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Just One Guy?! 10 Solo Acts Hiding Behind Band-Sounding Names

Music has a funny way of playing dress-up. Sometimes, one person shows up in the studio, but the name on the marquee makes you expect a whole marching band to tumble out of a van. Here are 10 of the best “solo-but-sounds-like-a-band” names—served with a wink.

Tame Impala
It sounds like a trippy psychedelic collective, right? Wrong—it’s Kevin Parker in his bedroom with a million pedals, layering grooves that do feel like an entire band in orbit.

Iron & Wine
Not a duo, not a rustic folk tavern—just Sam Beam and his soft voice, quietly crushing hearts with an acoustic guitar and a beard so lush it could be its own rhythm section.

Owl City
Spoiler: it’s not a bustling metropolis of owls running nightclubs and traffic lights. It’s Adam Young, who stayed up late tinkering on synths until “Fireflies” lit up the world.

Aphex Twin
The word “twin” really sells the illusion of at least two people—but nope, it’s Richard D. James, the ambient/techno genius who can out-weird an entire band on his own.

City and Colour
Sounds like a duo, maybe even an art-rock collective. In reality, it’s Dallas Green (get it? Dallas = City, Green = Colour). Once you know, you can’t un-know.

Nine Inch Nails
Plural! Industrial! Surely an army of musicians in black combat boots? Actually, it’s Trent Reznor (and now Atticus Ross), building universes of noise basically by himself.

The Weeknd
It really feels like a group name, doesn’t it? A Canadian boy band, maybe? Nope—just Abel Tesfaye, crooning and breaking streaming records all alone.

Five for Fighting
Sounds like a scrappy hockey team lineup. In reality, it’s John Ondrasik, sitting at a piano, writing heartfelt ballads that punch you in the gut with feeling.

Ghost
A stage full of masked “Nameless Ghouls” looks like a band—but behind the curtain, it’s Tobias Forge pulling the strings, writing the songs, and directing the spectacle.

Passenger
You’d expect a full bus of folks with guitars, but Passenger is just Mike Rosenberg. One man, one acoustic, and a knack for making stadiums sing along like it’s a campfire

The Truth About Playing to Five People And How to Make It Count

There’s a famous story about The Beatles playing to only 18 people at the Aldershot Club on December 9, 1961. Picture it: the soon-to-be biggest band in the world hauling their amps into a venue that looked more like a high school gym than a cultural touchstone, blasting through their set to a few dozen bewildered souls. Within a year, Beatlemania would be in full swing. The moral? A tiny crowd doesn’t mean a wasted night. It might mean you’re just one step away from everything changing.

Those “five people shows” (or the bartender and the dog) matter. Maybe even more than the packed ones. Let’s break it down.

The Booking Agent’s View: Every Show Is an Audition

From a booking perspective, a five-person crowd isn’t an embarrassment—it’s an opportunity. Venue owners and promoters are watching how you handle it. Do you pout through your set, or do you play like the room’s full? The pros know that consistency wins repeat bookings. Every small room is a stepping stone to the bigger ones.

The Manager’s Perspective: Superfans Start Small

A manager sees those five attendees not as a low turnout, but as five potential superfans. Careers aren’t built on millions of casual listeners; they’re built on a few hundred diehards who show up, buy the vinyl, and evangelize you to their friends. If you can convert a small crowd into lifelong supporters, you’re playing the long game exactly right.

The Publicist’s Angle: A Story in Disguise

From a PR standpoint, a tiny audience can be spun into a tale of grit and resilience. Journalists love an underdog narrative. “They played like it was Madison Square Garden, even though it was just a half-dozen fans and the bartender.” That’s character. That’s authenticity. And those are the kinds of stories that set you apart in a crowded field.

The Social Media Strategist’s Secret: Small = Shareable

And here’s the real trick—small shows create gold for social media. You can capture behind-the-scenes clips, film crowd singalongs (even if it’s just two voices), or grab a quirky TikTok of you dedicating a song to everyone by name. Authenticity beats polish, and nothing says authentic like laughing with five fans after the set and turning it into content that makes a thousand more wish they were there.

Five Ways to Turn a Five-Person Show Into Pure Gold

  1. Tap the show for social content.
    Record short clips of the set, backstage banter, or even a candid moment with fans. These human touches play beautifully online.
  2. Engage personally with every attendee.
    Shake hands, share stories, sign merch, take selfies. Those five fans will talk about you for weeks.
  3. Test new material.
    Want to try out a half-finished verse or rearrange a song? This is the room to do it—low stakes, high reward.
  4. Network with the venue staff.
    Bartenders, sound engineers, and promoters are often the gatekeepers. Treat them like VIPs—they’ll remember.
  5. Follow up with attendees.
    Collect emails, DM them later, thank them for coming. That personal touch turns strangers into repeat ticket buyers.

