Irish punk funk outfit Def Nettle roar back after a year away with upcoming single “Nothing For It,” a volatile rush of tension, release, and defiance led by frontman Glen Brady. Following the folktronic curveball “Get Me Here,” remixed by DJ Arveene, and the hard-hitting “Headwrecker,” the new track leans into anxiety and disorientation before detonating into massive, physical choruses. Built on pummeling drums and swirling electronics, it twists retro futurism into something confrontational and alive, rejecting polished rebellion in favor of sweat, movement, and friction. The song lands with force and attitude, carrying the same restless energy that defined debut album ‘DN001’ while sharpening Def Nettle’s voice as one of the most unpredictable and uncompromising acts in the Irish underground.
Post Hardcore Veterans Story Of The Year Ignite ‘A.R.S.O.N.’ Era With “Gasoline”
Post hardcore mainstays Story Of The Year return at full throttle with the announcement of their eighth studio album ‘A.R.S.O.N.,’ arriving February 13, 2026 via SharpTone Records. The band kick off the new chapter with “Gasoline (All Rage Still Only Numb),” one of the heaviest tracks in their catalog, driven by scorched guitars, a punishing breakdown, and vocals that swing between fury and release. Written as a moment of rupture and clarity, the song captures the instant when restraint disappears and instinct takes over, delivering raw energy with purpose and precision.
An acronym for All Rage Still Only Numb, ‘A.R.S.O.N.’ pushes Story Of The Year’s emotional core into sharper focus, channeling anxiety, inner pressure, and survival through big hooks and relentless momentum. Produced once again by Colin Brittain, the album builds on the foundation of ‘Tear Me To Pieces’ while zeroing in on what defines the band at their strongest: massive guitars, propulsive drums, and lyrics that live close to the edge. It is a record that sounds combustible and controlled at the same time, the kind that demands volume and rewards catharsis, reinforcing why Story Of The Year continue to stand as one of the genre’s most enduring voices.
A.R.S.O.N. Tracklisting:
Gasoline (All Rage Still Only Numb)
Disconnected
See Through
Fall Away
3 am
Into The Dark
My Religion
Halos
Good for Me / Feel so Bad
Better Than High
I Don’t Wanna Feel Like This Anymore
Story Of The Year Tour Dates:
January 22–26 – Miami, FL – Emo’s Not Dead Cruise
February 14 – Perth, Australia – Langley Park
February 20 – Wayville, Australia – Adelaide Showground
February 22 – Breakwater, Australia – Geelong Showgrounds
February 28 – Scoresby, Australia – Caribbean Community
March 1 – White Hills, Australia – Bendigo Jockey Club
March 5 – Fairy Meadow, Australia – Thomas Dalton Park
March 7 – Eastern Creek, Australia – Sydney Dragway
March 8 – South Maitland, Australia – Maitland Showground
March 12 – East Toowoomba, Australia – Queens Park Toowoomba
March 14 – Byron Bay, Australia – Byron Bay Cavanbah Centre Sports And Cultural Complex
March 15 – Sandstone Point, Australia – Sandstone Point Hotel
Vampire Weekend Press Madison Square Garden Shows On ‘Weekend At The Garden’
Vampire Weekend have unveiled ‘Weekend At The Garden,’ the third installment in their vinyl-only live series Frog On The Bass Drum. The limited edition double LP captures the band’s sold-out two-show takeover of Madison Square Garden in October 2024, with disc one drawn from the Saturday night performance and disc two documenting the Sunday matinee. Pressed by Third Man Records and limited to 3,000 copies, the release preserves a landmark moment with the scale, looseness, and crowd energy that defined the weekend.
Frog On The Bass Drum has become a home for extended ideas and live-only moments, following Volume 1’s ten-minute take on “Jokerman” by Bob Dylan and Volume 2’s doubled-up rendition of “Bambina” from Milan. Subscribers also receive a limited edition pennant and a new issue of The Quarterly Report written by the band, adding context and texture beyond the grooves. ‘Weekend At The Garden’ stands as a focused snapshot of Vampire Weekend in full command of a massive room, shaped by the momentum of the Only God Was Above Us Tour and the rare electricity of a one-night-and-one-matinee run.
