Page 4 – That Eric Alper

Coleman Jennings Signs And Spins With “Head Spinning”

Music

Eric Alper

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Dec 28, 2025

Coleman Jennings Signs And Spins With “Head Spinning”

Coleman Jennings officially joins Big Loud Texas and Mercury Records, and he wastes zero time setting the tone. His label debut single, “Head Spinning,” is out now, riding a rousing blast of prairie rock with an old school commitment to Western twang and a vocal vibrato that feels built to cut right through the day.

Jennings calls the deal a perfect fit, saying the teams made him feel understood and gave him the space to make the record he has always dreamed of with Grammy winning producer Dave Cobb. Written solely by Jennings as the second song he ever wrote, “Head Spinning” captures that overwhelming emotional rush, and it points straight toward more new music on the horizon.

Briston Maroney Shares “Poor Things (Feat. Ben Kweller)” From ‘Jimmy’

Music

Eric Alper

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Dec 28, 2025

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Briston Maroney Shares “Poor Things (Feat. Ben Kweller)” From ‘Jimmy’

Briston Maroney is back with the brand new single, “Poor Things (Feat. Ben Kweller),” available now via Atlantic Records. It brings a fresh collaborative spark to “Poor Things,” a standout from Maroney’s third studio album ‘Jimmy’, which is out now and already landing with listeners who love guitar-forward songs that feel personal without ever losing their bite.

Ben Kweller brings a warm, kindred spirit to the track, describing Maroney as a new gen rock artist with a gift for sincere songs that feel like a real conversation. Co-produced by Maroney and Alex Farrar, ‘Jimmy’ leans into the split-screen reality of growing up between two worlds, and it is already drawing attention from outlets like Consequence of Sound, FLOOD, Melodic Magazine, and Ones To Watch.

Biffy Clyro Returns to Roots with ‘Futique’

Music

Eric Alper

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Dec 28, 2025

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Biffy Clyro Returns to Roots with ‘Futique’

Biffy Clyro have been stacking up big moments lately, the kind that feel like a victory lap and a fresh start at the same time. Glastonbury, Radio 1’s Big Weekend, TRNSMT, plus a packed album launch show at HERE at Outernet all point to one thing: the band are charging into their next chapter with real purpose, and it all builds to the release of ‘Futique’.

The title says it all. ‘Futique’ is their word for those beautiful, sad, fleeting flashes that only land with full weight once you look back. That sense of memory catching up with you runs through the record, pairing a clear-eyed look at their roots with a forward push that keeps the trio sounding fearless and fully alive.

Simon Neil describes aiming for songs that scale the peak melodically, with every track reaching for something huge and heartfelt. He also speaks to a kind of personal vow behind the writing, making sure the songs feel honest enough to revisit years down the line and still recognize the person who made them.

Postmodern Jukebox Taps Kyndle Wylde for 007-Style ‘Barracuda’

Music

Eric Alper

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Dec 28, 2025

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Postmodern Jukebox Taps Kyndle Wylde for 007-Style ‘Barracuda’

Imagine if the Wilson sisters had been commissioned to write a theme for a vintage spy thriller. Scott Bradlee’s Postmodern Jukebox recently pulled off that exact genre-swap by transforming Heart’s 1977 riffer ‘Barracuda’ into a sultry, 1970s James Bond-style noir. Featuring the powerhouse vocals of Kyndle Wylde—decked out in a cinematic trench coat—the track replaces galloping hard rock with a brassy, mid-tempo swagger. It is a masterclass in uncovering the hidden jazz bones beneath a heavy metal heart.

Puddles Pity Party Delivers Haunting “Where Is My Mind?” Pixies Cover

Music

Eric Alper

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Dec 28, 2025

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Puddles Pity Party Delivers Haunting “Where Is My Mind?” Pixies Cover

Ever wonder what happens when a seven-foot-tall, opera-singing clown decides to deconstruct one of the most iconic anthems of the late-80s alt-rock explosion? Puddles Pity Party has done exactly that with a new, beautifully fragile take on the Pixies’ ‘Where Is My Mind?’. Backed by Rich Rowlinson’s delicate piano and a multi-instrumental assist from Tim DeLaney, Puddles manages to strip away the jagged surf-punk grit of the ‘Surfer Rosa’ original, replacing it with a sense of velvet-voiced longing. It’s a strange, “fast and loose” interpretation that reminds us why certain songs are bulletproof—no matter how many “slippery fish” lyrics you throw at them.

