All photos by Mini’s Memories. You can contact her through Instagram or X.
Photo Gallery: Goo Goo Dolls and Dashboard Confessional at Toronto’s Budweiser Stage on August 10, 2025
Firstborne Unleash Full-Length Album ‘Lucky’ With New Video for ‘Rescue Me’
Firstborne made up of drummer Chris Adler (Lamb of God/Megadeth), soft-shred guitarist Myrone and Girish Pradhan (Girish and the Chronicles/The End Machine) strike with the release of their full-length album, ‘Lucky.’
To commemorate the album release and promo the album further the band have created another unique and entertaining music video for the latest emphasis track “Rescue Me.”
“‘Rescue Me’ was the first song we wrote in person after being penpals for four years,” explains guitarist Myrone. “For me it was this crazy feeling of anticipation as we had been working so hard to get into the same room and we finally did it, almost like a “dog catches car” moment. After we finished setting up Chris looked at me and was like “well what do you got?” and that opening riff is the first thing that fell out of me.”
The music video, directed/edited by Drew Kaufman with puppet design by Natalie Lewis, needs to be viewed to appreciate and follows previous clips – the also clever and entertaining “Wake Up” (also directed by Drew Kaufman) and the lyric video for “Again” a song which is currently enjoying quite a bit of radio airplay at commercial/active rock radio.
All three songs are taken from the full-length album ‘Lucky’ which was produced by the recognized producer Machine (Clutch, King Crimson, Crobot). The album has been made available as a jewelcase CD and limited-edition (300) amber wave colored vinyl.
FIRSTBORNE features legendary drummer Chris Adler (Lamb of God, Megadeth), virtuoso guitarist Myrone (known by some as the originator of soft shred), and electrifying vocalist Girish Pradhan whose other band Girish and the Chronicles performed recently on America’s Got Talent.
Formed in 2019, FIRSTBORNE blend high-energy riffs, soaring vocals, and thunderous rhythms to create a modern yet timeless sound rooted in classic metal, hard rock, and shred guitar. The band first gained attention through a series of independently released singles and EPs between 2020 and 2023, showcasing their signature fusion of melody, technical precision, and relentless groove.
Guitarist Myrone explains how the album came together: “When Chris, Girish, and I got connected in 2019 I said my number one goal in life was to get us all in the same room to jam. Four years later not only did we get in the same room, we went to Machine’s barn in Texas for a month to create 10 piping hot metal jams for the whole world to enjoy. I had written around 150 song ideas before stepping in the studio, and we ended up using none of them. What you hear on the record was entirely written and recorded in Texas.”
With Adler’s iconic drumming, Myrone’s signature guitar work, and Pradhan’s dynamic, powerhouse vocals, FIRSTBORNE are a force to be reckoned with in the hard rock and metal scene – delivering high-energy anthems that bridge the gap between old-school metal and modern intensity.
Josiah Queen Teams With Benjamin William Hastings on Hope-Filled Single ‘I’ll Fly Away’ Ahead of New Album ‘Mt. Zion’
Twenty-two-year-old Josiah Queen has a full-circle moment with his new single, “I’ll Fly Away,” which finds him trading vocals with Benjamin William Hastings, singer and writer of “So Will I (100 Billion X)” – a song recorded by Hillsong UNITED that was a huge inspiration for Queen as he was growing up. A jubilant celebration of the sweet hereafter, the two artists wrote “I’ll Fly Away,” with Zac Lawson, and John Michael Howell. Hank Bentley (Brandon Lake, Crowder) produced.
“‘I’ll Fly Away is a song of hope, rooted in the promise that this life isn’t the end. It’s about the day we’ll be reunited with our loved ones in Heaven – singing, worshiping, and embracing them once again in the presence of God. I think of family and friends already there and this song feels like my heart is reaching toward that homecoming.”
“I’ll Fly Away” is from Queen’s forthcoming album, Mt. Zion, which will be released on August 22 via Capitol Records/Capitol Christian Music Group (CCMG). Mt. Zion is the follow-up to The Prodigal, Queen’s independently released debut album, which entered Billboard’s Top Christian Albums chart at No. 1 in June of 2024 and re-entered the top five of the tally earlier this month. The Prodigal has amassed over 140 million combined global streams to date.
