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Peter Gabriel Releases His Most Playful Track Yet From the Upcoming Album ‘o\i’

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Peter Gabriel dropped “Till Your Mind Is Shining” on April 2, timed to the pink full moon, and it’s the fourth track released from his forthcoming album ‘o\i’. Written and produced by Gabriel, the Dark-Side Mix by Tchad Blake is the version out now, with Mark “Spike” Stent’s Bright-Side Mix following later this month on the new moon. Gabriel calls it the closest thing to a pop song on the record, and he means it as a compliment. “It takes me back to my schooldays,” he says, “before there was Genesis we were effectively trying to be songwriters, pop songs or soul and R&B songs. I think this song connects me back to some of those roots.”

The song started as a chord sequence Gabriel kept returning to, leaving it to breathe between sessions until it felt ready. That patient, instinctive approach shows in the result. It’s warm, playful, and layered with the kind of deeply considered lyricism that’s defined Gabriel’s work for decades, this time rooted in consciousness, sentience, and the inner life. “It’s about opening up the mind and stepping inside to understand a little more of ourselves and the world we live in,” he explains.

The artwork comes from Tokyo-based contemporary artist Tatsuo Miyajima, whose piece ‘Warp Time with Warp Self, No. 2’ Gabriel selected for its tension between the digital and the deeply human. Miyajima first gained international recognition at the 1988 Venice Biennale and has since championed the Kaki Tree Project, an art initiative rooted in peace and the memory of Hiroshima. Gabriel sees the image as a reflection of the song’s central theme: the interaction between human consciousness and the mechanical world we’re building around it.

“Till Your Mind Is Shining” is out now. Further details on ‘o\i’ are coming.

Elton John’s Personally Curated Dance Remix LP Glows in the Dark for Record Store Day 2026

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Elton John’s connection to dance music runs deep, and ‘Elton John – The Remixes’ makes that case with authority. Positiva Records has announced the limited-edition eight-track LP for Record Store Day 2026, pressed on heavyweight 180g glow-in-the-dark vinyl and personally curated by Elton himself. It’s available exclusively on Beatport from April 19, ahead of the full RSD release. Five of the tracks appear on vinyl for the first time, and three were previously unavailable on any streaming platform, making this a genuine collector’s item.

The collection spans euphoric disco, modern house, and underground club music, pulling from across Elton’s catalog with contributions from Purple Disco Machine, The Blessed Madonna, Claptone, KDME, and The 2 Bears. Purple Disco Machine’s extended cut of “Hold Me Closer” with Britney Spears delivers glossy disco-house energy; The Blessed Madonna’s take on “Cold Heart” with Dua Lipa injects pure euphoria; Claptone brings hypnotic melodic house to a second “Cold Heart” rework; while KDME and The 2 Bears lean into deeper, underground textures. Shep Pettibone and Sanchez remixes round out the B-side alongside a RuPaul collaboration.

Elton’s been championing dance music since the 1970s New York club scene, through Studio 54 and Le Jardin, and has kept that connection alive through his Rocket Hour radio show. “It’s always evolving and pushing boundaries, and it’s never far from the mainstream,” he says of the genre. The release also marks Positiva Records’ 30-year legacy as one of the UK’s most influential dance labels.

Tracklist:

A1. “Cold Heart” with Dua Lipa – The Blessed Madonna Extended Mix

A2. “Hold Me Closer” with Britney Spears – Purple Disco Machine Extended Mix

A3. “Sad” – Elton John Vs Pnau – The 2 Bears Remix Edit

A4. “Philadelphia Freedom” – Shine A Light Remix

B1. “Cold Heart” with Dua Lipa – Claptone Remix

B2. “I Don’t Wanna Go On With You Like That” – Shep Pettibone Mix

B3. “Don’t Go Breaking My Heart” feat. RuPaul – Sanchez Club Mix Edit

B4. “Rocket Man” – KDME Remix

Kane Brown, Wiz Khalifa, and Bret Michaels Bring the Heat to Pittsburgh’s 2026 NFL Draft

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Kane Brown, Wiz Khalifa, and Bret Michaels Bring the Heat to Pittsburgh’s 2026 NFL Draft

