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Celeste Corsano Shares Video for Haunting Alt-Pop Ballad ‘Stuck,’ Featuring James Mastro and David Nagler

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Based on the border between Pennsylvania and New Jersey, alt-pop artist Celeste Corsano shares her first-ever video for ‘Stuck’, her third in a trilogy of “debut singles” (following ‘Nightbird’ and ‘Sunlight Gazing’), released by Montclair, NJ’s Magic Door Record Label).

With hues of Kate Bush and Tori Amos and produced by RAY KETCHEM (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio.

Featuring famed guitarist JAMES MASTRO (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and keyboardist-bassist DAVID NAGLER (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash), this tender composition explores being caught in the inescapable grip of an emotional impasse.

Corsano masterfully conveys the struggle of a mind wrestling with an unyielding heart, creating an intimate space where raw emotion takes center-stage. The animated video reflects this perfectly through the journey of a ball cutting loose from his existing reality and his loss of direction to find a bright new path.

Greg Loiacono & Stingray Channel Curtis and Zeppelin on Soul-Rock Debut “Hope We Get To Dance”

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Greg Loiacono & Stingray have released their debut single, “Hope We Get To Dance,” a greasy, soul-rock anthem celebrating personal freedom and expression.

Fronted by Loiacono, the vocalist, guitarist, and co-founder of San Francisco rock legends The Mother Hips, Stingray features a lineup of acclaimed Bay Area musicians, including drummer Michael Urbano (Lindsey Buckingham, John Hiatt), percussionist /vocalist Vicki Randle (Mavis Staples, George Benson), Kofy Brown (bass/vocals), Danny Eisenberg (keys) and Tom Ayres (guitar).

Loiacono delivers “Hope We Get To Dance” in a Sly Stone-inspired falsetto, accentuated by rousing harmonies and a delectably funky guitar-and-percussion groove. The track was recorded at 2200 Studios (formerly The Plant) in Sausalito, CA, a storied studio where landmark albums by Stevie Wonder, Prince, and Fleetwood Mac were made. Producer Damien Lewis (Lizzo, Janelle Monae, Larkin Poe) helmed the session.

“I was listening to Curtis Mayfield’s album Roots when the concept for ‘Hope We Get To Dance’ hit me. I thought Stingray could create an energy and spirit in the vein of that record,” says Loiacono. “Because we sometimes lean into the rock side of things, it ended up sounding like Curtis meets Led Zeppelin. I think of it as a reminder that the pure power of dancing to and feeling music is always there for us. It’s up to us when we want to let go and jump in.”

Don Cusic Remembers Jeannie Seely Through ‘Peaceful Waters,’ Her Soulful Farewell to Country Music Tradition

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It seems everybody in Nashville has a story about late County Music trailblazer Jeannie Seely, in the wake of her passing on August 1st. Author Don Cusic could write a book about the late boundary-busting singer, and their time in the studio – in 2020 – recording what became Seely’s final album.

As his mind sifts through memories, Cusic takes comfort in the lyrics he wrote, which Seely brought to life with her soulful voice.

Let me lie down by peaceful waters
Let my soul be soothed and refreshed
Let my burdens and all my troubles
Be laid aside and put to rest

Cusic’s song “Peaceful Waters” appears on Seely’s album An American Classic, released by Curb Records in 2021.

“It was a real treat–an honor, really–to work with Jeannie,” Cusic said. “She was the ultimate professional in the studio. In everyday life, you never had to worry about what Jeannie thought about something–she let you know in a hurry. She was one-of-a-kind.”

Radio stations are now playing “Peaceful Waters” as they help their listeners – many of them Jeannie Seely fans – cope with the loss of one of Country music’s greatest defenders of – and last connections to – tradition.

Shortly after the song’s release, Cusic recalls people contacting Curb Records, requesting sheet music so they could perform “Peaceful Waters” at services for their own loved ones.

“Peaceful Waters” opens with a mournful bagpipe, before bowing to a deliberately deep vocal delivery by Seely. It is the same sultry, soulful voice that catapulted her classic signature song, “Don’t Touch Me” to the top of the charts in 1966, but with a broader resonance, and a greater yearning for rest and reconciliation.

Her tender vocal finds rest when, near the end, it curtsies to the bagpipe again, closing the song on a note that leaves the listener suspended somewhere between heartache and hope.

Cusic remembers going to the Grand Ole Opry just to watch Seely perform.

“She was always a consummate performer who delighted audiences with that soulful voice,” he recalls.

