All photo credits belong to Susan Moss, Benoit Rousseau. and Osheaga.
KATATONIA Share Haunting New Single “Temporal” from Album ‘Nightmares as Extensions of the Waking State’
KATATONIA have unveiled the second new single from their upcoming album, Nightmares as Extensions of the Waking State, out now via Napalm Records! “Temporal” balances fragility and strength – its intense verses culminating in a soaring, emotionally charged chorus. The track arrives with a beautiful lyric video.
Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of the genre, effortlessly shifting between haunting vulnerability and commanding artistry. KATATONIA’s music is pure and heartfelt from the northern wilderness; cast in mournful dirges for a world that needs a renaissance.
Jonas Renkse comments: “Temporal, when the enchantment is gone. When riffing is on, the combination offers no solace other than the pleasure of the vicious circle & the colours of the night. Enjoy.”
On Nightmares as Extensions of the Waking State, crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like “Thrice” and “Warden” pulse with dynamic energy, while “Lilac” sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, “Wind of No Change”, merges subtle electronic textures with KATATONIA’s enigmatic soundscapes. The breathtaking “Efter Solen” (Engl. After the Sun), featuring Swedish lyrics, with minimalistic yet striking instrumentation.
Shadows of a Silhouette Unleash Gritty New Single “No Matter Where I Go” Ahead of Debut Album ‘For Those That Know’
Following the release of their acclaimed singles ‘Tempest’ and ‘Outside the Fade’, Derbyshire’s boundary-pushing alt-rock outfit Shadows of a Silhouette return with their latest offering, ‘No Matter Where I Go’, along with a music video. A lean, razor-edged cut of garage-rock minimalism, the track delivers a rush of energy that’s both raw and irresistibly direct – cementing the band’s sonic evolution ahead of their debut album ‘For Those That Know’.
Driven by a gutsy guitar riff and propelled by unrelenting rhythm, ‘No Matter Where I Go’ wastes no time. There’s a sense of urgency here, a stripped-down intensity that feels immediate and unfiltered. That’s no accident. According to lead guitarist Reece Carter, the song was salvaged from an old voice memo recorded back in 2021. “I found this 30-second audio of me and Nay [Nathan Brown] jamming the first verse – it was just sitting there,” he explains. “It never materialised into anything with the band at the time, but I just loved how raw and to the point the riff was and thought that the lyrics were class. I knew it was the perfect tune to go on the debut LP.”
The track might have ended up on the cutting-room floor, if not for Carter’s persistence. After the first day of recording, he recalls cornering the rest of the band at the studio – “I was rambling on for ages to Nay (Nathan) and Tyler [Henderson] about how we had to make this song. They wanted to hold it for album two or release it later, but I wouldn’t drop it until it got made.”
Frontman Nathan Brown delivers one of his most compelling vocal performances yet, wrapping sharp melodic lines around lyrics that stemmed from what he describes as “nothing short of a flash of inspiration – the sort of thing that seems to appear from nowhere.” Reece had called him in with the rediscovered riff, and it sparked something immediately. “As usual, my mind wandered far from wherever I was standing – drawn, I’d like to think, by the simple, defiant nature of the riff itself,” Brown recalls.
What followed was a vivid narrative set in the American desert, imagined through the lens of incarceration and fleeting freedom. “It begins with an escaped convict in a stolen prison van, having just smashed through the gates in a desperate sprint for freedom,” Brown explains. “But in a place where there’s nowhere to hide – and no real way to survive – his escape seems doomed from the start. After he crashes in a haze of adrenaline, he faces a choice: brave the wilderness, risking death in the labyrinth of desert canyons, and maybe die a free man; or return to the road and savour what little freedom he’s managed to snatch. Either way, he’ll serve his time – in hell, or back behind bars.”
