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Bristol’s MOULD Announce Debut Album ‘Hoping As A Coping Mechanism’ and Share the Ferocious “Falling Posture”

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MOULD have announced their debut album and it arrives with serious momentum behind it. ‘Hoping As A Coping Mechanism’ drops July 10th via 5dB Records, a 13-track full-length produced by Sean Oakley, who flew in from LA specifically for the project, and recorded at 5dB Studios in London. New single “Falling Posture” is out now and makes an immediate case for what the Bristol trio have been building toward.

“Falling Posture” opens with a cacophonous blast of noise before locking into a rattling punk number and then dropping out into an unexpected slacker final third. Vocalist and bassist Kane Eagle describes it as a “Frankenstein song,” made of seemingly disparate ingredients bolted together into something exciting and surprising. The lyrical content is equally direct: “It’s about the pressures of staying positive whilst being bombarded with life’s expectations. Getting caught up and stuck in a loop of your own and others’ expectations of what success is. Doing so never really leads to anything positive.”

The band frames the album with the kind of self-aware confidence that suggests they know exactly what they’ve made. “The collective sum of our combined beans condensed into half an hour of unrelenting bangers,” they say. “As an album it has a lot more range than anything we’ve done before, a refining of our strengths, with a lot of focus on dynamics, structure and melody.” The album follows BBC 6 Music-playlisted lead single “Float,” released last November, and across 13 tracks explores what MOULD call the horrors of the outside world and the internal minefield of the brain.

Oakley’s production credits include Georgia and Sorry, and his involvement signals a band operating with serious intent. Written in snatches of time in Bristol, the record captures a live band’s energy translated directly to tape, and the press has noticed. Rolling Stone UK calls them a band with “spit-and-sawdust ferocity that makes them stand out on their own.” Dork describes them as “fast spreading musical gold, ready to bloom into one of the UK’s most exciting new acts.” DIY, NME, The Line Of Best Fit, Rough Trade, and Brooklyn Vegan have all added their voices alongside BBC 6 Music support from Huw Stephens and Amy Lamé and Radio X coverage from John Kennedy.

‘Hoping As A Coping Mechanism’ is out July 10th via 5dB Records.

Track Listing:

Misanthrope

Float

Emotive Language

Tapes

Lucid

Hatching

///

Superseded

“Falling Posture”

Reshaping Nothing

Lists

Decades

Humm

Rachel Love’s Two Solo Albums Get Their First Vinyl Releases via Slumberland Records

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Rachel Love, former member of beloved British indie trio Dolly Mixture, has had her 2 solo albums reissued via Slumberland Records, both out now on vinyl for the first time. ‘Picture In Mind’ (originally 2021) arrives on orange vinyl alongside a repackaged CD, and ‘Lyra’ (originally 2024) on yellow vinyl LP with repackaged CD. Originally self-released as limited-edition CD-Rs, both records are now reaching the wider audience they’ve always deserved. Listen to the album sampler here.

‘Picture In Mind’ was recorded at home with close family support, built around Love’s softly sung, bossa-like vocals and fluid arrangements shaped with her late husband Steve Lovell. The album draws threads from Dolly Mixture’s baroque ‘Fireside E.P.,’ the reflective British pop of Saint Etienne, and the electronic folk melodies of Broadcast. It includes Love’s version of Dolly Mixture’s “Down The Line,” a collaboratively written song that in her hands drifts downstream, transformed by gentle electronic accompaniment into something intimate and luminous.

‘Lyra’ carries a different emotional gravity. Written and recorded after the passing of her husband Steve, and co-produced with care by David Lovell, the album is a tribute shaped in grief and released with extraordinary composure. BrooklynVegan’s Bill Pearis describes the records as sitting “somewhere between ’60s sunshine pop and the mid-’90s lounge revival,” while Austin Town Hall’s Nathan Lankford calls ‘Lyra’ “one of the best surprises pop fans have gotten this year.” The album draws on the ticking electronics of Stereolab’s quieter moments, the lushness of Air, and the sweet ache of Emma Anderson, while finding its own emotional register entirely.