The Tampa native turned Nashville resident will celebrate the release of Mt. Zion with two special headline shows: October 27 at Nashville’s Ryman Auditorium and November 1 at Yuengling Center in Tampa.
Bakar Launches New Era With High-Energy Single ‘Lonyo!’ and Tom Emmerson-Directed Video
Taking flight in 2025 with an unparalleled and undeniable vision, acclaimed genre-bending artist Bakar (aka Abubakar Baker Shariff-Farr) shares a new single and music video entitled “Lonyo!” out now. It kicks off his next creative season and sets the stage for more new music due out soon.
For the track, Bakar samples the 2000 hit “Summer of Love” by UK phenomenon Lonyo. He taps into the original’s classic garage energy, yet twists it up with his own signature sound all the same. Sparks fly from the friction between his rapid delivery and the frenetically gritty beat. The accompanying visual directed by renowned English-French director-writer-photographer Tom Emmerson [Doechii, Col3trane, AntsLive], is filled with uncontainable enthusiasm and choreography matching the song’s energy perfectly.
With “Lonyo!,” Bakar continues to progress, pulling listeners deep into his immersive sonic world while he continues to challenge himself to break stylistic boundaries and consistently deliver as an elite and enigmatic songwriter. Earlier this year, he released “Searching,” which HYPEBEAST hailed as “a sonic summation of who the UK-based artist is” while HotNewHipHop promised, “the stripped-down, tender track sets the tone for what’s to come.”
Continuing a standout year, Bakar graces the stage at Outside Lands tomorrow in San Francisco and touches down in the UK for Reading and Leeds Festival on August 23rd.
Bakar’s music has also translated into fashion, where he has modeled for brands like Louis Vuitton, as part of Virgil Abloh’s inaugural runway show, as well as Prada’s “A Gift To Give” campaign. He recently starred in Giorgio Armani’s “That’s So Armani” campaign, proving that from stage to runway, there isn’t much that he can’t do.
Experience “Lonyo!” this year and stay tuned for more from Bakar.
Lucy Dacus Releases Dual Singles ‘Bus Back To Richmond’ and ‘More Than Friends’ Ahead of Second Leg of ‘Forever Is A Feeling’ Tour
) 3x GRAMMY-winning singer/songwriter Lucy Dacus has released singles “Bus Back To Richmond” and “More Than Friends.” The dual tracks follow the release of Dacus’ critically-acclaimed solo album Forever Is A Feeling, which debuted on March 28 via Geffen Records and includes singles like “Best Guess,” “Bullseye” with Hozier and “Ankles”-Dacus’ first top five radio hit as a solo artist.
The two new singles will also be available on limited edition Vintage Bottle-colored 7″ vinyl. Only 2,000 will be pressed. Dacus is currently on the second North American leg of her Forever Is A Feeling Tour, where she is officiating weddings for concertgoers.
Her largest to date, the tour has so far seen sold-out performances at Radio City Music Hall in New York, Red Rocks in Denver, and two nights at The Greek Theater in Los Angeles.
Up next, Dacus will bring her live show to two nights in Vancouver, BC a hometown show in Richmond, VA, and more, as well as festival appearances at the likes of Shaky Knees in Atlanta, GA, and All Things Go in Forest Hills, NY and Columbia, MD. Opening support varies by market and includes Jay Som and Slow Pulp.
Aug 12th – Queen Elizabeth Theatre – Vancouver, BC % *SOLD OUT*
Aug 13th – Queen Elizabeth Theatre – Vancouver, BC %
Aug 16th – The Greek Theatre – Berkeley, CA %
Sep 9th – Cal Coast Credit Union Open Air Theatre – San Diego, CA @
Sep 11th – Arizona Financial Theatre – Phoenix, AZ @
Sep 12th – Blossoms & Bones Ghost Ranch Festival – Abiquiu, NM @
Sep 13th – The Criterion – Oklahoma City, OK @
Sep 15th – Stifel Theatre – St. Louis, MO @
Sep 16th – Murat Theatre – Indianapolis, IN @
Sep 17th – The Louisville Palace Theater – Louisville, KY @
Sep 19th – Altria Theater – Richmond, VA @
Sep 20th – DPAC – Durham, NC @ *SOLD OUT*
Sep 21st – Shaky Knees Festival, Atlanta, GA
Sep 23rd – Asheville Yards – Asheville, NC @
Sep 24th – Benedum Center for the Performing Arts – Pittsburgh, PA @
Sep 26th – All Things Go Music Festival – Forest Hills, NYC
Sep 27th – All Things Go Music Festival – Columbia, Maryland
Nov 14th – Corona Capital – Mexico City, Mexico
% with Jay Som
@ with Slow Pulp
ALINA Drops Scathing New Single ‘look bad’ via Columbia Records
Nineteen-year-old singer-songwriter ALINA is not afraid to go full scorched-earth when the mood strikes. Today, she returns with her fearless new single, “look bad” – out now via Columbia Records.
