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Sekou Releases Mixtape ‘In A World We Don’t Belong Pt. 1’

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British singer and songwriter Sekou has released his mixtape ‘In A World We Don’t Belong Pt. 1’, featuring lead single “Love Language.” The 5-track project arrived ahead of his sold-out headline show at London’s Bush Hall on November 20th. The mixtape showcases Sekou’s musical warmth and emotional depth, balancing joyous energy with vulnerable introspection.

Opening tracks “Never Gunna Give You Up” and “Catching Bodies” establish an immediately engaging tone before transitioning to lead single “Love Language,” an emotional ballad that premiered as BBC Radio 1’s Hottest Record. The single asks for reciprocity through soft lyricism and inherent innocence, accompanied by a video that balances modern and nostalgic aesthetics. The mixtape closes with “About Last Night” and “Keep My Love,” the latter a heartfelt finale that reveals maturity beyond Sekou’s 21 years.

The release marks a significant moment for the rising artist, who made the Top 10 shortlist of BBC Radio 1’s Sound of 2024 poll and became the youngest ever BRIT nominee with a Rising Star Award nomination. Sekou has performed on Later… with Jools Holland and the 2025 TIFF Tribute Awards, collaborated with Justin Bieber, Central Cee, and Kevin Abstract, and earned praise from Elton John. His recent opening slot for FLO across UK and Europe venues, including London’s O2 Brixton Academy, drew acclaim from CLASH Magazine, who called his performance “perfect.”

Lesser Known Wedding Songs That Actually Hit Hard

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By Mitch Rice

There is a moment at every wedding when the right song lands and the room shifts. Not because it is loud or familiar, but because it feels honest. Those are the songs people remember. Not the obvious ones, not the ones everyone expects, but the ones that quietly punch you in the chest.

More couples are stepping away from predictable wedding playlists and choosing music that feels personal, emotional, and lived in. These are songs chosen for meaning, not tradition. They may not announce themselves as wedding songs, but they stay with you long after the night ends.

Here are some lesser known wedding songs that actually hit hard.

1. Harvest Moon

Written and performed by Neil Young, Harvest Moon feels like a love song that has already lived a life. It is about choosing someone over time, not just in a moment. Its warmth and steadiness make it perfect for couples who value longevity over spectacle.

2. First Day of My Life

Conor Oberst of Bright Eyes delivers this song with raw vulnerability. It sounds like someone realising, out loud, that love has shifted the ground beneath them. The intimacy in the vocal makes it feel less like a performance and more like a confession.

3. God Only Knows

Written by Brian Wilson and sung with aching sincerity, this Beach Boys classic often gets overlooked because of its era. Yet its uncertainty and emotional honesty feel timeless. It captures the fear and devotion that exist side by side in real love.

4. If We Were Vampires

Jason Isbell writes about love with brutal clarity, and this song is no exception. Rather than promising forever without question, it acknowledges time, loss, and mortality. That realism is what makes it devastatingly romantic.

5. Sea of Love

Cat Power’s version strips the song down to its emotional core. Her restrained delivery turns it into something deeply intimate. It feels like a private moment that just happens to be shared with a room full of people.

6. You and Me

Recorded in a single take by the little known soul group Penny and the Quarters, this song feels almost accidental in its beauty. Its imperfections are exactly what make it hit. It sounds like love before it knows how to present itself.

7. Into My Arms

Nick Cave’s songwriting carries emotional weight without sentimentality. This song balances doubt and devotion with honesty, making it powerful for couples who want their love story acknowledged as complex rather than idealised.

8. Such Great Heights

Sam Beam’s Iron and Wine cover transforms the original by The Postal Service into something reverent and gentle. Slowing it down reveals the emotional heart of the song, making it ideal for couples who want familiarity without predictability.

9. Turning Page

Ryan O’Neal of Sleeping At Last writes with cinematic sensitivity. Turning Page unfolds slowly, mirroring the feeling of stepping into commitment with intention. It builds emotion without overwhelming the moment.

10. The Book of Love

Stephin Merritt of The Magnetic Fields delivers this song with awkward sincerity. It is unpolished, vulnerable, and deeply human. That honesty is what makes it resonate so strongly in a wedding setting.

