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The Impact of AI and Technology on the Music Industry

Eric Alper
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By Mitch Rice

Technology has always had a profound effect on the music industry, but artificial intelligence has become more significant recently than ever. From creating music to how it’s distributed and experienced, technology is fundamentally altering how we create, listen to and experience music. 

In this blog post, we’ll explore how AI and technology are revolutionizing this sector in simpler terms.

Creating Music: Exploring Innovations in Composition

Music creation once required many different instruments and studios, as well as teams of people like producers and sound engineers to bring it all together. But now with AI tools available to musicians, there are easier and more accessible means for creating music than ever. Composers use these tools to create songs, beats, and melodies. They also analyse thousands of songs to identify what makes a hit and replicate similar elements.

AI can listen to any genre of music and generate new tracks based on patterns it’s learned, producing songs similar to hits heard on the radio or even coming up with unique styles. While some fear AI will replace human musicians altogether, more likely than not, it will serve as an inspiring creative force that opens doors for artists exploring new ideas. Just as VapeGala provides fast UK delivery, AI is rapidly making its mark in the music industry, offering innovative solutions to boost creativity.

AI and Music Production

Artificial intelligence is making waves in music production as well. Once upon a time, music production required expensive equipment and extensive technical knowledge. Now, however, AI-powered software programs make production much simpler for producers, such as mixing and mastering songs automatically by adjusting volume levels, tone, tempo, etc – similar to having your sound engineer working quickly yet efficiently to streamline this process for artists.

AI can also aid producers with sound design, which involves creating new sounds and effects for music production. Through AI’s help, producers can experiment with innovative ways of shaping sounds to produce fresher, more exciting music than may have been possible otherwise.

Custom Music Selection and Recommendations

One of the most noticeable impacts that technology has had on the music industry is how we listen to songs. Streaming platforms like Spotify, Apple Music, and YouTube utilise artificial intelligence to recommend songs based on your listening habits. 

Streaming services now feature millions of tracks, making it easier for listeners to find precisely the song they’re in the mood for. AI helps these platforms adapt to our ever-evolving tastes, as well as introduce us to music we otherwise might never have discovered – it’s like having your DJ!

Future of Live Music Performances: Virtual Concerts and AI Displays

Live music venues are using technology in innovative ways. Virtual concerts have grown increasingly popular since the COVID-19 pandemic; artists now utilise live-streaming platforms such as Facebook Live to perform for fans who cannot attend in person, while AI and virtual reality make concerts even more immersive for attendees. Similarly, products like the Best 7000 Puff Kit Hayati Rubik are enhancing experiences, allowing users to enjoy a smooth, satisfying session, much like the innovative ways technology is shaping live music events.

Some artists have already experimented with virtual concerts that fans can experience with VR headsets in a three-dimensional space. AI also allows artists to create holograms of themselves that perform even when they aren’t physically present, allowing fans to experience performances like never before from wherever they may be located worldwide. 

Conclusion

Technology has revolutionised music distribution. Where once musicians relied on record labels to distribute their songs to audiences, today musicians can upload songs directly onto streaming platforms and reach global audiences without middlemen intervening in the distribution chain.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Why Accurate Weight Declarations Are the Hidden Key to Greener Shipping?

Eric Alper
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By Mitch Rice

The shipping industry is the backbone of global trade, carrying over 80% of the world’s goods across oceans. But alongside its essential role, shipping also carries a significant environmental footprint, contributing to greenhouse gas emissions, fuel consumption, and ocean pollution. While much of the discussion around sustainability in shipping focuses on new fuels, efficient ship designs, and renewable technologies, one often-overlooked element holds remarkable potential: accurate weight declarations.

Precise weight reporting not only ensures safe voyages but also directly influences fuel efficiency, carbon emissions, and overall operational sustainability. Two crucial concepts in this context are DWT (Deadweight Tonnage) and VGM (Verified Gross Mass), both of which are indispensable for optimizing greener and safer shipping operations.

Understanding the Importance of Accurate Weight Declarations

Every vessel relies on precise weight information to maintain balance, stability, and fuel optimization. A wrongly declared cargo weight can lead to overloading, improper stowage, and increased drag, which ultimately results in higher fuel consumption and more emissions.

