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Otis Redding Foundation Announces 4th Annual King of Soul Music Festival

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The Otis Redding Foundation (ORF) proudly announces the 4th Annual King of Soul Music Festival, taking place September 12-13, 2025 in Macon, Georgia, to benefit the newly opened Otis Redding Center for the Arts.

In celebration of Otis Redding’s 84th birthday and his historic performances in New Orleans, the legendary Preservation Hall Jazz Band will be joined by special guests including Lamont Landers and Yola (more guests TBA) to headline the gala event, “An Evening of Respect,” at 7:00 PM on Friday, September 12 at the Macon City Auditorium. During the gala, the following awards will be presented:

Otis & Zelma Redding Award of Respect – Honoring those who embody the compassion, dignity, and community spirit of Otis and Zelma Redding through service, education, and the arts

Otis Redding III Award of Philanthropy – Recognizing individuals who carry on Otis Redding III’s legacy of generosity, leadership, and dedication to uplifting others

Otis Redding Foundation Dream Award – Recognizing dedication, ambition, and artistic excellence

The celebration will then continue Saturday, September 13, with the “Big ‘O’ Homecoming Show & Dance,” hosted at the Capitol Theatre and surrounding grounds at the Otis Redding Center for the Arts.

The 2025 King of Soul Festival is made possible through generous support from sponsors including Visit Macon and Gretsch.

John Carter Cash Releases “Snow On The Sand” Video, Announces Concept Album ‘Pineapple John’

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Acclaimed singer-songwriter and producer John Carter Cash has released the official music video for his brand-new single, “Snow On The Sand,” out now via Avondale Records and distributed through The Orchard. The single, accompanied by its cinematic visual, marks the first look into Cash’s upcoming full-length album, Pineapple John, due September 12, 2025.

The official music video was directed by Joseph Cash and filmed at the historic Cash Cabin Studio. Pineapple John is a cinematic concept album that tells the story of a life-worn singer-songwriter named Pineapple John. Produced by John Carter Cash and Trey Call, the record explores universal themes of love, loss, redemption, and self-discovery through vivid storytelling and rich sonic textures.

The album’s debut single, “Snow On The Sand,” features background vocals by Ana Cristina Cash and Caitlin Evanson. The track embodies the album’s emotional contrast, pairing poignant lyrics with evocative production that mirrors the warmth of the beach against the lingering chill of a past left behind.

“I’m incredibly excited to share ‘Snow On The Sand,'” says John Carter Cash. “It’s the first glimpse into Pineapple John and the beginning of what I hope will be a deeply personal journey for my listeners. The full album is a reflection of life’s struggles and triumphs, and I can’t wait to share it with the world.”

The album features performances from some of country music’s most talented artists. Marty Stuart plays electric guitar on “The Island Fair,” while Clare Bowen lends her voice as a background vocalist on both “The Hole In The Bottom of the Sea” and “The Island Fair.” Brandon Young, co-writer on “The Ocean Calling”, also contributes background vocals on “Pineapple John” among other songs. John Carter’s daughter A.B. Cash joins her father on “Beckoning Melody.” “The Hole in the Bottom of the Sea” (featuring vocals by John’s nephew, Thomas Gabriel), and other collaborations contribute to the album’s depth, with each artist adding their unique touch to the tale.

Pineapple John features co-writes with a diverse group of songwriters, including Jack Ezra Cash, Caleb Caudle, Bill Miller, Thomas Gabriel, and others. Additionally, the album includes the classic song “Shame and Scandal,” written by Lord Melody, and a rendition of “Jamaica Farewell” by Irving Burgie. Pineapple John will be released by Avondale Records and distributed through The Orchard.

Kolton Moore & The Clever Few Share Heartfelt New Single “Strawberry Thief” Ahead of Sixth Album

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Kolton Moore & The Clever Few have shared their new single “Strawberry Thief,” the next offering from their upcoming sixth album A Place That I Call Home, out September 26. A tender ode to the joys of fatherhood, the new single arrives with a music video featuring home video footage of Kolton making memories with his family.

“This one is close to home, probably my favorite song on the record,” says Kolton about the new song. “For me, the line that says it all is, ‘Butterflies and dandelions / A little strawberry thief,’ about my daughter always getting to the ripe strawberries in the garden before me or my wife can make it to them. It’s about me coming to the realization that memories like that won’t ever be recreated; they’ll always just be memories.”

