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Twin Duo THE KB Drop Cathartic New Single “Not Happy 4 U” About Letting Go

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Twin brothers Kane and Kyle Benner, known as THE KB, are back again in 2025 with their latest single, “Not Happy 4 U.” The song features a deep bass groove that carries the entire track and gives it a gripping vibe, fit for a film—with a rich vocals and a sincere character.

“Not Happy 4 U” is about walking away from a bad relationship—not just a breakup, but any relationship. “It’s about Letting go, whether it’s with a friend, lover, companion, or family member, when you realize that relationship is toxic or hateful.” The song is about that moment of realization when someone’s negativity is dragging you down and you choose to step away. The repeated line “I’m not happy for you / When you need me I won’t be around” makes that message clear.

THE KB say the song was like therapy for them. “We’ve written and released songs in the past couple years that, looking back, felt like therapy for us, and felt like it taught us about how to grow up and deal with tough situations in life. I think ‘Not Happy 4 U’ is another one of those songs.” The brothers wanted to write something honest that others could relate to. “Not Happy 4 U” is for anyone tired of trying to fix relationships that aren’t worth saving.

With influences from bands like Twenty One Pilots and The 1975, THE KB continue to make pop music with an authentic message—something their fans call “pop music for sad people.” This track is another step in that journey of continuing to create music that connects.

HEDONA Unleashes Dark-Pop Power with Seductive and Subversive New Single “RELIGION”

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Following the moody spell of her previous single “VOODOO,” Chinese Canadian artist and self-taught producer HEDONA returns with “RELIGION,” a bold, provocative offering that reclaims female desire with unflinching honesty and artistic flair. Fusing sensual, dark-pop production with spiritual and erotic symbolism, “RELIGION” is more than a sex-positive anthem—it’s a fearless declaration of power.

Dripping with slow-burning intensity, “RELIGION” opens in a metaphorical Garden of Eden, where whispered misdeeds and sacred surrender blur the lines between body and divinity. Over shadowy beats and lush soundscapes, HEDONA delivers breathy vocals and striking lyrics like “You’re the closest thing I have to religion / ‘Cause you make me talk to God,” redefining worship through a feminist lens. The result is a track that is as seductive as it is subversive.

With this release, HEDONA continues her mission to turn vulnerability into power and shame into liberation. “RELIGION” isn’t just a song—it’s a reckoning.

Cestari Dives Into Dark, Noisy Euphoria with New Single “CATHERINE”

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Drifting through the ethereal yet gritty nightlife in New York, Cestari made “CATHERINE” as a commentary on the addictive nature of nightlife, as both a euphoric but dangerous experience: reverberating and noisy guitars contrasted with sharp and vivid lyrics. This follow-up from his previous singles “How Rain Dances” and the acclaimed “When They Come Out At Night” double single signals a departure from Cestari’s jazz styling.

Embracing the sounds of noise rock and alternative, while still bringing his signature pianism and lyricism, this new approach is the beginning of a new era for the eclectic artist. In this most recent development, Cestari is shifting deeper into the darkness of Gen Z life, further exploring his own identity such as everyone else around him, and while doing so, remaining as unapologetic as ever.

‘Catherine’ came about from an interaction I had while going out about a year ago, where someone I met in the East Village couldn’t figure out where they were, they were completely helpless, yet all they wanted to do was to go to a particular club, that everything will be fine once they walk into the crowd. Writing the song itself was incredibly efficient. I don’t know if the personal experience coupled with everything else that was going on around me made it easy to articulate everything into a song, but something different was in the air at that time.”

Unbound from all expectations, Cestari takes unyielding individualism to a new level. With his newfound take on experimental alternative, Cestari has found a place for himself in the New York scene and has gained international recognition for his flooring yet intimate performances and lyricism. Having performed at The DiMenna CenterDon’t Tell Mama, and many more, Cestari is only getting started.

