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10 Tips for Building Momentum Before a Tour

So, you’ve got your tour dates locked, your van packed, and your drummer’s already lost a stick in the couch cushions. Now what? Before you hit the road, it’s time to fire up the hype machine and let the world know the show’s about to roll through town. Whether you’re a seasoned headliner or booking your first cross-country dive bar sprint, here are 10 tips to build momentum before the tour kicks off.

1. Announce with a Bang
Don’t just post a date list—make it an event. Use a teaser video, bold graphics, or a short skit to grab attention. Build anticipation with a countdown, then drop those dates like confetti.

2. Create a Tour Poster Worth Framing
Your tour poster should live on more than just Instagram Stories. Work with a graphic designer to craft something fans will want on their bedroom wall—or tattooed on their arm. True story.

3. Tease the Setlist (but not too much)
Give fans a sneak peek at what’s coming—maybe a poll asking what deep cuts they want, or a video of you rehearsing a classic. But keep some surprises up your sleeve like a magician with a Telecaster.

4. Drop New Merch Early
Launch a “Tour Pre-Order” line—exclusive tees, posters, or even socks. Make it available online before the first show to create hype and help cover those gas station burrito expenses.

5. Build a Playlist
Curate a tour-themed playlist on Spotify or Apple Music: songs you’re playing, artists you love, tracks inspired by each city. Update it weekly so fans stay plugged into your journey.

6. Partner with Local Openers
Find rising talent in each city and tag them in your promotions. Their fans become your fans. Plus, it’s just good karma—and good karma gets you good soundchecks.

7. Go Live (and Be Weird)
Stream a chaotic rehearsal. Answer fan questions while packing. Do a dramatic reading of your lyrics in a British accent. Going live builds connection—and gives people a reason to follow your every move.

8. Fuel the Press Engine
Send out a press release to local blogs, alt-weeklies, and radio stations. Include a great photo, a short bio, and a one-liner that makes them curious (“If Blondie, Brandi Carlile, and a blender had a baby…”).

9. Tease City-Specific Surprises
Post clues about guests, songs, or covers that may be city-exclusive. “Toronto, you might get a Prince cover. Or not. But maybe.” Let mystery drive momentum.

10. Say Thanks Early and Often
Fans who buy tickets early? Shout them out. Street team helping poster the town? Tag them. Gratitude is magnetic. The more love you put out, the more comes roaring back at you when the lights go up.

Touring isn’t just about what happens on stage—it’s the story you tell before the first note rings out. From posters to playlists, these little pre-tour moves can create big energy and lasting connections. So go on, build the buzz, pack the snacks, and hit the road with confidence. Your crowd is out there, waiting to sing along.

Amy Winehouse’s Isolated Vocals For “Rehab”

“Rehab” is a song by Amy Winehouse from her 2006 album Back to Black, produced by Mark Ronson. Autobiographical in nature, it reflects her refusal to seek treatment for alcohol addiction. Released as the lead single, it peaked at #7 in the UK and #9 in the US, becoming her only top 10 hit stateside. The track earned three Grammys and an Ivor Novello Award.

PDF to Word Converter | Free Online Tool | WPS.com

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By Mitch Rice

Need to edit a PDF document but finding it impossible to make changes? You’re not alone. Millions of people face this challenge daily when they receive contracts, reports, or forms in PDF format that require modifications. The solution is simpler than you might think: converting your PDF to Word format opens up a world of editing possibilities.

WPS.com offers a streamlined approach to PDF to Word conversion that eliminates the frustration of locked documents. Whether you’re a student working on assignments, a professional handling business documents, or anyone who needs to transform static PDFs into editable content, this guide will show you exactly how to make the conversion process seamless and efficient.

Why Convert PDF to Word?

Converting PDFs to Word format unlocks several practical advantages that can transform how you work with documents. Understanding these benefits helps you make the most of your conversion process.

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Word format enables real-time collaboration features that modern workplaces demand. Multiple team members can simultaneously edit documents, leave comments, track changes, and maintain version control. These collaborative tools are essential for project management and team-based document creation.

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Converting scanned PDFs or image-based documents to Word format through WPS.com’s advanced OCR technology makes text searchable and selectable. This transformation allows you to quickly locate specific information, copy text passages, and repurpose content for other projects.

