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Americana Singer-Songwriter KC Armstrong Returns with “When You’re Gone”

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With the runaway success of “I Don’t Care” hitting Top 10 on the Canadian Independent Country Countdown, Americana artist KC Armstrong is riding a wave of momentum into his next chapter. Today, he releases his new single, “When You’re Gone” — a cheeky, soulful tune filled with wit, rhythm, and personal history that stretches all the way back to a walk through a field in 1997.

Originally from Peterborough and now based in Brantford, Armstrong brings together years of road-tested musicianship, a wry lyrical sense, and a homespun charm that continues to win over listeners coast to coast. His latest single, which premiered June 30 on CBC Radio One during a live interview with host Mary Ito, is already making waves.

“When You’re Gone” has a breezy strut that conceals a deeper emotional thread. With lines like “I’m going to shed some pounds — get out around — keep my good friends near,” Armstrong paints a picture of self-renewal in the wake of a relationship’s end. It walks the line between heartbreak and liberation with signature flair. The key modulations between verses echo the emotional highs and lows that come with letting go and moving on.

The story behind the song is as remarkable as the tune itself. On a summer day in 1997, Armstrong composed not one, but three songs during a six-hour stretch while walking his dog, Kelsie, along the Trent-Severn Waterway in Peterborough. The chorus to “When You’re Gone” struck him mid-walk, causing him to abandon their outing not once, not twice, but three times to get the melody down – and got it . By the end of the day, he had also written “Another Lonely Night” and “I’ll Needta Know.”

“To this day, I couldn’t tell you where it came from,” Armstrong reflects. “There wasn’t an event or heartbreak that inspired it. But like some songs do, this one just arrived.” Strangely enough, both “When You’re Gone” and “So About You” (from his debut album Finally Crafted) foreshadowed a major personal chapter—the eventual end of a long-term relationship nearly a decade later.

Though written decades ago, the release of “When You’re Gone” is perfectly timed. With two singles charted—”I Don’t Care” and “Someone Else Tonight” hitting Top 10—Armstrong is connecting with a growing community of fans, radio hosts, and folk/country tastemakers across the country. His music has charted on U.S. and U.K. stations, garnered praise from Cashbox and Record World International, and earned finalist nods at the International Singer Songwriter Association Awards.

The musicians who surround Armstrong are no less impressive. His collaborators have toured with Jim Cuddy, George Canyon, Doug and the Slugs and Del Shannon, and collectively hold platinum and gold records, Junos, and a Grammy among them. This deep bench of talent brings warmth and vibrancy to every recording.

Armstrong’s music carries the weight of lived experience and the spark of discovery. With lyrics that balance humour and truth, and melodies that stay with you long after the song ends, “When You’re Gone” is yet another example of his craft at its finest.

The track is a standout preview of his upcoming 2026 album Late Boomer, which will also feature the two other songs born that same fateful day. Until then, listeners can enjoy the first taste of that magical summer afternoon—one ‘oooo’ at a time.

A Lost Song Finds New Life: Partners in Crime Revisit “Randy Girls” with New Single and Album

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Canadian duo Partners in Crime have released a newly restored version of their track “Randy Girls,” a song they originally recorded in their early 20s and recently rediscovered. Out now as the new single from their self-titled album Partners in Crime, the track brings a nostalgic mix of danceable pop and rock back into the spotlight.

Written by Colin Whiteford and Doug Pegg, “Randy Girls” was recorded decades ago at Kinck Sound with engineer Fred Kinck Petersen and co-produced by Terry Gadsden. “Fred had the best ears of anyone we ever worked with,” the band recalls. “We recorded almost everything at Kinck Sound — even after we signed with A&M.”

The original recording was long thought to be lost. But after tracking down an old cassette and having it restored, the band decided to give it another shot. The remixing was handled by Doug McClement and the track was mastered by Noah Mintz. “It’s humbling to hear it now,” says Pegg. “We never expected this song to get a second chance.”

