Tlooth returns with a new chapter: a self-titled debut full-length steeped in duality, embracing both lo-fi grit and unexpected beauty. When a band falls apart, it usually stays that way—but for Tlooth, dissolution became the catalyst for something new. The result is a record that retains the raw edges of lo-fi recording while pushing into new sonic territories, balancing the immediacy of live tracking with the textural depth of layered production.
The album itself is a study in contrasts—recorded in fragments yet cohesive, embracing imperfection yet deeply intentional.
With this release, Tlooth is also taking action beyond the music. Proceeds will support Phillips Black, a nonprofit dedicated to providing legal aid for incarcerated individuals facing the harshest penalties under U.S. law.
Tlooth Track Listing:
1. Too Calm 2. Roald Dahl 3. Give & Take 4. Song No. 1 5. You Say It’s Prayer 6. The Blood 7. Gone Under 8. Listen
Having heralded their return with a stormer of an emo anthem – “Acid Rain” – a few weeks back, Irish brother-sister duo Greywind are adding to their new era catalogue today with the release of a fearsome new single, “I.K.A.M.F.”
“Acid Rain” saw success on the Kerrang! Chart and has been spun on the BBC Radio 1 Rock Show and more, with the cinematic music video (Quentin Tarant-emo anyone?!) racking up over 60,000 views in weeks.
Inspired by great emo pop originators like Jimmy Eat World, Fall Out Boy and My Chemical Romance, Greywind aims to bring the genre into the future with an insatiable energy and armed with a never-ending supply of hooks. The duo’s flair for the dramatic and knack for an earworm melody is seeing them build their musical world, which they welcome you to be a part of.
On A Door Left Open, Nashville heavy hitters Orthodox brutally capture the sense of unease and full-on dread one would feel having their comfort and routine violated. What got in—or what got out? For their next single and new video, “Keep Your Blessings,” drummer Mike White worked with director Errick Easterday to create a story that brings that sense of unrest to life.
Orthodox’s fusion of frenetic, intricate rhythms, pushed-to-the-breaking-point riffing and emotive vocals has refined itself to a bleeding edge proposition on their expansive, monolithic fourth studio album. With help elsewhere by Mastodon’sBrann Dailor, Boundaries’Matt McDougal and Comeback Kid frontman Andrew Neufeld, Orthodox have truly pushed hardcore heaviness to a new level of brutality.
At the centre of it all is guitarist Austin Evans, whose upside-down, lefty way of playing is as radical as his writing, which is littered with harmonics, squeals and borderline laser noises. The album’s barrage of riffs, shredding solos (courtesy of newest member Ben Touchberry) and countless breakdowns contrast unto crushing chugs—accentuated by diverse rhythms from drummer Mike White and bassist Shiloh Krebs—ensures the whiplash-laden listen never gets comfortable. Atop that, Adam Easterling’s brash bellow is even more powerful here—resulting in new dynamics that had producer Randy LeBoeuf (Jesus Piece, Kublai Khan TX, Dying Wish) exclaiming he could hardly believe it’s coming from the same man.
Orthodox have built a name on fervent, visceral live shows. With their most blunt album, both lyrically and musically, the wrecking ball that is Orthodox is coming to shatter the expectations and minds of fans of metal and hardcore alike. Their headlining U.S. Summer tour kicks off on 21st June with a special hometown release show with fellow straight edge bands Year of the Knife and Inclination in Nashville. Mugshot, Omerta and fromjoy will join them as support for the entirety of the tour, which crosses both coasts, the Midwest, and more.
Rising metal visionaries Black Satellite have released their haunting new single “Downfall,” which is available now on all streaming platforms and accompanied by a striking official video.
Black Satellite continue to carve their own path in the metal world, fusing industrial grit with gothic atmosphere to craft a sound that is as intense as it is unforgettable.
“Downfall” was recorded and produced by acclaimed producer Kane Churko (In This Moment, Five Finger Death Punch, Papa Roach) at The Hideout Studio in Henderson, Nevada.
Record-breaking rock goliaths Shinedown have released a stripped-down and hauntingly beautiful piano version of their hit single “Three Six Five” via Atlantic Records.
The original, electric version of the song has already caused quite a stir at US radio, charting at four radio formats where it has reached #5 at Alternative, #13 at Hot AC, Top 30 at Active Rock, and Top 30 at Mainstream AC radio – and is set to reach Top 40 radio shortly. The song’s spectacular rise at radio was preceded by Shinedown themselves, as they pulled off a similar feat previously with their track “A Symptom Of Being Human.”
Earlier this month the band kicked off their Dance, Kid, Dance Tour at Wells Fargo Arena in Des Moines, Iowa. The band delivered an incredible performance with jaw-dropping production and pyrotechnics. The 36-date tour is one of the largest run of shows the band has ever put on. It will be the first time the band has ever headlined some of the USA’s most legendary venues including Madison Square Garden.
