltimore, MD – Pier Six Pavilion w/ Gov’t Mule
August 9 – Youngstown, OH – The Youngstown Foundation Amphitheatre w/ Gov’t Mule
August 12 – Highland Park, IL – Ravinia Festival in Highland Park, IL
August 14 – Interlochen, MI – Kresge Auditorium w/Gov’t Mule
August 15 – Welch, MN – Treasure Island Resort & Casino w/ Gov’t Mule
August 16 – Lincoln, NE – Pinewood Bowl Theater w/ Gov’t Mule
August 19 – Cheyenne, WY – Cheyenne Civic Center
August 21 – Salt Lake City, UT – Eccles Theater
August 23 – Morrison, CO – Red Rocks Amphitheatre