LP 1:
- Ice Cream Piano
- Sympathy → New Dorp, New York
- White Sky
- Scenes from an Italian Restaurant
- Walcott → Flower Moon (Saturday Night Version)
LP 2:
- Bryn
- Connect
- Pravda
- Diplomat’s Son
- Mary Boone
- Request Zone: Seinfeld Theme, Monster Mash Theme From New York, New York
- Worship You —> Ya Hey
Barbie Honors Rock Icon Stevie Nicks With ‘Bella Donna’ Signature Doll Tribute
Barbie pays tribute to rock icon Stevie Nicks with a new Signature doll inspired by her flowing, spellbinding look on the cover of ‘Bella Donna,’ the 1981 album that launched her solo career and cemented her legacy. The doll captures Nicks’ unmistakable boho stage presence with a sweeping white dress, high heeled boots, top hat, and beaded earrings, echoing the visual language that made her an enduring symbol of rock mysticism. ‘Bella Donna’ reached #1 on the Billboard 200 and earned quadruple platinum certification from the RIAA, powered by enduring singles like “Stop Draggin’ My Heart Around” with Tom Petty And The Heartbreakers, “Leather And Lace” with Don Henley, and “Edge Of Seventeen.” This collectible release celebrates not only an iconic album but a woman whose image, voice, and vision reshaped rock history and continues to ripple across generations.
Folk Country Songwriter Zandi Holup Reimagines ‘Wildflower’ With Meadow Recorded Live EP
Folk country songwriter Zandi Holup expands the world of her debut album ‘Wildflower’ with the release of ‘Wildflower Pickin’ In The Meadow,’ a five song live collection recorded outdoors in a Nashville wildflower field. The project offers stripped down, organic versions of “Go Find Less,” “Mountain Man,” “Mary Jane,” and “Wildflower,” alongside a haunting reinterpretation of “Lucid Dreams” by Juice Wrld, accompanied by a live performance video. Captured with her band in a natural setting, the recordings place full focus on Holup’s voice, phrasing, and emotional clarity, highlighting the poetic songwriting that defined ‘Wildflower,’ produced by Ryan Hadlock at Bear Creek Studios. The release feels intimate and deliberate, offering a fresh lens on songs already rooted in confession, folklore, and lived experience, while reinforcing Holup’s presence as a writer and performer drawn to honesty, space, and storytelling that lingers.
Denver Hip Hop Artist DNA Picasso Claims His Space On ‘IF NOT ME THEN WHO?’
Denver hip hop artist DNA Picasso steps forward with clarity and purpose on his new album ‘IF NOT ME THEN WHO?,’ out now and marking his first full-length solo release since 2023’s ‘The Color Blü.’ Across ten tightly focused tracks, Picasso reflects on his place as an artist, curator, and advocate within Colorado’s music community, balancing energy and intention with lived perspective. Songs like “Hustlerz Anthem,” “Club Tonight,” and the R and B leaning “Rumors” featuring Dominique Christina highlight his range while keeping the spotlight on responsibility and influence. The record feels direct and self aware, capturing an artist who understands that stepping fully into his own voice strengthens the culture around him.
Indie Pop Artist Mini Trees Unveils ‘Slow It Down’ And Loops Longing On “On Repeat”
Los Angeles indie pop project Mini Trees, led by songwriter Lexi Vega, shares her most revealing chapter yet with the album ‘Slow It Down,’ out now as her first fully independent release. Across ten tracks, the record traces endings, realizations, and the unsteady clarity that comes with choosing yourself, pairing intimate songwriting with grooves shaped by live drums, sampled loops, and layered harmonies. It moves through indie and alt pop with a restless pulse, letting bright guitar lines and denser walls of sound coexist as Vega documents personal and creative turning points with unfiltered honesty.
New single “On Repeat” distills that emotional core into a pop-forward, dance-driven track built around a looping pull that refuses to loosen its grip. Written during Vega’s first experiment with Ableton, the song grew from a chance synth discovery into a recurring motif that ebbs and returns, mirroring cycles of longing and near-misses. There is a striking openness in how the track carries motion and weight at the same time, inviting movement while keeping the emotional center exposed. ‘Slow It Down’ lands as a record shaped by risk and instinct, capturing Mini Trees in the act of stepping forward with clarity, independence, and a sound that feels fully her own.
Japanese Rock Powerhouse Band Maid Unleash ‘SCOOOOOP’ EP With Anime Driven Fire
Globally acclaimed Japanese rock band BAND-MAID return in full force with their new EP ‘SCOOOOOP,’ out now across all major platforms. The eight track release captures the band in constant motion, balancing speed, precision, and emotional weight while leaning into their hard-earned confidence. Lead single “What Is Justice?” introduces the era with sharp riffs and forward drive, pairing tightly wound aggression with melodic lift as the ending theme for the anime series Tougen Anki. Alongside fan favorites “Zen” and “Ready to Rock,” which anchor major anime openings including ZENSHU from MAPPA, the EP builds a wide arc without losing intensity.
