Home Blog Page 398

How to Build a Fanbase in Your Hometown (And Why It Still Matters)

In an era of global streaming platforms, TikTok virality, and algorithmic discovery, it’s easy to imagine that physical geography no longer shapes musical careers. Yet the hometown remains a vital launching pad for artists. Local support functions as an incubator: it provides artists with their first sold-out rooms, their earliest champions in press and radio, and a community that feels personally invested in their ascent. More than a symbolic origin point, a strong local base is both a testing ground for artistic identity and a sustainable wellspring of advocacy. When nurtured with care, it becomes the foundation on which national and international visibility can be built.

Here are five forward-looking strategies for cultivating that essential hometown fanbase—practical approaches that combine artistry with community-building and the textures of real connection.1. Treat Local Shows as Community Rituals

Playing in your hometown is filling up your calendar, sure, and it’s also creating a ritual that people anticipate. Each performance should feel like a gathering where music, identity, and place converge. Some artists find this in a gallery or bookstore rather than a traditional club; others transform a warehouse into a seasonal event space. When you play with consistency and a sense of occasion, fans begin to see your shows as cultural markers, woven into the rhythm of the city itself.

2. Collaborate Across Creative Disciplines

The hometown advantage lies in proximity to peers across the arts. Musicians thrive when they become part of a wider cultural dialogue. Teaming up with photographers, dancers, or designers enriches your art while multiplying the networks through which it circulates. Imagine releasing a single alongside a photo zine, or hosting a listening party with a local fashion collective. When your music is encountered in these expanded contexts—visual, tactile, performative—it becomes inseparable from the creative ecosystem of your city.

3. Build Intimacy Through Direct Engagement

Streaming numbers are abstract; eye contact at a merch table is not. That moment of conversation after a show, the decision to sign vinyl, or sharing glimpses of rehearsal online—all of these create a sense of belonging. A hometown fanbase grows strongest when listeners feel like co-conspirators rather than consumers. By offering that intimacy, you make people feel invested in your journey, and they carry that loyalty with them long after the encore fades.

4. Center Local Media and Storytelling

Every city has its own press ecosystem—alt weeklies, college radio, regional podcasts, even neighborhood blogs. Building relationships with these outlets amplifies your story and connects your name to the cultural narrative of the place. A short interview on local radio might not reach a million listeners, but the ones it does reach will remember. The same is true for profiles in small magazines or photo spreads by local journalists. By embracing these storytellers, you ensure your work becomes part of your city’s documented history.

5. Invest in the Long Arc of Community

A fanbase is not just a crowd but a community that thrives when it’s given reasons to gather beyond performances. Some artists host informal listening clubs, others set up open-mic nights to spotlight younger musicians, and still others volunteer within the local arts council. These gestures demonstrate a commitment that resonates far beyond your own music. Over time, the scene you help nourish will sustain you in return, and your name will be synonymous with a spirit of collective growth.

To build a hometown fanbase is to recognize that music flourishes through place, through the convergence of people and memory in real spaces. The strategies above are not prescriptions but pathways toward embedding your work in the cultural fabric of your city. When nurtured with care, these connections extend outward, shaping how your music is received on a larger scale. In an industry defined by rapid turnover and viral noise, hometown loyalty offers a rare form of durability. It reminds us that music is still, at its core, a communal art.

Billie Eilish’s Isolated Vocals For “bad guy”

Billie Eilish’s “bad guy,” released in 2019 from her debut album ‘When We All Fall Asleep, Where Do We Go?’, blended electropop and trap-pop into a minimalist anthem. Written with Finneas, the track flipped toughness into playful taunting and quickly became a global smash. It topped the Billboard Hot 100—ending the 19-week reign of “Old Town Road”—and reached #1 in over a dozen countries. Certified Diamond in the U.S. and ten times Platinum in Australia, it also earned Record and Song of the Year at the Grammys.



Free Magic Eraser: The Ultimate Tool for Effortless Photo Editing

0

By Mitch Rice

In today’s digital age, visuals are everything. Whether you’re a social media enthusiast, small business owner, or content creator, high-quality photos can make a big difference in how your audience perceives you. But let’s face it—most of us aren’t professional photographers or expert editors. That’s where tools like a Free Magic Eraser step in, making it easier than ever to clean up images, remove unwanted objects, and give photos a professional polish—without expensive software or steep learning curves.