Made for a full-volume crash out, the track is a direct and cutting anthem about a situationship gone wrong. The song arrives with an animated lyric video, inspired by the artwork that ALINA herself handmade.
Blending biting lyricism, raw emotion, and confessional wit, “look bad” is ALINA at her sharpest. She sings, “I don’t have to make you look bad, you do that all on your own,” unsubscribing from the pity party and stepping into her power.
“You’re so cool,” the song opens, and you can practically hear the eyeroll. “look bad” is, in her own words, “kind of a diss track.” It was her first time writing out of spite, she says, and it was cathartic. The song balances venom and levity in a way that only someone who’s cried and then laughed about it could pull off. “It ended up being really evil,” she quips – and fun.
The single builds on the momentum of her recently released fan favorites like “get a grip” and her viral hit “I Know, I Know, I Know,” which together have amassed nearly 10 million streams and sparked a huge wave of TikTok fan edits.
With “look bad,” ALINA cements her reputation for turning journal entries and emotional chaos into pop anthems – and she’s only getting louder.
Craft Recordings Marks 50 Years of ‘J.D. Crowe & The New South’ With Expanded Remastered Reissue
Craft Recordings proudly celebrates the 50th anniversary of J.D. Crowe & The New South’s self-titled album—a landmark collection that helped shape the future of contemporary bluegrass—with an expanded reissue on CD and hi-res/standard digital formats. Long revered by musicians, fans and the press, J.D. Crowe & The New South (or, “Rounder 0044,” as it is lovingly referred to), which was recently inducted into the GRAMMY Hall of Fame and added to the Library of Congress’ National Recording Registry features such classic tracks as “Old Home Place,” “Cryin’ Holy” and “Rock Salt & Nails.” The lineup of musicians on the album brought Crowe and his longtime bassist Bobby Slone together with three young players who were on their way to becoming bluegrass legends: Tony Rice, Jerry Douglas and Ricky Skaggs.
Arriving September 12th, J.D. Crowe & The New South sounds better than ever, thanks to newly remastered audio from its original analog tapes. The CD edition features the album’s 1975 liner notes by John Hartford and Jack Tottle, along with an essay by Rounder co-founder Bill Nowlin—first published in the 40th-anniversary, vinyl-only reissue. This release also includes two rare bonus tracks, both making their CD and digital debuts: an alternate take of the gospel favorite “Cryin’ Holy,” featuring vocals by the legendary singer-songwriter Emmylou Harris and “Why Don’t You Tell Me So,” a track from the album’s sessions that didn’t appear on the original LP. “Why Don’t You Tell Me So” will be available to stream beginning August 29. Click here to pre-order the album.
Esteemed banjo player and bandleader J.D. Crowe (1937–2021) was a pivotal figure in bluegrass music, who was instrumental in shaping the genre’s contemporary sound during his nearly 60-year career. Born and raised in Lexington, KY, Crowe first made a name for himself performing alongside bluegrass great Jimmy Martin before forming his own band in the early ’60s. Originally called The Kentucky Mountain Boys, the band evolved throughout the decade, both in lineup and musical style. By the early ’70s, reflecting his broad musical interests and a shifting cultural landscape, Crowe was eager for a rebrand.
“To me, the Kentucky Mountain Boys kind of labels you to one style of music,” he told The Bluegrass Situation. “I wanted to change it to something that wouldn’t label you—to a name that you could play whatever kind of music you wanted, and the name would still fit.”