On the video: “I knew this video would be an emotional experience, but as we shot the video and I kept seeing the clips of our little girl growing up – all the emotions of the song really came flooding in. The idea for the home video/ projector look came from my wife. I was kind of at a loss as to how we could visually capture this song and it make sense to everyone. The projector depicts how the memories look like in my head. Our evening fishing trips, swimming in the summer sun, making funny faces with mommy, eating all of the strawberries out of the garden before we even make it inside … this is what ‘Strawberry Thief’ is to me.”

“Strawberry Thief” follows the anthemic “When We Were Young,” which All Country News hailed as “a soaring, soul-sparking ode to youth and the kind of freedom that can only be seen clearly in hindsight.” Produced by GRAMMY-winner Matt Ross-Spang (Jason Isbell, Margo Price), the Texas five-piece’s forthcoming album A Place That I Call Home finds them navigating adulthood while taking stock of hard-earned life lessons along the way. Capturing their electrifying mix of rock, blue-collar storytelling and Texas-sized country hooks, the songs here are mined from Kolton’s personal experiences, from wild teenage nights to mental health journeys. The end result is an album about redefining the meaning of home from a road-warrior band that used to play 250 shows a year when they debuted in 2012.

Made up of frontman Kolton Moore and backed by lead guitarist Ryan Wilcox, bassist Matt Gumley, keys player Sam Jones and drummer Aaron Dowd, the band strikes the right balance between Southern grit and maturity on A Place That I Call Home. With hundreds of millions of streams, they’re now shining a light on their evolution without pulling any of the punches that have landed their music on TV shows like Yellowstone and American Idol.

Del McCoury Band Shares Reflective New Single “So Black and White,” Written by Larry Keel

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With a career spanning over six decades, Del McCoury continues defying expectations delivering fresh, thoughtful bluegrass with every release. Today, the Del McCoury Band returns with “So Black and White,” a new single written by celebrated guitarist and songwriter, and longtime Del McCoury collaborator, Larry Keel. The song can be heard and downloaded here

Leaning into moody lyricism and rich harmony, “So Black and White” is a battle between the complexities of passion and perception, exploring a push and pull between want and honesty in this moment that soon expires. 

“We’re living in color… it’s so black and white,” sings Del, capturing tension with clarity.

Tying into the overall theme, is a classically designed, tap-along black and white lyric video, available now on Del McCoury Band’s YouTube. 

“I could feel something in this song of Larry’s right away and when I saw, like chasing down a thought you couldn’t quite put your finger on. And after all these years, I still get excited to do something that sounds fresh, it just fits what we do.”

“So Black and White” is currently available exclusively for download and on digital streaming platforms.

Catch Del McCoury Band in a town near you late this summer and into the fall

Aug 15 | Eau Claire, WI (with The String Cheese Incident)

Aug 21 | Lexington, KY

Aug 22 | Nashville, IN

Aug 23 | Cincinnati, OH

Aug 28 | Hopewell, VA

Aug 29 | Woodstown, NJ

Aug 30 | Galax, VA

Aug 31 | Mill Spring, NC

Sep 7 | Pelham, TN

Sep 16 | Nashville TN

Sep 26 | Marietta, OH

Sep 27 | Vine Grove, KY

Oct 12 | Eureka Springs, AR

Oct 18 | Grass Valley, CA

Oct 24 | York, PA

Oct 25 | Groton, MA

Nov 6 | Minneapolis, MN

Nov 15 | Clearwater, FL

Nov 16 | Ponte Vedra, FL

Altan and Old Blind Dogs to Headline 2026 Boston Celtic Music Festival

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Passim has announced that the acclaimed Celtic music groups Altan and Old Blind Dogs will headline the 23rd annual Boston Celtic Music Festival (BCMFest), taking place January 15-18, 2026 in Cambridge and Somerville. On Friday, January 16, BCMFest will head to Arts at the Armory in Somerville for a concert with one of Scotland’s greatest traditional bands, Old Blind Dogs and one of the most iconic bands in Irish history Altan takes the stage for the Nightcap Finale on Saturday, January 17 at the Somerville Theatre. The full line up for BCMFest will be released later this fall. Tickets are on sale now at passim.org/bcmfest

The four-day celebration of Celtic culture returns to its home base at Club Passim and will expand across several venues including the Somerville Theatre, Crystal Ballroom, The Burren, The Rockwell, and the newly added Arts at the Armory. The weekend will highlight the rich Celtic music, song, and dance traditions rooted in Greater Boston, representing Irish, Scottish, Cape Breton, Quebecois, and other Celtic communities. 