Why These Songs Work

What all of these songs share is restraint. They do not demand attention or tell you how to feel. They leave space for emotion, memory, and interpretation.

For many couples, choosing music like this becomes one of the few wedding decisions that actually feels satisfying, a rare item to tick off the wedding checklist that brings clarity instead of pressure.

These songs work because they reflect real relationships. They acknowledge uncertainty, time, and depth. They sound like people who have loved, not just imagined it.

Amid all the planning, this is one item on the wedding checklist that tends to feel personal rather than procedural.

And when the right song plays, no one cares whether it was expected. They just feel it.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

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The Black Crowes Share Remastered “High Head Blues” Video For ‘Amorica’ Anniversary

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The Black Crowes have premiered a 4K remastered version of their “High Head Blues” music video to celebrate the 30th anniversary deluxe edition of ‘Amorica’, released November 14th via UMe. “To celebrate the Amorica reissue,” the band announces, “we’ve just released the 4K remastered version of the ‘High Head Blues’ music video. FIRST TIME ever seen on YouTube!!” The Atlanta rockers’ third studio album followed the commercial triumphs of 1990’s ‘Shake Your Money Maker’ and 1992’s ‘The Southern Harmony and Musical Companion’, delivering tracks like “A Conspiracy” and “Wiser Time.”

“Amorica was about breaking free and doing things on our own terms,” Chris Robinson reflects. “It wasn’t about fitting into what was happening in music at the time. It was about trusting our instincts – and 30 years later, that’s still who we are.” Guitarist Rich Robinson adds depth to that sentiment: “The bond between us, even when tested, always came back to the music. That’s what Amorica represents – our belief in ourselves and in this band.”

The deluxe box set arrived as both a 5LP and 3CD edition. The package includes ‘Tallest’, a studio album featuring 9 newly mixed songs from the ‘Tall’ sessions. The legendary unreleased ‘Tall’ album, recorded before ‘Amorica’, was initially scrapped by Chris and Rich to inject fresh creative energy into the ‘Amorica’ sessions.

The Ocean Cover Nine Inch Nails’ “Even Deeper” For Redux Tribute

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German progressive metal outfit The Ocean have unveiled their rendition of Nine Inch Nails’ “Even Deeper” as the third single from ‘Best of Nine Inch Nails Redux’, a companion album releasing alongside the upcoming ‘The Downward Spiral Redux’ installment in the MER Redux Series. The track serves as both tribute and farewell, marking the final recording with former vocalist Loic Rossetti.

“When Nine Inch Nails released the double album ‘The Fragile’ in 1999, it was an eye-opening record for Loic and me in many ways,” guitarist Robin Staps explains. “The sheer scope of this album, the production marrying fat electronics with broken, organic, and acoustic elements that are intentionally slightly out of tune – no one else had done it like that before. Initially, we wanted to cover ‘The Great Below’, but someone had already picked that track, which made ‘Even Deeper’ our second choice.” The Ocean transform the industrial meditation into something distinctly their own while preserving the spirit of Trent Reznor’s original vision.

The recording features contributions from Simen of Spurv on trombone and Orestis of Playgrounded on synths, adding textural depth to The Ocean’s reimagining. “In hindsight, we were lucky with that,” Staps adds. “It is the perfect track for us and I like to think that we managed to make it ours, while honouring the original. This is also a farewell, big thank you, and send-off to Loic, as it was the final track that we recorded with him on vocals!”

Black Stone Cherry Unleash Title Track And Video From ‘Celebrate’ EP

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Kentucky rockers Black Stone Cherry have dropped the title track and music video for their upcoming EP ‘Celebrate’, arriving digitally March 6th via Mascot Records. The new visual follows lead single “Neon Eyes” and showcases the band’s knack for turning everyday struggles into anthemic moments worth savoring.

“We had so much fun coming up with the concept for the ‘Celebrate’ video!” the band shares. “We got on a phone call with director Kyle Loftus and we all hashed out ideas until we landed on something that got us all excited! We wanted the video to show what it’s like to be stuck in something, whether that be a boring job or maybe stuck in your own head, and how any little opportunity can lead to a small victory! The song itself is about celebrating every little thing in life, even if it’s just making it through the day.” Actor and musician Aaron Paulsen stars in the visual, which culminates in a confetti-filled finale that captures the mental release of finding joy in small wins.

