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Georgina Taylor Releases Spirited Rendition of “What Child Is This” Featuring Renowned Session Musicians

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Alternative-experimental pop artist Georgina Taylor announces the release of her new holiday single “What Child Is This,” out now. This fresh arrangement combines the beloved medieval Christmas carol with a driving disco beat to create a holiday track listeners can really dance to. Produced and arranged by Taylor at her In The Garden Productions studio the single breathes new life and energy into this Christmas classic while staying true to its traditional roots.

The production features contributions from distinguished industry heavyweights who elevate and enforce the rhythmic foundation of the track. Detroit bassist Alan Snoop Evans II known for his work with Fred Hammond, Take 6, and The Clark Sisters provides a electrifyingly riveting bass line that pushes and propels the song in the bottom end. Guitarist John Meyer from Macon Georgia known for his role in Jupiter Coyote contributes his distinct playing style to the recording. The project is also enhanced by the expertise of Production Advisor Preston Heyman a legendary drummer and producer from London, England recognized for his work with Kate Bush, Paul McCartney, Sting, and Massive Attack. The single was mixed by Simon Allen and mastered by Nigel Palmer at Lowlands Mastering.

Taylor’s creative process relies heavily on spontaneity, intuition and raw gut instinct which she describes her writing style as a form of Divine Inspiration where entire songs emerge rapidly with little conscious thought process. “My music comes through me…complete songs come out in minutes” Taylor explains regarding her workflow. In this recording in keeping with her usual love of BG vocals she layered down a multitude of background tracks all by ear to create a rich, lush vocal texture that serves as the centerpiece of the song. Born in Chelmsford Essex England and currently residing in Nanaimo British Columbia Taylor draws upon her diverse background as an artist of Anglo-Indian descent and a practicing Catholic to inform her musical expression, giving each of her tracks a flair of the exotic while heavily anchored in tradition and cool.

Taylor has always been fascinated by history and the melody for this track comes from the 1580 English folk song Greensleeves which was long rumored to have been written by King Henry VIII, with later updates stating it was written by Richard Jones with the London Stationer’s Company.  The lyrics were composed in 1865 by William Chatterton Dix remain a focal point of this new Christmas Classic. The single pays homage to the history of the original composition as Taylor delivers lines such as “What Child is this / Who laid to rest / On Mary’s lap is sleeping” and “Haste, haste, to bring Him laud / The Babe, the Son of Mary” with a dramatic intensity that characterizes her unique vocal style.

Mike White Presents describes the music of Georgina Taylor as “like being pursued by Peter Gabriel, Bat 4 Lashes and Kate Bush into a fairytale forest populated by characters from a Guillermo DelToro film”. This description captures the essence of her work which spans alternative-experimental pop. Beyond her musical endeavors Taylor is a passionate advocate for human animal and environmental rights and a philanthropist.

Toronto Vocalist Kim Kaskiw Transforms Focal Dystonia Diagnosis Into Triumphant Latin Jazz Fusion Album

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Toronto-born and Ottawa-based Vocalist, Composer/arranger, and Tuba player, Kim Kaskiw unveils her new album THE LATIN JAZZ FUSION PROJECT’. It’s a deeply personal and rich collection that bridges the worlds of Jazz, Latin Jazz, Funk and Fusion.  Drawing from her life’s most profound moments, Kaskiw transforms hardship into harmony, inviting listeners into a world of grace, rhythm, and emotional truth.

Music has always been at the center of Kim’s life. One of her earliest memories is of being in a playpen, watching her mother play the piano. Even before she had words, she remembered shaking the bars of her play pen in frustration, desperate to touch the keys herself. That moment marked the beginning of a lifelong journey — one defined by sound, emotion, and connection.

‘THE LATIN JAZZ FUSION PROJECT’ reflects that same raw passion. It’s an album that celebrates life’s beauty while confronting its pain, inspired by her own experiences of loss, recovery, and resilience. With influences ranging from the storytelling of Shirley Horn and Nancy Wilson to the rhythmic genius of Tower of Power, Kaskiw’s powerful sound is both grounded in tradition and yet soaringly original.