Now, as fans pauses to honor the life and legacy of the woman behind that lenegdary voice, Cusic hopes their grief won’t blind them to Seely’s second greatest gift.

“She was funny, too.”

Alexandra Kay Rides Her ‘Second Wind’ with Bold New Album and 30-Date Country-Pop Tour

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Billboard-charting rising superstar Alexandra Kay’s hotly awaited sophomore album, Second Wind, will release on October 24. Featuring previously released, bold, fan-favorite standouts “Feminine Energy,” “The Last” and “Cupid’s A Cowgirl,” the heart-stirring collection has already ignited a fury of demand amongst her 8.6M social following. Weaving heartbreak, hope and healing into one journey, Second Wind embodies what Pandora’s “2025 Artist to Watch: Country” calls her “lover-girl era.”

Coming up – on September 13, the compelling entertainer will take the Canadian Country Music Awards (CCMA) stage with Dallas Smith to perform their hit single “How Do You Miss Me” that’s currently top 10 at Canadian country radio. Following the CCMAs, she immediately heads out on her third headlining tour of the year. Hitting cities like Nashville, New Orleans, Anaheim, Las Vegas and more, Second Wind: The Tour spans 30-nationwide dates and kicks off on September 26 in Atlanta. Public on-sale starts this Friday, August 8 at 10 am local time.

“I’m so ready to share these songs with the people who have been with me every step of the way,” shares the rising starlet. “Over the past two years, I’ve done a lot of growing – and over the last year, I’ve had the chance to write about the version of myself that’s emerged from that growth. This album reflects a new side of me, and I can’t wait for my fans to experience it live – especially the happier songs that I’m hoping they’ll be screaming right back at me from the crowd.”

With her independent debut album, All I’ve Ever Known, hitting #1 on iTunes (All Genre & Country) and Top 10 on multiple Billboard charts (Country Album, Emerging Artist and HeatSeeker), the heart-first songstress – now signed to BBR Music Group/BMG Nashville – is serving up the same tear-streaked ballads, raw, poetic storytelling and diary-deep honesty that her fans crave on her upcoming project.

Born from the wreckage of a divorce, her debut was survival in real time, and although heartbreak still lingers, it no longer leads. Breathing new life into her story, Second Wind is a revival, hitting like a spark in the dark – magnetic and glowing with possibility. Produced by Andrew DeRoberts, with Alexandra co-writing all but two tracks, this album finds her heart not only healed but shining brighter than ever.

“One of my favorite things about my fans is that somehow, even before the music is officially released, they already know every word,” she continues. “That kind of connection is rare, and this tour is going to be such a special way to close out what’s already been an unforgettable year.”

Currently out with Brad Paisley, following a worldwide headlining tour with over 80k tickets sold, the multi-threat powerhouse is firing on all cylinders with the fierce anthem “Straight For The Heart,” available Friday (8/8). Striking like a lightning bolt of emotion, the charged-up song demands that even if this love isn’t going to last, one should take the shot and not miss. With soaring vocals and an epic, thunderous chorus, the showstopping track sets the tone for what promises to be a soul-baring and career-defining project.

Most recently, Alexandra added entrepreneur to her growing list of accolades with the launch of her first coffee shop, The Coffee Girl, in her hometown of Waterloo, Illinois. Already known by that nickname thanks to her viral “Coffee Covers” series on social media, she turned her casual morning routine into a must-watch moment, earning millions of views and national attention. Her cover of Dolly Parton’s “Jolene” alone soared past 60M views and caught the eye of country legends like Randy Travis and Tim McGraw, who later invited her out on tour. What began as a front-porch-worthy phenomenon, her cozy kitchen corner quickly evolved into a springboard for her career. Now, with her first business venture, she’s turned that viral magic into something even more lasting.