The single was recorded at Liverpool’s iconic Motor Museum Studio, a creative haven for legendary UK bands including Arctic Monkeys and The Lathums. With Al Groves at the production helm, the band captured the grit and immediacy of their sound in full force. Groves, known for his work with Bring Me the Horizon and Cast, brought a punchy, analogue sensibility to the track, harnessing the band’s live-wire energy while giving the mix a crisp, modern finish.
Formed in the heart of Derbyshire, Shadows of a Silhouette channel the restless spirit of the Midlands into a sound that feels at once familiar and unshakably their own. With Brown, Carter, William Scott on bass, and Tyler Henderson on drums, the four-piece blend the lo-fi immediacy of early 2000s garage rock with the lyrical depth and tension of modern indie. Touchstones like The White Stripes, The Strokes, and early Kings of Leon can be heard in the DNA of their music, but their identity is unmistakably theirs – born of shared experience, local grit, and an instinct for connection.
Their debut singles ‘Tempest’ and ‘Outside the Fade’ showcased two sides of their sonic palette: expansive and anthemic on one hand, brooding and introspective on the other. ‘No Matter Where I Go’ completes the trio with a rough-edged punch to the chest – a reminder of how visceral the band can be when stripped down to its core elements.
Shadows of a Silhouette spent much of 2024 on the road for their debut UK tour, bringing their feverish live set to new audiences across the country. That momentum continues into 2025, with headline shows at Rough Trade already lined up and more dates on the horizon. Their sold-out appearances at venues like The Bodega and Fiddler’s Elbow in Camden have proven their ability to pack out rooms and leave a lasting impression.
With over 230,000 Spotify streams and growing recognition from outlets like BBC Introducing East Midlands, Derby Telegraph, and RGM, Shadows of a Silhouette are poised for their breakout. ‘No Matter Where I Go’ isn’t just another release – it’s a snapshot of a band doubling down on its identity, refining its voice, and refusing to compromise.
This is the sound of a band pushing forward – gritty, immediate, and totally their own. The debut album is coming. And if this single is anything to go by, it’s going to hit hard.
Willie Nile Releases Passionate New Album ‘The Great Yellow Light’ Featuring All-Star Guests and Timely Anthems
Veteran NYC rocker Willie Nile has released his new album “The Great Yellow Light” on CD, 12″ LP vinyl, digital download and via streaming services on River House Records.
The Great Yellow Light is filled with passionate guitar-driven, melodic songs, a mix of anthemic rockers and sensitive ballads with a subtle socio-political message throughout. Willie was joined in the studio by his core band Jimi Bones – electric & acoustic guitars, backing vocals, Johnny Pisano – bass, backing vocals and Jon Weber – drums, providing soaring lead vocals, electric guitar and piano himself. Besides Earle, special guests include Irish music icon Paul Brady on vocals, The Hooters’ Rob Hyman and Eric Bazilian on keys and strings respectively, Black 47 members Larry Kirwan, Fred Parcells, and Chris Byrne and legendary sidemen Waddy Wachtel and David Mansfield.
Among The Great Yellow Light’s highlights is “Wake Up America” which Nile describes as “a call out to our better angels. Even though the history of America is riddled with pain and injustice and the divisions between us are greater than ever, I refuse to give in. I know we can do better than this. Heartfelt thanks to Steve for bringing his beautiful ragged, gritty, street-wise voice to it.” “Washington’s Day” was written by Willie with Rob Hyman and Eric Bazilian and 5 x Grammy nominated producer Rick Chertoff; it portrays, “Romeo and Juliet in Arlington National Cemetery. A prayer for hope, compassion, liberty, and a better world for all mankind,” according to Nile. He calls “Electrify Me”” A raucous punk howl. Passion and compassion lives and is worth fighting for.”
“For me, the album’s title refers to those rare magical moments of awe and wonder that make life worth living,” says Willie. “My band played great on these sessions, no doubt thanks to all the live shows we’ve been doing. The special guests each brought unique magic to the party! Bless all their generous hearts.”
