All photos by Mini’s Memories. You can contact her through Instagram or X.















Beth Orton has a new album coming and a full tour to match. ‘The Ground Above’ arrives June 26 via Partisan Records, self-produced by Orton and featuring contributions from Nick Hakim, The Smile drummer Tom Skinner, Shahzad Ismaily, and Vernon Spring’s Sam Beste. New single “Waiting” is out now, and Orton describes it as “a celebration of moving out of the holding pattern fear keeps us in.” Sonically it draws on the spirit of Laura Nyro, Carole King, and Orton’s early collaborator Terry Callier, and it lands with exactly that kind of quiet, lasting weight.
‘The Ground Above’ is structured in two distinct halves, with the opening section covering more fragmented, searching terrain before the second half opens into expansive, melodic territory. It’s Orton’s ninth album overall, following 2022’s critically acclaimed ‘Weather Alive,’ and it arrives with the same self-produced confidence that defined that record. The title track was shared last month alongside a detailed statement about its backstory.
The tour runs through September and October, opening September 15 in Washington, D.C. and moving across North America before crossing to the UK for a run that closes at London’s Alexandra Palace Theatre on October 22. Tickets for North American dates go on sale Friday, April 24 at 10 AM local time.
‘The Ground Above’ Tracklist:
01 The Ground Above
02 Before I Knew
03 Cigarette Curls
04 Waiting
05 Celestial Light
06 I’ll Miss You
07 Love You Right
08 Otherside
2026 Tour Dates:
09-15 – Washington, D.C. – The Miracle Theatre
09-16 – Philadelphia, PA – The Baby Grand
09-18 – New York, NY – Le Poisson Rouge
09-19 – Somerville, MA – Crystal Ballroom
09-20 – Turners Falls, MA – Shea Theater
09-22 – Toronto, ON – The Concert Hall
09-23 – Detroit, MI – El Club
09-24 – Chicago, IL – Old Town School of Folk Music
09-26 – Minneapolis, MN – Parkway Theater
09-28 – Los Angeles, CA – Troubadour
09-30 – San Francisco, CA – Great American Music Hall
10-02 – Portland, OR – Old Church
10-03 – Seattle, WA – Washington Hall
10-12 – Brighton, England – Concorde 2
10-13 – Manchester, England – Stoller Hall
10-14 – Nottingham, England – Rescue Rooms
10-16 – Leeds, England – Howard Assembly Room
10-17 – Glasgow, Scotland – St. Luke’s
10-19 – Bristol, England – Trinity Centre
10-21 – Norwich, England – Arts Centre
10-22 – London, England – Alexandra Palace Theatre
SiriusXM will offer listeners across North America complete, live coverage of every pick of the 2026 NFL Draft, taking place in Pittsburgh April 23-25. Listeners across North America will hear all seven rounds as 32 NFL franchises select their newest team members, plus special programming originating from the Steel City during Draft Week.
Live Draft Broadcast Schedule and Team:
Special Live Programming from Pittsburgh:
In addition to the main Draft broadcasts, SiriusXM will have multiple live shows originating from Pittsburgh:
Multi-Channel Coverage and Call-In Shows:
By Mitch Rice
Concerts are supposed to be memorable events for people attending their favorite artists’ performances. But sometimes they become infamous for reasons other than the music.
Artists and their audiences face risks when attending shows. From stage diving incidents to accidental injuries, a concert can leave people the worse for wear after the curtain call.
Even though everything usually runs relatively smoothly and safely, there have been some concerts during which something went seriously wrong, leaving everyone shocked.
Here are five examples of concerts where people — sometimes the artists and sometimes the fans — sustained personal injuries.
1. Dave Grohl Breaks His Leg But Keeps Performing Anyway
Dave Grohl is well-known for his passionate attitude towards rock music, and his performance in Stockholm in 2015 underscores this statement. During the famous — or is it infamous — concert, the artist accidentally broke his leg but still decided to finish his show.
To achieve this objective, he got assistance from a medic and sat in a chair to perform. As you might expect, the show was a success for his fans.
What does it prove? Despite having tons of experience, artists might still slip and hurt themselves under the influence of excitement and the energy of the audience.
2. Beyoncé Slips But Quickly Recovers from Her Mistake
During a performance in Florida in 2007, Beyoncé stumbled and fell off the stairs at the beginning of her set. But the video footage shows that she immediately recovered from her misstep and continued the performance.