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Step-by-Step Guide: Converting PDF to Word with WPS.com

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Click the convert button to begin the transformation. WPS.com’s advanced algorithms analyze your PDF structure, recognize text patterns, and preserve formatting elements during the conversion process. The time required depends on document complexity and length.

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Once conversion completes, download your new Word document. Review the file to ensure formatting accuracy and text recognition quality meet your requirements. WPS.com maintains high conversion standards, but complex layouts may occasionally require minor adjustments.

Advanced Tips and Tricks for Optimal Conversion Quality

Maximising your PDF to Word conversion results requires understanding how different document types respond to the conversion process. These advanced techniques help you achieve professional-quality results consistently.

Optimise Source PDF Quality

Starting with high-quality PDF files significantly improves conversion outcomes. Documents with clear text, proper resolution, and standard fonts convert more accurately than low-resolution scans or files with unusual formatting. If possible, request original documents in higher quality when conversion results seem suboptimal.

Handle Complex Layouts Strategically

Documents with multiple columns, embedded graphics, or intricate formatting may require special attention. WPS.com’s conversion engine handles most complex layouts effectively, but you can improve results by converting section by section for highly complex documents.

Leverage OCR for Scanned Documents

WPS.com’s optical character recognition technology excels at converting scanned PDFs to editable Word documents. For best results with scanned materials, ensure the original scan has adequate resolution and contrast. The platform can recognise text in multiple languages, making it versatile for international document processing.

Post-Conversion Editing Best Practices

After conversion, use Word’s built-in tools to refine formatting and layout. The spell check feature helps identify any character recognition errors, while style formatting tools can quickly standardise the appearance across the document.

Why WPS.com Is the Better Choice for You

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Transform Your Document Workflow Today

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Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Metallica and Red Cross Launch Give Where You Live Campaign with Autographed Guitar and T-Shirt Giveaway

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In an effort to help save even more lives through blood donation for patients in need, Metallica is expanding their recent partnership with the American Red Cross beyond M72 U.S. tour locations – now launching the Give Where You Live campaign.

Those who sign up to give blood or platelets by visiting RedCrossBlood.org/Metallica to make their appointment − and then come to give between July 29, 2025, and Feb. 28, 2026, at any Red Cross blood drive across the U.S. − will be entered to win a one-of-a-kind ESP Snakebyte guitar, featuring the exclusive Red Cross x Metallica design created by famed Metallica artist, Squindo, and personally autographed by all Metallica band members. Those who come to give July 29, 2025, to Feb. 28, 2026, after signing up to donate through RedCrossBlood.org/Metallica will also get a limited-edition T-shirt by mail, while supplies last. 

This new opportunity is a continuation of the impact Metallica fans have made over the past few months. In April, a series of Red Cross x Metallica blood drives kicked off in select locations along the U.S. leg of the M72 World Tour. Since then, members of the Metallica Family have come out to blood drives in full force, ready to roll up a sleeve and help patients counting on critical care. More than 2,000 blood and platelet donations were collected through this lifesaving partnership. Each blood donation can help save more than one life.

“The difference Metallica and their fans have made shows the commitment of the band and their community to patients in need. This partnership has resonated not only with our regular blood donors, but those who have been moved to donate for the first time,” said Darren Irby, executive director of national partnerships for the Red Cross. “The need for blood is ongoing and we are thrilled to continue to offer a brand new, exclusive thank-you to Metallica fans who want to make a difference for those all across our country facing traumatic injuries or chronic illness and need blood to feel better or celebrate another day of life.”

To learn more and to make an appointment to give blood or platelets, visit RedCrossBlood.org/Metallica.

Moron Police Return with 12-Minute Epic “Pachinko” Featuring Billy Rymer Ahead of First New Album Since 2021

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After the breakthrough, album-of-the-year nominated record A Boat on the Sea (2019), Moron Police are finally back! Set to return with their first collection of new music since The Stranger and the Hightide EP (2021), Moron Police have dropped the new single “Pachinko”- twelve minutes of non-stop action, weird and catchy stuff, a romp of epic proportions that will leave you intrigued, confused, and happy.

After the untimely death of their friend and drummer, Thore Omland Pettersen, Moron Police could have thrown in the towel. But fortunately, they decided to carry on. Enlisting the help of renowned drummer Billy Rymer (The Dillinger Escape Plan), they set out to create a behemoth of weirdness and catchy tunes…and they did!

