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Mariah The Scientist And Kali Uchis Bring Courtroom Drama To “Is It a Crime?”

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Mariah The Scientist unveils the striking new video for “Is It a Crime?” featuring Kali Uchis, a cinematic continuation of the world she’s built around ‘Hearts Sold Separately’, out now. Directed by Claire Bishara, the visual leans fully into allegory, placing Mariah in the role of a defense lawyer navigating the fallout of the album’s ongoing “war on love” storyline. Kali Uchis appears as a key member of the defense team, delivering her verse with calm authority as the narrative unfolds inside a charged courtroom setting. It’s dramatic, intentional, and visually gripping, turning emotional stakes into lived-in theater.

The song anchors one of Mariah’s strongest creative runs yet, following the platinum-certified “Burning Blue” and the album’s chart-topping debut. Across this campaign, she explores devotion, rupture, and longing through tightly woven music and visuals that feel cohesive and fearless. “Is It a Crime?” sharpens that focus, pairing vulnerability with resolve and letting metaphor carry the weight. It’s a powerful chapter in a story that keeps unfolding with clarity and control.

HEALTH Go Heaviest Yet On “VIBE COP” With Willie Adler

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HEALTH unleash “VIBE COP,” a crushing new single featuring Willie Adler that leans fully into industrial metal excess and intensity. Stacked with serrated guitars and pummeling momentum, the track nods to classic industrial influences while pushing HEALTH’s sound into even heavier territory. It’s blunt, physical, and unapologetic, a track that thrives on density and pressure. This one absolutely stomps, pure force with zero restraint.

“VIBE COP” appears on HEALTH’s album ‘CONFLICT DLC’, out now, a record built as a high-octane release for the band’s wide-ranging coalition of listeners. The project continues their evolution from noise-driven experimentation into a fully realized industrial metal machine, embracing maximalism and existential weight without losing momentum. With Adler’s guest guitar work adding extra muscle, “VIBE COP” stands out as a defining moment, loud, relentless, and fully committed to impact.

Tour Dates:

03/31 – San Francisco, CA – The Warfield
04/03 – Portland, OR – Roseland Theater
04/04 – Vancouver, BC – Vogue Theatre
04/05 – Seattle, WA – Showbox SoDo
04/07 – Salt Lake City, UT – The Union Event Center
04/08 – Denver, CO – The Mission Ballroom
04/10 – Minneapolis, MN – First Avenue
04/11 – Chicago, IL – The Salt Shed
04/12 – Royal Oak, MI – Royal Oak Music Theatre
04/14 – Toronto, ON – HISTORY
04/15 – Montreal, QC – MTELUS
04/17 – Boston, MA – House of Blues
04/18 – Brooklyn, NY – Brooklyn Paramount
04/19 – Philadelphia, PA – Franklin Music Hall
04/20 – Washington, DC – 9:30 Club
04/22 – Nashville, TN – Brooklyn Bowl
04/24 – Albuquerque, NM – Sunshine Theater
04/29 – Phoenix, AZ – The Van Buren
05/01 – Los Angeles, CA – Hollywood Palladium
05/04 – Dallas, TX – The Bomb Factory
05/05 – Austin, TX – Emo’s

Jacob Tolliver Fires Back With Piano-Powered Breakup Ripper “If The Phone Ain’t Ringing It’s Me”

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Jacob Tolliver returns with “If The Phone Ain’t Ringing It’s Me,” a cheeky, full-throttle breakup anthem that leans hard into honky-tonk swagger and rock and roll bite. Built around pounding piano, sharp one-liners, and a groove that feels right at home in neon-lit bars, the song delivers attitude with a grin and never looks back. It’s fast, fearless, and wildly fun, the kind of track that makes a clean break feel downright empowering. This one absolutely cooks.