Choreographed shows leave little space for making mistakes. But mistakes can and often do happen. It’s about performers quickly getting back on their feet and finishing strong.
3. Axl Rose Attacks His Fan
According to witnesses, in 1991, Axl Rose, from the legendary rock group Guns N’ Roses, attacked one of the fans, who, in his opinion, recorded his concert without asking for proper permission. This move resulted in a full-blown riot during which many people suffered injuries.
Although this situation didn’t lead to any fatal outcomes, it shows that the mood in some environments can change quickly and potentially lead to volatile situations.
4. Travis Scott Causes Injuries to Fans During His Performance
At his Astroworld Festival, Travis Scott was allegedly behind a series of events that ended up killing and injuring many of the people attending his concert.
This example demonstrates the problems that can emerge when large groups of people come together — without the proper organization or management to keep things under control.
Irrespective of how impressive a show might be, a lack of planning may turn what’s supposed to be a fun event into an unmitigated disaster. Therefore, it’s important for artists to check whether their organizers have dotted the i’s and crossed the t’s in advance to facilitate a safe concert.
5. Billie Joe Armstrong Gets Injured as a Result of the Technical Malfunction of Lighting Rigs
In one memorable performance, Billie Joe Armstrong got injured by concert equipment. Though there were no casualties, this incident demonstrates that the stage can become quite dangerous for artists due to complex lighting rigs and other equipment.
In addition to threats posed by crowds, artists face the risk of malfunctioning equipment.
Lessons Learned over the Years
Concert injuries occur often enough that concert organizers are adopting various strategies to reduce the risk of accidents. Among the strategies implemented are improvements in stage design, crowd management, and emergency planning.
Concerts are memorable thanks to the atmosphere created by artists and their fans. In most cases, serious accidents don’t occur during shows, but occasionally concerts turn out to be tragic.
In other words, sometimes people go to a concert but leave speaking about the mayhem.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
By Mitch Rice
eGames are becoming increasingly popular across the world, driven by accessibility, mobile growth, and expanding digital platforms. In the United States, the iGaming market is growing at a strong pace, with total revenues reaching $26.8 billion in 2025, a 15 percent increase from $23.4 billion in 2024. Online casinos sit at the center of this growth, offering a wide range of games including slots, blackjack, poker, roulette, craps, and baccarat.
This level of profitability has opened the door for new types of partnerships. Music licensing has become a key strategy, with bands working alongside eGaming developers to bring their sound and identity into digital games. These collaborations allow artists to reach global audiences while generating consistent revenue through licensing agreements and player engagement.
Why eGames Work So Well for Music-Based Content
eGames are a natural fit for music-themed content because they combine visuals, sound, and interaction into one experience. Music helps shape the atmosphere of a game, while recognizable artists create an immediate connection with players. This makes gameplay more immersive and memorable. The biggest platforms in eGaming use music from multiple genres to connect with diverse audiences. Jili has embraced a wide range of styles, from pop in Party Star to rock in Rock’n’Lock and punk in Punk Rocker 2. This variety shows how music enhances engagement across different types of games. When bands are involved, their identity becomes part of the experience, strengthening the connection between player and content.
Guns N’ Roses
Guns N’ Roses have built a strong presence in eGaming through licensed slot titles that feature their music and visual style. The Guns ‘N Roses video slot includes iconic tracks such as “Sweet Child O’ Mine” and “Welcome to the Jungle,” which are integrated directly into gameplay. The slots often use imagery inspired by the band’s album art and stage identity, creating a recognizable and engaging environment.
The revenue potential comes from the global appeal of the band, which continues to release new material this year through their Live Era ’87-’93 collection. Their music attracts both long-time fans and new players, which increases engagement and time spent within the game. Licensing agreements ensure that the band earns from both the use of their music and the popularity of the titles, making these collaborations highly profitable.
Motörhead
Motörhead’s presence in eGaming is defined by high-energy slot games that reflect the band’s raw sound and attitude. The Motorhead Video Slot features titles inspired by the band feature tracks like “Ace of Spades,” combined with bold visuals and fast-paced gameplay elements. The design mirrors the intensity of their music, creating an experience that feels authentic to the brand.
The success of these games comes from their ability to translate music into gameplay. Players are drawn to the familiar sound and imagery, which increases retention and engagement. This consistent interaction drives revenue, while licensing agreements provide the band with ongoing earnings from their digital presence.