‘Lyra’ was originally released with The Cat Collects, the label that also releases music by The Cleaners From Venus, an apt parallel for music this beautifully crafted on a small scale but sounding considerably larger. Love sings with an unforced, unadorned calm throughout both records, a quality that makes the depth of feeling on ‘Lyra’ land with particular force.

Dolly Mixture, the trio Love formed with Debsey Wykes and Hester Smith, remain a touchstone of early 80s British independent pop. Wykes has since become a regular member of Saint Etienne’s live band, a connection that makes the critical comparisons feel earned rather than convenient. Love’s solo work extends that lineage quietly and beautifully.

Both ‘Picture In Mind’ and ‘Lyra’ are out now via Slumberland Records on vinyl and CD.

‘Picture In Mind’ Track Listing:

Primrose Hill

Down The Line

No More

Dreaming

The Long Way Round

Far Away

Borrowed Time

Wandlebury

Easter Song

Look For The Gold

‘Lyra’ Track Listing:

Without You

Why

Sad and Lonely

Fly Me Away

Lyra’s Theme

April Love

I Lost Myself

What Was It For

Alone

All Across the World

Chloe Violette’s Debut Album ‘Colourfast’ Traces a Journey From City Life to Small-Town Resilience

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Chloe Violette’s debut album ‘Colourfast’ is out now, a Gippsland-based indie pop and folk record shaped over 3 years across Melbourne and regional Victoria. Produced by Josh Walton and recorded at New Market Studios, Bellbird Studios in Collingwood, and Macks Creek Hall in Gippsland, the album traces Violette’s shift from inner-city Melbourne to small-town living, exploring monotony, grief, mental health, and the quiet moments of hope that emerge on the other side. Listen here.

The title track anchors the record’s emotional arc, built around folky acoustic guitars, buttery piano, and steadfast rhythms, charting a story of graduated resilience. Elsewhere, “Skin,” “Road to Recovery,” and “Brave Face” move through mental illness and healing with the kind of direct honesty that makes the record feel genuinely personal rather than broadly thematic. Violette framed her vision for producer Walton simply: “I want the listener to feel like Dorothy stepping out of sepia-toned Kansas into technicolour Oz.”

‘Colourfast’ also marks a significant personal transition for Violette, representing a deliberate move away from classroom teaching toward a life centered on music. That commitment shows in the care taken across every track. It’s a debut built to last.

‘Colourfast’ is out now everywhere.

Real Farmer Release ‘Two Wrongs Don’t Make A Right’ and Hit the UK for Their Biggest Headline Run Yet

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Real Farmer’s second album ‘Two Wrongs Don’t Make A Right’ is out now on Strap Originals, Peter Doherty’s label, and it arrives with the kind of critical momentum that comes from a band that has been building something real across Europe for years. The Groningen, Netherlands-based four-piece recorded at Far Out Sound Studios in Rotterdam with Niek Van Den Driesschen, their third release from the same room, and the results are urgent, politically charged, and sonically sharp.

“Heart Out,” the album’s lead single and latest video, is a thrilling collision of 60s beat and proto-punk, with hollering vocals and swashbuckling guitars evoking the wasted, sweat-stained downtown New York of Richard Hell and Dead Boys. The video was filmed live by Roger Sargent, whose credits include The Libertines, at Margate’s iconic Dalby Cafe. The band frames the song’s energy directly: “We need to resist becoming bitter by what is happening out there. Love is the drive to do everything but also sets the intention that an act should have. Resistance needs love.”

The album is a 12-track statement that moves between DIY punk, angular art-rock, and Stereolab-esque textures, with previous singles “Run By Animals” and “Missing Link” already signaling its range. “Not all songs are punk songs, but everything is written in this spirit,” the band says. “With this album we hope listeners can also find a sense of empowerment and hope through our songs.” Press response has been strong, with praise from Under The Radar, CLASH, DIY, and a notably enthusiastic reaction from Anthony Fantano.