Among the new material, “Present Perfect” stands out as a striking emotional shift, spotlighting vocalist SAIKI against a cinematic backdrop of restraint and release. The track stretches the band’s palette with expansive melodies and a sense of reflection that feels deliberate and grounded, underscored by a visually arresting video that premiered with the group present for a live fan chat. Beyond the EP, BAND-MAID’s role as official ambassador for Record Day 2025 marks another milestone, with vinyl editions of ‘Unseen World,’ ‘Unleash,’ and ‘Epic Narratives’ set for release on November 1. It is a moment that reflects both momentum and permanence, as BAND-MAID continue shaping their sound while deepening their imprint on the global rock landscape.
David J Confronts Power And Injustice On “ICE Too Cold To Thaw”
“The song simply roared out of me in a visceral response to the outrageous abuse of power that is happening in the USA right now.” says legendary post-punk artist/songwriter/icon David J about his new song “ICE Too Cold To Thaw” which is released today, October 23, 2025 via Mexico-based label No Devotion Records. The new song which is attributed to DAVID J & the RESISTANCE is a direct affront to the horrors and traumas experienced by non-citizens (and those perceived to be immigrants) by the United States Immigration and Customs Enforcement (commonly abbreviated to “ICE”), the law enforcement agency under the U.S. Department of Homeland Security which has been targeting undocumented immigrants across the country.
Assembling a veritable and impressive collection of artists and musicians, including visual artists Shepard Fairey and Tomo77 who created the front and back artwork, Ulises Bella (Ozomatli), Jason Roberts (Spoon), Rob Kaechele (DJ K), Slim Zwerling (Slim Zwerling & the Yums), Justin Carl Perkins (Mystery Room Mastering), among others, David J has united them for his groundbreaking single “ICE Too Cold To Thaw.”
The limited edition and autographed 7” single will be released on ice blue vinyl with two tracks: “ICE Too Cold To Thaw” b/w “ICE Too Cold To Thaw (Sad Jazz version)” at nodevotionrecords.bandcamp.com. It will also be available in a bundle that includes the 7” single plus an authorized numbered print, autographed by both David J and Shepard Fairey at store.obeygiant.com.
A percentage of the proceeds will go to USC Gould School of Law – Immigration Clinic to assist families adversely affected by ICE.
“Like a psychedelic town crier screaming, ‘hear ye hear ye,’ David reminds us of the folly of repeating history,” says Ozomatli’s Ulises Bella who plays baritone and alto sax on the single. “To me, the song is a call to arms to all artists and musicians to combat the casual fascism that Trump has unleashed with ICE terrorizing communities. We must stand together!”
Lyrically provocative and poignant (A mother and her babies / Cruelly torn apart / And carted off to God knows where / It’s enough to still your heart), the song is a call to arms to end the brutality. “I’ve been an eye witness to this outrage happening in LA,” says David J. “I’ve seen the brutality and resulting devastation first hand. It’s highly disturbing and heartbreaking. Something has to be done!”
American contemporary artist, activist and founder of OBEY Clothing, Shepard Fairey joined David’s crusade by creating the powerful cover art of a fascistic cop pointing an accusatory finger, an image that burns in the minds of those arrested, detained and, in many cases, deported. “The United States was founded by immigrants fleeing oppression or simply searching for a better life,” Shepard explains. “The vast numbers of immigrants have made the ‘melting pot’ of the U.S. beautifully diverse culturally. Immigrants from around the globe, not racial or cultural homogeny, make America great. No human, documented or otherwise, deserves to be terrorized by the masked thugs of ICE. I’m pro-human rights and pro-justice so I’m proud to be part of this project!”
The accompanying video which was premiered by Rolling Stone which called it “a haunting protest song,” depicts an unattended ice cream cart, once manned by Ambrocio “Enrique” Lozano, a beloved neighborhood ice cream vendor for Culver City, CA who was brutally tackled to the ground and detained by ICE agents on June 23, 2025. The incident was covered in news broadcasts that were televised internationally. Now a symbol of the oppression and resistance to those fighting the current ongoing violence inflicted by ICE agents, the video depicts the little ice cream cart as it travels unattended through different politically charged international locales, interspersed with brutal news footage.
Video director Tony D explains, “As a young Mexican artist living in a border city, the scenes coming out of Los Angeles and all of the U.S. have shocked me. However, art can unite and serve as a weapon against injustice. I’m glad I got to work on David’s song, because in moments like these, artists shouldn’t remain silent. It is our duty to call out the injustices that occur in the world, and it is also our duty to find hope. The song represents these two very important values: resistance and hope.”