The self-produced ‘Celebrate’ EP spans emotional terrain with ease. Grunge-tinged singalong “I’m Fine” sits alongside the raw vulnerability of “Deep” and a cover of Simple Minds’ “Don’t You (Forget About Me)” featuring Tyler Connolly of Theory Of A Deadman. “Any piece of art is a snapshot of that artist’s life,” singer and guitarist Chris Robertson explains. “So, I look at these songs on the EP as a culmination of everything we’ve lived since Screamin’ At The Sky.” The record delivers unpolished emotion and genuine connection, qualities that have made Black Stone Cherry road warriors who bring the same energy to arenas and dive bars alike.

10 Non-Musicians Who Quietly Shaped Music History

Great songs do not appear in a vacuum. Sometimes the loudest influence comes from a book, a painting, a film, or an idea that sneaks into a lyric or a sound. Here are ten non-musicians who left fingerprints all over popular music, proving inspiration travels far beyond the studio.

Aleister Crowley
The occultist became a magnetic figure for rock artists chasing mysticism and rebellion. His ideas and imagery filtered into the work of David Bowie, Jimmy Page, and Ozzy Osbourne. Even when artists rejected his beliefs, the symbolism stuck.

Allen Ginsberg
The Beat poet gave rock and folk musicians permission to sound loose, personal, and unfiltered. Bob Dylan, Patti Smith, and The Clash absorbed his free-form delivery and political urgency. Poetry became something you could shout over a guitar.

Andy Warhol
Warhol blurred the line between art, celebrity, and commerce, and musicians noticed. His association with The Velvet Underground changed how artists thought about image, performance, and experimentation. Pop art became pop music.

Arthur Rimbaud
A teenage poet who burned bright and disappeared, Rimbaud became the blueprint for the romantic rock outsider. Jim Morrison, Patti Smith, and Bob Dylan drew from his symbolism and defiance. Rock lyricists found a literary patron saint.

David Lynch
Dream logic, dread, and beauty coexist in Lynch’s work, and musicians borrowed freely. Artists from Nine Inch Nails to Lana Del Rey echo his surreal atmospheres. Music learned how to feel unsettling without being loud.

George Orwell
Themes of control, surveillance, and rebellion made Orwell a constant reference point for musicians. His ideas appear in punk, post-punk, and progressive rock lyrics. Music turned dystopia into a warning siren.

H.P. Lovecraft
Cosmic horror gave metal and hard rock a vocabulary for darkness and scale. Bands like Metallica and Iron Maiden pulled directly from his mythos. Fear became epic instead of personal.

Jack Kerouac
His sense of motion, freedom, and restlessness fed the soul of rock and folk music. Bruce Springsteen, The Doors, and countless others borrowed his road-ready spirit. Music learned how to move without stopping.

J.R.R. Tolkien
Fantasy worlds inspired entire genres, especially metal. Band names, lyrics, and mythic storytelling trace back to Middle-earth. Tolkien turned imagination into amplification.

William S. Burroughs
Cut-up techniques and fractured narratives gave musicians new ways to write and think. David Bowie, Kurt Cobain, and Steely Dan all cited him as an influence. Songwriting stopped being linear and started being strange.

Mexican Actor Gerardo Taracena, Known for Roles in Apocalypto and La Reina del Sur, Has Died at Age 55

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Mexican actor Gerardo Taracena has died at the age of 55, leaving behind a career that moved fluidly between Mexican cinema, major Hollywood productions, and acclaimed Spanish-language television.

The news of Taracena’s passing was confirmed on Saturday, January 31, by Mexico’s National Association of Actors, which shared a statement expressing its condolences to his loved ones and to the wider artistic community. No official cause of death has been made public.

Trained at the Centro Universitario de Teatro in Mexico City, Taracena built his reputation as a commanding on-screen presence, gaining international attention in 2006 for his role as Ojo de Lobo in Apocalypto. That performance marked a turning point, leading to work on high-profile projects both in Mexico and abroad.

His filmography includes appearances in productions such as The Mexican, where he shared the screen with Brad Pitt, as well as the Mexican feature Salvando al soldado Pérez. On television, Taracena became a familiar face through roles in series like La reina del sur, Capadocia, El señor de los cielos, Las Aparicio, El Pantera, and 40 y 20.