Real Farmer spent 2025 supporting Babyshambles, Protomartyr, and The Libertines, and played The Great Escape, Primavera a la Ciutat, and Pitchfork Paris. The band released the album week of their support slot for Peter Doherty at a sold-out 2,700-capacity L’Olympia in Paris, a moment that signals exactly how much their profile has grown. The UK headline run coming in June is their biggest yet, covering Brighton through Southampton across 11 dates.

‘Two Wrongs Don’t Make A Right’ Track Listing:

Missing Link

9 Till Not Alright

I.D.K.T.S

Sob Story

System

Settle

Wash Away

“Heart Out”

Beggars Hymn

The Mass

Run By Animals

Judas

Upcoming Tour Dates:

May 29 – Utrecht @ ACU

May 30 – Eindhoven @ Skinfest

June 01 – Paris @ Verte est la nuit

June 02 – Brighton @ Prince Albert

June 03 – London @ New River Studios

June 04 – Cardiff @ Clwb Ifor Bach

June 05 – Manchester @ YES (basement)

June 06 – Newcastle @ ZEROX: the Shooting Gallery

June 07 – Glasgow @ The Hug & Pint

June 09 – Sheffield @ Delicious Clam

June 10 – Oxford @ Little Bully

June 11 – Nottingham @ JT Soar

June 12 – Norwich @ Norwich Arts Centre

June 13 – Southampton @ Heartbreakers Bar

Toronto’s John Muirhead Captures the Ache of Almost on New Single “Loved You Well”

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John Muirhead’s new single “Loved You Well” is out now, and it does exactly what the best indie-folk does: it turns an ordinary moment into something you can’t shake. The Toronto-based singer-songwriter built the track around a real date where, on paper, nothing important happened. That absence is the whole point. “Sometimes the absence of something becomes the thing you can’t stop thinking about,” he says. Listen here.

Recorded in a single day, the song is deliberately stripped back, acoustic guitar and vocals at the center with piano, pedal steel, and harmonies from Clayton White layered in organically to preserve intimacy. Muirhead was specific about the goal: “I wanted the song to feel like being alone with your memories, wondering ‘what if.'” It lands that way consistently, with a quiet emotional precision that rewards close listening.

Muirhead has built real momentum as both a performer and a collaborator. His music has reached over 100,000 fans on social media, accumulated more than 3 million Spotify streams, and generated 13 million TikTok views. His touring has covered Canada and Europe, with festival appearances at Winnipeg Folk Festival, CityFolk, and Sound of Music Festival, and support slots for Whitehorse, Joel Plaskett Emergency, and Craig Cardiff. His 2025 album ‘The Nomad,’ produced by Ryan Worsley, was supported by a full cross-Canada tour, and as a writer he’s collaborated with Simon Ward of The Strumbellas, Michigander, and Jon Bryant.

“Loved You Well” is out now everywhere.

Heart’s ‘Dreamboat Annie’ and Jellyfish’s ‘Spilt Milk’ Get the Premium Vinyl Treatment They Deserve

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UMe’s Vinylphyle audiophile reissue series has added 2 landmark albums to its catalog: Heart’s ‘Dreamboat Annie’ and Jellyfish’s ‘Spilt Milk,’ both available now exclusively via uDiscover Music. Mastered by Joe Nino-Hernes and pressed at RTI on 180-gram black vinyl with an initial pressing of 3,000 copies each, both releases arrive in tip-on wrapped gatefold jackets with satin matte finish, archival poly sleeves, and 4-panel inserts featuring new liner notes. The presentation matches what the recordings deserve.

‘Dreamboat Annie’ turns 50 this year, and the milestone is being honored properly. Mastered from the original 1975 Can-Base Studios tapes, the pressing includes liner notes from veteran music writer Rick Florino. The album’s status has only grown with time: “Crazy on You” continues finding new listeners through high-profile placements in Marvel films including Captain Marvel and Guardians of the Galaxy Vol. 3, and the record is being inducted into the Grammy Hall of Fame this year. More than 2 million copies sold in the U.S. alone, over 3 million worldwide, and a climb to No. 7 on the Billboard 200 tell the commercial story. The cultural one runs deeper.