A gifted composer vocalist and trailblazing tuba player, Kaskiw has created a work that is at once intimate and expensive. In ‘COME TO ME’ she blends Latin Jazz, funk, full horns including her tuba to create a timeless love song brilliantly arranged by Joey Berkley. The lush harmonica solo in ‘HER’ adds unexpected poignancy on this beautiful Bossa Nova, while ‘HERE AND NOW’, finds the listener identifying with every word. Anyone who has lost a love to another or lost a love to Cancer will immediately identify.   

SOL SISTA is a tribute to commemorate her sister’s 50th birthday. This piece combines two, time signatures that add up to five and are based on the 5th degree of the scale to commemorate her 50th.  ‘RISE UP’ is a funky anthem for anyone in recovery from substance abuse and a nod to her favourite band, Tower of Power. Waltz for JP is a gift to her musical mentor, J.P. Allain. Meanwhile Black Rooster is a composition Kim wrote while in Brazil; being kept awake by a black rooster cawing (in minor seconds) all night and all day. This is another fantastic arrangement by Joey Berkley.

Diagnosed with focal dystonia in 2020, Kaskiw found her musical future uncertain.  The neurological condition causes involuntary painful muscle contractions, making it nearly impossible for many musicians to perform. Instead of retreating, she used her diagnosis as a creative catalyst — composing and recording music that reflects both her vulnerability and her strength.

Collaborating with tenor saxophonist and arranger Joey Berkley, who also lives with musicians’ focal dystonia, Kaskiw approached this recording as both an artistic statement and a triumph of will. Together, they crafted an album that not only celebrates Kim’s music but also raises awareness for a condition that affects millions of musicians worldwide.

“My motto has always been: If not now, when?” says Kaskiw. “I wanted to find a way to express myself fully in the studio and cheat dystonia in the process. I think I succeeded!” That perseverance radiates through every note of ‘THE LATIN JAZZ FUSION PROJECT’ a project that feels both deeply personal and universally inspiring.

Musically, the album is a masterclass in emotional storytelling and superb musicianship. Along with stellar musicians from Toronto, Ottawa and New York City, Kim’s voice, tuba and compositions, creates an incredible album that heals, uplifts, and reminds listeners of the beauty of the present moment.

With ‘THE LATIN JAZZ FUSION PROJECT’ Kim Kaskiw delivers more than an album — she offers a testament to the creative human spirit. It is a reminder that even in the face of adversity, that very creativity drives our human identity and expression.

How Music Helps You Learn a Language Naturally

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By Mitch Rice

Learning a new language doesn’t always look like textbooks, flashcards, or grammar drills. In fact, some of the most effective language learning happens when you’re not consciously trying at all. Music has a unique way of slipping past resistance, embedding sounds, rhythms, and meaning into your memory while you’re simply enjoying yourself.

For many people, songs are the first real connection to another language and often the reason they stick with it.

Why Music Works When Studying Fails

Traditional studying asks your brain to work hard. Music invites it to relax. That difference matters.

When you listen to music, your brain processes language in a more holistic way. Instead of isolating vocabulary and rules, it absorbs pronunciation, tone, and flow all at once. This mirrors how we learn our first language—through repetition, emotion, and context rather than explanation.

Songs also repeat phrases naturally, reinforcing language patterns without boredom. You don’t notice you’re “practicing” because the repetition feels intentional, not instructional.

Music Builds Real Listening Skills

One of the hardest parts of learning a new language is understanding it when spoken naturally. Classroom audio is often slow and overly clear. Real conversation is not.

Music exposes you to:

  • Natural speed and rhythm
  • Colloquial expressions
  • Regional accents
  • Informal sentence structures

This kind of exposure trains your ear in ways studying alone can’t. Even if you don’t understand everything, your brain starts recognizing familiar sounds and patterns over time.

Emotional Connection Improves Memory

You’re far more likely to remember lyrics from a song you love than a vocabulary list you reviewed once. Emotion strengthens memory.

Songs tie language to feelings—joy, nostalgia, excitement, heartbreak. That emotional connection helps words stick because they’re attached to experience, not abstraction.

This is one reason people can sing entire songs in another language years before they can speak it fluently.