Accurate declarations are not just about following maritime law—they represent a hidden yet powerful lever for reducing the shipping industry’s environmental impact. By ensuring that ships operate at their optimal capacity and stability, shipping companies can reduce unnecessary fuel usage and greenhouse gas output.

The Role of DWT in Greener Shipping

DWT (Deadweight Tonnage) refers to the maximum weight a ship can safely carry, including cargo, fuel, ballast water, provisions, and crew. Understanding and respecting a ship’s DWT is fundamental for safety and efficiency.

When shippers and operators accurately declare cargo weights, vessels can be loaded in line with their DWT capacity. This prevents excessive strain on the hull, avoids dangerous instability, and ensures optimal engine performance. Most importantly, it minimizes the risk of overconsumption of fuel, which directly ties into reducing CO₂ emissions.

For example, a container ship sailing below or above its ideal DWT level will experience suboptimal hydrodynamics. This means the ship either drags more water than necessary or burns extra fuel to compensate for inefficiencies. In both cases, the result is wasted energy and increased emissions—an entirely avoidable outcome if accurate declarations are made.

The Critical Role of VGM in Safety and Sustainability

Since the SOLAS (Safety of Life at Sea) regulation update in 2016, shippers have been required to provide the VGM (Verified Gross Mass) of every container before loading. The purpose was initially to prevent accidents from containers tipping, stack collapses, or vessel instability caused by misdeclared weights.

However, beyond safety, VGM also plays a crucial role in sustainability. With precise container weight information, stowage planners can balance loads more effectively, ensuring ships travel with the best possible stability and trim. Proper trim reduces drag and lowers the engine’s workload, which directly translates into fuel savings and reduced carbon emissions.

By simply declaring container weights correctly, shippers contribute to more efficient voyages and greener shipping operations without additional technology investments.

How Inaccurate Declarations Harm the Environment

Misdeclared or inaccurate cargo weights have ripple effects across the supply chain and the environment:

  1. Fuel Inefficiency – Overloaded or improperly balanced ships require more fuel, releasing more CO₂ and other greenhouse gases into the atmosphere.
  2. Increased Risk of Accidents – Capsizing, cargo loss, and accidents not only endanger lives but also cause oil spills and marine pollution.
  3. Higher Maintenance Needs – Ships running outside their optimal design loads experience higher wear and tear, leading to more frequent dry-dock visits and waste generation.
  4. Logistical Delays – Incorrect declarations cause re-checking, container re-stowage, and even penalties, which increase idle times in ports—another hidden source of emissions.

These inefficiencies underline why accurate weight declarations, through proper use of DWT and VGM, are crucial in building a sustainable shipping industry.

Accurate Declarations as a Cost-Saving Strategy

While sustainability is the ultimate goal, accurate weight declarations also offer significant financial benefits for ship operators and shippers alike. Reduced fuel consumption directly lowers operating costs, which is especially important given the volatility of global fuel prices.

Additionally, compliance with accurate VGM submissions avoids costly fines, demurrage, and re-handling fees at ports. The business case for sustainability becomes clear: greener shipping is not only good for the environment but also for the bottom line.

Technological Innovations Supporting Accurate Weight Declarations

With the advent of digitalization in shipping, several tools are helping make weight declarations more reliable and efficient:

  • Weighing Systems at Ports: Many terminals are installing certified container weighing equipment to eliminate manual errors.
  • Blockchain Solutions: Blockchain-based documentation ensures transparency and prevents tampering with weight declarations.
  • IoT Sensors and Smart Containers: Sensors installed in containers and cargo hold areas provide real-time data on weight, stability, and balance.
  • AI-driven Stowage Planning: Artificial intelligence optimizes container placement based on VGM data, maximizing efficiency and minimizing emissions.

By combining accurate declarations with advanced technology, shipping can move closer to a greener and safer future.

Regulatory Support for Greener Shipping

International organizations like the IMO (International Maritime Organization) are pushing for emission reductions in line with global climate goals. Accurate weight declarations align perfectly with these objectives.