Here’s the truth: if you can make five people feel like the most important crowd in the world, you can make 5,000 feel it too. Every career in music starts in tiny rooms with awkward silences and echoing claps. What matters is what you do with those nights—how you perform, how you connect, and how you carry yourself.

Remember, The Beatles once looked out over a nearly empty club. Years later, they looked out over Shea Stadium. The gap between those two nights? Persistence, passion, and the ability to play every show like it matters. Because it does.

That’s the truth about playing to five people: sometimes, it’s the best gig you’ll ever have.

KATSEYE Shine on Teen Vogue Cover and Set to Appear at Teen Vogue Summit 2025

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Today, Teen Vogue published their latest cover featuring global music superstars KATSEYE, and announced that the girl group will appear at the  annual Teen Vogue Summit taking place on September 20 in Los Angeles. 

Tickets to the full-day experience featuring today’s most influential cultural icons and change-makers are on sale now at https://events.teenvogue.com/.  Additional details will be announced in the coming months.

Highlights of KATSEYE’s cover story can be found below.

On their polarizing song “Gnarly”:

“It’s sort of good when people so strongly dislike something,” Lara Raj tells Teen Vogue. “Because I think it just shows that it makes people feel something strong, whether that’s dislike or they really like it.” Sophia Laforteza reveals that the group was similarly hesitant when they listened to the demo. “We screamed,” Yoonchae Jeung says, but they knew they would make it their own.

On combating negative feedback and social media haters:

“We learned that’s going to be a part of the position that we’re in,” Sophia says. “We’re always told by our team [that] if you’re a trendsetter or if you have this influence, a lot of the things that you’re going to bring into the world, people aren’t going to understand from the beginning.”

On maintaining their individuality through visual presentation:

“What resonated with the people so much about our visuals is how much we choose to enhance it and stay true to ourselves,” Sophia says. “As much as we love to try new things, every single one of us is true to ourselves, and we always make sure that we’re confident and we feel good. I think that’s what makes whatever you put on make others feel like they’re going to feel the impact and the intention.”

Leader Sophia Laforteza on celebrating her Filipino heritage:

“I want to be somebody who will never hide the fact that I’m Filipino,” she says. “I want to be loud about it … It means a lot when somebody embraces their culture, especially their Philippine culture and their heritage.”

Manon Bannerman on building up her confidence:

“Growing up in Switzerland, I always looked very different,” Manon, who has Ghanaian, Swiss, and Italian heritage, says. “Mostly all my life, I was the only Black girl in class and one of the only Black girls in the school. It was a struggle for me to embrace that [identity], and I got a lot of mean comments, especially in elementary school, about my hair. So I would only wear it in a bun, and I didn’t really know how to take care of it that well.”

“I started to braid my own hair because getting it braided in Switzerland is really expensive, and I couldn’t afford that,” she says, noting that she learned how on YouTube. “I would just braid my hair and try out different things. And in the beginning, I would literally sit in front of the mirror for like 14 hours braiding my hair. It looked really bad back then, but now I can braid my own hair.”

She also loves the interest in another cultural look she sports, her waist beads that she picked up while visiting a flea market at one of her father’s favorite spots in Ghana six years ago. “I was standing there for so long and looking at all of them, and I just fell in love.”

“It makes people curious, and I feel like it’s always a great conversation starter too,” she says, adding that she loves to educate people on the rich history of the country. The beads connect Manon to her roots, but she’s adopted a modern twist, too: “Old-school women in Ghana would not show [their waist beads]; only their husbands could see them,” she says. “But I’m a very modern girl, so it’s more about embracing it, and I think it looks cute. A cute part of my culture that I like to share.”

Daniela Avanzini on leaning into her Latin roots:

“I would speak Spanish all the time [growing up in Atlanta], and I grew up in that culture at home,” she says. As she began to embrace her heritage while campaigning for The Debut: Dream Academy, some commenters would debate over whether she’s truly a Latina since she was born in Georgia, not Latin America. “My mom’s entire side is all Cuban. I’ve been to Cuba many, many, many times, and I’m just so deep into the culture and know so, so much. It’s in my blood, and it is just a big, big part of who I am. I’m not going to let anybody take that away from me because that’s just how I grew up. Without that, I don’t know what I would be.”