And so, The New South was born, while Crowe’s forward-thinking vision was poised to transform the traditionally rooted genre. The banjoist was joined by his longtime bassist, Bobby Slone, as well as a who’s who of rising Bluegrass stars, including 23-year-old Tony Rice (guitar, lead vocals), 18-year-old Jerry Douglas (Dobro) and 20-year-old Ricky Skaggs (fiddle, viola, mandolin). As the band developed its repertoire, the younger players introduced Crowe to their favorite contemporary folk artists, while Crowe, in turn, began weaving elements of rock and R&B into his arrangements.
In January 1975, the New South entered the studio to record their debut for Rounder Records, then a fledgling roots label based outside of Boston. Captured in two sessions, the album featured a diverse selection of material, including folk songs by Gordon Lightfoot (“You Are What I Am,” “Ten Degrees (Getting Colder)”), Utah Phillips (“Rock Salt & Nails”) and Ian Tyson (“Summer Wages”). The quintet showcased their stunning vocal harmonies with a gospel staple, “Cryin’ Holy,” and put a bluegrass spin on the R&B classic “I’m Walkin’” (famously recorded by Fats Domino in 1957). Despite their progressive approach, the cross-generational band incorporated traditional bluegrass stylings into selections like “Sally Goodin’” and Earl Scruggs’ “Nashville Blues.” They also paid homage to the humble sounds of 1950s country with such songs as “Old Home Place,” “Same Old Day” and the Rodney Crowell-penned “Home Sweet Home Revisited.”
Released later that year, J.D. Crowe & The New South (often famously referred to by its catalog number, “Rounder 0044”) was vibrant, modern and disruptive. Despite sparking controversy among some traditionalists, the trailblazing album ushered in a new era of modern bluegrass, inspiring countless musicians to shift their approach to the genre and, in turn, expanding the reach of bluegrass to fresh audiences. While this incarnation of The New South would last less than a year (Skaggs, Rice, and Douglas would all pursue other projects soon after the album’s release), J.D. Crowe and the New South would live on as one of the most (if not the most) iconic bluegrass albums of all time.
Alison Krauss, a 27-time GRAMMY-winning bluegrass star, told Bluegrass Unlimited that the album “Influenced every bit of music I ever made, because it was what made me really want to play…. It was the beginning of me loving music.” Multiple IBMA Banjo Player of the Year winner Kristin Scott Benson echoed that sentiment in The Bluegrass Situation: “This particular band presented a tightness and a level of execution that was new—I don’t think there had been a bluegrass record up until that point that was so well done.” She added, “It’s impossible to overstate how good it is and how influential it is.”
50 years later, J.D. Crowe and the New South continues to be revered in the press. Among the highlights, Bluegrass Unlimited called Rounder 0044 “one of the most influential bluegrass albums of all time” with “one of—if not the—most talented band lineups in the history of bluegrass music.” Bluegrass Today noted, “The track list reads today like a greatest hits of contemporary bluegrass.” No Depression hailed it as “a historical ledger of some of bluegrass’ most virtuosic playing and exemplary harmonies,” while AllMusic declared it to be “one of the most…pioneering records in the history of bluegrass.” Last year, J.D. Crowe and the New South was preserved in the Library of Congress’ National Recording Registry for being “culturally, historically, or aesthetically significant,” while earlier this year, the album was inducted into the GRAMMY Hall of Fame.
Click here to pre-order or pre-save J.D. Crowe and the New South.
Tracklist (CD/Digital):
1. Old Home Place (2:45)
2. Some Old Day (2:25)
3. Rock Salt & Nails (2:58)
4. Sally Goodin (3:11)
5. Ten Degrees (2:13)
6. Nashville Blues (3:23)
7. You Are What I Am (2:17)
8. Summer Wages (4:21)
9. I’m Walkin’ (2:05)
10. Home Sweet Home Revisited (3:17)
11. Cryin’ Holy (2:19)
12. Why Don’t You Tell Me So (2:34)*
13. Cryin’ Holy – Version 2 (featuring Emmylou Harris) (2:17)*
*Digital/CD debut
Outermost Music Festival Returns Oct. 11–12 With Steel Pulse, G. Love & Special Sauce, Robert Randolph, and More
The beloved Outermost Music Festival is returning to Cape Cod this fall, bringing two unforgettable days of roots, rock, and genre-blurring sounds to Orleans on October 11th and 12th, 2025. Anchored by a deep commitment to local talent and community spirit, this year’s festival features a powerhouse lineup of national headliners and rising regional stars, all set in the scenic coastal charm of Massachusetts’ Outer Cape.