Ger Carriere Shines Bright on Vulnerable, Glitter-Soaked New Single “Can I Be Her”

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With “Can I Be Her,” Ger Carriere bursts through the gates of a new era that is bold, shimmering, and unafraid. It’s the first taste of her upcoming EP and a declaration that her pop sensibilities are not only intact, but positively gleaming.

“Can I Be Her” is as glossy and radiant as it gets. Built on a foundation of shimmering synths and wrapped in the softness of bubblegum pink, the track radiates with the kind of youthful energy that feels both nostalgic and brand new. It’s playful, effervescent, and glowing with the kind of brilliance that’s impossible to ignore.

But underneath the glitter lies a question that remains aching and unresolved. Ger explores the disconnect between fantasy and reality in a relationship where she once felt adored, only to realize that affection has faded and expectations have gone unmet. It’s a track that daydreams in full colour while quietly nursing a bruise.

There’s a bittersweet ache woven through the song’s chorus, where she wonders who she was in the beginning, and what changed. In asking “Can I Be Her,” Ger holds a mirror to her relationship, longing for the version of love where she was seen, centered, and cherished. Instead, she’s left with someone who drains more than they give.

Ger’s voice glides effortlessly across the track’s bright, electronic palette, marrying emotional complexity with sugar-sweet production. Sonically, she channels a sound reminiscent of Chappell Roan; shiny, infectious, and unabashedly pop, though Ger’s approach is grounded and emotionally centered.

This single opens the door to a new era for Ger Carriere, one where she’s unafraid to wear glitter and grief in the same breath. “Can I Be Her” is a pop confessional dressed for the dancefloor, daring in its vulnerability and dazzling in its sound.

With this release, Ger offers a glimpse into the direction of her forthcoming EP and if “Can I Be Her” is any indication, listeners can expect a sound that balances shimmer with sincerity, and emotion with pure pop delight.

High on Fire Announce ‘Cometh the Storm’ Headlining Tour Across North America and Europe

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Iconic U.S. rock band High on Fire has announced a North American headlining tour in support of its celebrated LP, Cometh the Storm. In the midst of sold-out summer dates alongside Acid Bath, the GRAMMY Award-winning group details an autumn headliner run that will launch on September 17th in Vancouver, BC. The tour is scheduled to run through September 30th in San Jose, CA and will feature support from Charger and Bastardane. Tickets for all shows are on sale now.

Additionally, High on Fire has been announced as one of the spotlight acts of Sacramento, CA’s four-day Aftershock Festival, performing on October 2nd.

Tour Dates (w/ Acid Bath):

08/16 – Baltimore, MD @ Nevermore Hall
08/22 – Hollywood, CA @ Hollywood Palladium
09/13 – Syracuse, NY @ Sharkeys Event Center

“Cometh the Storm” North American Tour Dates:

09/17 – Vancouver, BC @ The Pearl
09/19 – Edmonton, BC @ The Starlite Room
09/20 – Calgary, AB @ Dickens
09/21 – Great Falls, MT @ The Newberry
09/24 – Colorado Springs, CO @ The Black Sheep
09/25 – Fort Collins, CO @ The Coast
09/26 – Salt Lake City, UT @ The Commonwealth Room
09/28 – Las Vegas, NV @ The Usual Place
09/29 – Costa Mesa, CA @ The Wayfarer
09/30 – San Jose, CA @ The Ritz
10/02 – Sacramento, CA @ Discovery Park (as part of Aftershock Fest w/ Testament, Carcass, Nails + more)
10/17 – Jacumba Hot Springs, CA @ Jacumba Hot Springs Hotel (as part of Jacumba Breakdown Fest)

Following the North American dates, High on Fire will kick off a 16-city, nine-country European tour on October 25th in Maastricht, Netherlands. The tour is scheduled to run through November 16th in Istanbul, Turkey and will include high-profile appearances as part of the Samhain Festival (NL), Bruges is Doomed (BE), and the Damnation Festival (UK). Support for High on Fire on non-festival dates will come from Necrot.