Lara Raj on being unapologetic about representing her Indian culture onstage:

“Growing up in America, being brown is really not easy at all,” Raj says, explaining why she now unapologetically represents her Indian culture onstage. “And the jokes, the stereotypes, it was always such a thing. I feel like this has probably been the most important thing to me forever because this was also a big reason why I wanted to be an artist and be a pop star.”

Raj on how her queer identity informs her style:

“I always knew that I like girls, always. But I feel like I’m so straight-looking in a way, and I wanted to look more gay because I wanted girls to know that I like girls,” Lara says, struggling with an age-old femme problem. “It was so hard for me to pull girls because they just wouldn’t know.”

Now, Lara is getting “a little bit more comfortable” expressing some masculinity through her style, and she’s finding joy in the experimentation. “Some days I love to be super feminine and I love to show a bunch of skin and really be super girly,” she says. “And then some days I love to be more masculine, baggy clothes, and really have my tattoos out.”

Megan Skiendiel on growing up in the public eye and going through a phase of experimentation:

 “I don’t even really truly know who I am yet,” Megan says. “That’s a big reason why I’m still experimenting with everything, like my style, my hair, my makeup. It’s fun, but at the same time, it is scary just knowing that everyone’s watching. And especially me, I struggle with anxiety, so I’m like, ‘Oh, I wonder if people like this or not.’”

Yoonchae Jeung on what the other members have taught her:

“When I was living in Korea, I didn’t really know about things outside of Korea, outside of my life. After I came here, I started to know about so many cultures and so many thoughts because [the members] also came from different cultures. I’ve been learning English more from living together, and being confident,” she adds. “They always hype me up.”

On their dynamic as a group:

“You can clearly see that each of us has a different vibe going on, a different aesthetic,” Sophia says. “Yet, when you see us all collectively together, it makes sense. There’s that beautiful blend of it, and that’s why it’s so hard to put into words what it is. But when you see all of it together, it’s just like, ‘That’s KATSEYE!’”

On their current era:

Daniela says. “I think that we all have an idea of what we want us to go for, but the point is that it’s always changing and it’s this big mess, and with each era it changes and it develops. Definitely for this era, it’s edgy and it’s colorful and shows our grit and even more masculinity, because SIS was so feminine. So for right now, that’s what our vibe is.”

The Bacon Brothers Gear Up for Summer Tour With ‘Forosoco’ Sound and New Momentum

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The Bacon Brothers look forward to taking their show on the road this Summer. The 5-piece outfit is rehearsed and raring to go and looks forward to playing at sold-out houses of enthusiastic fans along the way. Kevin declares, “Connecting with people through music is a joy!”

The Bacon Brothers, featuring Michael & Kevin Bacon, have spent over three decades creating their own mix of folk, rock, soul, and country music. They call that diverse sound “Forosoco,” it’s taken them worldwide, from headlining gigs in Japan to American performances at iconic venues like Carnegie Hall, the Grand Ole Opry, and Gruene Hall. They’ve been featured by the BBC, Associated Press, SiriusXM, Billboard, and Paste Magazine and have appeared on The Tonight Show with Jimmy Fallon and Carpool Karaoke, just to name a few.

They’ve released twelve records, the most recent being the 2024 release, Ballad Of The Brothers. It’s a record that highlights the similarities between Kevin Bacon (known worldwide as an A-list Hollywood actor) and Michael Bacon (celebrated as an Emmy-winning composer) and the differences, too.

The critics have embraced The Bacon Brothers with The Alternate Root declaring, “Ballad of the Brothers offers the kind of competence and credibility that most bands would be delighted to enjoy. The Bacons are sizzling yet again.” Taste of Country stated simply that the pair made “Breezy, anthemic country rock,” and Ink 19 effused “The Bacon Brothers have come full circle, creating their own soundtrack that resonates with authenticity and innovation.”

In April, Kevin and Jennifer Nettles released an album inspired by the television show The Bondsman, which premiered on Amazon Prime. Several of the songs written and performed by Bacon and Nettles are included in the series, and some of the songs are included in their album, with a video created for “Hell And Back”. Rounding out the collection is “Digging”, a track co-written with Michael Bacon.