This article explores what the Free Magic Eraser is, how it works, and why it’s quickly becoming a must-have for anyone who wants to edit photos effortlessly.

What Is the Free Magic Eraser?

The Free Magic Eraser is an online tool that allows users to remove unwanted objects, blemishes, or distractions from photos in seconds. Think of it as a virtual cleanup brush. Whether you want to remove a photobomber, remove a sign from the background, or eliminate wrinkles in scanned documents, this tool makes the process simple and fast.

Unlike traditional editing software such as Photoshop, the Free Magic Eraser doesn’t require complex skills. It uses artificial intelligence to detect objects and seamlessly fill in the erased area with natural-looking surroundings.

Why Photo Clean-Up Tools Are Essential

We live in a visual-first culture. Instagram posts, TikTok thumbnails, eCommerce product shots, and even LinkedIn profile photos need to look sharp and professional. Unfortunately, life doesn’t always give us perfect settings. Here’s where a tool like the Free Magic Eraser shines:

  • Social Media Content: Remove photobombers or clutter from the background.
  • Product Photography: Remove distracting objects to create a clean, professional product display.
  • Travel Photos: Say goodbye to unwanted strangers in your vacation snapshots.
  • Marketing Materials: Keep images distraction-free for banners, posters, and ads.

The truth is, every detail in your photo matters. A tiny distraction can take away from the story you’re trying to tell.

How the Free Magic Eraser Works

The process is surprisingly simple. Here’s a breakdown:

  1. Upload Your Image – Start by uploading a photo to the Free Magic Eraser tool.
  2. Highlight the Area – Use the brush to mark the object, blemish, or section you want to erase.
  3. AI Magic Happens – The tool automatically removes the selected object and replaces it with a natural fill.
  4. Download and Share – Save your cleaned-up photo instantly.

No complex layers, no hours of fine-tuning—just quick and clean edits.

Free Magic Eraser vs. Traditional Editing Tools

You might wonder, why not just use Photoshop or another editing program? While those platforms are powerful, they come with steep price tags and learning curves. Here’s how the Free Magic Eraser compares:

FeatureFree Magic EraserTraditional Tools (Photoshop, GIMP)
CostFreePaid (often expensive)
Ease of UseBeginner-friendlyRequires training
SpeedInstant resultsTime-intensive
AccessibilityBrowser-based, no install neededRequires software download

For quick edits, the Free Magic Eraser is the perfect choice. Of course, professional designers may still use advanced tools, but for everyday users, this free option gets the job done beautifully.

Real-World Examples of Using Free Magic Eraser

To give you a better picture, let’s look at some everyday situations where this tool proves invaluable:

  • E-commerce Seller: An online seller photographed jewelry, but there was lint on the cloth background. With the Free Magic Eraser, they erased it instantly without reshooting.
  • Travel Blogger: A blogger posted a photo of a scenic mountain, but several tourists were in the frame. With a few clicks, they disappeared, leaving only the breathtaking landscape.
  • Event Photographer: At a wedding, a trash bin was visible in the corner of the shot. Instead of editing for hours, the photographer used the eraser to remove it within seconds.

Beyond Erasing: Pairing It with an AI Background Remover

Sometimes you need more than just object removal—you may want to completely transform your image background. That’s where tools like an AI Background Remover come in.

By combining both tools, you can:

  • Remove unwanted objects (with Magic Eraser).
  • Replace or completely change the background (with AI Background Remover).

For example, a clothing store could remove price tags with the Free Magic Eraser and then swap the background for a stylish studio look using the AI Background Remover. The result? Professional-quality product photos without hiring a photographer.

Tips for Getting the Best Results with Free Magic Eraser

While the tool is straightforward, here are some tips to maximize results:

  1. Use Precise Highlighting – Carefully brush over the exact object you want gone for cleaner results.
  2. Work on High-Resolution Images – The better the photo quality, the more seamless the erasing effect.
  3. Zoom In for Detail – Small distractions like spots or wrinkles are easier to erase when zoomed in.
  4. Pair with Background Editing – As mentioned, combining it with background tools gives you greater creative freedom.
  5. Experiment with Different Photos – Practice on different types of images to understand how AI fills in spaces.