The lyrics reflect a simple, fun story about meeting people while on vacation and enjoying the moment:

“We’ll just be partying, that’s the life for me / So if you’re not hard to please and need some company…”

Both Pegg and Whiteford grew up in Toronto, first meeting in grade school and starting the band in high school. They began recording in the early 1980s, eventually becoming the first bands of the 1990s to play on MuchMusic’s Electric Circus, quickly a distribution deal with A&M Records for their release Abnormal Psychotic Behaviour, which received radio play across Canada and now has over 300,000 YouTube views.

Influenced by classic British rock, the Beach Boys’ harmonies, and The Beatles, Partners in Crime always leaned into melody and rhythm. “I always thought the Beach Boys had the best harmonies of any band ever,” says Whiteford. “You can hear some of that in ‘Randy Girls.’”

The new version of “Randy Girls” has started to catch the attention of community and digital radio stations in Canada and abroad, including outlets in the U.K., Mexico, Brazil, and France. The band is grateful for the response. “Thanks to everyone who’s given it a listen,” says Pegg. “It’s really just a lighthearted track we wrote when we were young. We’re glad it found its way back.”

Their self-titled album Partners in Crime is available now. It features a mix of older recordings and new material — all rooted in their shared love of pop, rock, and groove.

Mira Choquette’s ‘Hier Encore’ Brings Vocal Jazz Brilliance with Samvel Gasparyan and Fresh Takes on Legrand, Monk, Aznavour, Dearie, and Manzanero

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Montreal-based vocalist Mira Choquette returns with Hier Encore, a deeply personal and emotionally rich album that blends jazz tradition with intimate storytelling and international flair. Out now, Hier Encore finds Choquette collaborating with acclaimed Armenian pianist Samvel Gasparyan, creating a cinematic and tender collection of songs that span languages, eras, and genres.

Originally envisioned as a minimalist duo project, Hier Encore evolved in the studio in Yerevan, Armenia, when Choquette and Gasparyan brought in some of the city’s finest jazz musicians to shape a fuller sound. The result is a record that is rooted in jazz but deeply informed by the unique character of place and personnel.

The album showcases fresh interpretations of beloved works by composers like Michel Legrand, Thelonious Monk, Charles Aznavour, Blossom Dearie, and Armando Manzanero. Choquette sings in English, French, and Spanish, imbuing each piece with nuance and authenticity. Whether it’s the dreamy wistfulness of “If You Could See Me Now,” the cinematic heartbreak of “Sur les quais de Cherbourg,” or the stripped-down intimacy of “Contigo Aprendí,” Choquette’s vocal approach is both sophisticated and sincere.

The album’s emotional centrepiece is the title track, “Hier Encore,” Charles Aznavour’s iconic ballad of regret and aging, recorded during what would have been Aznavour’s 100th birthday year. Other highlights include a playful, big band-inspired take on “Just Friends” featuring a fiery horn section, and Blossom Dearie’s deceptively upbeat “Long Daddy Green,” which brings the record to a close with bounce, charm, and social commentary.

Mira Choquette has previously released three albums (Something Cool, It Felt Like A Fall Affair, and In Reel Time) and continues to establish herself as a powerful voice in contemporary vocal jazz. Hier Encore marks a creative milestone in her career, blending lush arrangements, multilingual interpretations, and heartfelt performances.

Hier Encore Track Listing:

  1. If You Could See Me Now
  2. Sur les quais de Cherbourg
  3. Reflections (Looking Back)
  4. Just Friends
  5. Hier Encore
  6. Contigo Aprendí
  7. Que feras-tu de ta vie?
  8. Long Daddy Green

5 Surprising Facts About Pete Townshend’s ‘Empty Glass’

Pete Townshend’s Empty Glass, released on April 21, 1980, is a spiritual and deeply personal statement. Packed with hits like “Let My Love Open the Door” and bold tracks like “Rough Boys,” it captured Townshend at a moment of creative fire. Here are 5 facts you might not know about this landmark record:

1. A Title Inspired by Persian Poetry

Townshend drew the title Empty Glass from the Sufi poet Hafez, connecting it to his devotion to Indian spiritual master Meher Baba. The “empty glass” symbolized approaching God with a clear heart, ready to receive love. This mystical layer runs through the album’s themes.