Second Wind Tracklisting:
1. Better Off (Alexandra Kay, Dan Pellarin, Jet Harvey)
2. Nobody (Alexandra Kay, Emily Falvey, Pete Good)
3. Straight For The Heart (Jimmy Robbins, Karley Scott Collins, Sasha Sloan)
4. Right Now (Alexandra Kay, Jon Nite, Andrew DeRoberts)
5. Tomorrow Problems (Alexandra Kay, Jon Nite, Andrew DeRoberts)
6. Big Boy Boots (Alexandra Kay, Ava Suppelsa, Kevin Gruft, Maggie Champman)
7. Hell Right (Alexandra Kay, Andrew Capra, Ava Suppelsa, Lauren McLamb, Rocko Beall)
8. Measure Of A Man (Alexandra Kay, Allison Veltz-Cruz, Andrew DeRoberts)
9. Old Me (Shane McAnally, Sasha Sloan, Henry Agincourt Allen)
10. Cupid’s A Cowgirl (Alexandra Kay, Kevin Gruft, Cheyenna Rose Arnspiger)
11. The Last (Alexandra Kay, Jon Green, Andrew DeRoberts)
12. What He Does (Alexandra Kay, Andrew DeRoberts, Allison Veltz-Cruz)
13. Feminine Energy (Alexandra Kay, Lauren McLamb, Andrew Capra, Rocko Beall, Matt Wynn)
14. Second Wind (Alexandra Kay, Rocko Beall, Cheyenna Rose Arnspiger, Kevin Gruft)

Country Rocker Jon Pardi Blends ‘70s West Coast Vibes and Grit on ‘Honkytonk Hollywood’ Album and Tour

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Jon Pardi “steps beyond the lines of classic country in pursuit of a grittier, more layered record that prioritized stories over trendy sounds” (Country Living) with his fifth studio album, HONKYTONK HOLLYWOOD-a vision now brought to life in the new music video for “Hey California.”

Written by Ben Johnson, Jordan Minton, Hunter Phelps and John Charles Reno Prentice, “Hey California” blends classic country storytelling with a radiant West Coast vibe. The video brings that vision to life as Pardi returns to his roots, filming off the coast of his home state of California. The result is a breezy, cinematic journey from the Golden State, infused with ’70s-style sophistication-dreamy vocal stacks and atmospheric guitars setting the tone.

Pardi will continue to bring his “high-octane, neo-traditional country sound” (Billboard) to life on the road this summer during his HONKYTONK HOLLYWOOD Tour. Known for his signature high-energy performances, Pardi is packing venues nationwide, with special guests Jake Worthington and Colby Acuff joining him on select dates. For tickets, visit JonPardi.com.

MCA Nashville artist Jon Pardi began careening down the highway over ten years ago, leading the charge to modernize honkytonk with roaring guitars and a good-time spirit. Pardi’s reputation for punchy, against-the-wind bravado has only grown, with his just-released fifth studio album HONKYTONK HOLLYWOOD led by the now Top 10 single “Friday Night Heartbreaker.” The 17-track album is the spiritual successor to his fearless breakout hits, once again showcasing his commitment to staying true to himself, yet giving his signature sound a new spark. With four Top 5 albums under his belt – including 2016’s Platinum #1, CALIFORNIA SUNRISE – Pardi has solidified his place in country music. Never afraid to break from the pack, fourteen RIAA-certified singles feature six No. One’s (like the back-to-back 6x-Platinum “Head Over Boots” and “Dirt On My Boots”), and with years of blue-collar barnstorming behind him, the California native has earned his international headlining acclaim, alongside 9.3 billion global streams.

Bluegrass Trailblazers Sister Sadie Hit the Road with ‘All Will Be Well’ Tour

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Grammy-nominated powerhouse Sister Sadie is heading out for a multi-state run this August and September in support of their new release, All Will Be Well. This tour includes a mix headlining shows in new markets, major festival appearances and a return to the genre’s biggest stage at IBMA in Chattanooga.

The tour kicks off this week in Sioux Falls, SD, and includes a highly anticipated string of dates in Colorado (including supporting the Steeldrivers), as well as their Eddie’s Attic debut and a return to the iconic Earl Scruggs Music Festival. 

“The songs on All Will Be Well are a real journey,” shared vocalist and songwriter Dani Flowers. “Hitting the road with Sister Sadie and sharing our new record with folks out on the road feels like exactly where these songs are meant to live. Can’t wait to see ya’ll out there!!” You may listen to All Will Be Well on your streaming platform of choice: https://clg.lnk.to/ss-AWBW

Current August & September tour dates include:

Thursday, August 7, 2025 – Sioux Falls, SD – Levitt at the Falls

Friday, August 8, 2025 – Richmond, MN – Minnesota Bluegrass and Old Time

Saturday, August 9, 2025 – Richmond, MN – Minnesota Bluegrass and Old Time

Friday, August 15, 2025 – Richmond, VA – The Tin Pan

Saturday, August 16, 2025 – Galax, VA – The Blue Ridge Music Center

Wednesday, August 20, 2025 – Greenwood Village, CO – Museum of Outdoor Arts

Thursday, August 21, 2025 – Colorado Springs, CO – Basement at Oskar Blues

Friday, August 22, 2025 – Bellevue, CO – Mishawaka Amphitheatre w/ Steeldrivers

Saturday, August 23, 2025 – Bellevue, CO – Mishawaka Amphitheatre w/ Steeldrivers