Who Should Use Free Magic Eraser?

The beauty of this tool is its versatility. It’s not limited to professionals—anyone can benefit from it:

  • Influencers: Keep feeds polished and clutter-free.
  • Students: Perfect for cleaning up images for presentations or projects.
  • Small Business Owners: Create marketing materials without hiring designers.
  • Casual Users: Edit family photos or vacation shots effortlessly.

The Future of AI Photo Editing:

AI-powered tools like the Free Magic Eraser are only the beginning. As artificial intelligence advances, we’ll see even smarter editing features—think auto-retouching, lighting adjustments, and realistic background generation. For now, free tools like this give everyday users the power to create stunning visuals without costly investments.

Conclusion:

In a world where visuals are crucial, the Free Magic Eraser makes professional-quality editing accessible to everyone. It saves time, reduces stress, and delivers polished results—all without the need for expensive software or advanced editing skills. Whether you’re enhancing social media posts, product photos, or personal memories, this tool has the potential to transform your images instantly.

Pair it with an AI Background Remover, and you’ll have a powerful duo for crafting clean, eye-catching visuals that stand out.

So next time you snap a great photo but notice an unwanted distraction, remember: with just a few clicks, you can erase the problem and keep the moment picture-perfect.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Bowling For Soup Announce Live Album ‘A Hangover You Definitely Deserve’ with New Single “A-Hole”

0

Bowling For Soup are thrilled to announce a brand new live album in celebration of the triumphant 20th anniversary of their breakthrough album A Hangover You Don’t Deserve!

Recorded during their huge sold out February 2025 UK tour in Manchester, A Hangover You Definitely Deserve (Live) brings the anniversary tour to BFS fans all across the world in its full glory. This includes all the between song banter that is the cornerstone of any live Bowling For Soup experience.

A Hangover You Definitely Deserve (Live) will be released on the 24th of October through the bands’ own Brando/Que-So Records. Frontman Jaret Reddick discusses the initial decision to take the 20th anniversary of “Hangover” on the road and to then make it into a live album: “I remember being terrified as the 20th anniversary of this album approached. We would have to learn all 18 song…at least half of which, we hadn’t played since recording the album. But as we started plowing away through the album, the magic came back. It was such a good time in our lives and our career making this monster! I hope that comes across on this live recording. I sure feel like it does.”

In addition to the album announcement, Jaret, Gary and Rob are offering a first taste of the live “Hangover” experience right now, releasing the much loved A-Hole as a single. This is a decision twenty one years in the making, as Jaret explains:

“A-Hole’ is one of those songs that I always thought could have been a single. Then, when we did the album tour and asked John James Ryan to join us on stage with his Sax, it took on an even greater life! This song was the highlight of my night during the tour. And I am so glad we are getting to release it in this capacity.”

Blitz Vega Unleash Electro-Punk Rock Single “Superbrain” Honoring Andy Rourke’s Legacy

0

Blitz Vega, the project co-founded by Kav Sandhu and the late Andy Rourke of The Smiths have just released a brand new single, “Superbrain.” The track is a swaggering, groove-heavy track that blends rock grit with electro-punk energy while tackling our messy love/hate relationship with technology.

After Andy passed in 2023, Kav dedicated himself to ensuring that his friend’s legacy ended on a high with their debut album Northern Gentleman. And that’s what he achieved with what Louder Than War described as a “a life-affirming, rollicking, thrilling, kinetic, sometimes unbearably poignant tribute.” Clash agreed, summarizing it as a “striking, emotional collection of songs, embedded in energy and life, their final work is a heartfelt farewell to a friend.”

Yet there’s still more to come from Blitz Vega as they share the new single “Superbrain.” It was first written and demoed in 2020 but was only recently completed by Kav. It’s the ultimate fusion of the two styles that Blitz Vega excels at: dirty, groove-heavy rock ‘n’ roll, with electro-leaning breakbeats and wild synth stabs, all infused with swaggering, punkish attitude. Its lyrics target tech issues that have only grown in importance since it was originally written. Technology should supplement human ingenuity, but from data-harvesting to AI infiltrating real creativity, that ideal hasn’t been realised.

