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BJRNCK Shares Soulful New Single and Video “Safety” via Geffen Records

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GRAMMY-nominated R&B singer / songwriter BJRNCK returns with her new single and music video for “Safety,” out now via Geffen Records. The music video, directed by Austin “Salty” Simkins, immerses her fans into her intimate world as she leads a sultry dance sequence through a moody, aqua-blue themed room.

The record continues to showcase BJRNCK’s heartfelt storytelling with her melodic and fearless vocals as she sings about loyalty, consistency and what she is looking for when feeling secure in her love life.

This new confident, soulful anthem comes off the heels of her recently released singles, “Crazy” and “Club,” which set the tone of her highly anticipated forthcoming project that is set to be released in a few months. BJRNCK continues to push her breakout year forward, as she unapologetically remains her true and raw self. Over the last few years, BJRNCK has pushed deeper into the spotlight after being recognized as Future & Metro Boomin’s video star in their “Drink N Dance” music video, and was featured on Omarion single, “Sunny Dayz” which led BJRNCK to her first Grammy nomination. While staying true to her mission of raw honesty, the Chicago-born artist pulls back the curtain on the messy, beautiful reality of modern love and woman-hood. With lyrics that feel like a conversation and production that pulls you in, BJRNCK’s music is a reflection of the real, unfiltered moments that anybody can relate to in their own way. More music and surprises are on the way, and it’s clear this will be the year she truly makes her mark.

Electric Lady Ignite Rock’s Flame with New Single “I’m Done (I’ve Had Enough)”

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Rising rock band Electric Lady—fronted by powerhouse vocalist Tereza Rays, with drummer Robin Evans and bassist Cayman—is here to prove that rock and roll doesn’t need a comeback tour. It never left. But if it did decide to clock back in, it would sound like their fiery new single, “I’m Done (I’ve Had Enough).”

Driven by a searing guitar echo, the track stands as a fierce manifesto of rebellion—everything rock was built on, and everything Electric Lady is bringing back with force. 

Forming a creative bond with Paul Bond (Wars Of The World) and Kenney Jones (drummer for rock legends The Who), who plays on upcoming single “One Way Ticket,” frontwoman Tereza Rays channels raw emotion—aggravation, exhaustion, and unapologetic boldness—into every note she delivers. Her relationship with rock is personal, visceral, and uncompromising. With “I’m Done (I’ve Had Enough),” she doesn’t just perform the song—she lives it. It’s a spitfire anthem that cuts through conformity, staking a claim for rock’s continued relevance in a world that too often sidelines its edge.

Founded in 2013, Electric Lady burst onto the scene with “Storm,” sending thick, electric clouds roaring across the airwaves. Since then, their music has reached corners of the world through hundreds of concerts across Europe, the United States, and the United Kingdom. Now gearing up to support Wahnout on tour this November, Electric Lady is on a mission to make sure the world hears rock’s roar—loud and clear.

Nyxy Nyx Preview ‘Cult Classics Vol. 1’ with Fuzzed-Out New Single “Ashtray”

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Philadelphia cult favourites Nyxy Nyx are excited to share the latest preview of their first proper studio record, Cult Classics Vol. 1, due out September 12, 2025, via Julia’s War Recordings. Out today is “Ashtray,” an intensely noisy track that insulates contemplative lyricism in layers of fuzzed-out guitars. The almost six-minute-long song breaks down into a cacophony of noise, before melting into an interlude of silence, a hurricane of riffs, and then a calming array of instrumentals.

Last month, the band announced the incoming record with world-tilting lead single “in haze” acting as a first taste for what the band has in store—the song twinkles and trudges on slowly through drones of guitar and delicate ripples of melancholy vocals.

A prolific member of the Philly DIY scene, Nyxy Nyx began in 2014 as a performance art project, slowly morphing into a legendary scene go-to and gaining a cult following along the East Coast. Earlier this year, they shared a standalone single, “the cauldron” and full-length project Real Life, adding to their ever-changing, eclectic discography.