At a time when rock radio and arena stages were dominated almost entirely by men, Ann and Nancy Wilson arrived fully formed. Ann’s powerhouse vocals stood alongside the era’s biggest rock singers without qualification, and Nancy’s guitar work and the sisters’ songwriting helped expand what listeners expected from women in rock. ‘Dreamboat Annie’ launched Heart into the upper echelon of arena rock and opened doors for generations of women artists in the genre. Fifty years on, its fusion of folk textures, hard rock drive, and lyrical romanticism remains as vital as the day it was released.

‘Spilt Milk’ tells a different kind of story. Jellyfish’s 1993 sophomore album arrived in the middle of a musical climate dominated by grunge and alternative rock, peaked at No. 164 on the Billboard 200, and contributed to the band’s breakup the following year. What it left behind, however, is one of the most revered cult classics in power pop history. Written and co-produced by Andy Sturmer and Roger Joseph Manning Jr., recorded across Los Angeles studios between April and September 1992, and featuring session work from Jon Brion and Lyle Workman alongside co-producers Albhy Galuten and Jack Joseph Puig, the album wove dense harmonies, sweeping orchestrations, and whimsical lyrics into something that drew equally from The Beach Boys, Big Star, The Beatles, ELO, XTC, and Supertramp.

The Vinylphyle pressing of ‘Spilt Milk’ was mastered from a new 96kHz, 24-bit digital remaster sourced from the 1993 Ocean Way Mixdown tapes and pressed on 2 LP, spreading 46 minutes of music across 3 sides to maximize punch and fidelity while minimizing interruptions. A handwritten message to fans from Roger Joseph Manning Jr. is engraved on the fourth side, and Manning provides an in-depth interview about the making of the album in the liner notes.

Vinylphyle launched in November 2025 with a mission to deliver best-in-class pressings across genres and eras, releasing 2 titles per month. Previous entries in the series include The Velvet Underground and Nico’s self-titled debut, Peter Frampton’s ‘Frampton Comes Alive!,’ Bob Marley’s ‘Exodus,’ Erykah Badu’s ‘Mama’s Gun,’ and The Band’s ‘Northern Lights-Southern Cross,’ among others. Every release goes through extensive quality controls from mastering to plating to pressing and printing at RTI, one of the most respected pressing plants in the world.

Both ‘Dreamboat Annie’ and ‘Spilt Milk’ are out now, available exclusively via uDiscover Music in limited pressings of 3,000 copies each.

Braxton Keith Brings Jerry Reed Energy to the Clever, Flirtatious “I Own This Bar”

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Braxton Keith is one of country music’s most buzzed-about rising stars, and “I Own This Bar” makes it easy to understand why. The new single is out now via Warner Records Nashville, co-written by Keith alongside Liz Rose and Phil O’Donnell, and it channels the kind of playful, smooth-talking energy that made Jerry Reed impossible to resist. Two skilled fibbers meet their match in a bar, realize they’ve been working the same game, and the song rides that realization with a grin from start to finish.

“This song was really fun to write,” Keith says. “It just gives you that bar feel. You’re in a bar, everybody’s kinda fibbing. Nobody’s telling the truth.” That honesty about the song’s lighthearted premise is exactly right, and the track delivers on it with sharp writing and a performance that earns every wink.

“I Own This Bar” follows “I Ain’t Tryin’,” making it Keith’s 2nd release of 2026 as he builds toward his major label debut on Warner Records Nashville. Road-tested across Texas’s competitive bar circuit and already known as a must-see live act, Keith has the kind of natural stage presence that comes through just as clearly on record.

“I Own This Bar” is out now via Warner Records Nashville.