“As we look ahead to the next BCMFest, we’re thrilled to welcome the legendary Altan and Old Blind Dogs to this joyful celebration of Celtic culture,” said Summer McCall, Director of BCMFest. “Both bands will be crossing the Atlantic to join us for two unforgettable nights. We’re also excited to expand our footprint this year by including Arts at the Armory as one of our featured venues. For more than 20 years, BCMFest has showcased thousands of performers—emerging and established—all united by a shared passion for the vibrant Celtic traditions rooted right here in Boston.”

The musical evolution of Old Blind Dogs began in Aberdeen in 1992 with roots that grew from the eclectic music scene that flourished in the Granite City during the early 90’s. Four musicians from very different musical backgrounds came together to create a full-time professional touring band with the aim of showcasing the rich tradition of songs and tunes of the North East of Scotland on an international stage. Original member Jonny Hardie (fiddle/vocals) is joined by Aaron Jones (cittern/guitar/ vocals), and Donald Hay (percussion/vocals). Inducted into the BBC ALBA Scots Trad Music Awards ‘Trad Music Hall of Fame’ (2020) the band have celebrated over thirty years on the road.

No Irish traditional band in the last thirty years has had a wider impact on audiences throughout the world than Altan. Formed in County Donegal in 1987 by lead vocalist Mairéad Ní Mhaonaigh and her late husband Frankie Kennedy, the group’s music is influenced by traditional Irish language songs and tunes from Donegal. Altan’s newest member, Clare Friel, shares vocal duties with Ní Mhaonaigh. Accordionist Martin Tourish brings his formidable chops and compositional sense to the medley Dáithí Sproule (guitar), Mark Kelly (guitar, harmony vocals) and Ciarán Curran (bouzouki, mandolin) round out the band. Over the course of their career, Altan has sold over a million records. 

As part of the Nightcap Finale, BCMFest will open with “An Honorary Moment for Brian O’Donovan” to remember the countless contributions Brian made to the Boston Celtic music community and beyond. Brian was the longtime host of GBH’s radio show A Celtic Sojourn and made significant contributions to Passim and the New England Celtic Music community. The 2026 BCMFest Brian O’Donovan Legacy Artist grant recipient will perform at the finale, which will be announced later in the year.

This year’s Nightcap Finale will be taking place at the beautiful 900 capacity Somerville Theatre in Davis Square and is sponsored by The Burren, which will be celebrating its 30th anniversary.

The full festival schedule as follows:

On Thursday, January 15, the festival kicks off at 7:00pm with the First Round concert at Club Passim. Also that evening at 7:30pm, the Boston Urban Ceilidh will take place at The Crystal Ballroom in Davis Square, featuring participatory New England, Irish, and Scottish dances, with live music and instruction provided—no experience needed. 

On Friday, January 16, the evening begins at 7:00pm with Roots & Branches at Club Passim, presenting an eclectic mix of Celtic-influenced styles, including Quebecois, Scandinavian, and New England sounds. At 8:00pm, Old Blind Dogs take the stage at Arts at the Armory in Somerville.

Saturday, January 17 features Dayfest from 11:00am to 5:30pm at The Crystal Ballroom, The Burren, and The Rockwell, with a full day of Celtic music spanning traditional to contemporary across multiple Davis Square venues. That evening at 8:00pm, Altan headlines the Nightcap at the Somerville Theatre.

The festival closes on Sunday, January 18 with a Live Music Brunch from 10:00am to 3:00pm at The Burren, and workshops at Club Passim in the afternoon, with details to be announced.

Passim’s BCMFest takes place January 15-18, 2026 at Club Passim in Harvard Square and locations in Davis Square in Somerville including Somerville Theatre, Crystal Ballroom, The Burren, The Rockwell, and Arts at the Armory. Tickets are on sale now at passim.org/bcmfest

Surprising Facts & Wild Successes from Iconic ’80s Movie Songs

What made 1980s movie songs so iconic? For starters, music videos brought the movies straight to MTV and MuchMusic. By turning film scenes into promotional clips, songs like “Danger Zone” and “Footloose” reached massive audiences before the credits even rolled. At the same time, the rise of CDs gave these soundtracks a new kind of staying power—crystal-clear sound, sleek packaging, and the thrill of replaying your favourite film moments anytime, anywhere.

The movies were packed with unforgettable feelings, and the songs matched them beat for beat. From heartbreak to triumph, these tracks became the emotional centerpieces of their films. Add to that the constant loop of radio airplay, TV rotation, and soundtrack sales, and you had a recipe for timeless popularity. These were the sound of a generation growing up on-screen.

“Don’t You (Forget About Me)” – Simple Minds
Simple Minds originally rejected the song—so did Billy Idol and Bryan Ferry. But once John Hughes placed it over The Breakfast Club’s final scene, it became their only U.S. #1. The improvised “la-la-las”? Total accident. It ended up defining an entire generation of angsty teens and late-night MTV viewers.