TOUR DATES
8/30 Orkney Springs, VA Shenandoah Music Festival
8/31 Annapolis, MD Maryland Hall
9/4 Erie, PA Mary D’Angelo Performing Arts Center
9/5 + 9/6 Clayton, NY Clayton Opera House
9/11 Plymouth, NH The Flying Monkey
9/12 Derry, NH Tupelo Music Hall
9/13 Uncasville, CT The Cabaret Theatre
9/14 Huntington, NY The Paramount
10/24 Coppell, TX The Coppell Arts Center
10/25 Salina, KS The Stiefel Theatre

Whitechapel Announce ‘Rituals Of Hate’ Tour, Set to Perform ‘Hymns In Dissonance’ in Full

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Whitechapel will hit the road this fall for their Rituals Of Hate headlining run across the U.S., where they’ll be performing their entire new album Hymns In Dissonance live. The trek kicks off November 12 and wraps December 14, covering over two dozen dates.

Joining them on the bill are Bodysnatcher, Angelmaker, and Disembodied Tyrant.

11/12 Norfolk, VA @ The Norva  
11/14 Harrisburg, PA @ Reverb  
11/15 New York, NY @ Irving Plaza  
11/16 New Haven, CT @ Toad’s  
11/17 Albany, NY @ Empire  
11/19 Rochester, NY @ Anthology  
11/20 Pittsburgh, PA @ Mr. Smalls Theatre  
11/21 Cleveland, OH @ Globe Iron  
11/22 Indianapolis, IN @ The Vogue Theatre  
11/23 Grand Rapids, MI @ The Intersection  
11/25 Milwaukee, WI @ The Rave  
11/26 Des Moines, IA @ Wooly’s  
11/28 St. Louis, MO @ Delmar Hall  
11/29 Kansas City, MO @ The Truman  
11/30 Oklahoma City, OK @ Diamond Ballroom  
12/02 Little Rock, AR @ The Hall  
12/03 Birmingham, AL @ Iron City  
12/04 Pensacola, FL @ Vinyl Music Hall  
12/05 Jacksonville, FL @ FIVE  
12/06 Orlando, FL @ House Of Blues  
12/08 Richmond, VA @ The National  
12/09 Nashville, TN @ Brooklyn Bowl  
12/10 Chattanooga, TN @ The Signal  
12/12 Myrtle Beach, SC @ House Of Blues  
12/13 Asheville, NC @ The Orange Peel  
02/14 Knoxville, TN @ Mill & Mine  

Psycroptic Sign With Metal Blade Records, Drop Crushing New Single ‘Architects of Extinction’

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Australian technical death metal band Psycroptic announced today that they have signed with Metal Blade Records and are finishing up recording their ninth studio album. The band also shared the first single from the upcoming release, “Architects of Extinction,” along with a music video directed by Robert Brens.

The World Is a Beautiful Place & I Am No Longer Afraid to Die Return With Heavy New Single ‘Beware the Centrist’

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The World Is a Beautiful Place & I Am No Longer Afraid to Die, the Connecticut 4th wave emo band, is back with a new single, “Beware the Centrist,” which showcases a heavier direction for the group. In the band’s Instagram story, they noted the track was actually cut short “due to [a] guitar head breaking off randomly.

Metallica Celebrate Milestone RIAA Certifications for ‘The Black Album’ and ‘Master of Puppets’

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Legendary metal band Metallica have announced that two of their landmark albums have now attained new RIAA (Recording Industry Association of America) certifications.

Metallica’s self-titled fifth album (aka The Black Album) has been certified 20x platinum for sales in excess of 20 million copies, while the band’s third full length, Master of Puppets, has been certified 8x platinum having crossed the eight million mark.

The Black Album‘s 1991 release not only gave Metallica its first No. 1 album in no fewer than 10 countries, including a 4-week run at No. 1 in the U.S., its series of singles — “Enter Sandman,” “The Unforgiven,” “Nothing Else Matters,” “Wherever I May Roam,” and “Sad But True” — propelled the band to household name status and made them stadium headliners. The album remains the best-selling album of the Luminate era, outselling every release in every genre over the past three decades.

Meanwhile, Metallica’s 1986 breakthrough third LP Master of Puppets has attained 8x platinum status, having sold more than eight million albums. The heaviest album ever to be selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant,” Master of Puppets has long been regarded as a watershed moment in the history of rock music. Its title track recently joined “Enter Sandman” and “Nothing Else Matters” in the billion streams club, and is now the second longest song to achieve said status (behind Led Zeppelin’s “Stairway to Heaven”).

Metallica is currently in the midst of the third year of its “M72 World Tour,” which has seen the band play to more than three million fans across the globe.

The Band CAMINO Drops Infectious New Single ‘Baggy Jeans’ With Synth-Driven Grooves

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The Band CAMINO is back. The Nashville-based trio – comprised of Jeffery Jordan, Spencer Stewart, and Garrison Burgess – release “Baggy Jeans,” their second new single of 2025 after kicking off with “Infinity” last month. Co-written with Captain Cuts, the track’s synths slip into the undertow of an upbeat groove punctuated by a hummable harmony and a hypnotic hook.