Steel Pulse, the legendary British reggae band known for their socially conscious lyrics and global sound, will headline alongside two nights of G. Love & Special Sauce, with one night featuring the electrifying Robert Randolph. The weekend’s diverse lineup also includes fan favorites like Little Stranger, Mihali (of Twiddle), Cedric Burnside, and Ron Artis II, offering something for every lover of roots, blues, funk, and feel-good vibes.
“When we set out to curate Outermost Roots and Blues Festival, we always had in mind to bring an eclectic group of outstanding artists from all genres. This year are so proud to announce this lineup which encompasses Mississippi Hill, country, blues, roots reggae, hip-hop, sacred steel, funk, and rock ‘n’ roll in a seamless, energetic and joyful celebration of Friends, Family and our Cape Cod Community! We will see you at Nauset Beach!,” says Garrett Dutton (G. Love) of the eclectic lineup.
Building on its deep local roots, Outermost once again partners with Hog Island Beer Co., Orleans’ own award-winning craft brewery, to offer a full festival experience complete with locally brewed beers, artisanal food vendors, and an unmistakable Cape Cod vibe. The festival’s unique coastal setting—where salty air meets soaring melodies—has made it a favorite for both locals and visiting music lovers from across New England and beyond.
“Outermost has become one of the most anticipated events of the fall,” says Hog Island co-founder Mike McNamara. “It brings people together, showcases incredible talent, and gives us a chance to support the community we love through great music, food, and beer.”
Past editions of the festival have drawn praise for their laid-back atmosphere, strong production quality, and commitment to sustainability and local business partnerships. This year, organizers are doubling down on their community-first ethos, highlighting Cape Cod-based musicians and nonprofits as part of the weekend’s programming.
Tickets for the 2025 Outermost Music Festival are on sale now at www.outermostfestival.com. With limited capacity and rising demand, early purchase is strongly encouraged.
David Cultura to Release Debut Album Cultura on September 19 via Devon Allman’s Create Records
David Cultura is thrilled to announce Cultura, his debut album, set for release on September 19 via Devon Allman’s Create Records. The first single, “Margarita,” dropped July 25 on all major DSPs. Breezy and rhythm-driven, “Margarita” conjures the warmth of a sun-soaked cocktail on a Caribbean shore, its pulsing beat guiding listeners effortlessly from golden hour into the heart of the night.
“I wanted to make an album that was centered around melody,” says David (pronounced da-VEED). “I wanted it to be a jazz record that was accessible, that brought people into the music.” True to intention, the Panamanian-born multi-instrumentalist and his ensemble have done just that; delivering a seven-song debut simply and aptly titled, Cultura is loaded with melodic hooks, taut musicianship, and infectious, insistent grooves begging for a dance partner.
Emanating from a literal crossroads, its canal welcoming a myriad of cultures and commerce, David grew up in Panama City, Panama, learning saxophone, guitar, flute, and percussion, first under the musical tutelage of his father, then accenting his natural abilities with formal training. He moved to the United States, settling in another gateway locale, St. Louis, and performed with various bands, including Tonina, where he developed a friendship with guitarist Jackson Stokes.
Stokes would introduce David to Devon Allman, singer, songwriter, guitarist, producer, and founder of Create Records. Allman, whose trusted ear for burgeoning talent had been honed over decades as a bandleader with The Allman Betts Band, the Devon Allman Project, and Honeytribe, among others, invited David to join the Project in 2022. Two years later, David and his group would decamp to Sawhorse Studios and, with Allman as producer, track the lucky seven that comprise Cultura.
With a panoramic scope widely informed by Latin and Caribbean rhythms, the set opens with the title track. Ironically, not a representative of David’s home country, “Cultura” was written years ago in St. Louis, and is instead a breezy nod to Stevie Wonder, and to L.A. soul. “I’m always inspired by my surroundings,” says David, now a Southern California resident, having transplanted to San Diego. “My songwriting often reflects a place, or a moment in time.”
Next up is “Murga,” seducing with a smoldering sax intro, only to shift into a fifth gear of groove that bops away on a looping, relentless theme.
On “Vidrio,” David’s flute rides the trade winds, dancing on delicate keyboard flourishes and a locked-in, percussive pendulum, while “Jefferson Gravois* takes us back to intersecting streets in St. Louis, alternating between angular jazz riffs and polyrhythmic stabs.