“Footloose” – Kenny Loggins
Co-written with screenwriter Dean Pitchford in a hotel room, this track mirrored its own plot—the town where they filmed had actually banned dancing. It spent three weeks at #1 in 1984 and turned Kenny Loggins into a soundtrack legend. The video? Pure rebellion cut with charisma and choreography.

“Ghostbusters” – Ray Parker Jr.
Inspired by late-night infomercials, Parker wrote the hook in under three days. The “Who you gonna call?” line became pop culture gold. Though Huey Lewis sued over its similarity to “I Want a New Drug,” it still earned Parker an Oscar nom—and a hit video with Chevy Chase and John Candy.

“Take My Breath Away” – Berlin
Berlin hated it. Their label forced them to record it. Giorgio Moroder composed it. And Top Gun’s love scene was reshot to match the song’s vibe. The result? A global #1 and an Oscar-winning ballad that completely reshaped the band’s sound and legacy.

“The Power of Love” – Huey Lewis and the News
Not written for a specific scene, just the spirit of Back to the Future. It hit #1 on Billboard, gave Huey a cameo as a disapproving talent show judge, and helped turn the soundtrack multi-Platinum. The song’s success made it essential to the franchise’s cool factor.

“Flashdance… What a Feeling” – Irene Cara
Recorded in one take—while lying on her back. Co-written with Giorgio Moroder, it won the Oscar, Grammy, and Golden Globe. Its theme of perseverance captured the dreamer’s struggle, and its legacy defined the ‘80s underdog formula. Also: it sold millions.

“Danger Zone” – Kenny Loggins
Toto passed. Loggins stepped in. Written by Giorgio Moroder and Tom Whitlock, its jet-powered riff and Top Gun montage made it a peak adrenaline hit. It reached #2 on Billboard, turned Loggins into the “soundtrack guy,” and dominated MTV with just clips of planes and Cruise.

“If You Leave” – Orchestral Manoeuvres in the Dark (OMD)
Written in under 24 hours to match a Pretty in Pink ending change. It became OMD’s biggest U.S. hit and peaked at #4. The band called it a fluke, but the slow-motion prom scenes made it immortal in teen movie canon.

“In Your Eyes” – Peter Gabriel
Not a major hit on release—until Say Anything’s boombox scene revived it. Gabriel was hesitant to license it, but it recharted, became a wedding staple, and cemented its place as one of the most romantic tracks of all time. It was worldbeat poetry wrapped in pop.

“Eye of the Tiger” – Survivor
Written at Sylvester Stallone’s request after Queen denied the use of “Another One Bites the Dust,” “Eye of the Tiger” was custom-made for Rocky III. Its opening riff became an instant symbol of determination. The song spent six weeks at #1 on Billboard, won a Grammy, and was nominated for an Oscar. Survivor wrote it in just a few days—and it launched them into rock history. Even now, it’s the soundtrack of every underdog comeback.

10 Tips for Staying Motivated When Nothing’s Going Viral

Waiting for something to “go viral” can feel like shouting into the void while refreshing your notifications. Whether you’re a musician, creator, or artist, the highs are electric… but the plateaus can feel like quicksand. It’s easy it is to attach self-worth to metrics. But remember: momentum isn’t always public. And sometimes, things really take time and happen without you even doing anything.

Here are 10 grounded, gentle, and genuinely helpful ways to stay motivated—no trending tab required.

1. Focus on Progress, Not Perfection
You might not have gone viral today, but did you write a new lyric? Film a take? Post something honest? That’s growth. Shift your goal from blowing up to showing up—one small win at a time.

2. Revisit Why You Started
Before the algorithms and numbers, there was a spark. A reason you picked up that mic, wrote that line, or pressed record. Go back to that. Your “why” is worth more than your views.

3. Curate Your Inputs
Follow people who inspire you, not discourage you. Muting or unfollowing doesn’t make you petty—it protects your creative space. Fill your feed with reminders of possibility, not pressure.

4. Celebrate the Quiet Wins
A comment from a stranger who got it. A share from someone you admire. A day you didn’t quit. These aren’t little. They’re signs your work is landing—quietly, but meaningfully.

5. Try Something Totally New
When the usual grind feels stale, experiment. Write in a new genre. Post at a weird hour. Make a 7-second cover of your favourite childhood jingle. Play is productive, too.

6. Talk to Other Creators
The struggle isn’t just yours—it’s ours. Join a group chat. DM someone you admire. Share your frustration out loud. You’d be surprised how many others feel exactly the same.