TAGS: Kane Brown, Wiz Khalifa, Bret Michaels, Poison, Kels, Dr. Jeffery Redding, James Weldon Johnson Foundation, The Heritage Gospel Chorale of Pittsburgh, NFL, Acrisure Stadium,

Pittsburgh is about to have a serious weekend. The NFL has announced the full entertainment lineup for the 2026 NFL Draft Entertainment Series presented by Bud Light, and it’s a three-day run that matches the city’s energy. Kane Brown, Wiz Khalifa, and Bret Michaels headline across April 23 to 25, with all performances free to the public at the Draft Theater adjacent to Acrisure Stadium.

Day 1 opens Thursday, April 23 with Pittsburgh-raised jazz-trained artist Kels performing the National Anthem, preceded by the James Weldon Johnson Foundation’s National Hymn Choir featuring The Heritage Gospel Chorale of Pittsburgh, conducted by Grammy Award-winning Dr. Jeffery Redding, performing “Lift Every Voice and Sing.” On Friday, April 24, Pittsburgh natives Wiz Khalifa and Bret Michaels take the stage at 5:15 PM ET ahead of rounds 2 and 3. Wiz, whose multi-platinum career launched with chart-toppers like “Black and Yellow” and “See You Again,” put it simply: “This city raised me, and the energy here is different.” Poison frontman Bret Michaels, a diehard Steelers fan, called the gig a dream come true.

Kane Brown closes out Saturday, April 25, following the final draft selections. Fresh off his acclaimed 2025 record ‘The High Road’ and his just-released single “Woman,” Brown’s high-energy set caps what’s shaping up to be one of the Draft’s most memorable entertainment weekends in years. All three performances are free, first-come, first-served.

Sevendust Rise From the Grave With Crushing New Single “Threshold”

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Sevendust are back and hitting hard. The Grammy-nominated metal veterans have released “Threshold,” the latest single from their forthcoming 15th studio album ‘One’, arriving May 1 via Napalm Records. Built on the band’s signature blend of heavy grooves and melodic intensity, the track finds frontman Lajon Witherspoon delivering raw, emotionally charged vocals aimed squarely at anyone who pushes others to their breaking point. It’s a punishing and urgent piece of work, exactly what you want from a band three decades deep with nothing left to prove.

The accompanying claymation video picks up where the band’s previous clip for “Fence” left off, with animator Ollie Jones returning to continue the storyline. This time, a greedy music agent pressures a management team to dig up the decayed members of Sevendust and send them back on tour. Reanimated and back under his control, the band’s fate is left hanging at the video’s end. It’s darkly funny, visually inventive, and perfectly matched to the song’s themes of manipulation and resistance. The band’s first single, “Is This The Real You,” released in January and directed by Paul Ribera, has already racked up over 1.3 million views, building real momentum heading into the album’s release.

‘One’ spans the full range of what Sevendust does best, from the driving title track through the atmospheric vocal outro of “Misdirection,” with tracks like “We Won” sitting confidently alongside the band’s most iconic material. Nearly 30 years in, their creative engine hasn’t slowed down one bit.

Johnny Blue Skies and the Dark Clouds Take ‘Mutiny After Midnight’ Across North America This Fall

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Sturgill Simpson’s alter ego Johnny Blue Skies and the Dark Clouds are hitting the road. The 29-date Mutiny for the Masses Tour kicks off September 4 in Austin, Texas, and closes out Halloween night in Lexington, Kentucky. No opening acts. Just Johnny Blue Skies and the Dark Clouds, playing arenas coast to coast behind ‘Mutiny After Midnight’, the album that debuted at number three on the Billboard 200 on physical sales alone, the first physical-only release to crack the top ten in nearly three years.

The momentum behind this tour is real. ‘Mutiny After Midnight’ moved 59,000 units in its first week on vinyl, CD, and cassette, also landing at number one on Billboard’s Top Rock and Alternative Albums, Top Rock Albums, and Americana/Folk Albums charts. The album’s now available as a digital download on iTunes with a bonus cover of Eddie Murphy’s 1985 hit “Party All the Time.” For Record Store Day on April 18, the band’s releasing a two-sided 7-inch picture disc featuring covers of Procol Harum’s “A Whiter Shade of Pale” and William Bell’s “You Don’t Miss Your Water.”