Amy Grant Returns With ‘The Me That Remains,’ Her First Album of Original Songs in 13 Years

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Amy Grant is back with new music, and ‘The Me That Remains’ is worth every year of the wait. The 6-time Grammy Award winner and 2022 Kennedy Center Honoree’s first collection of all-original songs in 13 years is out now via Thirty Tigers, produced by 10-time CMA Award winner and Nashville Songwriters Hall of Famer Mac McAnally across 10 tracks that reflect on healing, connection, endurance, and grace.

The album’s emotional centerpiece and title track was co-written with McAnally and addresses directly the profound health challenges Grant has faced in recent years, including open heart surgery and a life-altering bike accident that resulted in a traumatic brain injury. The lyrics don’t flinch from the weight of those experiences, and the song ultimately lands as an uplifting testament to survival and gratitude. The official music video, filmed on Grant’s Tennessee farm, is out now.

McAnally’s production throughout the album is deliberately understated, keeping Grant’s warm, resolute voice at the center of every track. The approach suits the material perfectly. This is a singer-songwriter record in the truest sense, stripped down and emotionally direct, built on more than 50 years of lived experience that Grant brings to every line.

The collaborator list reflects the personal relationships that have shaped her life as much as her career. “How Do We Get There From Here” features Ruby Amanfu and wrestles with collective healing. “The Saint” was co-written with longtime collaborator Michael W. Smith. “Friend Like You” features Vince Gill, and “The Other Side Of Goodbye” closes the album with Sarah Cannon and Corrina Gill. Each collaboration carries genuine weight rather than serving as a feature for its own sake.

The album was first previewed with “The 6th of January (Yasgur’s Farm),” a meditation on unity and perspective drawn from the idealism of the Woodstock era, a fitting entry point for a record that consistently reaches for something larger than the personal while staying rooted in it.

The album artwork, created by artist Wayne Brezinka as a mixed-media collage, assembles meaningful fragments of Grant’s life directly into the portrait: pieces of a treasured quilt, seashells from her collection, her childhood Bible, and an article about her grandfather. It’s a visual approach that mirrors the album’s themes of memory and reconstruction with real creative care.

‘The Me That Remains’ is out now via Thirty Tigers.

‘The Me That Remains’ Track Listing:

The 6th of January (Yasgur’s Farm)

“How Do We Get There From Here” featuring Ruby Amanfu

Please Don’t Make Me Beg

The Saint

Beautiful Lone Companion

The Me That Remains

‘Til We Get It Right

(Nothing Like A) Sunny Day

“Friend Like You” with Vince Gill

“The Other Side Of Goodbye” with Sarah Cannon & Corrina Gill

Ashley McBryde Comes Back Swinging With the Fiery, Sharp-Tongued “Arkansas Mud”

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Ashley McBryde has a new track out and it arrives with the kind of blunt force that made her one of country music’s most compelling voices in the first place. “Arkansas Mud” is available now via Warner Records Nashville, a rock-heavy, fast-talking declaration written by McBryde alongside Grammy Award-winning hitmakers Jessie Jo Dillon and Chris Tompkins. It name-checks prescription amphetamines and Lynyrd Skynyrd songs in the same breath, and it means every word.

The song is about returning to your most authentic self after years of softening edges at someone else’s request. McBryde is direct about where it comes from. “We’ve all filed an edge down here or there at someone else’s request,” she says. “‘Arkansas Mud’ is about rediscovering and re-honing those edges.” She points specifically to growing up in the Ozark Mountains as the source of the gumption it takes to deliver a line like “Romans 3 and 23, don’t you point your book at me” with full conviction.

On social media earlier this week, McBryde opened up further about the personal dimension behind the track. “Even as the chick that’s known for sticking to her guns, there are parts of me I still let slip away. I don’t mind telling you now, I tried to fill those spots with all the wrong things. And that time has passed.” It’s a level of candor that makes “Arkansas Mud” land differently than a standard country rock single.

The track follows January release “What If We Don’t,” and together the 2 songs preview McBryde’s highly anticipated fifth studio album, built around her journey to sobriety, her Arkansas upbringing, religious trauma, and family of origin. It’s shaping up as the most personal record of her career, and “Arkansas Mud” makes clear she’s approaching it with full creative aggression and zero apology.