For instance, IMO’s 2023 strategy aims to reduce shipping emissions by at least 20% by 2030 and net-zero by 2050. Achieving this requires both cutting-edge technologies and practical, immediate measures like proper DWT management and strict enforcement of VGM compliance.

Governments and shipping companies that adopt rigorous weight declaration practices will find themselves ahead in meeting sustainability benchmarks.

Building a Culture of Responsibility in Shipping

At its core, accurate weight declaration is not just a technical or regulatory issue—it’s a cultural one. Shippers, freight forwarders, port operators, and carriers must recognize their shared responsibility in ensuring accurate reporting.

  • Shippers should invest in certified weighing practices.
  • Carriers must enforce compliance and reject containers without verified weights.
  • Port authorities should streamline processes for transparent VGM submissions.

Only when all stakeholders align can the industry fully harness the environmental benefits of accurate weight declarations.

The Hidden Green Potential of Weight Accuracy

While much attention goes to alternative fuels like LNG, hydrogen, or methanol, accurate weight declarations stand out as a low-cost, high-impact solution available today. Unlike new fuels or vessel retrofitting, accurate declarations don’t require massive capital investment only honesty, compliance, and reliable measurement.

It is the “hidden key” to greener shipping because its benefits are often overshadowed by more glamorous sustainability initiatives. Yet, its role is immediate, impactful, and indispensable.

Conclusion

The journey toward greener shipping cannot be achieved by technology alone. It requires a comprehensive approach, where even the simplest practices contribute to reducing emissions and improving efficiency. Accurate weight declarations through the proper application of DWT and, more importantly, VGM (Verified Gross Mass) are a powerful yet underestimated tool in this mission.

By ensuring transparency, safety, and optimal vessel performance, VGM compliance helps reduce unnecessary fuel consumption, cut emissions, and support sustainable operations across global trade. In the race to make shipping greener, accurate weight declarations backed by both DWT and VGM may just be the hidden lever we need to unlock a cleaner, safer, and more efficient maritime future.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Statement from George Koller, Gary Karr Library Manager, Friend, and Devoted Fellow Musician

Eric Alper
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Statement from George Koller, Gary Karr Library Manager, Friend, and Devoted Fellow Musician

In the wake of Gary Karr’s passing, my heart is full — with sorrow, yes, but also with an overwhelming sense of gratitude. Over the last three years, I had the rare gift of knowing Gary deeply: as a colleague, a friend, and as the manager of the Gary Karr Library, now housed in the lower level of Hugh’s Room in Toronto. In that time, I came to see what many have known for decades — that Gary was not just a musical genius, but a radiant soul who lived each day with clarity, humility, and a childlike wonder.

Gary’s mantra, even in his final days, was one of joy. When he learned of his Stage 4 diagnosis, he said without hesitation: “I’ve lived a most incredible life.” And it’s true. A full solo career on double bass — once thought impossible — dozens of recordings, hundreds of commissioned works, and thousands of students across the globe. He awoke each day at 5:30 a.m. to play music while the sun came up, often Bach. He believed in beauty and in sharing knowledge freely, and he lived those values until the very end.

Though we’re not ready to announce memorial plans just yet, I can share that there will be celebrations of Gary’s life in both Victoria and Toronto in the coming months and a recent posting of a tribute concert at the Bass festival in Belgium on August 22. These will be true to who Gary was: generous, loving, filled with music, and open to all. We know how many in the bass community — and beyond — want a moment to come together and remember this extraordinary man.

The Gary Karr Library in Toronto will continue — and grow. It remains a living, breathing tribute to Gary’s legacy, offering inspiration to new generations of players, thinkers, and dreamers. There are still unreleased recordings to come, and we are committed to honouring and preserving his artistry with the care and attention it so richly deserves.

A recent development that thrilled Gary was the digital reissue of 17 of his recordings through Japan’s King Records. These performances, once available only on vinyl and CD, are now accessible to listeners around the world. It means the next generation can hear Gary’s mastery as vividly as those who sat in concert halls decades ago. These recordings are a bridge — from the past to the future — and a fitting addition to his ongoing legacy.

What stood out most in Gary was how he gave others permission to shine. Whether in a one-on- one lesson or on the stage of a bass convention, he had a way of planting a tiny seed of insight that could transform a student’s life — if they were open to it. He was both virtuoso and gentle guide. A performer who could dazzle with ease, and a teacher who listened with care.