Tickets go on sale April 10 at 10 AM local time via Ticketmaster and AXS. The tour will use Ticketmaster Face Value Exchange and AXS Resale exclusively, keeping resale prices at face value. Presale begins April 8 at 10 AM local time.

Mutiny for the Masses Tour Dates:

September 4, Moody Center, Austin, TX

September 6, Rio Rancho Events Center, Rio Rancho, NM

September 8, Desert Diamond Arena, Glendale, AZ

September 9, Santa Barbara Bowl, Santa Barbara, CA

September 11, Kia Forum, Inglewood, CA

September 13, Viejas Arena, San Diego, CA

September 15, The Greek Theatre, Berkeley, CA

September 18, Climate Pledge Arena, Seattle, WA

September 19, Pacific Coliseum, Vancouver, BC

September 21, Matthew Knight Arena, Eugene, OR

September 23, Ball Arena, Denver, CO

September 26, T-Mobile Center, Kansas City, MO

September 27, Grand Casino Arena, St. Paul, MN

September 29, United Center, Chicago, IL

October 2, Bridgestone Arena, Nashville, TN

October 3, Gainbridge Fieldhouse, Indianapolis, IN

October 6, Enterprise Center, St. Louis, MO

October 7, Nationwide Arena, Columbus, OH

October 9, Petersen Events Center, Pittsburgh, PA

October 10, Little Caesars Arena, Detroit, MI

October 13, TD Garden, Boston, MA

October 15, Xfinity Mobile Arena, Philadelphia, PA

October 16, Barclays Center, Brooklyn, NY

October 18, Capital One Arena, Washington, DC

October 21, Lenovo Center, Raleigh, NC

October 23, Credit One Stadium, Charleston, SC

October 25, State Farm Arena, Atlanta, GA

October 27, Lakefront Arena, New Orleans, LA

October 30, Rupp Arena, Lexington, KY

Boston Glam-Rock Nonet Smitt E. Smitty and The Fezztones Honor a Legend With “Big Ass American Car”

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Smitt E. Smitty and The Fezztones have a story to tell with “Big Ass American Car,” and it’s a good one. The nine-piece Boston glam and art-rock brigade have released their cover of the late Patrick “Trick” Wallace’s beloved track, out now on FezzKoKo Records across all major streaming platforms. It’s the band’s first new music since their Radio Indie Alliance chart-topping number one hit “#1 Most Likely,” and the inaugural release on Smitty’s newly launched indie label.

The song’s origins go back to 2013, when Smitty first caught Wallace performing it live at the Rosebud Diner in Somerville during the International Pop Overthrow festival. He fell hard for it that night, walked up to Wallace after the set, and told him point blank that he was going to cover it someday. Wallace, who passed away in January 2023 at the age of 69, knew The Fezztones had interest in the song and endorsed the idea before his death. That blessing meant everything to Smitty. “He was one of a kind,” Smitty says. “I never met anyone as talented, loving and generous as Trick.”

The recording, engineered and co-produced by Alec Rodriguez at New Alliance East in Somerville, is muscular and gritty, built on a Motor City groove laid down by drummer Johnny Sestito and bassist Andrew Padua, with guitars, violin, and a full stack of backing vocals filling out the Fezztones’ signature wall of sound. Smitty puts it plainly: “Once Johnny and Andrew laid down that hardcore Motor City groove, everything just fell into place. Like buttah.” The track leaps out of the speakers with the kind of high-octane confidence that’s earned the band serious praise from outlets across the rock underground.

Beyond the tribute, the song carries real cultural weight. As Smitty explains, it’s about more than cars: “The opening line says it all. ‘I love my country. It’s the country of more. It’s just down the block, I can easily walk, but I drive to the store.’ Welcome to ‘Merica.” A music video, directed and produced by Smitty himself, is on the way. The Fezztones also have a busy summer of shows ahead, including dates in Boston, New York City, and Detroit.