7. Set Goals You Can Control
You can’t make something go viral, but you can finish the demo. Email that playlist. Upload that video. Make your to-do list full of actions, not outcomes.

8. Take Breaks Without Guilt
Rest isn’t laziness. Your brain and your creativity need time off. Step away for a day, a weekend, or a week. You’re not losing momentum—you’re letting it recharge.

9. Document, Don’t Perform
Not everything has to be polished. Sometimes your audience connects most with the messy drafts, the behind-the-scenes moments, the real-time figuring-it-out. Let people into the process.

10. Measure What Matters to You
Sure, 10K likes look nice—but maybe the best metric is how proud you are, or how much fun you had. Set your own definition of success, and let that guide you forward.

Going viral is lightning in a bottle. But making something that matters? That’s a slow burn with staying power. Keep creating, keep caring, and keep going. Your work is making waves—you just might not hear the splash yet.

The 25 Most-Streamed Songs on Spotify (Updated For August, 2025)

Streaming giants, pop powerhouses, and a few emotional curveballs—here are the 25 most-streamed songs ever on Spotify.

1. “Blinding Lights” – The Weeknd – 4.952B
2. “Shape of You” – Ed Sheeran – 4.480B
3. “Starboy” – The Weeknd & Daft Punk – 4.014B
4. “Someone You Loved” – Lewis Capaldi – 3.994B
5. “As It Was” – Harry Styles – 3.984B
6. “Sweater Weather” – The Neighbourhood – 3.922B
7. “Sunflower” – Post Malone & Swae Lee – 3.900B
8. “One Dance” – Drake ft. Wizkid & Kyla – 3.728B
9. “Stay” – The Kid Laroi & Justin Bieber – 3.618B
10. “Perfect” – Ed Sheeran – 3.547B
11. “Believer” – Imagine Dragons – 3.524B
12. “Heat Waves” – Glass Animals – 3.477B
13. “Lovely” – Billie Eilish & Khalid – 3.404B
14. “Closer” – The Chainsmokers & Halsey – 3.356B
15. “Say You Won’t Let Go” – James Arthur – 3.340B
16. “Dance Monkey” – Tones and I – 3.297B
17. “Something Just Like This” – The Chainsmokers & Coldplay – 3.268B
18. “Rockstar” – Post Malone & 21 Savage – 3.218B
19. “Riptide” – Vance Joy – 3.208B
20. “I Wanna Be Yours” – Arctic Monkeys – 3.197B
21. “Yellow” – Coldplay – 3.176B
22. “The Night We Met” – Lord Huron – 3.157B
23. “Another Love” – Tom Odell – 3.139B
24. “Take Me to Church” – Hozier – 3.125B
25. “Counting Stars” – OneRepublic – 3.073B

Katy Perry’s Isolated Vocals For “Firework”

Released as the third single from Teenage Dream, Katy Perry’s “Firework” became a global anthem of self-empowerment. With soaring vocals and an explosive hook, it topped charts worldwide and earned multi-platinum status. The video, filmed in Budapest, featured real people finding their inner spark and won Video of the Year at the 2011 MTV VMAs. “Firework” also received Grammy nods, setting its place as one of Perry’s most iconic tracks.

Black Water Rising Announce New Album The Edge, Share Riff-Driven Single “Slow Slide”

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Today, high-octane hard rockers Black Water Rising are excited to announce the release of their new album, The Edge, due out August 15th via their own imprint, Capital T Productions. To celebrate the announcement, BWR has released their new single, “Slow Slide,” alongside a music video, available below.

“Slow Slide” is the fifth single from the upcoming album The Edge, and the video was once again directed by Tom Flynn (Lamb Of God, Buckcherry).

Black Water Rising’s fourth album, The Edge, will be available on all digital platforms, with CDs offered through the merch store on their official website.

The album artwork and CD packaging were created by renowned stoner rock artist Mirkow Gastow, known for his work with Pentagram, Zakk Sabbath, Witchcraft, and many others. The Edge also marks the band’s first release since their 2010 debut to feature original guitarist John Fattoruso, who rejoined BWR in late 2019.

Musically, the new material leans more melodic while staying true to the band’s riff-heavy foundation, delivering memorable hooks, and choruses, all while carving out a sound that remains distinctly their own.

The Edge Track Listing:

1. Slow Slide
2. Jokes On You
3. Hail Mary
4. Cynical
5. Paralyzed
6. You Found The Sun
7. Headstrong
8. The Edge
9. Seeking A Shill
10. Danger Zone