In the hundreds of bass events, masterclasses, and casual conversations I’ve witnessed, I saw the respect and affection Gary commanded — not just as an artist, but as a human.

being. He could move effortlessly between solitude and celebration, criticism, and praise, and he always stayed true to who he was. Simply, humbly, joyfully.

Gary Karr was — and remains — a North Star for so many of us. I miss him deeply. But I also know that his spirit plays on: in his recordings, in the library that bears his name, in the students who carry forward his teachings, and in the sunrise music that still echoes every morning.

— George Koller Gary Karr Library Manager Toronto, Ontario August 2025

Vancouver’s Mark Ledlin Hits the Gas with Blue-Collar Anthem “Wish I Was”

Eric Alper
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Vancouver’s Mark Ledlin Hits the Gas with Blue-Collar Anthem “Wish I Was”

— Mark Ledlin is swinging for the fences again. His new single “Wish I Was,” out now via XOXO Entertainment Corp./Believe, is more than a summer anthem—it’s a working-class dream set to a driving country-rock beat, penned by a man who traded his pro hockey gear for a guitar and never looked back.

Written by Ledlin alongside powerhouse collaborators Dan Botch, Garrett Ward, and David Borys, guaranteed Song of the Summer “Wish I Was” is sure to reach the same success as his breakout hit “Jealous of Jesus” which has amassed 2 million streams across your favourite streaming platforms. “Wish I Was” is the next chapter in a story that’s inspiring fans from coast to coast.

“I’ve always had these massive dreams—whether it’s music, sports, or just building something cool,” says Ledlin. “This one’s for anyone who’s sat there thinking ‘man, that’d be cool to have’ and decided to make it happen.”

The song was born on the water—literally. While vacationing with his girlfriend’s family in Bamfield, BC, the song took shape between fishing trips and life advice. “My father-in-law was putting fish on ice and dropping wisdom at the same time,” he says. “That ended up right in the lyrics. It’s all real.”

With guitar in hand and work boots on, Ledlin wrote “Wish I Was” for the dreamers building their lives one swing of the hammer at a time. “From second jobs to second verses, this is where real life meets country soul,” he says. “A blue-collar anthem for anyone grinding until there’s no more ‘wish I was’ left.”

Produced by Ledlin, Dan Botch, and Garrett Ward, the song showcases a rock-solid connection between artist and team. “The vibe was already in my head when we stepped into the studio,” says Ledlin. “Once we found the right chords, it just clicked. Like a lightbulb moment.”

The release continues a meteoric rise for Ledlin, who retired from pro hockey to chase his musical passion full-time. “I may still work 40+ hours a week, but music makes me a richer man than any number in my bank account,” he says.

With lyrics that dig deep and a melody built for late nights and long drives, “Wish I Was” captures the essence of Ledlin’s approach to songwriting: honest, driven, and rooted in experience. “I didn’t sing four years ago,” he adds. “Now I sing for thousands. Free will is beautiful—because there’s a million ways to your dream. You just have to wish it enough to get moving.”

Mark Ledlin Tour Dates:

August 15th – Chilliwack Mural Festival 

August 22nd – Cold Lake Mudfest

September 14th – Barnside Festival Ladner

5 Surprising Facts About Sade’s ‘Stronger Than Pride’

Eric Alper
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5 Surprising Facts About Sade’s ‘Stronger Than Pride’

When Stronger Than Pride arrived in 1988, it carried the warmth of sunlit studios and the clarity of a band confident in its direction. Its sound was spacious yet intimate, balancing restraint with emotional depth. This was Sade refining their voice, shaping each track with precision, and allowing silence to speak as powerfully as melody.

1. A Vision of Space and Simplicity
Sade Adu set the tone for the album’s production with a clear intention: to keep the arrangements basic, let the quiet songs breathe, and make the harder songs hit with more force. She wanted the voice to stand front and center, creating a direct connection between the music and the listener.

2. From Spain to the Bahamas
The album’s writing sessions began in Spain and London, capturing ideas in varied surroundings. Recording then took place in France and the Bahamas over the course of a year, bringing in the warmth and openness of those environments into the final sound.