McBryde’s Redemption Residency continues at Chief’s, where she’s been delivering one-of-a-kind sets that include the full “Postcards From Lindeville” performance alongside character songs from across her catalog and surprise guests. It’s the kind of intimate, high-stakes live environment that suits exactly what she’s building toward with this new album.

“Arkansas Mud” is out now via Warner Records Nashville. The fifth studio album follows.

The Red Clay Strays Announce Madison Square Garden, Bridgestone Arena, and a First-Ever Fan Fest

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The Red Clay Strays, Drew Nix, Matthew Coleman, Matt Rife, Mariah Morse, The Revivalists, Haley Reinhart, Travis Tritt, Brent Cobb, Lukas Nelson, St. Paul & the Broken Bones, Sierra Ferrell, Merriweather Post Pavilion, TD Garden, Madison Square Garden, Bridgestone Arena, State Farm Arena, Abayance Bay Marina, Two Step Inn, Stagecoach, Bourbon & Beyond, RiverBeat Music Festival, Buckeye Country Superfest, Country Thunder Alberta, Country Thunder Wisconsin, Cheyenne Frontier Days, Iowa State Fair, Jazz Aspen Snowmass,

The Red Clay Strays are having a year, and the full scope of it is now on the table. The Mobile, AL-based band has announced a new series of headline dates that includes Madison Square Garden in New York City, a 2-night stand at Nashville’s Bridgestone Arena, and a closing run at Atlanta’s State Farm Arena, alongside festival appearances at Stagecoach, Bourbon & Beyond, and more. Special guests across select dates include The Revivalists, Haley Reinhart, Travis Tritt, Brent Cobb, and Sierra Ferrell.

The headline run sits inside a calendar that already establishes 2026 as their biggest year to date. Top-billed festival slots at Two Step Inn, Stagecoach, and Bourbon & Beyond frame a summer and fall that moves from 10,000-seat rooms to full arenas, a trajectory that reflects how fast this band has grown.

The most distinctive addition to the schedule is The Red Clay Strays Fan Fest 2026, the first-ever RCS fan festival, running June 24-28 at Abayance Bay Marina in Rexford, MT. The 5-night event features a headline set from The Red Clay Strays, the Strays with Stories intimate performance series, shows from Lukas Nelson and St. Paul & the Broken Bones, and more. It’s the kind of destination event that signals a band with a fanbase deep enough to build something that personal around.

The band also has new music out. “If I Didn’t Know You” is available now via HBYCO Records/RCA Records, written by Drew Nix and accompanied by an official music video directed by Matthew Coleman. The romantic Valentine’s Day release co-stars comedian Matt Rife and fitness influencer Mariah Morse, and it’s a tender ballad that shows a different dimension of the band’s range alongside their road-tested country rock.

Tickets for the new headline dates are on sale now.

The Red Clay Strays 2026 Upcoming Tour Dates:

May 24 – Norfolk, VA @ Patriotic Festival

June 13 – Columbus, OH @ Buckeye Country Superfest

June 24-28 – Rexford, MT @ The Red Clay Strays Fan Fest 2026 at Abayance Bay Marina

June 26 – Calgary, AB @ Country Thunder Alberta

July 11 – St. Paul, MN @ Minnesota Country Club

July 17 – Twin Lakes, WI @ Country Thunder Wisconsin

July 19 – Cheyenne, WY @ Cheyenne Frontier Days

July 30 – Columbia, MD @ Merriweather Post Pavilion

Aug 1 – Boston, MA @ TD Garden

Aug 9 – New York, NY @ Madison Square Garden

Aug 15 – Des Moines, IA @ Iowa State Fair Grandstand

Sept 6 – Aspen, CO @ Jazz Aspen Snowmass Labor Day Experience

Sept 26 – Louisville, KY @ Bourbon & Beyond

Oct 22 – Nashville, TN @ Bridgestone Arena

Oct 23 – Nashville, TN @ Bridgestone Arena

Nov 13 – Atlanta, GA @ State Farm Arena