2. “Rough Boys” Was a Punk Dedication

The fierce and controversial “Rough Boys” carried a dedication on the album sleeve: to Townshend’s daughters Emma and Minta, and to the Sex Pistols. Bold in both sound and subject, it reflected the energy of punk’s influence while also standing as one of Townshend’s most provocative songs.

3. Keith Moon Plays on an Early Version of the Title Track

Though Empty Glass was released in 1980, its title track had roots in 1978 during Who Are You sessions. A version featuring Keith Moon on drums and John Entwistle on bass was later released in 1996. The lyrics were altered slightly between versions, showing Townshend’s continual evolution as a writer.

4. Chris Thomas Steered the Sound

Producer Chris Thomas, known for his work on The Dark Side of the Moon and the Pretenders’ debut, helped shape the record. Townshend nearly brought in Todd Rundgren but worried about their musical similarities. Thomas guided the project into its crisp, layered sound.

5. “Let My Love Open the Door” Almost Didn’t Make the Album

Townshend’s manager initially disliked “Let My Love Open the Door,” feeling it didn’t sound like him. After the single became a Top 10 Billboard hit, the manager apologized. The track went on to be Townshend’s biggest solo success, later reimagined as the ballad-like “E. Cola mix” in the ’90s.

Empty Glass shines as Pete Townshend’s most personal solo effort, mixing spiritual searching with rock bravado and timeless pop. From poetry to punk dedications, it’s an album that keeps revealing new layers 45 years later—glass always ready to be filled.

Need New Roofing For Your Property? Tips For Getting A Quote  

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By Mitch Rice

There could be many reasons why you need a roof replacement. Your old roof may have outlived its life span and is now considerably aged and possibly damaged. Perhaps it poses a safety hazard to occupants and items inside the building, or it may have developed leaks. Your energy bills may be unusually high. On the other hand, if your roof is in good condition, you could be planning a building makeover, and new roofing is part of the project. Older roofs may look shabby and faded, or the style may be outdated. 

Whatever the reasons for a replacement, a new roof means a significant investment in the property. Apart from material and labor costs, you may have to move out of the building for a while till the work is complete. You may require local or civic permissions, and you need to inform your neighbors about possible disturbance. 

If yours is an older roof and you want to replace it with exactly the same style and materials, you will have to inform the contractor about this so that they can find sources for the right materials and research the construction before they give you a quote. 

It is important to plan your project during a time of good weather so that the work gets done in time and without risk to occupants of the building or workers. 

All these aspects need planning and resources. However, there’s one major issue that you have to prioritize above all, and that is to hire a roofing contractor. For more information,visit https://www.firstclassroofing.com.au/

Tips To Get The Best Quote 

The roofing industry provides training and licensing to thousands of contractors who set up their own businesses or work for a roofing company. Since there is not much standardization in terms of rates and prices, you can negotiate to a certain degree and get the rate that falls within your budget, needs and preferences.  

The best practice is to get at least two or three quotes from trusted, well-established businesses that have handled projects like yours. This may take considerable time and effort, but in the long run, it’s worth every dollar. This will help you to understand the differences in cost of materials, labor and time taken. 

Tap trustworthy sources such as friends, neighbors and relatives who have successfully completed a project like yours. You can also check with your local trades directories or websites. 

Most contractors offer a free inspection and a no-obligations quote. Plan for the inspection during a time when you are free and not distracted by other business. 