Written with Rick Ferrell and produced by Kyle Lehning, the single highlights Tolliver’s love for up-tempo piano-driven rock while showcasing his personality front and center. With millions of TikTok views and growing praise for his musicianship, this release lands as another confident step forward. “If The Phone Ain’t Ringing It’s Me” feels loose, loud, and self-assured, a reminder that Tolliver thrives when he lets the keys fly and tells it like it is.

Starmen Return With Fifth Album ‘Starmenized II’

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Starmen roar back into action with their fifth studio album ‘Starmenized II’, out now, delivering a bold continuation of the sound and spirit that has defined their rise. Drawing from both brand-new material and previously unreleased songs from the ‘Starmenized’ sessions, the album feels expansive and energized, packed with driving riffs, melodic hooks, and arena-ready confidence. The lead single “Trouble” sets the pace immediately, bursting forward with urgency and attitude. This record hits with joy, volume, and purpose.

Produced by Kristian Hermanson, mixed and mastered by CJ Grimmark, and visually shaped by Jonatan Samuelsson, ‘Starmenized II’ embraces the band’s theatrical identity while sharpening its musical edge. Tracks like “Born to Rock,” “Shark in the Dark,” and “15 Minutes of Pain” deliver punch and momentum, while deeper cuts flesh out the album’s flow with heart and grit. Everything here feels intentional and fully charged, a celebration of hard rock craftsmanship delivered with conviction.

Formed in 2018 as a colorful homage to the heroes of seventies and eighties rock, Starmen have steadily built a catalog rooted in melody, power, and personality. ‘Starmenized II’ captures that essence while pushing forward with fresh fire, balancing nostalgia with clarity and force. It’s loud, proud, and unmistakably Starmen, a record that invites you to turn it up and stay there.

Metro Boomin Throws It Back With “Take Me Thru Dere” Video

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Metro Boomin keeps his milestone year rolling with the throwback-style video for “Take Me Thru Dere,” a standout cut featuring Quavo, Breskii, and Ykniece. Pulled from ‘Metro Boomin Presents: A Futuristic Summa (Hosted by DJ Spinz)’, out now, the visual dives headfirst into late nineties and early aughts Southern rap aesthetics, packed with street energy, exotic cars, and a full neighborhood celebration. It feels vibrant, communal, and rooted in culture, capturing the joy and swagger that defined an era while keeping the momentum firmly in the present. This video is a blast of Atlanta spirit, loud and proud.

The song’s rise has been just as electric, stacking millions of streams and climbing to the top of Shazam and TikTok charts while making waves across Apple Music and Billboard. Across the project, Metro rewinds to the formative Futuristic Era of Atlanta hip hop, bringing together icons and rising voices to honor the city’s influence and evolution. There’s real excitement in how this record balances reverence and freshness, and “Take Me Thru Dere” stands tall as a centerpiece, radiating fun, history, and forward motion all at once.

Taylor Acorn Rips Back Into Pop Punk With “Crashing Out”

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Taylor Acorn keeps the momentum blazing with “Crashing Out,” a sharp, high-energy pop-punk rush that leans straight into nostalgia without losing its edge. Built on thick guitars, punchy drums, and a chorus that hits fast and hard, the song captures the emotional whiplash of a romance that never quite settles down. It’s loud, cathartic, and instantly gripping, the kind of track that feels ripped from the early 2000s but fully alive right now. This one is a blast, all hooks and heat with zero hesitation.

“Crashing Out” follows a strong run of singles and arrives as Acorn steps into a new chapter with her debut LP ‘Poster Child’, out now. Written alongside Dylan Bauld and Mandy Lee of Misterwives, the song highlights Acorn’s gift for pairing emotional grit with undeniable melody. Drawing from the spirit of artists like Avril Lavigne and Paramore, she puts a modern stamp on pop-punk that feels fearless and fully her own. This track moves with confidence and joy, the sound of an artist leaning all the way into what she does best.