KISS
KISS has become one of the most successful bands in eGame licensing due to their strong visual identity. Slot games based on the band feature their music, costumes, and stage elements, all of which are easily recognizable. Titles such as KISS Reels of Rock use bold graphics and theatrical themes to create an immersive experience.
The band’s success in gaming is linked to its branding. Every element of the game reflects the KISS identity, from character design to sound effects. This consistency attracts players and keeps them engaged, leading to strong performance and high revenue generation through licensing deals. The band is also reaching out to different areas of the digital world, with MSN reporting that they are setting up a $200 million avatar show.
Rolling Stones
The Rolling Stones have also entered the eGaming space with slot titles that incorporate their classic music and iconic imagery. These games often feature songs like “Paint It Black” and “Satisfaction,” alongside visuals that reflect the band’s long history.
Their impact comes from their broad appeal. The Rolling Stones have fans across multiple generations, which expands the potential audience for these games. This wide reach increases player engagement and contributes to strong financial returns, making their licensing deals highly valuable.
Megadeth
Megadeth has also capitalized on eGame licensing by bringing its heavy metal style into slot-based formats. These games feature aggressive visuals, fast-paced elements, and music that reflects the band’s signature sound.
The appeal of these titles lies in their niche audience. Fans of heavy metal are drawn to the authenticity of the experience, which increases engagement and loyalty. This focused appeal allows Megadeth to generate steady revenue through licensing agreements, proving that even specialized genres can succeed in eGaming.
Conclusion: Music Licensing Driving eGaming Success
The integration of music into eGames has created new opportunities for bands to generate revenue while expanding their reach. By licensing their music and branding, artists can connect with global audiences in a highly interactive way.
Bands such as Guns N’ Roses, Motörhead, KISS, The Rolling Stones, AC/DC, and Megadeth have all benefited from this trend. Their success shows how well music and gaming work together, creating experiences that engage players and deliver strong financial returns.
As the eGaming industry continues to grow, music licensing will remain a key part of its evolution, offering both developers and artists new ways to collaborate and succeed.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Johnny Orlando has a new single out and a sophomore album on the way, and both arrive with a clear sense of direction. “Charlotte” is out now on all streaming platforms, and ‘Songs for Young Lovers’ follows on June 12, available to pre-save now. The single lands with a loose, unguarded energy that signals a real shift in Orlando’s approach, less calculated, more alive.
Orlando is direct about what “Charlotte” represents. “The song isn’t about one person, it’s about that phase of just going out, making mistakes, and not overthinking anything,” he says. “I wanted it to feel chaotic, nostalgic, and actually fun again.” It does. The track carries a reckless momentum that suits it, and it works as both a standalone statement and a thematic anchor for the full record.
‘Songs for Young Lovers’ as a whole follows that same instinct. Orlando drew from the music he grew up on and prioritized feeling over polish throughout the recording process. “I wanted the record to feel live and lived-in,” he explains. “It was less about perfecting details and more about chasing a feeling.” That approach gives the album its shape, and “Charlotte” is where it all clicks into place. “‘Charlotte’ kind of ties everything together,” Orlando adds. “It’s probably the moment where I stopped overthinking and just let everything exist in the same place.”
To mark the release, Orlando plays three intimate shows in New York, Toronto, and Los Angeles this June. Tickets are available now at johnnyorlandomusic.com.
‘Songs for Young Lovers’ North American Dates:
6/3 – New York, NY – Baby’s All Right
6/5 – Toronto, ON – Opera House
6/9 – Los Angeles, CA – The Echo
All photos by Mini’s Memories. You can contact her through Instagram or X.























On August 4, 2019, The Chainsmokers took the Lollapalooza stage in Chicago and delivered exactly what a festival crowd at peak summer demands: relentless energy, chest-rattling drops, and a light show built to match. Hits like “Don’t Let Me Down” and “Call You Mine” hit differently at that scale, with the duo’s polished EDM production turning Grant Park into one massive dancefloor for the duration of the set.
Right in the middle of their breakthrough year, Wet Leg stepped into the 3voor12 studio in Hilversum for a 20-minute session that distilled everything sharp and sardonic about the Isle of Wight duo into one compact, crackling performance. With just guitars and synths in a minimalist space, Rhian Teasdale and Hester Chambers delivered the garage post-punk energy of their self-titled debut, including the deadpan viral hit “Chaise Longue,” with the kind of focused intensity that made it clear this was a band built for stages far bigger than the one they were standing on.