Since forming in 2015, The Band CAMINO has amassed nearly 1 billion career streams (fueled by the likes of “2 /14” and “See Through”), sold out global headline tours, and received critical acclaim from the likes of Rolling Stone, Billboard and more across two full-length albums and four EPs. They have delivered showstopping performances on The Kelly Clarkson Show and Jimmy Kimmel Live, in addition to major festival sets at Bonnaroo, Lollapalooza and more. The band now enters their tenth year with a slate of exhilarating new music, coming soon.

Tips for Evaluating Proposal Software

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By MItch Rice

Choosing the right proposal software is crucial for enhancing the efficiency and productivity of your business’s proposal development process. It streamlines the creation, distribution, and tracking of proposals, ultimately contributing to better sales performance and client relations. Whether you’re a freelancer, part of a small business, or a member of a larger corporation, the benefits of utilizing sophisticated proposal software cannot be overstated. To help you navigate the myriad options available, this article provides key insights into the features and considerations to keep in mind when selecting the ideal proposal management tool. Keep reading to uncover the essentials for making an informed decision.

Understanding the Basics of Proposal Software

Alt text: A person typing on a laptop, seeking information about what is the best proposal software solution.

Proposal software simplifies how teams create and manage professional documents by automating much of the process. These tools pull data from different sources to produce consistent, customized proposals with less manual effort. With features like real-time editing and team collaboration, everyone stays aligned, which is especially helpful when multiple stakeholders are involved.

When considering what is the best proposal software, it really depends on your specific needs. Qvidian is a strong option for businesses looking for a secure, efficient platform with robust collaboration and data protection features. Look for essential functions like encryption, access controls, and secure hosting to ensure your proposal content stays safe.

Key Features to Look for in Proposal Software

When evaluating proposal software, key features include a robust template library for consistency and a high level of personalization to tailor content for each client. Analytical tools are vital, offering metrics like read receipts and section engagement to gauge client interest and refine strategies.

A streamlined content management system ensures easy access to vital elements such as case studies and service descriptions, promoting accuracy and efficiency. Software with electronic signature capabilities speeds up the approval process by eliminating manual signing, ultimately shortening the sales cycle. These combined features enhance the overall effectiveness and responsiveness of proposal creation and delivery.

Integration Capabilities with Other Tools and Systems

Effective proposal software stands out through its seamless integration with tools your business already uses. Connecting with CRM systems enables automatic data entry, reducing errors and saving time. Integration with cloud storage allows team members to access proposals remotely, supporting a mobile work environment.

Accounting software integration helps streamline invoicing after proposal approval. Meanwhile, connecting with collaboration platforms like Slack or Microsoft Teams boosts internal communication by providing real-time updates and alerts. These features enhance teamwork and proposal tracking. It’s also essential to consider the level of technical support provided for integrations to ensure smooth implementation and ongoing functionality.

Evaluating the User Experience and Interface Design

Alt text: A person evaluates user experience and interface design while using a laptop, with a pen and paper beside them.

An intuitive user interface is essential for maximizing the value of proposal software, as it minimizes training time and supports smooth adoption. The ideal tool strikes a balance between advanced functionality and ease of use, offering a manageable learning curve. Guided features, such as prompts and tips, help users navigate the proposal process efficiently.

Customizable interfaces further improve the user experience by allowing individuals to tailor their workspace for comfort and productivity. Usability testing, including trial versions or demos, is an effective way to assess interface design and determine if the software aligns with the team’s workflow and preferences.

Assessing Pricing Models and Return on Investment for Proposal Software

When selecting proposal software, understanding the pricing model is crucial. Options range from subscription-based plans to per-user or per-proposal fees, so it’s important to align costs with usage. Be mindful of potential extra expenses like fees for added features, updates, or additional licenses. A transparent pricing structure helps avoid surprises.

Evaluating return on investment (ROI) is equally important—consider time saved, higher conversion rates, and scalability. Enhanced proposal quality can boost win rates, adding to the software’s value. Also, factor in the importance of customer support and training, as these can be hidden costs but are essential for maximizing the software’s effectiveness.

Altogether, selecting the right proposal software can significantly influence your business’s success. By focusing on key features, integration capabilities, user experience, and pricing models, you can choose a platform that maximizes efficiency and ROI. The goal is to find a solution that not only meets your current needs but also supports the growth and evolution of your proposal processes.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.