“Cometh the Storm” European Tour Dates:

10/25 – Maastrichtm NL @ Samhain Festival (w/ Author & Punisher, Conan, more)
10/26 – Bruges, BE @ Bruges is Doomed (w/ Conan, more)
10/28 – Berlin, DE @ Neue Zukunft *
10/29 – Brno CZ @ Kabinet MUZ *
10/30 – Vienna, AT @ Arena Wien *
10/31 – Munich, DE @ Hansa 39 *
11/01 – Milan, IT @ Legend Club *
11/02 – Martigny, CH @ Les Caves du Manoir *
11/04 – Wiesbaden, DE @ Kesselhaus *
11/05 – Essen, DE @ Turock *
11/06 – London, UK @ Electric Ballroom *
11/08 – Manchester, UK @ Damnation Festival (w/ Deafheaven, The Haunted, more)
11/11 – Athens, GR @ Kyttaro Club
11/12 – Thessaloniki, GR @ Mylos
11/15 – Cankaya/Ankara, TR @ 6:45 KK
11/16 – Istanbul, TR @ Blind
* = Necrot supporting

Remington Cartee Hooks a Winner with Playful New Country Single “Bill Dance”

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ountry artist Remington Cartee is back with his first release of the year. The new single “Bill Dance” is a feel-good, radio-ready country song that sounds like a night out in Nashville—full of energy, with a big singalong chorus.

Born and raised in the Carolinas, Cartee’s southern roots are on display throughout his catalog, and “Bill Dance” is no exception. He’s been making music since he was a kid and has built a growing fanbase with authentic lyrical content and a classic country vibe. Now he’s back with a fresh batch of songs—and “Bill Dance” is the perfect way to kick things off.

The song was written after a bad day of fishing. Cartee jokes about not being able to “Bill Dance”—a nod to the famous fisherman. No matter what bait he throws, nothing’s biting—something people who love to fish can all relate to from time to time, and also can be a metaphor for life in general. 

With clever lyrics, great vocals, and a playful vibe, “Bill Dance” shows off Cartee’s charm and sense of humor. It’s the kind of song that’ll make you smile, even if you’ve just lost another crankbait, or the big one got away again.

Origami Ghosts Unveil Soulful New Single “Washboard Mind” Ahead of Album ‘A Fine Time to Talk About Nothing’

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Without all of the hard times, where would we get songs as joyous as Origami Ghosts’ “Washboard Mind?” Tough times may not be any fun to go through, but boy, do they ever fire up the kiln of creativity. The indie rock band is back with their latest single, a classic folk meets modern indie kind of sound. The song was inspired by a time that was very personal to frontman JP Scesniak. He was living in Paris, which sounds very romantic and all. But actually, Scesniak was living as a poor troubadour, with very little money, and even less direction.

These circumstances can’t help but negatively influence your state of mind and your relationship with others. But even in the midst of such hardship, Scesniak felt determined to continue to give his all to his partner. He made due what what we had, while remaining supremely focused on his significant other.

The release of “Washboard Mind” comes ahead of Origami Ghosts’ brand new album A Fine Time to Talk About Nothing. Coming out next week on August 8th, the album is a glorious helping of jangly folk-pop. It has a very international flavour, as evidenced by where it was written. The record was composed in small doses while touring through Europe and the United States. Parts of it were also written while Scesniak was in Paris, as well as the time he spent in Seattle and Austin. Precipitated by its international flair, the album embraces a sense of adventure and exploration. Primarily composed in a very curious state of mind, the songs delve into themes such as love, death, intimacy, drugs, counterculture, and new technology.

The album has a very personal touch as well. With all of these other things happening in Scesniak’s life, what’s more is that he had a full-fledged near-death experience when he suffered a stroke. He tries to make sense of this experience on the album track “Heaven’s Gate.” Having to go through this really scared him straight and convinced him to get off alcohol and any cannabis use.

As is becoming clear, A Fine Time to Talk About Nothing is about as private as an album can be. As a songwriter and bandleader, there’s no sugarcoating it when it comes to JP Scesniak.