Cult Classics Vol. 1 Track Listing:

1. Empty Gesture
2. They Called U Wild
3. Hold Me (I’m Shaking)
4. I Don’t Know Much About Love
5. Ashtray
6. The Stray
7. In Haze
8. Endless Hex

Wenzl McGowen of Moon Hooch Drops “Higher” with Sunkanmi and Plans Brooklyn Warehouse Party

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Affectionately known as the Traffic Cone Sax Man to his millions of social media followers or as a founding member of the internationally acclaimed jazz-electronic fusion trio Moon HoochWenzl McGowen is now shifting his focus to new solo projects. The dynamic multi‑instrumentalist, producer, DJ, author, and musical innovator has released the uplifting single “Higher” with Nigerian singer-songwriter Sunkanmi. To celebrate its release, WENZL is returning to his gritty DIY roots by throwing a special one-night-only warehouse dance party in Brooklyn on Saturday, August 23.

“Higher,” a propulsive, genre-blurring dance track that seamlessly blends infectious Afrobeat rhythms, bold saxophone lines and uplifting energy, includes a standout vocal performance from a Nigerian singer-songwriter Sunkanmi. Capturing WENZL’s signature approach–pushing boundaries between electronic music, live instrumentation, and global influences to create something uniquely positive, physical and alive–the track is a celebration of rhythm, connection and creative freedom designed to move bodies while elevating the mood.

Meanwhile, WENZL’s August 23 Brooklyn warehouse dance party guarantees good times for NYC’s underground landscape. Bringing his signature mix of hypnotic sax, electronic textures, and high-energy to a raw, immersive setting, the night will feature a lineup of dynamic DJs, building up to a headlining DJ and live sax set from WENZL. Tickets are on sale now.

Daniel Day-Lewis Returns in ‘ANEMONE,’ Directed by Ronan Day-Lewis

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Daniel Day-Lewis, cinema’s most elusive master, is back. ‘ANEMONE,’ directed by his son Ronan, marks a rare return to acting. The film pairs him with Sean Bean and Samantha Morton—two acting heavyweights. With its October 3 release, anticipation is soaring in cinephile circles.

Hayes Carll to Make CBS Saturday Morning Debut and Launch ‘We’re Only Human’ Tour

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Celebrated, Grammy-nominated artist Hayes Carll will make his debut appearance on CBS Saturday Morning this Saturday, August 23rd. Carll and his band will perform three songs from his critically acclaimed new album We’re Only Human (released August 8th via Hwy 87/Thirty Tigers).

Carll will kick of an extensive headlining tour in support of We’re Only Human on September 4th in his hometown of Houston, TX, with dates that run through November (see full list of dates below). Carll will perform in Nashville on September 11th as part of the 2025 AmericanaFest, and he will also be a presenter at the Americana Honors & Awards at the Ryman Auditorium on September 10th.

Throughout Hayes Carll’s career he has crafted songs filled clever character narratives and sage perspectives while looking outward. On We’re Only Human he looks deeply inward for the most introspective and personal work he has created. His songs brim with pensive lyrics, grit and, of course, just the right touch of sardonic wit.

We’re Only Human remains in the Top 5 on both the Americana Album and Singles charts. The album has garnered unanimous praise from the press, including Rolling Stone, NPR Music, No Depression, American Songwriter, Magnet Magazine, Glide Magazine, Holler, Saving Country Music, Chorus.fm, Americana Highways, Twangville and so many more.