Maine-based indie rock band Human Moods just released their first full-length album Enigma. The band, formed by Chris Muccino and Sheridan Ranger, blends classic and modern rock sounds, pulling influence from bands like Fleetwood Mac and The Pretenders. The album features 10 songs—two never-before-released alongside other fan favorites that were featured on the group’s previous releases.
Enigma kicks off with “Better Times,” a steadily rhythmic song with a mix of gritty guitars and acoustic guitar picking and a tasteful, vintage vocal vibe. The chorus tells listeners, “Better times are meant to live now. You’ve got to live and live well.”
“Hindsight” is about midway through the record and is one of the lead singles. It delivers more of a laid back but upbeat energy with its groovy bass line, smooth synths and piano to give it a dash of class. The song is an easy listen but the message carries some weight. It’s about personal growth through reflection and the realization that clarity often comes only after experiencing confusion or pain. “If I knew then / What I know now / I wouldn’t have wasted / So much time / It’s so much easier from this side / Hindsight is / Hindsight is 20/20.”
The album comes to a close with “Effortless Symphony,” a song originally released on their 2024 double side Capsule Temporelle. The song has a hypnotic feel with a catchy guitar riff and features an energetic chorus.
Enigma was recorded by Muccino at Evergreen Studio in Bath, ME, with help from Anthony Gatti and mastering by Grammy-winner Adam Ayan. Sheridan handles all vocals, with help from guest singers on a few tracks. Greg Goodwin plays bass, and Mike Chasse is on drums. The album art comes from Harpswell artist John M. Mishler, whose pointillist-style ink work adds a creative touch to the packaging.
Canadian hard rock quartet Sierra Pilot returns with their most intense and emotionally resonant track yet. “Breathe,” available across all major streaming platforms, delivers a sonic gut-punch that captures the emotional storm of being told to calm down when every part of you is on fire.
A bold evolution in Sierra Pilot’s sound, “Breathe” is emotional, unfiltered, and deeply relatable. With explosive riffs, pounding drums, and visceral vocals, the song mirrors the turbulent nature of mental health, ebbing and flowing between calm and chaos at a moment’s notice. It taps into a universal feeling: the frustration and fury of being silenced or dismissed in your most vulnerable moments. It’s a track that demands to be felt as much as heard.
In the fall of 2024, Sierra Pilot headed out on tour in the U.S. with Pop Evil and Bad Wolves as direct support on their “Animal Instinct Tour.” Although they had only recently recorded a rough demo of “Breathe,” the band decided to take it for a test drive. It wasn’t until they decided to play it live on the tour that the track truly came to life. Performing the unreleased track each night across 21 U.S. cities, the band was struck by the crowd’s immediate and powerful response. Energized by that connection, Sierra Pilot returned home to finish the song and complete the rest of the material for their forthcoming EP, set to release later this year.
The release of “Breathe” marks the beginning of a new chapter for the band as they move toward the release of their forthcoming EP later this year — a collection that promises to push boundaries, challenge expectations, and continue their evolution as one of Canada’s most exciting rock acts.
Out of the darkness and on the heels of their Mortal Deluxe Album announcement, Daedric returns with “Night Mother,” the first single from their upcoming full-length sophomore album. “Night Mother” was the first track to go into production for the new album, and it set the tone in the most chaotic way possible. Creative differences, technical issues, and behind-the-scenes struggles made the process feel more like a disaster than a starting point.
But through the turmoil, they knew they had something special. Rob’s initial track idea was inspiring, and Kristyn Hope’s vocal approach brought fresh energy to the song. The struggle was worth it—the final result was so powerful that “Night Mother” became the album’s first single.
Lyrically, “Night Mother” explores themes of deception, blind trust, and painful disillusionment. It tells the story of someone who placed complete faith in another, only to realize they had been manipulated.
Originally titled “Nails,” “Night Mother” also took inspiration from Chinese opera. While some of the high-pitched vocal elements were toned down in the final mix, remnants of that stylistic influence remain. Sonically, the track serves as a bridge between Daedric’s debut album and their evolving sound, blending dark electronic elements with a modern metalcore edge.
At its core, “Night Mother” ties into the album’s overarching theme of free will versus fate. Was the protagonist truly making their own choices, or were they unknowingly controlled? The song captures the weight of that realization, blending betrayal, loss of autonomy, and self-awareness into one of the album’s most emotionally charged moments.
Daedric is an alternative rock and metal project led by vocalist and artist Kristyn Hope, alongside producers Clay Schroeder and Geoff Rockwell.
After Three Days Grace surprised fans with the return of the band’s original singer, Adam Gontier, the rock giants have announced their epic upcoming record, Alienation, out now. The twelve tracks on the record all play a pivotal role in defining this significantly new, but nostalgic, chapter of the band.