3. First Steps as Sole Producer
With Robin Millar no longer able to continue after going blind during the making of Promise, Adu took on the role of self-producing the album. This was the first time she guided the record’s sound entirely, marking a milestone in her artistic independence.

4. A New Way of Writing Together
Stuart Matthewman noted that Stronger Than Pride was the first Sade album where songs were written piece by piece rather than as a collective. This shift in process brought a fresh dynamic to the songwriting, allowing each element to be carefully shaped before being woven into the whole.

5. Critical Recognition Across Decades
Upon release, the album became a commercial success, reaching the top 10 in multiple countries and spawning five singles. Decades later, it continues to be celebrated—Pitchfork ranked it number 37 on its list of “The 200 Best Albums of the 1980s,” underscoring its enduring influence.

Stronger Than Pride remains a work of poise and precision. Its understated production and carefully crafted songs speak with lasting elegance, embodying the quiet strength at the heart of Sade’s music. It stands as both a statement of independence and a testament to the beauty of musical restraint.

5 Surprising Facts About Leonard Cohen’s ‘I’m Your Man’

Eric Alper
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5 Surprising Facts About Leonard Cohen’s ‘I’m Your Man’

Released in 1988, I’m Your Man brought Leonard Cohen into a new era of sound and storytelling. With its bold embrace of synthesizers, drum machines, and cinematic arrangements, the album became a defining chapter in his career. Each track carries both precision and emotional weight, offering an intimate look at an artist deeply attuned to his craft.

1. A Global Studio Journey
The album was recorded across Los Angeles, Montreal, and Paris, bringing together a trio of contributing producers alongside Cohen himself. It was the first studio album where he took sole production credit, weaving modern textures with traditional instrumentation such as bouzouki, oud, and violin. This combination created a sonic space that was both contemporary and timeless.

2. A Voice in Full Stride
By the time of I’m Your Man, Cohen felt his voice had reached the strength and authority he had long sought. He spoke of being able to deliver songs with the necessary intensity, marking the album as a point where his vocal delivery and lyrical intent aligned completely. The result was a sound that carried both depth and assurance.

3. Poetry in Motion: “Take This Waltz”
“Take This Waltz” was adapted from Federico García Lorca’s poem Pequeño vals vienés, one of Cohen’s personal favorites. Originally recorded for a Lorca tribute album in 1986, it found a new life here with violin and duet vocals from Jennifer Warnes. The song became a chart-topper in Spain, a testament to the enduring resonance of Lorca’s imagery paired with Cohen’s music.

4. “Tower of Song” as a Songwriter’s Testament
“Tower of Song” stands as a meditation on the art of writing itself. Completed in Montreal and first recorded on a toy synthesizer, the piece reflects on aging, inspiration, and devotion to the craft. The lyric “I was born with the gift of a golden voice” became a beloved moment in live performances, celebrated for its humility and humor.

5. An Image That Spoke Volumes
The album’s cover—Cohen in a pin-striped suit, sunglasses, and a banana in hand—was captured spontaneously during a video shoot visit. Cohen felt the image reflected the human paradox of self-assured presentation and the gentle absurdity beneath it. It became not only the album’s visual signature but also the centerpiece of his 1988 tour promotion.

I’m Your Man stands as a pivotal work in Leonard Cohen’s catalog. It bridges his poetic origins with a modern production approach, pairing unflinching lyrical clarity with musical sophistication. Decades on, it continues to invite listeners into a world where every word is measured, every note intentional, and every song a quiet monument.

5 Surprising Facts About Prince’s ‘Dirty Mind’

Eric Alper
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5 Surprising Facts About Prince’s ‘Dirty Mind’

If Dirty Mind were a cocktail, it’d be equal parts sweat, sass, and sonic revolution—served straight, no chaser. In 1980, Prince dropped this raw, genre-bending gem, blurring lines between funk, rock, new wave, and punk, all while turning up the heat lyrically and visually. Let’s crank the volume and dig into five facts that prove Dirty Mind was as bold as it was brilliant.