Descendents Reclaim Legacy With ‘Milo Goes To College’ Reissue Series

Music

Eric Alper

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Dec 28, 2025

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Descendents Reclaim Legacy With ‘Milo Goes To College’ Reissue Series

The punk landscape changed forever with the 1982 release of Descendents’ debut, ‘Milo Goes to College’. This foundational record successfully merged the raw speed of hardcore with the melodic sensibilities that would later define pop-punk. Over four decades later, its cultural footprint remains massive, having earned high honors on essential lists from Rolling Stone, Spin, and Pitchfork. Now, the band has officially reclaimed their early catalog, partnering with Org Music to launch an extensive reissue campaign that prioritizes preservation over mere nostalgia.

The campaign kicked off this past autumn with the restored reissue of ‘Milo Goes to College’, available on LP, CD, and cassette. A highlight of the release is the limited Punk Note edition, featuring alternate packaging by John Yates. Inspired by the legendary Blue Note jazz aesthetics of Reid Miles and Francis Wolff, this edition includes new liner notes by BrooklynVegan senior editor Andrew Sacher. Following this successful launch, the band recently released the 40th-anniversary edition of their sophomore effort, ‘I Don’t Want to Grow Up’, this past November, continuing the series in semi-chronological order.

Looking ahead to 2026, the band’s mission to provide access to their early New Alliance and SST-era recordings remains in full swing. Future installments in the series will include definitive reissues of ‘Enjoy!’, ‘ALL’, and the essential ‘Bonus Fat’ compilation—each overseen directly by the band members to ensure total creative control. To celebrate this new chapter, Descendents will embark on a co-headlining North American tour with Frank Turner & The Sleeping Souls starting in February 2026, bringing these newly restored classics to stages across 18 cities.

‘Milo Goes to College’ Variants:

Widely Available: Black LP, Grey Matter LP, Punk Note Edition (Black), CD, Cassette
Org Music Exclusive: Punk Note Edition (Silver Vinyl)
Descendents Exclusive: Suspended Gold LP
Zia Records Exclusive: Pink LP
Rough Trade Exclusive: Smoke LP
Tapehead City Exclusive: Coffee Cassette

Bad Wolves Elevate Hard Rock Sound With ‘Die About It’ Deluxe Edition

Music

Eric Alper

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Dec 28, 2025

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Bad Wolves Elevate Hard Rock Sound With ‘Die About It’ Deluxe Edition

Platinum-certified hard rock force Bad Wolves recently expanded their sonic boundaries with the arrival of the deluxe edition of their fourth studio album, ‘Die About It’, via Better Noise Music. This massive 23-track collection introduces nine new songs, highlighted by the explosive focal track “Hanging On To Thunder” featuring Australian pop-punk favorites Stand Atlantic. Drummer and founder John Boecklin describes the collaboration as a career standout that preaches strength in adversity, blending the band’s signature heavy riffs with an “insane” vocal performance from the guest features. The expanded record also includes the reimagined “Say It Again” featuring Lauri Ylönen of The Rasmus, alongside orchestral and live renditions of fan favorites like “Legends Never Die” and “Bad Friend.” Having already surpassed 32 million streams for the original release, this deluxe chapter reinforces the band’s reputation for combining raw power with polished, stadium-ready hooks.