Save Ferris Drop High-Energy New Single “Get Dancing” and Continue 2025 Tour Dates
ka-punk icons Save Ferris have just dropped their highly anticipated new single and video, “Get Dancing.” The band is hitting the road again as part of their Spring 2025 Tour, bringing their signature high-energy performances to fans across the country.
Hailing from Southern California, Save Ferris burst onto the scene in the mid-’90s with their infectious blend of ska, punk, and pop. Led by powerhouse frontwoman Monique Powell, they quickly gained a devoted following with their dynamic live shows and bold reimagining of “Come On Eileen,” which helped catapult their debut album It Means Everything (1996) into the spotlight.
Known for their explosive horn sections, driving guitar riffs, and Powell’s unmistakable vocals, Save Ferris became a defining voice of the third-wave ska movement. Despite lineup changes and shifting musical landscapes, their vibrant sound and deep connection with fans have endured.
More than just hit-makers, Save Ferris played a pivotal role in bringing ska-punk into the mainstream and continue to inspire new generations of fans and musicians. With “Get Dancing,” they prove once again that their sound is both timeless and ever-evolving.
Upcoming Shows:
Aug. 3, 2025 – London, United Kingdom – O2 Academy Islington
Aug. 6, 2025 – Southampton, United Kingdom – The 1865
Aug. 7, 2025 – Huddersfield, United Kingdom – Parish
Sep. 13, 2025 – Bethlehem, PA
November 29 – Los Angeles, CA – Peacock Theater (with Yachtly Crew)
Fender and Brad Paisley Unveil Limited Edition 1967 “Lost Paisley” Telecaster with Vintage Flair and Modern Precision
Fender Musical Instruments Corporation (FMIC) and the Fender Custom Shop today announce the release of the Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, an instrument made in collaboration with global country music superstar Brad Paisley. The striking, vintage-inspired guitar revitalizes one of Fender’s most enigmatic and beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.
“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” said Brad Paisley.
The tale of the Blue Paisley Telecaster began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Brad set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.
First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, these guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.
In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage shops, the instruments became prized by collectors and guitarists drawn to their eccentric aesthetic and rare backstory. Brad Paisley, who shares his name with the iconic design, naturally gravitated toward these standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.
“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” said Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”
The Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster offers a one-of-a-kind blend of nostalgia and precise craftsmanship, making it a versatile instrument for today’s players. Its lightweight body, crafted from a unique combination of alder, paulownia, and spruce, delivers exceptional resonance and comfort. Dressed in a striking Blue Paisley Relic® finish with a colorful, metallic burst, this guitar pays homage to its psychedelic roots while embracing subtle modern touches, featuring a custom ’60s Oval “C” maple neck with a round-laminated maple fingerboard for smooth, familiar playability. Under the hood, Seymour Duncan Custom Shop Hand-Wound Lost Paisley pickups provide warmth, clarity, and tonal balance, while the Glaser “G” Bender system allows for fluid, pedal-steel-like bends that elevate expressive performance. Finished with late-’60s appointments bundled with custom accessories—including a vintage-style case, period-correct Fender strap, and certificate of authenticity—this Telecaster is both a collector’s dream and a stage-ready workhorse.
“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” said Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville, TN. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”
Sarah Brightman: A Winter Symphony to Celebrate the Season at OLG Stage at Fallsview Casino This November
The world’s biggest-selling soprano and legendary GRAMMY Award-nominated artist Sarah Brightman returns to start her new Christmas spectacle “A Winter Symphony” tour for one special show at the OLG Stage at Fallsview Casino on Wednesday, November 26, 2025 – marking the only Canadian date. Accompanied by orchestra, choir, and special guests, this enchanting holiday show will feature Brightman performing many of her holiday classics and greatest hits. Tickets and VIP packages at here though ticketmaster.ca.
“We are incredibly delighted to welcome back Sarah Brightman to the OLG Stage at Fallsview Casino,” says Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos. “It truly is an entire concert experience, between carefully curated, powerful vocals and exceptional musicians with captivating backdrops, guests can expect a holiday concert like no other.”