1. The Basement Where the Funk Got Filthy
Forget plush studios—Prince made Dirty Mind in a 16-track setup in his own basement on Lake Minnetonka. Under the alias “Jamie Starr,” he engineered it himself, often recording entire tracks in a single night. The result? A raw, stripped-back sound that felt more like a live wire than a polished pop product.

2. Born on the Road, Raised on the Edge
Half the songs were born while Prince was touring as Rick James’ opener. With downtime between gigs, he and the band jammed, fusing funk grooves with rock grit. Those rough sketches morphed into the album’s fearless tracks—proof that inspiration doesn’t always wait for a studio booking.

3. “Uptown” Was More Than a Groove
The lead single “Uptown” was funky dance-floor filler, sure, but it was a utopian manifesto against prejudice. Inspired by a Minneapolis artist haven, the song flips an awkward “Are you gay?” encounter into a celebration of racial and sexual freedom. In 1980, that made it one of the boldest R&B radio hits around.

4. The Wildest Tracks Weren’t Just About Shock
Songs like “Head” and “Sister” earned a reputation for being downright notorious. But behind the scandal was Prince’s artful play with identity, taboos, and performance. “Head” drips with synth-funk seduction, while “Sister” explodes in punk energy—both breaking rules with purpose, not just provocation.

5. A Jam That Sparked a Band
“Partyup” started as a bass-and-drum groove from Prince’s friend Morris Day. Prince reworked it into a funk-rock rally against war and the military draft—then offered Day a choice: cash or a record deal. Day picked the deal, leading to the birth of The Time. That’s funk history in the making.

Dirty Mind was a line in the sand. Prince erased all the boundries, making music that was unapologetically raw, political, and sexy. Decades later, it still sounds like freedom with a backbeat.

5 Surprising Facts About Talk Talk’s ‘Spirit of Eden’

Eric Alper
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5 Surprising Facts About Talk Talk’s ‘Spirit of Eden’

When Spirit of Eden landed in 1988, it left many listeners bewildered. Gone was Talk Talk’s radio-friendly synth-pop; in its place came a meditative, genre-blending masterpiece that would only reveal its genius over time. Here are five fascinating insights into an album that quietly changed music history.

1. Recorded in Complete Darkness
For much of its year-long creation at London’s Wessex Studios, Spirit of Eden was made in near-total darkness. Candles, oil wheels, and strobes set the mood, disorienting musicians and removing any sense of time. This intense, immersive environment helped coax spontaneous performances that Mark Hollis and Tim Friese-Greene would later painstakingly edit into the album’s final form.

2. Built from Hours of Improvisation
The songs weren’t written in a traditional verse-chorus structure. Instead, Talk Talk recorded many hours of improvised playing, drawing from jazz, ambient, classical, blues, and dub. Hollis and Friese-Greene then sculpted these raw takes—cutting, rearranging, and layering—to create six seamless tracks that feel both spontaneous and meticulously crafted.

3. A Radical Break from Their Past
Talk Talk had found commercial success with 1986’s The Colour of Spring, selling over two million copies. But Spirit of Eden abandoned chart-friendly synth-pop for a sound critics called uncommercial. It was a brave leap that alienated some fans at first but would later earn the album a reputation as a post-rock pioneer.

4. An Anti-Heroin Song at Its Heart
“I Believe in You,” the album’s only single, is a haunting anti-heroin statement. Hollis wrote it after witnessing friends fall into addiction, determined to strip away the glamorization of the drug in rock culture. Despite his reluctance to release it as a single, the song remains one of the album’s emotional high points.

5. A Landmark That Outgrew Its Reception
Upon release, Spirit of Eden was a commercial disappointment compared to its predecessor, peaking at #19 in the UK and fading from the charts after five weeks. But over the decades, critics have embraced it as an underrated masterpiece.

Spirit of Eden is proof that art often outlasts initial misunderstanding. From its shadowy recording sessions to its fearless genre fusion, it stands as one of the most uncompromising and quietly revolutionary albums of the 1980s—a record that continues to inspire musicians who dare to follow their own path.