The first evidence of their shenanigans is the new single. Frontman Sondre Skollevoll about the song: “It’s a 12-minute long bastard of a song that we hope will excite you, as we build towards the release of our new album!

“This is the third song I wrote for the album, and it has a special place in my very heart of hearts, simply because the whole thing appeared (riffs, structure and vocal melody) at once. Out of nothing.

“Now, that’s usually how I write music. I fiddle with an instrument and stuff happens. But this is the first time a song of this length and magnitude has popped into existence for me. So, I was very excited at the time, and I am very excited to now be able to share it with all of you–no matter the reception (although the reception has been great!)

“Usually, the songs I write tend to have a political side to them. This, however, is a concept album, so there’s not too much of it this time around.

“I sort of lamented this a bit during the process of recording/mixing, as there’s such a mindbogglingly amount of terrible sh*t happening around the world that I would certainly like to comment on it. Aggressively.

“But the insane amount of suffering we see daily now, in 4K, no less, is overwhelming. And at this point I think some weird ass prog metal from Norway might better serve as a small distraction from the hells of the earth, than another hat thrown into the political ring. For now.

“All this to say: we hope you like this weird song and that it finds you well, wherever you are out there. “

The Antlers Announce New Album ‘Blight,’ Share Roaring Lead Single “Carnage” Ahead of October 10 Release

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The Antlers – the beloved band and recording project of Peter Silberman – have announced their eagerly awaited new album, Blight, arriving via Transgressive Records on Friday, October 10.

The Antlers’ first new studio album in over four years, Blight, is heralded by today’s premiere of the volatile “Carnage,” available at all digital services now. A roadkill murder ballad that lurks in a brooding crawl before erupting into full-band maelstrom, the track sees singer-songwriter-guitarist-producer Peter Silberman’s roaring Telecaster swarming around longtime collaborator Michael Lerner’s cacophonous drumming, harnessing an energy the band has long conjured in a live setting but until now never put to tape.

“‘Carnage’ is a song about a kind of violence we rarely acknowledge – violence not born of cruelty, but of convenience,” says Peter Silberman. “Innocent creatures are swept up in the path of destruction as their world collides with ours, and we barely notice.”

The follow-up to 2021’s rustic, folk-tinged Green to Gold, Blight asks many questions without offering easy answers. Over the course of nine new songs, the Antlers’ founder and primary songwriter Silberman reckons with our passively destructive tendencies – absentminded pollution, unwitting wastefulness, and the inadvertent devastation of the natural world. But despite its heavy themes, Blight is far from a punishing listen. With its adventurous arrangements and persistent momentum, it plays more like an iridescent odyssey.

The album was recorded over the course of a few years, with the lion’s share tracked and produced in Silberman’s home studio in upstate New York, a compact outbuilding perched at the edge of a neighbor’s sprawling hayfield.

“So much of the record was conceived while walking these massive fields,” he says. “I felt like I was wandering around an abandoned planet.”

And in a sense, Blight does feel like science fiction, sounding as if it were delivered from the near future. The album is a work of meticulous world-building, teeming with ear candy and surprising stylistic shifts. While many songs begin with sparse elements- a fingerpicked guitar, hypnotic organ stabs, or a nimble piano melody – they rarely remain tethered to their foundations. They often reimagine themselves partway through, shifting mid-track from gentle ballad to throbbing electronica, only to land somewhere entirely different by the end.

Silberman has been confronting weighty matters ever since The Antlers’ 2009 breakthrough Hospice, an unrelentingly heavy concept album about a child cancer patient and her caregiver that addressed psychological abuse and post-traumatic stress with explicit detail and unflinching vulnerability, resonating equally with those grieving loved ones and rocky relationships. The album’s ambitious sonics- an unlikely amalgam of intimate folk confessionals, haunted soundscapes, and sky-scraping post-rock- belied its modest origins: Hospice was mostly recorded alone in Silberman’s Brooklyn bedroom, with an economy of equipment and hardly any expectant audience. The surprise popularity of Hospice placed the Antlers on a rapid ascent, touring globally, playing major festivals, and supporting such luminaries as The National and Explosions in the Sky.