Whiskey Myers Hit Full Throttle On ‘Whomp Whack Thunder’

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Whiskey Myers charge ahead on ‘Whomp Whack Thunder’, a record that captures the sweat, grit, and momentum earned from years on the road. Hailed by Rolling Stone as their most supercharged album yet, it leans into the raw force that has always powered the band, loud guitars, lived-in stories, and songs that move with instinct rather than rules. There’s nothing polished for polish’s sake here. This album hits hard, moves fast, and feels fully alive.

Produced by Jay Joyce, the record thrives on spontaneity and feel, letting the band react in real time and trust their chemistry as players. Tracks like “Time Bomb,” “Tailspin,” and “I Got To Move” set the pace with urgency and muscle, while cuts like “Icarus,” “Ramblin’ Jones,” and “Break These Chains” dig into blues-soaked swagger and Southern bite. The performances feel lean and immediate, with every note pulling its weight. This album punches with clarity and confidence, the sound of a band locked in and swinging freely.

At its core, ‘Whomp Whack Thunder’ reflects a group that came up the hard way and never lost sight of why they play. There’s reflection here, but it never slows the momentum. Instead, the songs carry the weight of experience while pushing forward with hunger intact. This record feels like a statement made in motion, driven by camaraderie, craft, and the rush that only rock and roll delivers when it’s played without hesitation.

Mickey Guyton Sweetens The Season With Festive New Song “Sugar Cookie”

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Mickey Guyton shares “Sugar Cookie,” a bright, playful holiday track that leans into warmth, romance, and seasonal joy. The song sparkles with cozy imagery and flirtatious charm, pairing Guyton’s expressive vocal with lyrics that feel intimate and fun without overthinking it. It’s light on its feet, full of color, and made to soundtrack fireside moments and shared smiles. This one is pure holiday delight, sweet without being sugary.

“Sugar Cookie” appears on Guyton’s holiday album ‘Feels Like Christmas’, out now, marking her first full-length seasonal release and another showcase of her range as an artist. The album follows a run of standout moments that span genres, stages, and global audiences, from celebrated live performances to international television milestones. There’s a sense of ease and confidence running through this release, and “Sugar Cookie” fits right into that stride, sounding joyful, inviting, and ready to be played on repeat.

Austin Meade Lets It Rip On “BAD DAYS” From ‘ALMOST FAMOUS’

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Austin Meade releases “BAD DAYS,” a straight-shooting, cathartic blast that captures the daily swing between frustration and release with grit and humor intact. Built on red dirt roots, grunge bite, and vintage rock muscle, the song lands fast and loud, pairing southern swagger with a heavy breakdown that hits with purpose. It’s the kind of track that feels instantly lived-in, turning ordinary chaos into something loud, fun, and honest. This one flies on instinct and attitude, and it absolutely rips.

“BAD DAYS” appears on Meade’s upcoming album ‘ALMOST FAMOUS’, out now, a record shaped by home recordings, sharp wit, and unfiltered storytelling. Recorded between a Nashville garage and his Texas bedroom studio, the album leans into identity, nostalgia, and self-awareness without dressing anything up. There’s real joy in how direct this music feels, and “BAD DAYS” stands tall as a rallying cry for outsiders finding clarity through volume. It’s a blast of confidence and heart, the sound of an artist saying exactly what he means and enjoying every second of it.

Choir! Choir! Choir! Unite With Patti Smith And Stewart Copeland In New York

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Choir! Choir! Choir! shared the stage with Patti Smith and Stewart Copeland for a stirring performance of “People Have the Power” at the Onassis Festival 2019 in New York City. Joined by 250 voices from the audience, the rendition transformed Smith’s 1988 anthem into a living, breathing moment of collective energy, filling the room with joy, conviction, and lift. It’s the kind of performance that reminds you how songs grow bigger when everyone sings them together.

The appearance took place during Onassis Festival 2019: Democracy Is Coming, co-presented by The Public Theatre and Onassis USA. With Copeland adding percussion flair using a Brazilian samba frying pan, the performance carried spontaneity and spirit, blending generations, genres, and voices into one shared surge of sound. It’s a joyful, unforgettable example of music creating real momentum in the room, powered by voices raised as one.