Kav says, “The song is about the complicated relationship humans have with technology in the age of conflicting information impacting the way people think and their actions. Also, the importance of genuine creativity and how it should be valued.

I first wrote the lyrics for this song in 2020. I was recently going through songs Andy and I worked on that didn’t make the album and this one stuck out. The lyrics I wrote are strangely relevant to events today.”

“Superbrain” is now available on all streaming platforms, planned as a fan-first teaser of what to expect as the finishing touches are put to a new Blitz Vega EP. Yet the reaction was so overwhelmingly positive it was clear that “Superbrain” deserved a bigger moment in the spotlight. As “Superbrain” proves, the duo have plenty of material (in varying stages of completion) that more than matches what Blitz Vega achieved with Northern Gentleman.

Kav Sandhu and Andy Rourke formed Blitz Vega in Los Angeles on Christmas Day 2017. It provided a special spark for them both: Kav was inspired by Andy’s remarkable talent and personality, while Kav offered Andy a new focal point and partner to help reignite the pioneering musicianship that made him such a highly respected figure. In a happier timeline, Blitz Vega would now be powering towards their second record. But instead, Kav is ensuring that his late friend’s final project reaches its full potential and achieves the attention that it deserves.

Big Big Train Release 18-Minute Live Epic “Beneath The Masts” from Forthcoming Album ‘Are We Nearly There Yet?’

0

Big Big Train are pleased today to release a new live single “Beneath The Masts.” The 18 minute song is taken from the band’s forthcoming live album Are We Nearly There Yet? which will be released on 19th September 2025.

Sub-titled Live Around The World, the album collects together a series of performances recorded in 2024 and 2025 on the band’s tours, which visited the UK, USA, Canada, The Netherlands, Belgium, Germany, Norway, Denmark and Portugal as well as co-headlining Cruise To The Edge in both years.

“Why are we releasing an 18 minute song as a single? Because we can!” lead vocalist Alberto Bravin laughs. “We always felt that Beneath The Masts was one of the strongest tracks on our last studio album The Likes Of Us and were delighted to discover that audiences regarded it as one of the highlights of the shows we played in autumn last year and in spring this year. So we couldn’t resist the opportunity to release it as the second single from Are We Nearly There Yet?”

“We’ve now played Beneath The Masts live almost 30 times,” guitarist Rikard Sjoblom adds. “I could play it another 30 times in the near future and not get bored – I believe it’s one of Big Big Train’s strongest longer songs, right up there with East Coast Racer. Like East Coast Racer, it’s also developed further as we’ve played it live and now contains an additional instrumental section influenced by one of the 1970s ultimate prog classics.”

Are We Nearly There Yet? has been mixed by Alberto Bravin and will be released via Big Big Train’s own label English Electric Recordings on 2CD and 3LP housed in a gatefold sleeve, via Bandcamp high resolution download and streaming. The 3LP version of the album will be available as limited edition 180 gram transparent violet vinyl (exclusive to Burning Shed and The Bandwagon USA) and 180 gram black vinyl. Pre-orders will be accompanied by a signed Are We Nearly There Yet? art card.

Doves Announce ‘So, Here We Are: Best Of Doves’ with Unreleased Track “Spirit Of Your Friend” and New Tour Dates

0

Doves have revealed the name of the unreleased track set to appear on their upcoming collection of three decade-spanning career highs, ‘So, Here We Are: Best Of Doves’ alongside the 18 other hit singles, album highlights and B-sides PLUS two additional live dates for their December 2025 UK Tour. For the first time since 2007 they return to Manchester’s O2 Apollo, heading home for Christmas two nights after performing at Sheffield’s Octago

Announced for release earlier this month on multiple formats, becoming the first Doves compilation available on vinyl, ‘So, Here We Are…’ will not only feature the band’s era-defining, radio and dancefloor-friendly classics such as Black And White Town, Pounding and There Goes The Fear, but also the previously unheard Spirit Of Your Friend. It arrives as an unearthed gem, recorded in 2006 as part of the Kingdom Of Rust sessions.