In more recent years, he continued working steadily. In 2025, he appeared in the series Celda 211, and one of his final performances came in Cometierra, released later that year.

Taracena’s work was formally recognized in 2007, when he received the Ariel Award for Best Supporting Actor for his performance in El Violín, directed by Francisco Vargas. Outside of acting, he also pursued music, founding the group Los Jilgueros de Rosarito and recording several songs, including “Es mi manera.”

Following the announcement of his death, tributes poured in from fellow actors, filmmakers, and cultural institutions across Mexico, all pointing to the same thing: a performer remembered for his intensity, versatility, and deep respect for his craft.


El actor mexicano Gerardo Taracena falleció a los 55 años, dejando una trayectoria marcada por su fuerza interpretativa y una presencia constante en el cine y la televisión, tanto en México como a nivel internacional.

La noticia fue confirmada el sábado 31 de enero por la Asociación Nacional de Actores, que expresó su pesar y envió condolencias a familiares, amigos y a la comunidad artística. Hasta el momento, no se ha dado a conocer la causa de su muerte.

Nacido en la Ciudad de México y formado en el Centro Universitario de Teatro, Taracena construyó una carrera sólida basada en personajes intensos y memorables. Su proyección internacional llegó en 2006 con su papel en Apocalypto, dirigido por Mel Gibson, un trabajo que lo llevó a participar en producciones de alto perfil dentro y fuera del país.

A lo largo de los años, formó parte de numerosas series y películas, consolidándose como un rostro reconocible del cine y la televisión de habla hispana. En 2007, recibió el Ariel a Mejor Coactuación Masculina por su actuación en El Violín, dirigida por Francisco Vargas.

Además de su trabajo como actor, Taracena también exploró la música y fundó el grupo Los Jilgueros de Rosarito, con el que grabó varias canciones.

Tras conocerse la noticia de su fallecimiento, colegas, instituciones culturales y figuras del medio artístico han compartido mensajes de despedida y reconocimiento, recordándolo como un artista comprometido, versátil y profundamente respetado por su oficio.

Most-Streamed Songs On Spotify (Updated For Feruary, 2026)

What happens when pop culture meets the repeat button? You get streaming history. From late-night heartbreak anthems to global sing-alongs that refuse to age, these songs have lived in playlists, headphones, cars, and dorm rooms around the world. Below are the most-streamed songs ever, ranked by total streams since release. Billions were pressed. Billions more hit play again.

