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Seth Neblett Illuminates Untold Stories Of Parliament Funkadelic Women

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Author Seth Neblett brings long overdue focus to the women who shaped the sound, vision, and legacy of Parliament Funkadelic with Mothership Connected The Women of Parliament Funkadelic, out now. Told as an oral history, the book centers the voices of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, artists whose contributions powered P Funk and its offshoots Parlet and the Brides of Funkenstein. Their stories unfold from the earliest days of the collective to the heights of global influence, revealing how these women helped build one of the most important movements in American music. The book feels revelatory, generous, and deeply necessary, finally giving these pioneers the space they deserve.

Drawing from first hand accounts and reflections from figures like George Clinton, Sly Stone, and Bootsy Collins, Neblett presents a clear eyed and compassionate portrait of creativity, ambition, and survival. The narrative explores artistry, industry power dynamics, and the realities faced by Black women navigating a turbulent era, all while celebrating their musical brilliance and cultural impact. Mothership Connected reads as both a historical correction and a powerful celebration, offering insight, recognition, and lasting resonance for funk fans and music readers alike.

Bill Janovitz Tells Definitive Story Of New Wave Icons The Cars

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New York Times bestselling author Bill Janovitz delivers “the definitive story of The Cars” (Rolling Stone), one of the most popular, beloved, and influential bands to emerge from New Wave—with a foreword by Cars keyboardist Greg Hawkes.

The Cars formed in the late 1970s as an alliance of five journeymen musicians with roots in Maryland, Ohio, New York, and New England. They had each performed in a series of bands before finding one another—along with the right sound at the right time. That sound, soon fortified by their iconic imagery, turned them into Rock and Roll Hall of Famers.

Biographer, critic, and musician Bill Janovitz explores the musical, cultural, and commercial impact of the band with articulate and knowing insights. He draws on his own exclusive new reporting along with the enthusiastic participation of the surviving members of the band, as well as nearly everyone who surrounded them over the years. The band’s unusual providence is fully explored here for the first time, and each of their landmark albums is masterfully chronicled and dissected, as is their profound support of the Boston music scene that has reverberated around the world and throughout the decades.

Yet, with all of the success, there were also significant conflicts within the band, which led to an untimely end. Janovitz reveals the stories of each member, and of the group as a whole, with great care and understanding. To paraphrase The Car’s own lyrics: Hello again, you might think this is just what you needed. It’s magic. Let’s shake it up and let the good times roll.

Bright Eyes Expand Intimate World With ‘Kids Table’ EP

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Bright Eyes return with ‘Kids Table,’ out now via Dead Oceans and offering an eight track companion piece to ‘Five Dice, All Threes.’ Led by focus track “Victory City,” the EP leans into introspection, memory, and observation, pairing Conor Oberst’s vivid lyricism with the band’s unmistakable emotional pull. Songs like “1st World Blues” and “Dyslexic Palindrome,” featuring Alynda Segarra of Hurray For The Riff Raff, showcase a project that feels playful, sharp, and deeply considered all at once. The EP lands with clarity and confidence, and it rewards close listening while still carrying that familiar Bright Eyes ache.

Across ‘Kids Table,’ Oberst, Mike Mogis, and Nate Walcott weave cultural references, wordplay, and personal reflection into songs that feel both lived in and immediate. A standout moment arrives with the haunting cover of Lucinda Williams’ “Sharp Cutting Wings (Song to a Poet),” a performance that carries quiet weight and emotional focus. The EP feels cohesive and intentional, functioning as its own small universe while sitting comfortably alongside the band’s larger catalog. This release resonates as thoughtful, generous, and creatively alive, reaffirming how Bright Eyes continue to find new ways to connect meaning and melody.