HAYES CARLL WE’RE ONLY HUMAN FALL TOUR DATES
9/4 – Houston, TX – The Heights Theater ^
9/5 – Austin, TX – Scoot Inn ^
9/6 – Dallas, TX – Longhorn Ballroom *
9/11 – Nashville, TN – 3rd & Lindsley
9/19 – Saxapahaw, NC – Haw River Ballroom ^
9/20 – Washington, DC – Union Stage ^
9/21 – Philadelphia, PA – Ardmore Music Hall ^
9/23 – Northampton, MA – The Iron Horse ^
9/24 – Hamden, CT – Space Ballroom ^
9/25 – Boston, MA – Brighton Music Hall ^
9/26 – New York, NY – Le Poisson Rouge #
9/27 – Woodstock, NY – Bearsville Theater #
9/30 – Toronto, ON – Horseshoe Tavern #
10/1 – Detroit, MI – El Club #
10/2 – Newport, KY – Southgate House Revival #
10/3 – Cincinnati, OH – Riverbend Music Center +
10/4 – Indianapolis, IN – Turntable #
10/5 – Cleveland, OH – Beachland Ballroom #
10/7 – Cuyahoga Falls, OH – Blossom Music Center +
11/1 – Atlanta, GA – Terminal West %
11/2 – Ponte Vedra, FL – Ponte Vedra Concert Hall %
11/4 – Tampa, FL – Skipper’s Smokehouse %
11/6 – Pensacola, FL – Vinyl Music Hall %
11/7 – New Orleans, LA – Tipitina’s %
11/8 – Philadelphia, MS – Marty Stuart’s Ellis Theater %
11/9 – Memphis, TN – 1884 Lounge %
11/11 – St Louis, MO – Off Broadway #
11/12 – Louisville, KY – Headliner’s Music Hall #
11/13 – Columbus, OH – A&R Music Bar #
11/14 – Bloomington, IL – Castle Theater #
11/15 – Des Moines, IA – Wooly’s #
11/16 – Omaha, NE – Waiting Room #
11/18 – Fargo, ND – Sanctuary Events Center #
11/19 – St. Paul, MN – Amsterdam Bar & Hall #
11/21 – Evanston, IL – Space #
^ with Jonathan Terrell

  • with Ray Wylie Hubbard & Hannah Juanita

% with Jobi Riccio

  • w/ Tyler Childers

‘DEVO’ Documentary Hits Netflix as Band Preps “Cosmic De-Evolution Tour” with The B-52’s

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DEVO, the feature documentary about the pioneering New Wave band DEVO, is now streaming globally as a Netflix Original. The film premiered to rave reviews from critics and audiences alike at Sundance 2024.

Acclaimed filmmaker Chris Smith (Wham!Fyre100 Foot Wave, and Jim & Andy: The Great Beyond) captures the gloriously radical spirit that is DEVO – a rare band founded by a philosophy; a Dada experiment of high art meets low, hellbent on infiltrating American popular culture. Through never-before-seen archival and interviews with Mark Mothersbaugh, Bob Mothersbaugh, and Jerry Casale, DEVO relishes in the highs, lows, surreal moments and incredible performances of a 50-year career, embracing the spectacle of the band from their lo-fi beginnings to pioneers of the music video in the early days of MTV’s cultural dominance. 

Band members are open with their memories and archives, charting their origins as Kent State University arts students shaped by the activism of the late 1960s. Following the 1970 massacre on their campus, the band’s concept of cultural “De-Evolution” turned from satirical humor to urgent social commentary, and what began as subversive counterprogramming to KSU’s 1973 arts festival would go on to warn of, comment on, and reflect back the absurdism of the late 20th century. Finding mainstream success at the height of 1980s consumerism, DEVO soundtracked the De-Evolution they’d long predicted – and influenced a 21st century they’d have never believed. 

DEVO is a Library Films / VICE Studios production in association with Mutato Entertainment, presented by BMG, Undeniable (a Fremantle label), and Warner Music Group. The film is available exclusively on Netflix. Listen to the DEVO Netflix Official Playlist here: https://netflixmusic.ffm.to/devo.

Accompanying the band’s documentary is a companion piece, Energy Dome Frequencies: Songs From The DEVO Documentaryavailable as a 1LP and CD on October 31. Pre-order HERE. Featuring unforgettable DEVO hits like “Girl U Want,” “Uncontrollable Urge,” and their platinum-certified single, “Whip It.”

Energy Dome Frequencies: Songs From The DEVO Documentary track listing:

Side One

  1. Mongoloid (Warner Version)
  2. Jocko Homo (Warner Version)
  3. (I Can’t Get No) Satisfaction
  4. Uncontrollable Urge
  5. Girl U Want
  6. Freedom Of Choice

Side Two

  1. Whip It
  2. Gates Of Steel
  3. Working In The Coal Mine
  4. Beautiful World
  5. Through Being Cool
  6. That’s Good

Up next, the group is gearing up to unite with The B-52’s for the 2025 “Cosmic De-Evolution Tour”: a co-headlining 12-date run serving as both bands’ continuing concert farewells. Lene Lovich will open the celebratory trek, which launches September 24th in Toronto and wraps November 2nd in Houston. Tickets are available now at LiveNation.com.