Read every part of the quotation carefully and make notes in case you have questions. 

The quote should have certain basic elements that are provided in detail. It should preferably be on a formal letterhead that gives the address and telephone number of the contractor, and signed by an authorized person. The main thing is that it should be a physical document, or a printable one that you receive via e-mail. 

If you’re dealing with a firm, it’s wise to check the identity and professional qualifications of the contractor assigned to you. The quote represents a detailed description of the scope of work, how it will be done, costs, workforce required and the start and finish dates. It will also contain the payment terms and describe how waste materials will be removed and disposed of. The area should also be cleaned up after the job. 

The contractor should be licensed, insured and certified. Some roofers will help you to obtain the permits and deal with any paperwork that has to be completed, or you may need to handle this yourself. 

Your quote should also inform you about warranties for materials and workmanship. 

The quote must give you adequate information about penalties for delay or non-completion of work. 

How To Evaluate Multiple Quotes

You can compare the basic elements such as materials and labor at first glance. However, different roofers may have different rates based on the complexity of the work and the experience and skill of their workers. 

If you’re hiring an out of town contractor, they will add the costs of transportation along with the costs of hiring workers from outside. 

If you’re installing a completely different roof the costs will reflect this. For instance, if you’re replacing your tiled roof with a modern metal one, the work involved is not the same and will need a different set of skills. This will be reflected in the overall cost. 

Some contractors may offer a contactless quote, where they don’t physically inspect the building. They rely on drones, maps or satellite images to get an idea of the location and work involved. If they need to conduct any internal inspections on the building, prioritize your privacy and safety before allowing workers into your home or office. Check whether the inspection is free or whether it is a chargeable service. 

Finally, when you compare quotes, keep it firmly in mind that cheapest is not always the best. You could end up with poor quality or incomplete work, substandard materials and unprofessional behavior. 

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Orange Animal Release Bittersweet Summer Rock Single ‘Sweet Heartache’

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Cleveland rock trio Orange Animal is taking listeners on a ride with their first song of 2025. The single, “Sweet Heartache”, starts off with a hypnotic feel with layered vocals and smooth guitar riffs, before shifting into the gritty rock sound the group is often known for.

Orange Animal’s tasteful guitar work steals is on full display with this release. Switching between smooth and gritty, soft and loud—with a solo at the end of the song that is gripping and ripping.

Lyrically, it’s a mix of sweet and sad—lines about holding onto dreams and letting go of pain. The chorus is short and to the point: “Go. Love. Run.”

Orange Animal, made up of John Ramsey (guitar/vocals), Bill Driven (bass), and Adam Thurman (drums), has a great cohesion, they’ve been making music together since 2017. They call their sound “rock/motel-folk,” and this track fits right in. They described “Sweet Heartache” as a “bittersweet, slinky Summer rock song,” and honestly, that sums it up pretty well.

Listen to the new single “Sweet Heartache” by Orange Animal, out now.

Misty City Music Festival Debuts in Niagara Falls with Kaleo, Stephen Sanchez, and Riley Green

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Misty City Music Festival will bring together some of the best artists in country and rock for an unforgettable two-day experience, located in the heart of Niagara Falls on September 5 & 6, 2025.

Niagara’s newest festival will also Kaleo, Stephen Sanchez, Riley Green, and feature an exciting selection of local food vendors producing world class BBQ, alongside cold, refreshing beer, cocktails, spirits and more.

Secure your ticket for just $42 down with a flexible payment plan – no lump sum, no stress. Just simple monthly payments and full access to one of the best weekends of the summer!

Ticket Pricing (All Prices Listed Include Fees)

  • General Admission Friday: $159.27 CAD
  • General Admission Saturday: $159.27 CAD
  • General Admission Weekend: $280.25 CAD (Save $38.29 CAD)
  • VIP Friday: $304.45 CAD
  • VIP Saturday: $304.45 CAD
  • VIP Weekend: $546.40 (Save $62.50 CAD)

Children aged 10 or younger get free entry.