In addition to sharing details of the new record, the band released their second single off the album, “Apologies.” Produced by Zakk Cervini, Dan Lancaster, and Howard Benson, the song bursts to life with riveting guitar riffs, immediately pulling listeners into the dynamic soundscape. Echoing the raw spirit of classic 2000s rock, the energetic tempo drives momentum forward into the chorus, creating an urgent and electrifying atmosphere. Soaring vocals cut through the mix, amplifying the emotion behind the lyrics, while the tight rhythm section anchors the track with steady intensity.
Alienation Track Listing:
1. Dominate 2. Apologies 3. Mayday 4. Kill Me Fast 5. In Waves 6. Alienation 7. Never Ordinary 8. Deathwish 9. Don’t Wanna Go Home Tonight 10. In Cold Blood 11. The Power 12. Another Relapse
In 1976, the seminal line-up of Motörhead was solidified a year after the band’s initial inception. Known as the ‘Three Amigos’ era of Motörhead, Lemmy (bass/vocals), Fast Eddie Clarke (guitar), and Phil ‘Philthy Animal’ Taylor (drums) joined forces and began their extraordinary journey to the top of the hard rock elite.
In August 1976, the band set up at Emerson, Lake & Palmer’s legendary Manticore Studio in Fulham to rehearse and showcase the new lineup. While they were there, they recorded together for the very first time, and now, 49 years later, this long-lost tape has surfaced, been dusted off and restored in all its raw glory, to celebrate the seminal hard rock band’s 50th anniversary.
It’s quite surreal, even unbelievable, that a whole half century has elapsed since that vital time in 1976. Just as remarkable, especially for those who remember Lemmy hammering the fruit machines of London’s pubs or as the era’s most extraordinarily approachable rock star, has been this always humble man’s ascension to Mount Rushmore-like immortality as rock n’ roll’s ultimate icon, this despite his having sadly passed away nearly ten years ago. Lemmy himself certainly would have cackled.
The dogged struggles Motörhead faced in the first four of their 50 years are well documented and the almost accidental manifestation of this album – and the circumstances under which it was recorded – present a previously barely known new element in the band’s history from that time when it’s very future looked bleak had events not taken a different course.
Part of that early story involved a little-mentioned man called Frank Kennington, who roadied for The Who before moving into management and briefly taking on the struggling Motörhead. One of Kennington’s moves was booking the trio into the converted ABC cinema on Fulham Palace Road that served as prog supergroup Emerson, Lake and Palmer’s HQ – which was known as Manticore. Named after the mythical beast in Persian folklore that adorned their album sleeves, Manticore was one-stop shopping for bands, with the projection room housing offices while the seatless main auditorium provided a useful soundstage for bands to rehearse in. Motörhead were ensconced at Manticore recording their set on Ronnie Lane’s mobile studio, which was operated by Ronnie’s trusted mate Ron Faucus.
Faucus did a fine job capturing Motörhead’s blossoming raw power and high velocity onslaughts on songs that would remain in their live set until 1979. These aging tapes were brought to life with restoration duties dutifully handled by longtime Motörhead collaborator Cameron Webb at Maple Studios in California and mastered by Andrew Alekel at Bolskine House in Los Angeles. The result is a truly historical moment in the evolution of hard rock’s finest heavy icons, restoring and bringing to the public eye for the first time ever a vital part of Motörhead’s evolution and history.
Track Listings:
Deluxe Expanded Bookpack:
LP1:
1. Intro (Instrumental) 2. Leavin’ Here 3. Vibrator 4. Help Keep Us on the Road 5. The Watcher 6. Motörhead 7. Witch Doctor (Instrumental) 8. Iron Horse / Born to Lose (Instrumental) 9. Leavin’ Here (Alternate Take) 10. Vibrator (Alternate Take) 11. The Watcher (Alternate Take)
LP2 Live: Blitzkrieg on Birmingham ’77:
1. Motörhead 2. Vibrator 3. Keep Us On The Road 4. The Watcher 5. Iron Horse 6. Leavin’ Here 7. On Parole 8. I’m Your Witch Doctor 9. Train Kept a-Rollin’ 10. City Kids 11. White Line Fever
7″ Live at Barbarella’s Birmingham ’77 (previously unreleased):
1. Motörhead 2. Keep Us On The Road
LP & CD:
1. Intro (Instrumental) 2. Leavin’ Here 3. Vibrator 4. Help Keep Us on the Road 5. The Watcher 6. Motörhead 7. Witch Doctor (Instrumental) 8. Iron Horse / Born to Lose (Instrumental) 9. Leavin’ Here (Alternate Take) 10. Vibrator (Alternate Take) 11. The Watcher (Alternate Take)