COSMIC DE-EVOLUTION TOUR DATES 2025:

9/24 – Toronto, ON @ Budweiser Stage

9/25 – Clarkston, MI @ Pine Knob Music Theatre

10/2 – Mansfield, MA @ Xfinity Center

10/4 – Holmdel, NJ @ PNC Bank Arts Center

10/5 – Wantagh, NY @ Northwell at Jones Beach Theater

10/16 – Mountain View, CA @ Shoreline Amphitheatre

10/18 – Los Angeles, CA @ Hollywood Bowl

10/19 – Los Angeles, CA @ Hollywood Bowl

10/24 – Charlotte, NC @ PNC Music Pavilion

10/25 – Alpharetta, GA @ Ameris Bank Amphitheatre

11/1 – Austin, TX @ Germania Insurance Amphitheater                                  

11/2 – Houston, TX @ The Cynthia Woods Mitchell Pavilion Sponsored by Huntsman

In 1973, out of the remnants of late ’60s political activism and the rising post-punk music climate, the seminal band DEVO was born. The formative lineup consisted of two sets of brothers—Mark and Bob Mothersbaugh, and Gerald and Bob Casale—along with drummer Alan Myers, all hailing from Akron, Ohio. The band’s prophetic message of “Devolution” and their strikingly original fusion of electronics and punk made them a singular influence throughout the ’80s and into the ’90s.

 DEVO began when Mark Mothersbaugh and Gerald Casale met as students at Kent State University and began exchanging ideas about art and music. Deeply influenced by the Vietnam War, campus protests, and the tragic Kent State shootings of May 1970, the duo started making films and writing songs that would evolve into a wholly unique performance style. Their art-meets-music ethos quickly propelled them into the spotlight as one of the most high-profile acts in the New Wave movement, earning them a fervent cult following that included David Bowie, Iggy Pop, and Neil Young.

 In 1978, after an impromptu endorsement at Max’s Kansas City where David Bowie declared them “the band of the future,” DEVO was whisked off to Germany. There, Brian Eno—along with Bowie’s collaboration—produced their debut album Q: Are We Not Men? A: We Are DEVO!. The record caught the attention of both critics and the industry, helping the band build a devoted following. It wasn’t until their third album, Freedom of Choice—produced by Bob Margouleff and featuring the double-platinum single Whip It—that DEVO became a worldwide phenomenon.

 The band continued to evolve, releasing influential albums such as New Traditionalists,, Oh No! It’s DEVO, and Shout. Their visual and sonic innovations helped define the aesthetic of the early MTV era.

 In 1990, DEVO went on hiatus to pursue other creative paths. Mark Mothersbaugh received a call from friend Paul Reubens and went on to compose the theme and music for Pee-wee’s Playhouse. This unexpected opportunity launched him into a prolific career in film and television composition. He founded Mutato Muzika—a full-service music production house and a nod to his DEVO roots (“mutant” + “potato”)—and brought in Bob Mothersbaugh and Bob Casale. Based in the iconic Oscar Niemeyer building on Sunset Boulevard, Mutato became one of the most successful music houses in Hollywood. Mark has since become one of the most in-demand and highest-grossing composers in the industry. In addition to hundreds of commercials, games, and television projects, his film scores include The Rugrats MovieRushmoreThe Royal TenenbaumsThe Lego MovieThor: RagnarokCocaine Bear, and most recently, A Minecraft movie.

 Gerald Casale, director of most of DEVO’s music videos, became a notable figure in the MTV revolution, directing videos for bands like Rush, Foo Fighters, Soundgarden, and Silverchair. He also built a successful commercial career, directing for brands including Miller Lite, Diet Coke, Mrs. Butterworth’s and Tang.