Misty City Music Festival encourages fans to take advantage of this early bird deal while it lasts! Use this link to find the full lineup details and purchase your tickets!

Storm Announces Debut Album ‘Join The Storm’ Out August 22 via Indie Recordings

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On Friday, 22nd August 2025, Storm will release his debut album, Join The Storm, on Indie Recordings, marking a major milestone in a career that has already made him one of Norway’s most exciting young names.

Leo Davadi Sundli, better known as Storm, has spent the past few years building a genre-defying sound that fuses pop-punk, metalcore, rock, EDM, rap and electronic elements — all delivered with a confidence and energy few can match.

With millions of views on TikTok and a rapidly growing loyal fanbase, Storm has found his place in both the alternative and mainstream music worlds. Earlier this year, he was named “Name of the Month” by GAFFA Nordics, nominated for “Breakthrough of the Year” at the Norwegian Music Publishing awards, and has already performed on some of the biggest stages in the region, including Tons of Rock in Norway, Summer Breeze Open Air in Germany and the legendary Download Festival in the UK. He’s even brought his intense and explosive live presence to national primetime television in Norway – clear proof that Storm is connecting across scenes and generations, bridging the underground and the mainstream.

Inspired by artists like Bring Me The Horizon, Falling in Reverse, Billie Eilish, and Yungblud, Sundli has crafted a sound that feels both modern and deeply personal. And now, he brings it all together on Join the Storm — an album four years in the making.

He describes the album as a musical journey through power, chaos, belonging, and escapism. It’s about losing yourself — and finding yourself again. The album balances the epic and the vulnerable, the dark and the hopeful, the raw and the refined.

The album also features some killer collaborations. “Fever Dreams” is an explosive track with Canadian rapper Snak The Ripper — a sonic collision of metalcore, pop rock, and electronic chaos. For Storm, it was a dream collab, where he deliberately threw Snak into his heaviest and most experimental soundscape. The album also includes a track with Norwegian metalcore band Fixation, who have earned significant buzz from industry heavyweights in recent years. “Suffocating” was born after multiple shows together, and Storm calls it a brutal mix of guitars, electronic hooks, and smashing energy — perfect for capturing rebellion and letting loose.

Join The Storm Track Listing:

  1. Join The Storm
  2. Moonlight
  3. Alien Perspective
  4. Walking Dead
  5. Asphyxiate
  6. Suffocate (ft. Fixation)
  7. Black Hole
  8. Fame
  9. Running From My Heart
  10. Fever Dreams (ft. Snak The Ripper)

Mighty Joe Castro and The Gravamen Release Gritty New Single ‘Dominoes’ Ahead of Upcoming Album

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Philadelphia band Mighty Joe Castro and The Gravamen just released their new song, “Dominoes.” It’s a gritty, emotional song about grief and growth, and trying to forgive. Lyrics like “your words still sting / long after your casket was closed” and “it’s so hard to hold on / but it’s harder to let go” speak to an unresolved grief and a lasting impact as well as the struggle between letting go and holding on.

Musically, “Dominoes” has a great rhythmic identity. It has catchy guitar riffs, tasteful piano accompaniments, and even some harmonica work that all comes together to create the sonic soundscape of the song. The vocals are honest and rich. The song feels like it came from a smoky dive bar somewhere in the middle of nowhere—authentic.

The band is known for mixing old-school rock & roll with a modern edge. Their sound has been compared to the likes of Buddy Holly meets Nick Cave. The band has made a name for themselves with their energetic live performances, sharing stages with acts such as Squirrel Nut Zippers to Skinny Lister.

“Dominoes” is a little taste of what’s to come on their new album Between the Lightning and the Thunder, releasing June 6th, 2025 on vinyl, CD, and streaming. If this song is anything to go by, the album will be a must listen.