The music that followed grew The Antlers’ sizable following while resisting the impulse to rehash their initial success. The electronic pop of 2011’s Burst Apart, the aquatic psychedelia of 2012’s Undersea EP, and the brass-laden soul of 2014’s Familiars all embraced the band’s ingenuity while simultaneously subverting expectations, expanding the band’s emotional palette beyond the morose rage and desperation that characterized Hospice to reveal a playful expansiveness. The Antlers further pushed the boundaries as a live entity, trading the lush orchestration of their ambitious recordings for wall-of-sound maximalism and thunderous dynamics.

Sadly, Silberman was forced to scale back after an unexpected hearing incident left him temporarily deaf in one ear and hypersensitive to sound. Putting The Antlers on pause, he made 2017’s Impermanence, a meditative and minimal solo album, pairing his then-fragile voice with gentle guitar and an abundance of silence. After regaining his hearing and recovering from vocal cord surgery, Silberman and longtime drummer Michael Lerner revived The Antlers for 2021’s Green to Gold, a collection of songs notably devoid of the darkness that characterized the band’s previous work.

Following Green to Gold, Silberman honed his collaborative chops, including co-producing Wild Pink’s critically acclaimed breakout ILYSM. Shortly thereafter, he released the debut album from Cowboy Sadness, his instrumental band with David Moore (Bing & Ruth) and Nicholas Principe (Port St. Willow).

During these intervening years between Antlers albums, Silberman and Lerner kept busy as well, releasing a series of free-standing singles unified by The Antlers’ gift for acid-dipped timbres, shape-shifting production, and impressionistic imagery.

“These singles were metaphysical songs about connection with nature, which in turn put me in touch with all the ways that nature is under threat,” he says. “The smell of wildfire smoke on a sunny afternoon, the sound of chainsaws on a hike through the woods – these contradictions became impossible to ignore.”

Whereas The Antlers have previously dealt in extended metaphors, Blight now takes a more direct approach. In “Calamity,” for instance, Silberman asks point-blank: “Who will look after what we leave behind?” The final and perhaps fundamental question posed by Blight appears in the penultimate track, the tragically relevant futuristic hymnal “A Great Flood”, in which he wonders: “Will we be forgiven should there come a great flood to drown out our decisions?” This question hangs in the air unanswered. Blight invites listeners to consider it for themselves, as if the survival of the natural world is in their hands, slowly slipping through their fingertips.

Of The Dell Drop Soaring New Single “Care If I Ride?” Ahead of Debut Produced by Kory Caudill

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Rising Huntington, WV rock trio Of The Dell release their second single, “Care If I Ride?”. Delivered with soaring harmonies and a soft-thumping strum, “Care If I Ride?” captures the longing for someone to take the passenger seat wherever you go. Premiered exclusively by Magnet Magazine, “Care If I Ride?” was produced by Kory Caudill (Tyler Childers), engineered by Sean Truskowski at Ivy Hall Studios in Nashville, and mixed by Gordon Davidson at the iconic Abbey Road Studios.

“Corey and Cody came into the studio with a beautiful guitar riff and a few lyrics. The way they delivered it – with so much conviction – made it obvious there was a deeper story underneath,” said producer Kory Caudill. “This song gave all of us a chance to dig into our own life experiences. Those guys don’t have any musical limits – they told the story through their instruments every bit as much as their words.”

The new track follows the trio’s second-ever single “Yes I Will,” dubbed “the perfect introduction to a rising rock n’ roll band” and “earnest, explosive, and irresistibly catchy, “Yes I Will” channels heartbreak into hope and resolve into radiance,” (Atwood Magazine).

The two releases mark a striking evolution for the up-and-coming trio, showcasing both their grit and growth, and a powerful preview of what’s to come. Made up of twin brothers Corey and Cody Hatton and powerhouse drummer Jeffrey McClelland, the band has spent the past decade tearing through club circuits, earning a reputation of storming the stage, raising hell, and leaving it all behind. Small in numbers but massive in sound, Of The Dell channel a gritty, full-throttle rock spirit that hits like a band twice their size with a raw, no-frills energy.

“Of the Dell have carved out their own niche with a sound that’s equal parts Appalachian charm and vintage rock electricity, evoking echoes of Big Star, The Beatles, and The Who at their most melodic and unfiltered,” (Atwood Magazine).