Released on No Devotion Records which is based in Mexicali, Mexico, the threat of ICE is direct and personal, as it is Mexicans who are most often targeted. “Every single person harassed, humiliated, tortured, separated and incarcerated is my brother and sister. This goes beyond bloodline,” says CEO / Founder Mario Cabada. “This is a cultural and social catastrophe that involves all of us, regardless of your race, sex, religion or political profile. The humanization and togetherness that music brings us all may help to heal the wound.”
Concludes David J, “I’ve been witnessing the ongoing fascist horror of what is happening on the streets in the USA with these ICE oppressors, kidnapping good hardworking people especially in my adopted hometown of Los Angeles. The potential impact of this song may only be a drop in the ocean, but that ocean is made up of drops as is a tidal wave! Bring it on!”
The 7″ on clear blue vinyl + autographed and numbered print bundle of “ICE Too Cold To Thaw” by David J. & the Resistance as well as the numbered/autographed print of the poster by Shepard Fairey is available for purchase today at 10:00am PT at store.obeygiant.com.
Country Breakout Tucker Wetmore Launches “The Brunette World Tour” Across US Europe And UK
Country’s hottest rising star and 2025 CMA New Artist of the Year nominee Tucker Wetmore announces his 22-stop headlining The Brunette World Tour, launching this February with dates across the U.S., EU and UK. Wetmore will be joined by special guests Dasha, Carter Faith and Jacob Hackworth for select dates.
“I’ve been lucky to play these songs for fans all over the country in the past year and a half, but getting to headline my own tour — and take it to fans in the U.K. and Europe for the first time — is something I’ve dreamed about for a long time,” shares Wetmore. “I’m bringing some of my favorite people out on the road with me and you can bet we’re going to make it a party every night.”
Wetmore has quickly earned a reputation as one of country music’s most electric live acts. With what Billboard hails as “charismatic, confident performances,” the “oh-so-young and crazy energetic” (Boston.com) performer has cemented himself as “country music’s most promising newcomer” (NYLON).
The Brunette World Tour comes less than two years after his meteoric arrival in the format in March 2024. Wetmore released his record-breaking debut album What Not To in April via Back Blocks Music/MCA/Mercury Records, which made history as the biggest country album debut from a new artist in 2025. The album debuted at the No. 15 spot on Billboard’s all-genre 200 Albums chart and helped propel Wetmore to over 1.4 BILLION total global streams in just over a year. After securing his first No.1 at Country radio with “Wind Up Missin’ You,” his follow-up single “3,2,1” continues to climb as it notches No. 9 this week.
Over the past year, Wetmore has become a standout presence at some of country music’s biggest stages – from C2C and Stagecoach to Crash My Playa and beyond. He also made his sold-out headlining debut at the historic Ryman Auditorium, recently sharing a special live performance of “3,2,1” from the iconic venue.
Most recently, Wetmore wrapped his direct support slot on Thomas Rhett’s Better In Boots Tour, following previously held support slots on the road with Jason Aldean, Luke Bryan and Jordan Davis.
The Brunette World Tour Dates:
Feb. 12, 2026 in Boston, Mass. at Roadrunner *+
Feb. 13, 2026 in New York, N.Y. at Terminal 5 *+
Feb. 14, 2026 in Harrisburg, Penn. at Pennsylvania Farm Show Complex
Feb. 21, 2026 in Okeechobee, Fla. at Fred Smith Rodeo Arena *
Feb. 22, 2026 in Hollywood, Fla. at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood *
Feb. 26, 2026 in Minneapolis, Minn. at The Armory *+
Feb. 27, 2026 in St. Louis, Mo. at The Factory *+
Feb. 28, 2026 in Durant, Okla. at The Grand Theater – Choctaw Casino & Resort *
April 8, 2026 in Zurich, CH at Kaufleuten ~
April 9, 2026 in Cologne, DE at Carlswerk Victoria ~
April 10, 2026 in Brussels, BE at La Madeleine ~
April 12, 2026 in Copenhagen, DK at Vega Main Hall ~
April 13, 2026 in Stockholm, SE at Nalen ~
April 14, 2026 in Oslo, NO at Rockefeller ~
April 16, 2026 in Hamburg, DE at Fabrik ~
April 17, 2026 in Amsterdam, NL at Melkweg Max ~
April 20, 2026 in Dublin, IE at The Academy ~
April 21, 2026 in Belfast, N.I. at Ulster Hall ~
April 23, 2026 in Glasgow, UK at O2 Academy ~
April 24, 2026 in Manchester, UK at The Academy ~
April 26, 2026 in Birmingham, UK at O2 Institute ~
April 28, 2026 in London, UK at O2 Forum Kentish Town ~
* with special guest Dasha
+ with special guest Jacob Hackworth
~ with special guest Carter Faith