Encapsulating every stage of the band’s storied presence as adored creators of expansive, euphoric melancholia, the running order includes their earliest singles, lifted from their first Mercury Award-nominated album, 2000’s Lost Souls, The Cedar Room and Caught By The River. Spooling patiently forward through 25 years of music, more recent highs are drawn from 2020’s No.1 album, The Universal Want, such as radio favourite, Prisoners, alongside Carousels, and Broken Eyes.

Renegade and Cold Dreaming, taken from this February’s sixth studio album, Constellations For The Lonely, and 2025’s Record Store Day special, Lean Into The Wind, all shine further light on Doves inspired resurgence following their 2018 return from an almost decade long hiatus.

Band co-founder and singer on many of the band’s hits, Jimi Goodwin says: “So, here we are… a ‘best of’ can be a difficult thing to pull off but it was surprisingly easy once we got thinking. It’s by no means complete but, then how could it be? It’s been revelatory and somehow cathartic, revising what we’ve achieved together. I mean, wow! Did we really write this stuff?”

Released with EMI North on Fri 14 November 2025, digitally and on double vinyl and CD, offering limited collectors editions across both physical formats, the tracklisting for ‘So, Here We Are: Best Of Doves’ has been confirmed as follows:

1. Black And White Town
2. Pounding
3. Snowden
4. Cold Dreaming
5. Catch The Sun
6. Broken Eyes
7. Kingdom Of Rust
8. Darker
9. There Goes The Fear
10. Renegade
11. Prisoners
12. Here It Comes
13. Carousels
14. Caught By The River
15. Walk In Fire
16. Lean Into The Wind
17. Spirit Of Your Friend
18. The Man Who Told Everything
19. The Cedar Room

Sleep Nation Ignite Alternative Rock Drama with New EP ‘The Spaceman – Conquest’

0

Nashville-based alternative rock duo Sleep Nation unleashes their new project, The Spaceman – Conquest, now available on all digital streaming platforms. The EP was preceded by two singles this month, including “Set Up The Controls” which debuted on Apple Music “New In Alternative” playlist.

Sleep Nation is a Music City-based band composed of Bran Merritt and Joey Lauretta that continues to carve out their place in modern rock ‘n’ roll. Blending rock guitars, gritty synths and modern drum production, they’ve created a sonic signature that’s unmistakably their own with Conquest.

The EP finds Sleep Nation writing with precision and intent, each track carrying a distinct perspective. In “Stardust Slacker,” Merritt sings: “Oh, Stardust Slacker, thief of the night / Leading the lost with a dangerous light / No ties, no guilt, a cosmic disguise / With asteroid eyes.” The figure of the Slacker emerges as a reckless guide – someone who thrives on detachment, pulling others into orbit with nothing to offer but danger. The imagery of “asteroid eyes” makes the character both hypnotic and merciless, setting the tone for the record’s darker corners.

That intensity sharpens further on “Staring Out Into Space,” one of the EP’s most pointed moments: “And suddenly, it all makes sense / A twisted kind of self-awareness / But beauty is a cheap disguise / A mask for hunger, a veil for lies / One billion choke on poisoned streams / While rulers dance on shattered dreams.” The lyrics move from inner revelation to blunt critique, tying personal awakening to global collapse. The song doesn’t soften its message – corruption, environmental decay, and exploitation are laid bare, pushed forward by the track’s escalating tension.

Conquest threads these narratives together, examining masks, illusions, and the hard truth of transformation. The result is a collection that pairs theatrical rock production with lyrics that refuse to look away from the chaos – whether personal or universal. 

Geese Share Groovy Rock Single “100 Horses” from Upcoming Album ‘Getting Killed’

0

New York City’s Geese share new single “100 Horses”. The second – intentional – early offering from the band’s new album follows lead single “Taxes” and the rogue leak of “Trinidad” by Cameron Winter at Newport Folk Festival, which Stereogum described as “violently different” than its predecessor, “in the best possible way.” The band’s new single is the rambling, groovy rock tune that welcomes global collapse with open arms, propelled forward by a steadily chugging rhythm section and muddied guitars that soundtrack Cameron’s absurdist apocalyptic dance party.