Closing out the album is a pair of odes ot love, coincidentally both initially composed on guitar. First, there’s the exotic swing of David’s homage to his daughter on “Mia’s Lulaby,” that begins as a bedtime ballad, only to morph quickly into an up-tempo swell of repeating figures and furious, resounding drums. The finale is “Ring,” drawing its motivation from the symbolic piece of jewelry, and marries the lilt of David’s nimble ensemble with a stretch of horn-work that crescendos as confidently and as buoyantly as anything on the set; a parting burst of expression before resolving, once more, in the melodic spirit that runs throughout Cultura.
Jonas Brothers Launch 20th Anniversary Tour With Star-Studded, Sold-Out Celebration at MetLife Stadium
Sunday night, Jonas Brothers kicked off their highly anticipated JONAS20: Greetings From Your Hometown tour to a massive, sold-out crowd at MetLife Stadium. Last night marked a powerful, full-circle celebration of their 20-year journey from performing in malls to headlining the biggest stadiums and arenas in the world. Fittingly, the Jonas Brothers chose to begin this milestone tour in their home state of New Jersey, where it all began, transforming MetLife into a heartfelt tribute to two decades of music, growth, and connection with fans across generations.
The career-spanning live show highlighted every chapter of the Jonas Brothers’ 20 year career and their evolution as a band, including solo projects like Nick Jonas & the Administration, Nick Jonas’ solo career, Joe Jonas’ solo career, DNCE, and more. Last night, the band opened the show to a thunderous reception with “Lovebug,” and went on to deliver fan favorites such as “S.O.S.,” “Burnin’ Up,” and “Sucker,” alongside new songs like “No Time to Talk” and “Love Me to Heaven” from their brand new album Greetings From Your Hometown. Additionally, Nick and Joe went head-to-head each taking turns revisiting their solo eras.
The Jonas Brothers were also joined by a few very special guests. The crowd erupted as Demi Lovato took the stage to perform Camp Rock classics including “This Is Me” and “Wouldn’t Change a Thing”. Also, in honor of their first tour, the brothers welcomed Jesse McCartney to the stage; a full-circle moment, as they had opened for him in 2005. Together, they performed “Beautiful Soul.” The night also featured surprise guest appearances including Switchfoot for a performance of “Meant to Live” and Dean Lewis for “Loved You Better” off of Greetings From Your Hometown. (Full setlist below.)
Earlier in the day, the brothers hosted a special Album Release Party at American Dream, which included a track-by-track Q&A about the album moderated by Julian Shapiro-Barnum from Recess Therapy. Fans also got to experience the first-ever JONASCON ON TOUR, which opened with doors at 6 p.m. and offered exclusive merchandise, fan moments, meet-and-greets with The All-American Rejects and Big Rob, and the chance to win amazing prizes.
The JONAS20: Greetings From Your Hometown tour will run through November across North America. Select dates will feature special guests Marshmello, The All-American Rejects, and Boys Like Girls, as well as special local JONASCON pop-up events for fans. See the full list of tour dates below, and tickets are available now at ticketmaster.com.
Fans can watch Jonas Brothers LIVE in concert on their Greetings From Your Hometown 20th anniversary tour exclusively on Samsung TV Plus. Five concerts from throughout the tour will air live to fans around the world on Samsung Television Network. Dates include New Jersey’s MetLife, Dallas, Houston, Orlando, and Buffalo, which will be streaming in 17 countries, including the US, Canada, UK, Korea, Brazil, France, India, and more.
“JONAS20: Greetings From MetLife Stadium” Setlist
- Lovebug
- Love Me To Heaven
- Only Human
- S.O.S.
- Sucker
- Meant to Live (with Switchfoot)
- Hold On
- Little Bird
- Summer Baby
- Still In Love With You
- I Can’t Lose
- Waffle House
- Beautiful Soul (with Jesse McCartney)
- Vacation Eyes
- Celebrate!