 In 1996, DEVO reunited for the first time in six years at the Sundance Film Festival to an exuberant crowd—DEVO was back. With the original lineup intact (except for Alan Myers, who was replaced by drummer Josh Freese), the band reignited their live performance legacy. Freese remained with DEVO for nearly two decades.

Since then, DEVO has continued to perform at festivals and venues around the globe. Their message feels more relevant than ever, and their influence can be heard in bands ranging from Rage Against the Machine and Nirvana to LCD Soundsystem and Santigold. Kurt Cobain once said, “Of all the bands who came from the underground and made it in the mainstream, DEVO were the most challenging and subversive of all.” (Nirvana covered DEVO’s Turnaround, featured on their 1992 compilation Incesticide.)

 In 2023, DEVO embarked on their 50th Anniversary Tour, featuring three original members—Mark and Bob Mothersbaugh, and Gerald Casale. Jeff Friedl now holds the drumsticks, and Josh Hager has taken over for the late Bob Casale on rhythm guitar and synths. Their high-energy performances blend punk, rock, and synth-pop in a way that continues to astonish and delight audiences.

Dua Lipa Opens ‘Radical Optimism’ Pop-Up in Toronto Ahead of Tour Kickoff

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Ahead of the highly anticipated North American leg of her Radical Optimism Tour, global pop powerhouse Dua Lipa will open a Radical Optimism Pop-Up Store for fans in Toronto to celebrate the North American kickoff. 

The store will open on Saturday, August 30th and Sunday, August 31st from 11am to 6pm ET and will be located at Transmission Studio (58 Berkeley St, Toronto, ON M5A 2W6)

As with previous fan pop-ups in Australia and the UK, the pop-up will offer visitors an immersive retail experience with exclusive merch, unique photo opportunities, and a refreshment station serving one of her favorite drinks available for sale to all guests. 

Eligible American Express® Cardmembers can enjoy exclusive perks including:

  • Early access to the pop-up from 10am-11am ET each day for themselves and one guest
  • A dedicated checkout line 
  • Access to purchase an exclusive merchandise item 
  • One complimentary gift with any purchase made with an eligible Amex® Card

While supplies last. Capacity limitations and terms apply. See HERE for more details.

For a full list of Dua’s tour dates across North America and Latin America, please see below.