The Describers Release “Leaving Early From the Big Goodbye” Featuring Eric Slick and Ryan Schwabe

Eric Alper
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The Describers Release “Leaving Early From the Big Goodbye” Featuring Eric Slick and Ryan Schwabe

The Describers, led by songwriter Jason McGovern, return with new single, “Leaving Early From the Big Goodbye.” Blending Americana with indie pop, the song captures the awkward ache of social disconnection—and tells the story of a fleeting spark of a moment that nearly became something more.

McGovern, active in Philly’s DIY music scene and recently a co-producer for The Tisburys’ A Still Life Revisited, has been releasing music as The Describers since 2018. Known for mixing folk storytelling with home-studio experimentation, he strikes a balance here: introspective lyrics delivered with charm.

The new song paints the scene of a house party both crowded and isolating. Two people, equally out of place, share a glance, and then one vanishes before anything real can form. “You slowly slip into the night / I saw you leaving early from the big goodbye,” McGovern sings, capturing the feeling of a connection lost before it began.

With drums by Eric Slick (Dr. Dog) and mastering from Ryan Schwabe (Hop Along, Beach Bunny), the track combines experienced production with raw sentiment. Recorded at both McGovern’s home studio and Kawari Sound, it’s a short story set to music: honest, wistful, and familiar.

Dive into “Leaving Early From the Big Goodbye”—out now on all platforms.

Wyatt Ellis Reimagines Bluegrass Classic “Country Boy Rock ’N Roll” With Trey Hensley and Michael Cleveland

Eric Alper
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0
Wyatt Ellis Reimagines Bluegrass Classic “Country Boy Rock ’N Roll” With Trey Hensley and Michael Cleveland

Wyatt Ellis continues to reinvigorate the traditional bluegrass cannon with his powerful rendition of “Country Boy Rock ’N Roll,” a song originally brought to life by Don Reno, Red Smiley, and The Tennessee Cutups in 1956. First discovering the track as a country song through one of his musical heroes, Marty Stuart, Ellis soon uncovered the song’s bluegrass roots. With lyrics that echo his own rural upbringing and go on to mirror his musical journey, the track highlights the enduring appeal of bluegrass and its ability to connect across generations. With his signature mandolin playing and lead vocals, Ellis is joined by two of today’s most accomplished bluegrass musicians. Trey Hensley contributes tenor vocals and powerful guitar work, while Michael Cleveland delivers an electrifying fiddle performance alongside Noah Goebel’s twin fiddle harmony.  

The rhythm section is driven by Gibson Davis on banjo and Sarah Griffin on upright bass, two members of Ellis’ touring band. Together, they breathe new life into this bluegrass classic while staying true to its spirit. This version of “Country Boy Rock ’N Roll” proves that bluegrass can evolve without losing sight of where it came from. At just 16, Wyatt Ellis is one of the most exciting young voices in the genre. Building on the momentum of his debut album Happy Valley, he steps further into his role as a bandleader and vocalist. Inspired by the bluegrass legends who came before him, Ellis’ deep respect for tradition combined with a bold sense of creativity sets him apart as a torchbearer for the next era of bluegrass.

Directed by Joseph Cash, the video was shot at various locations in Paris, KY including Stone Farm, a prestigious location known for breeding champion horses.

Born in the rich musical bed of East Tennessee, Wyatt Ellis has quickly become one of the most-watched young musicians in bluegrass. A skilled vocalist, gifted multi-instrumentalist, and natural bandleader, Wyatt is redefining what it means to carry tradition forward with heart and authenticity. Raised near the Great Smoky Mountains, his first memory of hearing the mandolin—Bobby Osborne’s solo on the bluegrass classic “Rocky Top”—sparked a deep love for the instrument. That early inspiration came full circle when Wyatt was mentored by the legendary musician himself, and later featured on Bobby’s final recording of the Tennessee anthem that first drew his heart to music. During the pandemic, Wyatt poured himself into learning. He studied with master musicians, composed original tunes, and developed a voice and sound all his own. From pickin’ alone in his living room to fronting a dynamic band on stages across the country, Wyatt’s path has been unparalleled. His debut album, Happy Valley, a reflection of his East Tennessee roots and musical virtuosity, debuted at #1 on the Billboard Bluegrass Albums chart—marking the arrival of a bold new voice grounded in tradition.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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