Thursday, August 28, 2025 – Decatur, GA – Eddie’s Attic

Friday, August 29, 2025 – Mill Spring, NC – Earl Scruggs Music Festival

Saturday, August 30, 2025 – Piketon, OH – SamJam

Friday, September 5, 2025 – Tahlequah, OK – Bluegrass and Chili Festival

Saturday, September 6, 2025 – Taos, NM – Big Barn Dance

Sunday, September 7, 2025 – Phoenix, AZ – Musical Instrument Museum (MIM)

Friday, September 19, 2025 – Kodak, TN – Dumplin Valley Bluegrass Festival

Saturday, September 20, 2025 – Chattanooga, TN – IBMA

Sunday, September 21, 2025 – Bristol, TN – Bristol Rhythm & Roots Reunion

Sister Sadie’s 2025 run follows a string of major milestones. The band, which features the reigning IBMA Female Vocalist of the Year and the Fiddle Player of the Year, has been twice Grammy-nominated, featured in Billboard, NPR and was recently honored as the No Depression June Spotlight Artist and the Bluegrass Situation’s July Artist of the Month.

Additionally, Sister Sadie (including individual members) swept up a total of 11 IBMA Award nominations for this year’s awards to be held in September in Chattanooga. 

The band’s latest studio album, All Will Be Well, was released on June 27 on Mountain Home Records and features a mix of songs that reflect on our passing through life, honing in on elements of major lessons learned, new accomplishments and experiences and closing the circle, so to speak.

“Let the Circle Be Broken,” for instance, is a tune that specifically represents the breaking of generational trauma, a curse that so many are plagued by. The album takes the listener on a phenomenal journey up and down with standout tunes such as “Prodigal Daughter,” “Orphan Train,” the title track and Gabe Dixon cover, “All Will Be Well.”

“I am beyond excited to get back out on the road with my sisters, and to play some new music for everyone and celebrate our new record, elaborated Rainy Miatke, mandolin virtuoso. “We have some incredible shows coming up, and I can’t wait to be back on stage with these amazing women.”

Americana, Rock, and Soul Collide at the 2026 30A Songwriters Festival with Mavis Staples, Toad the Wet Sprocket & More

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For the past 17 years, the 30A Songwriters Festival has attracted thousands of dedicated live music fans from around the world to hear original songwriters spanning multiple genres perform their songs. The beach resort towns along Scenic Highway 30A on the Gulf Coast became a music mecca featuring 30 venues presenting over 125 songwriters and 300+ solo, band, and in-the-round performances throughout the weekend of January 16 – 19, 2026.

30A Songwriters Festival will celebrate its 17th year with performances on the main stage at presenting partner Grand Boulevard’s Town Center in Miramar Beach with headline performances by renowned artists MAVIS STAPLES, TOAD THE WET SPROCKET, 10,000 MANIACS, I’M WITH HER, NIKKI LANE AND PAUL MCDONALD & THE MOURNING DOVES.

The 30A Songwriters Festival production team transforms amphitheaters, town halls, restaurants, theaters, bars and covered patios into unique music venues with state-of-the-art sound systems with capacities ranging from 100 to 1000 seats indoors and 6,000 outdoors. WMOT, based in Nashville, will again interview and record select artists at the Festival for its World Cafe sessions aired throughout the year in conjunction with WXPN in Philadelphia.

MAVIS STAPLES – A lifelong performer with an unparalleled career and voice, Mavis Staples turned 86 years old this July but continues to tour around the world, bringing her music and message to the people one show at a time. This time last year Staples spoke to the New York Times and said she has no plans to retire. Her voice, she explained, has changed with time, “having broadened and softened, like a steel sculpture pillowed with velvet.” “I’m the messenger,” Mavis Staples says. “That’s my job—it has been for my whole life—and I can’t just give up while the struggle’s still alive. We’ve got more work to do, so I’m going to keep on getting stronger and keep on delivering my message every single day.” That message —a clarion call to love, to faith, to justice, to brotherhood, to joy — lies at the heart of her music and her powerful performances.