Lord Of The Lost and Within Temptation Unite for Duet “Light Can Only Shine In The Darkness” Ahead of ‘OPVS NOIR Vol. 1’

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After releasing their emotionally powerful single “Light Can Only Shine In The Darkness” last week, Lord Of The Lost and Within Temptation now follow up with the official music video today. “Light Can Only Shine In The Darkness” is the current single from Lord Of The Lost’s upcoming studio album OPVS NOIR Vol. 1, set for release on August 8, 2025 via Napalm Records.

Together, Lord Of The Lost and Within Temptation have created a song that unites the complementary voices of Sharon den Adel and Chris Harms in perfect symbiosis. The track impressively expands the rich diversity of LORD OF THE LOST’s ever-growing sonic landscape – a testament to their ability to continuously discover new shades within their darkly colorful spectrum, to embrace new perspectives, and to remain true to their roots.

Chris Harms on “Light Can Only Shine In The Darkness”: “Shortly after playing the final show of IRON MAIDEN’s 2022 tour together with WITHIN TEMPTATION, the idea for ‘Light Can Only Shine In The Darkness’ was born – an attempt to create a hybrid song between Within Temptation and Lord Of The Lost, and ultimately a duet for Sharon and me. The fact that it actually came to life is a dream come true, because a duet with Sharon has been – no, had been – at the top of my bucket list for over a decade!”

Following the era-defining success of their #1 album Blood & Glitter (Official German Album Charts) and their celebrated appearance in the finals of the Eurovision Song Contest 2023, Lord Of The Lost continue to push boundaries with unmatchable versatility – OPVS NOIR Vol. 1 is the first album of an exciting album trilogy. So, what is the essence of Lord Of The Lost in 2025? That is one of the questions OPVS NOIR Vol. 1 fearlessly begins to answer. Once again, the band proves not only musical excellence but also masterful craftsmanship: produced by Chris Harms, recorded, mixed, and mastered at the legendary Chameleon Studios in Hamburg, the 11 tracks hit with a force and brilliance that immediately transport us into a dark yet colorful ballroom. From there, the tone is set: Dark Wave Metal on an amphitheater scale.

Chris Harms about the album: “Darkness, melancholy, loneliness – all words that often have negative connotations, that we may associate with danger, sadness and loss, and not without reason. But darkness can also be security, melancholy the warm and sentimental feeling of our memories, and loneliness becomes necessary silence, peace and inner contemplation. OPVS NOIR is a travel guide, or perhaps also a travelogue, through the dark sides of our inner world, which so often move precisely in the area of tension between what we emotionally categorize as positive or negative. And with Vol. 1, all of this is just the beginning of this 3-part journey.”

Country Cruising 2025 Adds Angie K, Noah Thompson, and Taylor Austin Dye to Star-Packed Lineup

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The 2025 Country Cruising music cruise, sailing October 27 – November 1, 2025, has added rising stars Angie K, Noah Thompson, and Taylor Austin Dye on deck from Fort Lauderdale, Florida, to Key West and to Nassau, Bahamas.

These artists join an outstanding lineup of over 30 previously announced acts including Trace Adkins, Clay Walker, LOCASH, the Song Suffragettes and more! Featuring five days of pool parties, whiskey tastings, and theatre shows, Country Cruising is quickly becoming the official hub for music lovers everywhere.

Angie K is embracing her Latin roots within Nashville’s country music scene. She has quickly become one of the most popular independent artists in town, receiving critical acclaim from Billboard, NPR, Tennessean, and more. This summer she has performed on main stages of major music festivals including Country Thunder and Tortuga, along with tour support for Jelly Roll, Jake Owen, and Bailey Zimmerman. Named on Apple Music’s “Trailblazers” Class of 2025 and CMT’s “Listen Up” Class of 2024, she is growing her music career amassing over 35 million streams to date.

Noah Thompson is an emerging singer/songwriter from eastern Kentucky, most widely known as the Season 20 winner of American Idol (2022). He most recently released his independent debut EP, Kids Like Me in May, featuring vulnerable tracks “Upbringing,” “Demons In My Whiskey,” and “American Dream.” Thompson also made his Grand Ole Opry debut this summer after receiving an invitation from country superstar and fellow Idol alum, Carrie Underwood. With over 158M streams and counting, he is well on his way to being a household name in country music.