2026 Tour Dates:

July 11, The Midway Cafe, Jamaica Plain, MA

July 24, Parkside Lounge, New York, NY

August 29, Small’s, Hamtramck, MI (Detroit All-Star Garage Rock Punk Revue V)

DJ Cummerbund Smashes Queen, Chumbawamba, Sade, and Madonna Into One Gloriously Unhinged Mashup

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DJ Cummerbund is back doing what he does best. The award-winning mashup artist has layered Queen’s “Fat Bottomed Girls” with Chumbawamba’s “Tubthumping,” Sade’s “No Ordinary Love,” Madonna’s “Holiday,” and more into a seamless, multi-layered track that somehow makes complete sense from start to finish. It’s an absurdly fun listen, and the execution is airtight.

New Jersey Ska-Punk Rockers Joker’s Republic Put Their Stamp on Green Day’s “When I Come Around”

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Joker’s Republic just dropped their cover of Green Day’s “When I Come Around,” and they came ready. The Essex County, New Jersey ska-punk trio recorded the track with producer Pete Steinkopf of The Bouncing Souls, and it’s out now on Punkerton Records across all digital platforms. It’s the first of five Steinkopf-produced ska-punk covers the band plans to release throughout the year.

Singer and guitarist Austen Gray didn’t mince words about the choice: “I don’t think Joker’s Republic covering a Green Day song is a surprise to anyone. As much as ‘When I Come Around’ is a slam dunk of a cover, we don’t pick songs just because they’re easy to pull off. We knew we had something to add to the song, and we knew that the moment those opening chords come in almost everyone would have certain expectations that we’d blow away in the next eight bars.” That’s a bold promise, and the track delivers on it.

The cover arrives on the heels of the band’s third full-length album, ‘The Hand You’ve Been Dealt’, released in 2025 on Punkerton Records. That record was produced by Roger Lima of Less Than Jake and mixed and mastered by Grammy-nominated engineer Eric Taft. Joker’s Republic has been building serious momentum in the ska-punk world, earning spots at Supernova International Ska Festival, FEST 23, and Wake and Bake with Less Than Jake, plus opening slots for Save Ferris and Goldfinger.

Operating as a power trio by design, Joker’s Republic keep their sound tight and their crossover appeal wide. With Steinkopf in their corner for this new run of singles and a full touring schedule through 2026 and 2027, the band’s showing no signs of slowing down. “When I Come Around” is a strong opening move.

GosT Mastermind James Lollar Dead at 46, Leaving a Blazing Mark on Dark Synthwave

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James Cody Lollar, the multi-instrumentalist, producer, and sole creative force behind dark synthwave project GosT, died on April 1, 2026. He was 46. His management team at Bad Behaviour confirmed the news the following day. No cause of death has been made public.

Lollar founded GosT in 2013, having previously fronted Longview, Texas sludge duo Vaste Burai. From the beginning, the project carved its own territory, pulling from extreme metal, horror film soundtracks, EBM, and industrial music to build something genuinely singular. Six full-length albums followed, each one pushing the project’s sound further. His most recent record, ‘Prophecy’, arrived via Metal Blade in March 2024 to critical acclaim. GosT last toured in late 2025, supporting Paris-based synthwave artist Perturbator across the UK.

Lollar’s approach to sound was as distinctive as his vision. “It’s a fun challenge to try to make metal with digital noises,” he said in 2024. “I love processing on a computer and electronic equipment, and trying to make it sound raw. Everything in there is clean, and you’re using plug-in distortion and things like that. It’s just a whole different realm than using pedals and amps.” That tension between clean electronics and raw aggression defined the GosT sound, and it earned him a devoted following across the metal and synthwave worlds.

Fellow Texans Frozen Soul were among the first to pay tribute. Lollar contributed synth work to nearly every track on their 2023 album ‘Glacial Domination’, and the band’s statement made clear how much that collaboration meant: “We were not just friends of GosT but also fans. He did something for almost every song on the album and we were blown away by what he came up with. It definitely wouldn’t be the same record without him.” Alongside Perturbator, Dan Terminus, and Carpenter Brut, Lollar helped define a generation of dark electronic music. His mark on the genre is permanent.