- No Time To Talk
- Cake By The Ocean
- Slow Motion (with Marshmello)
- Leave Before You Love Me (with Marshmello)
- Jealous
- What A Man Gotta Do
- Walls
- Loved You Better (with Dean Lewis)
- Versus Megamix
- Gotta Find You
- This Is Me (with Demi Lovato)
- Wouldn’t Change a Thing (with Demi Lovato)
- Year 3000
- Burnin’ Up
- Please Be Mine
- When You Look Me In The Eyes
JONAS BROTHERS: “JONAS20: Greetings From Your Hometown” TOUR DATES:
*With Marshmello
+With The All American Rejects
#With Boys Like Girls
^JONASCON On Tour
Sun Aug 10 – East Rutherford, NJ – MetLife Stadium*+^
Tue Aug 12 – Bristow, VA – Jiffy Lube Live*+^
Thu Aug 14 – Camden, NJ – Freedom Mortgage Pavilion*+^
Fri Aug 15 – Virginia Beach, VA – Veterans United Home Loans Amphitheater+
Sun Aug 17 – Hershey, PA – Hersheypark Stadium*+^
Mon Aug 18 – Bethel, NY – Bethel Woods Center for the Arts#
Tue Aug 19 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview#
Thu Aug 21 – Toronto, ON – Rogers Centre*#^
Sat Aug 23 – Boston, MA – Fenway Park*#^
Sun Aug 24 – Saratoga Springs, NY – Broadview Stage at SPAC#
Tue Aug 26 – Tinley Park, IL – Credit Union 1 Amphitheatre*#^
Thu Aug 28 – Detroit, MI – Little Caesars Arena*#^
Sat Aug 30 – Rogers, AR – Walmart AMP#
Sun Aug 31 – Dallas, TX – Dos Equis Pavilion*#^
Thu Sep 04 – Chula Vista, CA – North Island Credit Union Amphitheatre#
Sat Sep 06 – Los Angeles, CA – Intuit Dome#^
Sat Sep 13 – Salt Lake City, UT – Utah First Credit Union Amphitheatre#
Thu Sep 18 – Vancouver, BC – Rogers Arena#
Sat Sep 20 – Portland, OR – Moda Center#
Mon Sep 22 – Seattle, WA – Climate Pledge Arena#
Thu Sep 25 – San Francisco, CA – Chase Center#
Fri Sep 26 – Sacramento, CA – Golden 1 Center#
Sat Sep 27 – Anaheim, CA – Honda Center#
Sun Sep 28 – Phoenix, AZ – PHX Arena (Formerly Footprint Center)#
Tue Sep 30 – Albuquerque, NM – Isleta Amphitheater#
Thu Oct 02 – Denver, CO – Ball Arena#
Sun Oct 05 – Des Moines, IA – Wells Fargo Arena#
Mon Oct 06 – Omaha, NE – CHI Health Center#
Tue Oct 07 – Kansas City, MO – T-Mobile Center+
Wed Oct 08 – St. Louis, MO – Enterprise Center+
Fri Oct 10 – St. Paul, MN – Xcel Energy Center+
Sun Oct 12 – Milwaukee, WI – Fiserv Forum+
Tue Oct 14 – Nashville, TN – Bridgestone Arena+
Thu Oct 16 – Tulsa, OK – BOK Center+
Fri Oct 17 – Austin, TX – Moody Center+
Sat Oct 18 – San Antonio, TX – Frost Bank Center+
Sun Oct 19 – Houston, TX – Toyota Center+
Wed Oct 22 – Tampa, FL – Amalie Arena+
Fri Oct 24 – Sunrise, FL – Amerant Bank Arena+
Sun Oct 26 – Orlando, FL – Kia Center+
Tue Oct 28 – Atlanta, GA – State Farm Arena
Wed Oct 29 – Raleigh, NC – Lenovo Center+
Sat Nov 01 – Lexington, KY – Rupp Arena+
Sun Nov 02 – Indianapolis, IN – Gainbridge Fieldhouse+
Tue Nov 04 – Knoxville, TN – Thompson-Boling Arena at Food City Center+
Wed Nov 05 – Charlotte, NC – Spectrum Center+
Thu Nov 06 – Columbia, SC – Colonial Life Arena+
Sat Nov 08 – Columbus, OH – Schottenstein Center+
Sun Nov 09 – Buffalo, NY – KeyBank Center+
Tue Nov 11 – Cleveland, OH – Rocket Arena+
Wed Nov 12 – Pittsburgh, PA – PPG Paints Arena+
Fri Nov 14 – Uncasville, CT – Mohegan Sun Arena+