Taylor Austin Dye is a rising country artist from Booneville, Kentucky, known for her bold storytelling and rock-tinged country sound. Over the past year, Dye has hit several major milestones: she signed a coveted publishing deal with Warner Chappell Music, made her Grand Ole Opry debut in November 2024, and independently released her sophomore album Sick of Me – which earned over 1 million streams by its first week. Her viral single “Rest In Peace” became a breakout hit (even topping the iTunes country chart and garnering millions of views), helping to amass a loyal fanbase of “Ride or Dyes” across more than 1.2 million social media followers.

Tayler Holder Teams with T-Pain for Genre-Crossing “Dyin’ Flame” Remix, Hits the Road This Fall with Cameron Whitcomb

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One of country music’s fastest-rising stars, Tayler Holder is teaming up with iconic hitmaker T-Pain for a genre-bending remix of his breakout single, “Dyin’ Flame.” Dropping August 8th, the surprise collaboration puts a fresh spin on the original, which has already surpassed 14 million streams and continues to resonate with fans nationwide.

Blending Holder’s heartfelt country roots with T-Pain’s unmistakable R&B flair, the remix bridges genres and generations. T-Pain’s soulful vocals and signature style bring new emotional depth to the track, adding a powerful layer to an already standout anthem.

Holder gushes, “Speechless – One of my biggest dreams come true, because he’s someone who genuinely got me into music. He’s been someone I looked up to and idolized for a long time, the fact I have T FREAKING PAIN on a song with me is something I can’t even put into words”

Adding to the excitement, Holder hits the road this fall as direct support for longtime friend Cameron Whitcomb on the I’ve Got Options Tour, kicking off Nov 3 in Columbus and wrapping Nov 14 in Charleston. With stops in Nashville, Knoxville, and more, the tour revisits key cities from Holder’s past runs – and the buzz is real: Birmingham, Athens, and Charleston are already sold out.

Holder’s buzz is hitting a fever pitch, having built an impressive fanbase and earning major accolades, including Male Artist of the Year and Artist of the Year (2023) from Up N Country. As the most-followed country artist on TikTok, he has seamlessly transitioned from influencer to recording artist. With over 500K monthly Spotify listeners, Holder has racked up millions of streams on breakout hits like “Dyin’ Flame” (14M+ streams), “Nothin’ But Neon” (5.8M), “Someone You Knew” (3.5M), “Climb My Way to Heaven” with Cory Asbury (1.6M), and his latest single “This Ain’t You Leaving” (4M+ in its first 30 days).
Holder’s momentum extends to the stage. He recently joined Post Malone’s Travelin’ Tailgate tour, appeared as a special guest on Chase Matthew’s 2025 European tour, and completed his own 18-city “Hits the Roof!” tour, packing out venues in cities like Detroit, Indianapolis, and Louisville – even in sub-freezing temps. Through all the fanfare, Holder’s bond with fans remains front and center: after seeing a TikTok of a fan singing his music, Holder partnered with Gibson to surprise her with a guitar and brought her onstage in St. Louis to duet “Sittin’ On Empty.”

Originally from Alvarado, TX, Holder was racing motocross by age 3. After finishing high school through homeschooling, he moved to California to pursue entertainment, gaining millions of followers on Instagram, Musical.ly, and TikTok with viral lip-syncs and lifestyle content. Now with over 25 million followers across social media, he’s made a successful leap from influencer to country artist, earning respect from fans and the Nashville community. “I am very thankful that I have been welcomed by the Nashville Community and industry alike. I am humbled every day for the continued support, and I want to keep on bringing the best I have for the people who have championed me.”

As Holder continues his meteoric rise, this remix marks a bold step forward – and a major moment – for the emerging artist. With a nod to both tradition and innovation, “Dyin’ Flame” featuring T-Pain is set to captivate listeners when it drops on all major streaming platforms.

I’ve Got Options Tour Dates
w/ Support From Tayler Holder
Nov 3, 2025 – Columbus, OH – Newport Music Hall
Nov 5, 2025 – Louisville, KY – Mercury Ballroom
Nov 7, 2025 – Knoxville, TN – The Mill & Mine
Nov 8, 2025 – Birmingham, AL – Saturn (SOLD OUT)
Nov 9, 2025 – Nashville, TN – Brooklyn Bowl Nashville
Nov 12, 2025 – Columbia, SC – The Senate
Nov 13, 2025 – Athens, GA – Georgia Theatre (SOLD OUT)
Nov 14, 2025 – Charleston, SC – Music Farm (SOLD OUT)