Lost In Hollywood Channel Melancholic Power On “Pretty Skin” Single

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German metalcore force Lost in Hollywood continue their rapid rise with “Pretty Skin,” out now and delivering a gripping blend of melancholy, impact, and forward driving energy. Formed in early 2023, the band quickly made waves with their debut album ‘The Beauty of Death,’ now boasting over 1.9 million streams, and carried that momentum onto powerful live stages including Reeperbahn Festival 2024. Written with Manuel Kohlert of Future Palace and co produced and mixed by Max Ivory, then mastered by Christoph Wieczorek, the single pairs emotional weight with modern metalcore precision. The song feels urgent, polished, and deeply felt, highlighting a band that connects intensity with atmosphere in a way that truly resonates. With a new deal signed to Arising Empire and touring momentum already in motion, Lost in Hollywood sound focused, confident, and ready for even bigger stages ahead.


David Ellefson And Jeff Scott Soto Unleash “SOAB” Video Fury

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GRAMMY Award winning bassist David Ellefson and powerhouse vocalist Jeff Scott Soto turn up the intensity with the official video for “SOAB,” out now and pulled from their sophomore album ‘Unbreakable,’ available via Rat Pak Records. Filmed at Rogue Recording Studios in London and directed by Elia Turra, the video matches the song’s raw, punk fueled aggression with a performance driven visual that demands volume and attention. The track hits hard and fast, and it comes across as a fearless blast of attitude and energy that captures the band firing on all cylinders.

Fans will soon be able to experience that power live, with Ellefson Soto making their onstage debut on April 9, 2026 at the legendary Whisky A Go-Go, followed immediately by an appearance on the Monsters of Rock Cruise sailing April 12 to 16 out of Miami. ‘Unbreakable’ showcases a band fully locked in, embracing grit, volume, and unapologetic spirit, and “SOAB” stands tall as a bold, crowd ready anthem that feels tailor made for both the stage and the pit.

TOUR DATES:
April 9, 2026 – Hollywood, CA – Whisky A Go-Go
April 12 to 16, 2026 – Miami, FL – Monsters of Rock Cruise

Robin Taylor Zander Shares New Single Ahead Of Self-Titled Album

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Robin Taylor Zander steps confidently into the spotlight with the announcement of his self-titled album ‘Robin Taylor Zander,’ out now via Confidential Records. Alongside the news, he shares the glowing yet reflective new single “She Can’t Turn Back Now,” paired with a video directed by Jon Gillies. Following earlier releases “All She Wrote” and “Nobody’s Home,” the song highlights Zander’s gift for melodic pop rock, blending warmth, clarity, and emotional pull. It sounds effortless and inviting, the kind of track that settles in quickly and rewards repeat listens.

Co produced with legendary producer Jack Douglas and mixed alongside Jay Messina, the album captures Zander’s wide ranging musical instincts and personal voice. A full time member of Cheap Trick and a true multi instrumentalist, Zander draws from decades of pop and rock influence while shaping something unmistakably his own. This release feels open, confident, and deeply musical, marking a meaningful new chapter that fits naturally alongside his growing body of work.

DE’WAYNE Joins mgk And Wiz Khalifa For ‘Lost Americana’ Tour

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Houston born, Los Angeles based rock artist DE’WAYNE is set for a massive 2026 run as special guest on the “Lost Americana World Tour” alongside mgk and Wiz Khalifa. Fresh off the release of his third studio album ‘June,’ out now via Fearless Records, DE’WAYNE brings his high voltage, soul drenched rock energy to amphitheaters across North America. This moment feels earned and electric, and his presence on this tour adds a jolt of raw emotion and fearless style that elevates the entire bill.

‘June’ showcases DE’WAYNE at his most open and expansive, blending rock, soul, and pop with striking honesty across tracks like “forever,” “sundays,” “june,” “biological,” and “highway robbery.” Produced with Dylan Bauld and shaped alongside Brandon Colbein, the album continues his rise as a boundary pushing artist who thrives on connection and live energy. Between this tour, his fall run with Duckwrth, and a growing list of festival highlights, DE’WAYNE’s momentum feels unstoppable right now, and the road ahead looks loud, bold, and deeply exciting.