TOAD THE WET SPROCKET – Toad the Wet Sprocket, the beloved alternative rock band from Santa Barbara, California, first captured audiences in the late 1980s with their heartfelt lyrics and melodic sound. Rising to prominence with albums like Fear (1991) and Dulcinea (1994), they became known for hits such as “Walk on the Ocean”, “All I Want,” and “Good Intentions.” Their ability to blend introspective songwriting with catchy, folk influenced rock has cemented them as a lasting presence in the music world. Throughout their career, Toad the Wet Sprocket has maintained a deep appreciation for their dedicated fanbase, whose unwavering support has allowed them to continue making music on their own terms. Whether through live performances, new recordings, or reimagining classic tracks, the band remains committed to delivering music that resonates with longtime listeners and new audiences alike. The band has re-recorded several of their songs acoustically including “Nanci,” “Something’s Always Wrong”, and “Fall Down.” This year the band released their fourth acoustic single “Good Intentions” which is also the name of their 2025 U.S. national tour.

I’M WITH HER – I’m With Her is a band rooted in a rare alchemy: three celebrated songwriters coming together to create music that reveals entirely new possibilities in their distinct and deep-seated talents. Since forming, Sarah Jarosz, Aoife O’Donovan, and Sara Watkins have imbued their songs with a sharply detailed lyricism, graceful musicianship, and powerfully mesmerizing harmonies. The group’s 2018 debut album, See You Around, garnered consistent critical praise. The band won Duo/Group of the Year at the Americana Awards, Artist of the Year at the International Folk Music Awards, and a GRAMMY Award for their 2019 single “Call My Name.” On their sophomore LP Wild and Clear and Blue, I’m With Her now brings their luminous harmonies to a soul-searching body of work about reaching into the past, navigating a chaotic present, and bravely moving forward into the unknown. The new record presents a far more elaborate sound than the debut album informed by the band’s extensive touring and acclaimed performances at festivals around the globe.

10,000 MANIACS – In 2026, 10,000 Maniacs will mark an extraordinary milestone — 45 years as one of alternative rock’s most influential and enduring forces. From college radio trailblazers to platinum-selling pioneers, the band has carved out a legacy defined by poetic storytelling, socially conscious lyrics, and a sound that continues to resonate across generations. With over 10 million records sold and a catalog spanning more than a dozen acclaimed albums and EPs, 10,000 Maniacs shows no signs of slowing down. This fall, Rhino will release Candy Everybody Wants — a definitive box set celebrating their groundbreaking Elektra years of the ’80s and ’90s. This follows the 2024 reissue of their famous MTV unplugged performance which featured versions of many of their hit songs including “These Are Days,” “Trouble Me,” “Like the Weather,” “What’s the Matter Here,” “More Than This” and “Because the Night.” In early 2026, the band will debut Dawn Chorus, their first album of new material in 12 years, ushering in an exciting new chapter of creative rebirth. Expect a rich blend of all of the above music on the headline stage in January. 

NIKKI LANE – A singer songwriter who mixes the honky tonk atmosphere of vintage country with the clever bite of indie rock, Nikki Lane is a barroom siren whose music is tough, witty, and bold inhabiting Nashville archetypes while upending them at the same time. Lane’s songs walk a fine line between sincerity and irony, but the passion and effectiveness of her vocals keeps her from sounding like a put on, and her melodies mix rootsy twang and rock & roll edge with confidence. Raised as a Baptist in Greenville, South Carolina, Lane discovered music as an outlet for creative expression at an early age, dropping out of school at 17 to move to Los Angeles, next to New York, and then Nashville to launch her songwriting career. She introduced her talent on her 2011 debut Walk of Shame and added a soulful edge on 2014’s All or Nothin’ (produced by Dan Auerbach) and Highway Queen from 2017. On her most recent album, Denom & Diamonds, produced by Queens of the Stone Age frontman, Joshua Homme, she eased off her country accents and added a harder rock edge to her mix. With the release in June of the moving confessional single, Woodruff City Limit, produced by Butch Walker, speculation and anticipation grows that the two may be be collaborating on a new album — let’s hope so!

PAUL MCDONALD & THE MOURNING DOVES – Born in Alabama and baptized in the dive bars of the southeast, Paul McDonald first made noise with the Grand Magnolias, a roots-rock outfit, before catching fire in the public eye during American Idol’s 2011 run. When the bright lights blurred and the cameras turned, the man behind the voice slipped into the shadows where he did what real artists do: he lived, he lost, and he wrote. Retreating to Nashville, that holy city of reinvention, Paul stitched himself back together with worn boots, hard songs, and a new band called the Mourning Doves. Now, in 2025, the giant has stirred with the release of So Long to the Dark Side — a gospel-tinged reckoning wrapped in cosmic Americana and lit with songs that sound like they were scribbled on the edge of a breakdown and sung back from the brink. Raised on Petty, Parsons, and pain, Paul McDonald is not chasing trends; he’s conjuring something older and truer. His live performances are equal parts revival and rock séance. In a breakthrough moment, Paul McDonald & the Mourning Doves will bring the songs of So Long to the Dark Side and more to the headline stage at the 17th Annual 30A Songwriters Festival. 