Sarah Brightman, international singing superstar and UNESCO Artist for Peace Ambassador, pioneered the classical crossover music movement and is famed for possessing a vocal range of over three octaves. Sarah is the only artist to have simultaneously topped the Billboard dance and classical music charts. Her voice has rung out from theatres, arenas, cathedrals, World Heritage sites and Olympic stadiums, bringing to life some of the world’s most beautiful music. Brightman’s work transcends all musical genres, synthesizing many influences and inspirations into a unique sound and vision. In May 2024, Sarah returned to the stage in her first theatrical role in over three decades as Norma Desmond in the lavish Australian production of Andrew Lloyd Webber’s Sunset Boulevard receiving glowing reviews and standing ovations. To close out a busy 2025, Sarah brings her new Christmas spectacle, ‘A Winter Symphony’, to the United States and Canada.
SiriusXM and FOX Nation Launch $11.99 Streaming Bundle Offering Music, News, Sports, and Originals
SiriusXM and FOX Nation announced today a new bundle of their streaming services that delivers enhanced consumer value and access to the full libraries of streaming content from each company. With this first-time offering, subscribers will have access to SiriusXM’s All Access (App Only) plan and the FOX Nation service for a single price of $11.99 per month, representing a savings of 33% a month.
“FOX News Media and SiriusXM are leaders in news and entertainment programming respectively, and we are delighted to bring to the market a bundle of our streaming services that offers exceptional consumer value,” said Dave Geary, SiriusXM’s Senior Vice President of Business Development and Partnerships. “FOX Nation’s library of original video programming and SiriusXM’s vast offering of music for every mood and moment, live sports from every major league, plus entertainment and news combine to make a highly attractive streaming audio and video bundle.”
FOX News Media President & Executive Editor Jay Wallace added, “We are excited to work with our partners at SiriusXM to bring fans of FOX News the opportunity to access extensive content offerings at a discounted price. From FOX Nation’s on-demand original entertainment, lifestyle, and faith content to SiriusXM’s vast line up of music, sports, comedy and more, we are thrilled bundle subscribers will enjoy premier programming across all interests.”
Subscribers of the streaming bundle will have access to SiriusXM’s hundreds of ad-free music channels, the must-hear moments in live sports and an extensive lineup of sports-focused channels, as well as the latest in news – including simulcasts of the FOX News Channel, FOX Business Network and FOX News Headlines 24/7 – politics, entertainment, faith and comedy programming via the SiriusXM app. Subscribers will also be able to view FOX Nation’s thousands of hours of exclusive lifestyle and entertainment content, including “Martin Scorsese Presents: The Saints,” Kevin Costner’s “Yellowstone to Yosemite”, Greg Gutfeld’s “What Did I Miss?”, from documentaries to specials from FOX News Media personalities and much more.
Warrant Celebrate 30 Years of ‘Ultraphobic’ with First-Ever Vinyl Release and Remastered CD
Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, “Heaven”, which reached No. 2 on the Billboard Hot 100. The band’s success continued in the early 1990s with the double platinum album Cherry Pie (1990), which provided the hit song of the same name.
In 1992, Warrant released their third album, the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band’s fourth album Ultraphobic produced by a returning Beau Hill (Alice Cooper, Ratt, etc…) was released in March 1995 and, featured the singles “Family Picnic”, “Followed” and the ballad “Stronger Now”.
Now to celebrate the 30th Anniversary of Ultraphobic it has been remastered and will be released on vinyl for the first time, along with an accompanying CD. The vinyl will be 180g available in both Orange Swirl and Black. There will be a limited amount of CD/LP bundles with a signed print by original members Erik Turner and Jerry Dixon while supplies last.
Tracklist:
1. Undertow
2. Followed
3. Family Picnic
4. Sum of One
5. Chameleon
6. Crawl Space
7. Live Inside of You
8. High
9. Ride #2
10. Ultraphobic
11. Stronger Now