TOUR DATES:
May 31 – Charlotte, NC – PNC Music Pavilion
June 2 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
June 3 – Bristow, VA – Jiffy Lube Live
June 5 – Bangor, ME – Maine Savings Amphitheater
June 6 – Hartford, CT – Xfinity Theatre
June 9 – Holmdel, NJ – PNC Bank Arts Center
June 10 – Burgettstown, PA – The Pavilion at Star Lake
June 12 – Scranton, PA – The Pavilion at Montage Mountain
June 13 – Darien Center, NY – Darien Lake Amphitheater
June 14 – Toronto, ON – Budweiser Stage

John Berry Captures Live Country Magic On ‘Live From The Country Music Cruise’

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Nineties country favorite John Berry brings the joy of the open sea to fans with ‘John Berry: Live From The Country Music Cruise,’ out now in collaboration with StarVista Music. Featuring 14 live performances recorded aboard The Country Music Cruise, the album opens with the fan favorite “Kiss Me In The Car,” written by Berry and Chris Waters and delivered here with warmth, ease, and crowd fueled energy. The performances glow with shared connection, capturing the spirit of an event where artists and fans experience the music together from morning to night. This record feels inviting, heartfelt, and full of life, offering a front row seat to a truly special country tradition. Berry is also bringing that seasonal spirit back on the road with his 29th Annual Christmas With John Berry Tour, continuing a holiday tradition built on comfort, classics, and genuine connection.


Ana Luna Unveils Cinematic Emotion On “Bleeding Pen” Single

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Singer songwriter Ana Luna returns with “Bleeding Pen,” out now and unfolding as a slow burning, cinematic ballad shaped by dramatic textures and her haunting, ethereal vocal presence. Building on songs like “Daddy’s Empire,” “Dance in a Trance,” and “Can We Pretend We Just Met At A Bar?,” the track explores guilt, memory, and emotional reflection with striking clarity. It moves patiently, letting atmosphere and storytelling do the work, and it lands with a quiet intensity that stays with you long after the final note fades. This song feels deeply considered and beautifully executed, showing an artist fully in command of her emotional world.

“Bleeding Pen” sets the tone for Ana Luna’s debut album ‘Tainted Silhouettes,’ out now, a body of work shaped by her journey from Ukraine to Paris to Los Angeles and her natural gift for cinematic storytelling. Drawing from dream pop, alt rock, and moody ballads, the album frames personal experience through a lens that feels intimate and universal at once. There is a sense of honesty and grace running through this chapter, and the music resonates as something both personal and expansive, offering listeners space to reflect, connect, and heal.

Black Stone Cherry Fire Back With ‘Celebrate’ EP And “Neon Eyes”

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Kentucky hard rock mainstays Black Stone Cherry roar into a powerful new chapter with ‘Celebrate,’ arriving March 6, 2026 via Mascot Records. Recorded at High Street Studios in Bowling Green and produced by the band themselves, the EP captures their chemistry, grit, and heart at full force across six original tracks and a bold cover of Simple Minds’ “Don’t You (Forget About Me)” featuring Tyler Connolly. New single “Neon Eyes” leads the charge with thumping riffs and road ready swagger, and it hits like pure Black Stone Cherry energy, loud, confident, and built to light up a crowd. This record sounds urgent, alive, and deeply connected to everything the band stands for.

The video for “Neon Eyes” offers a day in the life snapshot on the road, following the band from behind the scenes moments to a high voltage headline set at the 2025 Maid of Stone Festival. Across ‘Celebrate,’ songs like “I’m Fine” and “Deep” explore real emotion through muscular hooks and raw soul, while the Simple Minds cover adds a surprising and soulful finale. There’s a sense of unity and purpose running through every track, and the EP lands as a fearless, heartfelt statement from a band still pushing forward together and making music that truly connects.