Over 120 Additional Artists will be announced this summer.

Indie Pop Newcomer hoxie rae Debuts with Quiet Power on ‘Best of Luck.’

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There’s a lot of music out there right now that tries to be loud—sonically, emotionally, metaphorically. hoxie rae’s “Best of Luck.” takes a different approach. It’s deliberate, careful, and confident in its own scale. It doesn’t try to overwhelm you, but it doesn’t play small either.

The song rides a slow, moody groove built on piano and space. It leaves room to sit with the lyrics, which are clear-eyed and sharply written. There’s a noticeable restraint in her vocal delivery, which works to the track’s advantage. She’s not trying to belt emotion—she’s letting it simmer, which in some ways makes it land harder.

She’s not hiding the darker stuff—family betrayal, emotional abuse, years of self-doubt—but she’s also not turning it into a spectacle. There’s control in how she shares, and that’s what makes “Best of Luck.” work: it’s strong without having to shout.

What sticks with you isn’t just the production or melody, but the tone: quiet conviction. hoxie’s not putting on a performance about heartbreak—she’s working through something real, and she’s inviting you in, not pushing it on you. That choice creates a kind of intimacy that a lot of debut singles miss.

Her backstory helps contextualize that tone. The writing began in isolation, during a period of personal collapse, and you can hear how much of that early processing still lives in the music. It doesn’t feel overly polished or engineered for viral moments—and that’s refreshing.

As the first in a series of singles, this track suggests we’re going to get a wide emotional range from hoxie rae. If the rest holds onto this kind of thoughtfulness, she’s building something with staying power.

Finnish Metal Trio Kivisydän Releases New Single ‘Suru’ Ahead of Debut Album ‘Kuoleva Aurinko’

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Finnish melancholic metal band Kivisydän invites their listeners into a world where fragility and strength coexist, and where the weight of sorrow feels both crushing and liberating. Melodic, symphonic metal meets powerful vocals and lyrics that delve deep into sorrow, despair, and pain, but ultimately also into hope.

The new single “Suru” (Sorrow) is the third single from the debut album Kuoleva Aurinko (Dying Sun) to be released later this autumn. The album was mixed by Heikki Marttila / Guru Studio, and mastered by Miro Kiiski / Miromastering.

Pianist Sofiane Pamart Announces North American Tour Following Olympic Spotlight and #1 Billboard Chart EP

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Award-winning pianist Sofiane Pamart has announced a North American tour for September. The dates will be for Pamart to perform in Los Angeles, New York, San Francisco, Toronto, and Montréal (two shows). The shows follow the official release of Pamart’s cover of “Imagine” (Live at the Opening Ceremony of the Olympics 2024), which he performed with Juliette Armanet, as well as the release of his Cercle performance with NTO.

A regular on prestigious stages in France and abroad, he sold out his first three North American tours, he was the first pianist to sell-out the Accor Arena in Paris (20,000 cap) and he also played under the Northern Lights in Lapland. Last year, Pamart performed during the Opening Ceremony of the Paris Olympics.

Sofiane’s first body of work, PLANET, offered a journey around the world, while 2023’s NOCHE plunged into the depths of the night. Mastering his craft at the Conservatoire de Lille and leaving as a gold medalist, Pamart says he was “addicted” to learning more about music as the classical piano became his truest form of expression.

Collaborating with artists from various genres, Sofiane has been carving out a space of his own with his music and image both exceptionally dynamic. His work was recently featured in campaigns for Louis Vuitton, and in 2024, he released a collaborative EP with Formula 1 driver Charles Leclerc which debuted at #1 on the Billboard Classical Crossover Charts.

North American Tour Dates:

September 7 – The Curran Theatre, San Francisco, CA
September 9 – The Ford, Los Angeles, CA
September 11 – Théâtre St-Denis, QC (Sold Out)
September 12 – Théâtre St-Denis, QC
September 13 – Koerner Hall, Toronto, ON
September 15 – Brooklyn Paramount, Brooklyn, NY