Geese’s third studio album, Getting Killed, obliterates any expectations the band has set with their discography to date. After lighting the fuse with the beguiling post-punk experiments of their 2021 debut album Projector and the rollicking cowboy rock record followup of 2023’s 3D Country, Getting Killed examines the wreckage of blowing up those ideas and picking up the pieces to form their own bold and exacting vision. The album was recorded with renowned producer Kenneth Blume in his LA studio over a month-long stretch and what Geese emerged with is a chaotic comedy of epic proportions. Getting Killed balances a disarming new tenderness with an intensified anger, with each member of the band wielding an earned, unshakeable confidence and a hearty disdain of conventional music structures.

In October, Geese will embark on ‘The Getting Killed Tour’, which will see the band headline shows across North America this Fall on the biggest headline run of their career. Launching in Burlington, Vermont, on October 10th and concluding with back-to-back hometown shows at Brooklyn Paramount on November 20th and 21st, most shows are now sold out or second dates have been added.

The band’s 2023 sophomore album 3D Country has developed into a modern classic, with Rolling Stone calling it “one of the best New York rock albums of the past few years” and Paste calling it the “best rock record made by Zoomers ever.” Geese have played festival sets at Bonnaroo, Governors Ball, Lollapalooza, Dog Days, Pickathon, Newport Folk Festival, ACL and more, and have toured with the likes of King Gizzard and the Lizard Wizard, Greta Van Fleet, Spoon, Jack White and Vampire Weekend. Geese first started teasing music from the new album at festival sets earlier this year, whipping up fans into an absolute frenzy on the heels of frontman Cameron Winter’s widely-lauded and mildly befuddling solo debut Heavy Metal. Critically-acclaimed by The New York Times, Pitchfork, i-D, GQ & more, Winter’s idiosyncratic, soul-searching personal journey has led him back to Geese, who have a bold, powerful new record in the chamber with Getting Killed.

Marshall Crenshaw Unearths Rare Demo “Walkin’ Around” for Archival Album ‘From The Hellhole’

0

Acclaimed singer/songwriter and record-maker Marshall Crenshaw shares “Walkin’ Around,” a previously unreleased demo recording featured on From The Hellhole out Friday, August 29 on Yep Roc Records. Curated by Crenshaw, the 14-track remixed and remastered collection features rare deep cuts and a series of songs from previously released limited edition EPs released between 2012-16.

Of “Walkin’ Around” Crenshaw offers, “My home recording of a song that wound up on my 5th album (“Life”s Too Short”). I like it better than the album track, even though it was recorded on a crappy tape machine. This recording has never been released. A few years ago, a person that I’ve known and liked for a long time reached out to tell me how this song had been a favorite of his since 1991, and he asked if I had a demo of it, or any alternate version of it, that I’d be willing to send to him. I was happy that he asked, and was really happy to discover that the demo is GREAT. There are maybe a couple of notes in it that I’d fix, but it really has that spirit and that immediacy that happens when you record a brand new song that you’re excited about. Hearing it made me wish that I’d had professional quality recording equipment of my own back then- that way the “demo” could’ve been the record. (By the time I did the album version, the song was maybe a year old.) Ever since then I’ve been waiting for a chance to release this track, and here it is.”

Produced by Crenshaw, From The Hellhole was primarily recorded in his home studio, affectionately dubbed “The Hellhole,” and mostly spans the last two decades (plus one song from 1990) resurrecting eleven of the eighteen tracks originally issued on the EPs, all of which have been out of print since 2017. With rights now reverted to Crenshaw, these recordings have been compiled here in the interest of what he describes as “legacy curation”-a personal mission to properly archive and reissue work that continues to resonate. Of the eleven EP tracks, eight have been remixed. “They’re their possible best selves now,” says Crenshaw.

From The Hellhole includes “Grab The Next Train” and “Move Now,” as well as several highly personal renditions of songs by various artists such as The Bobby Fuller Four, Rare Earth, Karen and Richard Carpenter, and Todd Rundgren. Crenshaw explains, “People over the years have suggested to me, ‘Hey, you oughta do a covers album’- I went halfway there with this one, and had a lot of fun doing it.”

In support of the album, Crenshaw will hit the road on a fall tour with stops throughout the Midwest, Southeast, and East Coast.