The Most-Streamed Songs Ever On Spotify

  1. “Blinding Lights” – The Weeknd – 5.263 billion
  2. “Shape of You” – Ed Sheeran – 4.754 billion
  3. “Sweater Weather” – The Neighbourhood – 4.358 billion
  4. “Starboy” – The Weeknd and Daft Punk – 4.346 billion
  5. “As It Was” – Harry Styles – 4.231 billion
  6. “Someone You Loved” – Lewis Capaldi – 4.213 billion
  7. “Sunflower” – Post Malone and Swae Lee – 4.108 billion
  8. “One Dance” – Drake with Wizkid and Kyla – 4.017 billion
  9. “Perfect” – Ed Sheeran – 3.815 billion
  10. “Stay” – The Kid Laroi and Justin Bieber – 3.789 billion
  11. “Believer” – Imagine Dragons – 3.733 billion
  12. “Heat Waves” – Glass Animals – 3.648 billion
  13. “Lovely” – Billie Eilish and Khalid – 3.633 billion
  14. “Closer” – The Chainsmokers and Halsey – 3.584 billion
  15. “I Wanna Be Yours” – Arctic Monkeys – 3.580 billion
  16. “The Night We Met” – Lord Huron – 3.580 billion
  17. “Yellow” – Coldplay – 3.560 billion
  18. “Say You Won’t Let Go” – James Arthur – 3.520 billion
  19. “Something Just Like This” – The Chainsmokers and Coldplay – 3.501 billion
  20. “Riptide” – Vance Joy – 3.484 billion
  21. “Birds of a Feather” – Billie Eilish – 3.443 billion
  22. “Another Love” – Tom Odell – 3.418 billion
  23. “Die With A Smile” – Lady Gaga and Bruno Mars – 3.388 billion
  24. “Dance Monkey” – Tones and I – 3.387 billion
  25. “Take Me to Church” – Hozier – 3.338 billion
  26. “Counting Stars” – OneRepublic – 3.323 billion
  27. “Rockstar” – Post Malone and 21 Savage – 3.321 billion
  28. “Photograph” – Ed Sheeran – 3.285 billion
  29. “Every Breath You Take” – The Police – 3.249 billion
  30. “Señorita” – Shawn Mendes and Camila Cabello – 3.235 billion
  31. “Cruel Summer” – Taylor Swift – 3.228 billion
  32. “Watermelon Sugar” – Harry Styles – 3.192 billion
  33. “Can’t Hold Us” – Macklemore & Ryan Lewis with Ray Dalton – 3.191 billion
  34. “Viva La Vida” – Coldplay – 3.166 billion
  35. “Don’t Start Now” – Dua Lipa – 3.146 billion
  36. “Die for You” – The Weeknd – 3.135 billion
  37. “Just the Way You Are” – Bruno Mars – 3.104 billion
  38. “Iris” – Goo Goo Dolls – 3.082 billion
  39. “Circles” – Post Malone – 3.066 billion
  40. “Lucid Dreams” – Juice Wrld – 3.062 billion
  41. “Goosebumps” – Travis Scott and Kendrick Lamar – 3.055 billion
  42. “Love Yourself” – Justin Bieber – 3.050 billion
  43. “Bohemian Rhapsody” – Queen – 3.046 billion
  44. “Locked Out of Heaven” – Bruno Mars – 3.030 billion
  45. “Thinking Out Loud” – Ed Sheeran – 3.020 billion
  46. “That’s What I Like” – Bruno Mars – 3.007 billion
  47. “Shallow” – Lady Gaga and Bradley Cooper – 3.001 billion
  48. “In the End” – Linkin Park – 2.997 billion
  49. “Wake Me Up” – Avicii – 2.991 billion
  50. “Mr. Brightside” – The Killers – 2.991 billion

Slayer Announce Deluxe Reissues Of ‘Hell Awaits’ For 2026

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Slayer have announced deluxe reissues of their second album, ‘Hell Awaits’, scheduled for release in 2026 via Metal Blade Records. The seven-track album will be available on May 15 in three physical configurations – 3 CDs, 3 LPs, and a limited liquid-filled “blood” vinyl – as well as digitally. Audio across all formats has been restored and remastered from the original 1985 production tapes by Patrick W. Engel at Temple of Disharmony in February 2025.

All editions include a previously unreleased live recording, Live From Bochum 1985, captured during the Hell Awaits Tour and spread across two discs with 18 tracks. Physical editions expand significantly on archival material. The CD Earbook features a 60-page 11-inch book and poster, while the 3 LP fire-splatter vinyl set includes a 60-page booklet, replica tour ephemera, posters, flyers, a slipmat, and memorabilia tied to the German dates. The liquid-filled vinyl edition is limited to 666 copies and will be sold exclusively through Slayer’s official store.

Originally released in 1985, ‘Hell Awaits’ marked a defining moment in Slayer’s evolution, pushing their sound toward darker themes, longer compositions, and more complex song structures. With Metal Blade Records backing the production, the album helped lay groundwork for extreme metal and is widely cited as a key precursor to death metal, solidifying Slayer’s reputation as one of the most aggressive and influential bands in heavy music.

Track Listing

CD 1: Original Album Remastered

  1. Hell Awaits
  2. Kill Again
  3. At Dawn They Sleep
  4. Praise of Death
  5. Necrophiliac
  6. Crypts of Eternity
  7. Hardening of the Arteries

CD 2: Live From Bochum 1985

  1. Hell Awaits
  2. Aggressive Perfector
  3. Captor of Sin
  4. The Final Command
  5. Kill Again
  6. Crypts of Eternity
  7. Fight Till Death
  8. Necrophiliac
  9. Haunting the Chapel
  10. Hardening of the Arteries

CD 3: Live From Bochum 1985

  1. Black Magic
  2. Die by the Sword
  3. The Antichrist
  4. At Dawn They Sleep
  5. Show No Mercy
  6. Evil Has No Boundaries
  7. Chemical Warfare
  8. Praise of Death