Tour Dates:

08/07 –  Seattle @ the Sunset w/ Desert Sushi, Ashley Eriksson
08/08 – Portland, OR @ Shanghai w/ BLISSTER + guests
08/09 – Whidbey Island, WA @ Bailey’s Corner store w/ Haunting Autumn
08/12 – Olympia, WA @ Rhythms
08/14 – Red Bluff, CA @ The Downtown Alehouse
08/15 – Arcata, CA @ Outerspace
08/16 – San Francisco @ The Knockout w/ Xay Cole, Green Cat
08/23 – Los Angeles @ The Harmony Room w/ Fragile Gang, why try?

A Fine Time to Talk About Nothing Track Listing:

1. Washboard Mind
2. Always 3 Days
3. Philip the Bison
4. Virtual Reality Boy
5. Biking Underwear
6. The Olde Autostop
7. Counter Counterculture
8. The infinite feelings along the Milky Way
9. Heaven’s Gate
10. Love Everyone
11. When you look at me like you look at Tetris

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Sammy Hagar, Trisha Yearwood, Good Charlotte to Headline One805Live 2025 Benefit Concert

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The Academy of Country Music has revealed the first round of performers for the 18th Academy of Country Music Honors, which includes nine-time ACM Award winner and three-time Entertainer of the Year Luke Bryan, four-time ACM Award nominee Russell Dickerson, eight-time ACM Award winner Karen Fairchild of Little Big Town, multi-platinum and Grammy-winning gospel artist Amy Grant, three-time ACM Award winner Ashley McBryde, and four-time ACM Award winner Carly Pearce. Performers will take the stage to celebrate this year’s honorees, Lori Badgett, Eric Church, Luke Combs, Jessie Jo Dillon, Jelly Roll, Cody Johnson, Mac McAnally, Rissi Palmer, Randy Travis, Twisters, Ben Vaughn, and Lainey Wilson.

ACM Honors will take place Wednesday, August 20th at The Pinnacle, located at Nashville Yards, with Pearce hosting for the fifth consecutive year, joined by first-time ACM Honors host Dickerson.

Additional performers, presenters, and event details will be announced.

Sammy Hagar, Trisha Yearwood, Good Charlotte to Headline One805Live 2025 Benefit Concert

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One805 has announced that Sammy Hagar, Kevin Cronin, Good Charlotte, Trisha Yearwood, Donavon Frankenreiter, Extreme guitarist Nuno Bettencourt, and former Guns N Roses drummer Matt Sorum will headline the One805Live 2025: Rock for First Responders concert. The event takes place on Saturday, September 20th at Kevin Costner’s Santa Barbara oceanside estate.

Proceeds from the event will directly benefit first responders across Santa Barbara County. In addition, this year, a portion of the proceeds will support musicians from Altadena who lost everything in recent wildfires.

“One805LIVE! isn’t just a concert — it’s a powerful act of community,” states Kirsten Cavendish Weston-Smith, CEO of One805. “Together, we’re making a difference — one song, one first responder, one unforgettable night at a time.”

Tickets are on sale now for general admission, VIP, and cabanas at One805.org. One805 is a 501 (c)(3),and all tickets have a tax-deductible component.

One805 supports first responders throughout Santa Barbara County by funding vital equipment, training, and mental health resources. Born from the devastating debris flow of 2018, One805 is a unified nonprofit driven by community resilience and built to stand behind those who serve — every day, in every emergency.

Past artists have included music royalty such as Pink, Katy Perry, David Crosby, Maroon 5, John Fogerty, Kevin Costner, Kenny Loggins, and Joe Bonamassa — with past attendees including The Duke and Duchess of Sussex, Oprah Winfrey, Rob Lowe, Jeff Bridges, Zoe Saldaña, Cameron Diaz and Michael Keaton. One805LIVE! is widely recognized as one of the most impactful and star-studded benefit events in California.