Dua Lipa – Radical Optimism Tour Dates
NORTH AMERICA

Monday, September 01 – Toronto, ON – Scotiabank Arena

Tuesday, September 02 – Toronto, ON – Scotiabank Arena

Friday, September 05 – Chicago, IL – United Center

Saturday, September 06 – Chicago, IL – United Center

Tuesday, September 09 – Boston, MA – TD Garden

Wednesday, September 10 – Boston, MA – TD Garden

Saturday, September 13 – Atlanta, GA – State Farm Arena

Sunday, September 14 – Atlanta, GA – State Farm Arena

Wednesday, September 17 – New York, NY – Madison Square Garden

Thursday, September 18 – New York, NY – Madison Square Garden

Saturday, September 20 – New York, NY – Madison Square Garden

Sunday, September 21 – New York, NY – Madison Square Garden

Friday, September 26 – Miami, FL – Kaseya Center

Saturday, September 27 – Miami, FL – Kaseya Center

Tuesday, September 30 – Dallas, TX – American Airlines Center

Wednesday, October 01 – Dallas, TX – American Airlines Center

Saturday, October 04 – Los Angeles, CA – Kia Forum

Sunday, October 05 – Los Angeles, CA – Kia Forum

Tuesday, October 07 – Los Angeles, CA – Kia Forum

Wednesday, October 08 – Los Angeles, CA – Kia Forum

Saturday, October 11 – San Francisco, CA – Chase Center

Sunday, October 12 – San Francisco, CA – Chase Center

Wednesday, October 15 – Seattle, WA – Climate Pledge Arena

Thursday, October 16 – Seattle, WA – Climate Pledge Arena

LATIN AMERICA

Friday, November 07, 2025 – Buenos Aires, Argentina – Estadio River Plate

Saturday, November 08, 2025 – Buenos Aires, Argentina – Estadio River Plate

Tuesday, November 11, 2025 – Santiago, Chile – Estadio Nacional

Wednesday, November 12, 2025 – Santiago, Chile – Estadio Nacional

Saturday, November 15, 2025 – São Paulo, Brazil – MorumBIS

Saturday, November 22, 2025 – Rio de Janeiro, Brazil – Estadio Nilton Santos

Tuesday, November 25, 2025 – Lima, Peru – Estadio Nacional or Estadio San Marcos

Friday, November 28, 2025 – Bogotá, Colombia – Estadio El Campín

Monday, December 01, 2025 – Mexico City, Mexico – Estadio GNP Seguros

Tuesday, December 02, 2025 – Mexico City, Mexico – Estadio GNP Seguros

Friday, December 05, 2025 – Mexico City, Mexico – Estadio GNP Seguros

The Beatles’ Anthology Book Returns: 25th Anniversary Edition Out October 14

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The landmark international bestseller—The Beatles’ own story, in their own words—reissued on the 25th anniversary of its first publication.

From their years growing up in Liverpool through their ride to fame to their ultimate breakup, here’s the inside story. Interwoven with The Beatles’ own memories are the recollections of such associates as road manager Neil Aspinall, producer George Martin, and spokesman Derek Taylor.

the beatles anthology book

The Beatles Anthology is a once-in-a-lifetime volume: warm, frank, funny, poignant, and bold—just like the music that’s been a part of so many of our lives. It is, for the first time, the story of The Beatles by The Beatles. Created with the full cooperation of Paul, George, Ringo, and Yoko Ono Lennon, it also includes the words of John, painstakingly compiled from sources worldwide. In effect, The Beatles Anthology is The Beatles’ autobiography.

the beatles anthology book

Featuring over 1,300 images—most previously unpublished—the book is brimming with personal stories and rare vintage photographs. Paul, George, Ringo, and Yoko Ono Lennon all opened their archives for this project, as did Apple, EMI, and others long associated with The Beatles. The result is an extraordinary wealth of visual material: snapshots from family collections, photographs, documents, and memorabilia, all bringing the story to life.

John Lennon, Paul McCartney, George Harrison, and Richard Starkey recount their early years in Liverpool, before weaving back and forth through the astonishing tale of life as The Beatles: the first rough gigs, the phenomenon of their rise to fame, the musical and social change of their heyday, and the journey through to their breakup. From the time Ringo tried to take his drum kit home on the bus, to their much-anticipated meeting with Elvis, from the making of Sgt. Pepper to their final photo session at John’s house—The Beatles Anthology is a collection of memories like no other.

“Who knows why the Beatles happened?” John Lennon asked in 1980. If anyone did, it would be the Fab Four themselves, who tell their own story—with plenty of visual aids—in this giant compendium. The book opens with the band members’ separate accounts of their childhoods, then moves into a year-by-year format that allows for great detail and digressions. Most of the text appears oral-history style, in short paragraphs with rapid switches between one Beatle and another, making it feel as if they’re being interviewed simultaneously. The visuals add cartoons, signed letters, scrawled drawings, and photos.

This book is perfect for Beatles fans of every generation.

The Beatles Anthology book is available for pre-order here.

“The Beatles Anthology” Expands to Nine Parts With New Episode, Streaming on Disney+ November 26

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The Beatles’ landmark “Anthology” documentary series has been restored and remastered and will air on on November 26, 2025.

The series’ original eight episodes trace the legendary journey that began in Liverpool and Hamburg and soon captivated the world. They bring to life the timeless stories — of Beatlemania, the band’s groundbreaking arrival in the USA, their role at the forefront of the 1960s counterculture, their spiritual exploration in India, and their eventual breakup. And through it all, the constant thread: the music, always the music.

There is now a completely new Episode Nine, including unseen behind-the-scenes footage of Paul, George and Ringo coming together between 1994 and 1995 to work on “The Anthology” and reflecting on their shared life as The Beatles.

The restoration has been overseen by Apple Corps’ production team, working with Peter Jackson’s Wingnut Films & Park Road Post teams along with Giles Martin, who has created new audio mixes for the majority of the featured music.