Lily DeTaeye Captures Lived-In Intimacy On ‘Studio 3 Live at Iowa PBS’

Music

Eric Alper

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Dec 28, 2025

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Lily DeTaeye Captures Lived-In Intimacy On ‘Studio 3 Live at Iowa PBS’

New York-based songwriter Lily DeTaeye recently unveiled her first live album, ‘Studio 3 Live at Iowa PBS’, a 14-track collection that strips her folk-rock sound down to its barest essentials. Recorded in a single unvarnished session with her Des Moines band—comprising Chris Hansen, Steph Graham, and Bryan Vanderpool—the record avoids digital polish in favor of raw, analog warmth. The project was first released as an exclusive vinyl through Midtopia’s “Buy Before You Stream” initiative before arriving on digital platforms this past November. Lead single “Maybe It’s November” anchors the album with a haunting, Jeff Buckley-inspired exploration of seasonal depression and quiet endurance. By leaning into the imperfections of a live performance, DeTaeye delivers a bold assertion of presence that feels both tactile and communal.

The record serves as a significant milestone for the Iowa native, who began her career busking at farmers markets at just thirteen years old. Since her move to New York, her songwriting has evolved to balance whimsical eccentricity with grounded emotional truth, as heard on standout tracks like “Bullheads” and “Hostess.” This live document, pressed at Third Man Pressing, captures the kinetic energy of her recent performances at iconic venues like Café Wha? and Brooklyn’s Artmageddon. By choosing to release these unvarnished takes, DeTaeye reinforces her reputation as a resilient artist unafraid of vulnerability. The album not only highlights her signature harmonica work and soulful vocals but also documents a specific geographic and emotional transition in her flourishing career.

Cyndi Thomson Reclaims “Life Ain’t Always Beautiful” In New Single

Music

Eric Alper

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Dec 28, 2025

0

Cyndi Thomson Reclaims “Life Ain’t Always Beautiful” In New Single

Country artist Cyndi Thomson recently returned to her songwriting roots with the digital release of her own version of “Life Ain’t Always Beautiful.” Originally co-written by Thomson and Tommy Lee James, the track became a massive career-defining hit for Gary Allan two decades ago. Now stepping back into her own words, she offers a perspective shaped by the trials and triumphs she has lived through since the song first topped the charts. This recording captures the truth that beauty often emerges from struggle and carries a deeper emotional weight than ever before.

The release follows her recent ‘Acres of Diamonds’ EP which arrived this past May to celebrate the life she built while away from the spotlight. Thomson remains candid about her personal journey and her version of this classic serves as both an artistic homecoming and a powerful reminder of the healing nature of music. Her signature soaring vocals and timeless storytelling are on full display as she reconnects with the foundations of her artistry. This vulnerable and authentic glimpse into her journey highlights why she remains such a respected voice in the country music community.

Julia Michaels Celebrates Resilience In New “No Heartbreaks Killed Me Yet” Single

Music

Eric Alper

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Dec 28, 2025

0

Julia Michaels Celebrates Resilience In New “No Heartbreaks Killed Me Yet” Single

Global pop force Julia Michaels recently shared her empowering new single “No Heartbreaks Killed Me Yet” via her own independent label, GFY Records. This indie-pop anthem serves as a vibrant follow-up to her recent ‘Second Self’ EP and highlights the diary-style storytelling that has defined her nearly decade-long career. The track features an unshakable hook and soaring melodies that celebrate the strength found in moving forward after a relationship ends. Michaels wrote the song during a prolific creative season, maintaining her status as one of the most trusted architects in the modern music landscape. Fans are already gravitating toward the resilient spirit of the record as it marks a bold step in her journey as a primary artist.

The release comes on the heels of a massive year for the multi-platinum songwriter, who recently co-wrote global hits for Sabrina Carpenter and Tate McRae. With over sixty billion streams across her songwriting catalog and nearly two hundred platinum certifications, her influence on the charts remains unmatched. Earlier this year, she released the six-track ‘Second Self’ collection which included the cheeky Maren Morris collaboration “Scissors” and the playful focus track “GFY.” By taking full artistic ownership through her new label, Michaels continues to bridge the gap between high-profile pop industry success and intimate, raw performance. Her ability to blend sharp puns with emotional clarity ensures that every new release feels both personally specific and universally resonant for a global audience.