Lyrics Turn Passive Listening Into Learning

Listening alone helps, but lyrics take things a step further. Seeing the words while hearing them bridges the gap between sound and meaning.

Many learners find that reading Spanish song lyrics while listening dramatically improves comprehension. It allows you to match pronunciation with spelling, notice repeated phrases, and gradually infer meaning without translating every word.

Over time, this process builds intuition—an understanding of the language that feels natural rather than forced.

Repetition Without Burnout

Language learning requires repetition. Music provides it without fatigue.

You’ll often listen to the same song dozens of times because you enjoy it. Each listen reinforces:

  • Vocabulary
  • Grammar patterns
  • Pronunciation
  • Sentence structure

Unlike drills, repetition through music doesn’t feel like work. It feels like preference.

Music Helps With Pronunciation and Accent

Singing along even quietly engages your mouth, breath, and rhythm. This physical involvement improves pronunciation in ways silent study can’t.

Songs exaggerate sounds, stretch vowels, and emphasize stress patterns. Mimicking these elements helps learners internalize the natural cadence of a language.

Many people notice their accent improving simply by singing along regularly.

Science Supports Music-Based Learning

Research backs up what many learners experience firsthand. According to a study published in Frontiers in Psychology, people who learned phrases through song were better at recalling them than those who learned through spoken repetition alone.

The study suggests that melody and rhythm create stronger memory traces, making language easier to retrieve later.

Choosing the Right Music Matters

Not all music is equally helpful. Songs with clear vocals and storytelling lyrics tend to work best, especially at the beginning.

Genres that often support language learning include:

  • Pop and folk
  • Acoustic and ballads
  • Singer-songwriter styles
  • Soft rock

As your understanding improves, faster or more complex styles become valuable listening challenges rather than obstacles.

Let Meaning Come Gradually

One of the biggest mistakes learners make is trying to understand everything immediately. With music, partial understanding is enough.

At first, you may only recognize a few words. Then phrases. Then entire lines. Meaning accumulates naturally over time, especially when you return to the same songs.

This slow build mirrors how fluency develops in real life—layer by layer, not all at once.

Music Creates a Habit, Not a Task

The biggest advantage of learning through music is sustainability. People quit studying. They don’t quit listening to music.

When language exposure becomes part of your daily soundtrack—on commutes, during workouts, while cooking—it stops feeling like effort. It becomes environment.

That consistency is often what makes the difference between dabbling and real progress.

Final Thoughts

Music won’t replace formal study for everyone, but it can quietly build comprehension, confidence, and fluency in the background of your life. It trains your ear, strengthens memory, and connects language to emotion in a way few methods can match.

If learning has felt like a chore, music offers a different path—one where understanding grows naturally, one song at a time.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

“Radio” – A Collaborative Single by N2O, Alan Parsons and Robert Frances Supporting the Brain Tumour Foundation of Canada

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First introduced live last spring at Place des Arts during The Alan Parsons Live Project concert, Music is Medicine—the movement founded by Robert Frances, CEO of PEAK Financial Group and member of the band N2O—continues to grow with the release of Radio, a song by N2O produced and mixed by the legendary Alan Parsons.

Net proceeds from the project will be donated to the Brain Tumour Foundation of Canada to advance research, education and patient support programs.

Produced and mixed by Alan Parsons, Radio is an emotional song inspired by connection, memory and hope. It captures the spirit of Music is Medicine, transforming music into a force for unity and courage.

“Losing a friend and bandmate to brain cancer had a profound impact on me,” said Robert Frances. “I wanted to turn that experience into something meaningful. Working with Alan on Radio brought that vision to life.”

The release of Radio follows the sold-out benefit concert by The Alan Parsons Live Project held on May 14 at Place des Arts, which raised more than $600,000 for brain cancer research and marked the official launch of Music is Medicine.

“It was a privilege to collaborate with N2O,” said Alan Parsons. “Knowing the story behind David’s lyrics makes Radio even more powerful. It is an honest and timeless song that proves music connects generations.”

Written by David Tondino (lyrics) and composed by N2O (music), Radio was inspired by the Beatles whose songs David listened to growing up. He later revisited the piece as a dialogue with the music that shaped him, reflecting on time, creativity and the comfort that music brings.

The recording features the musicians of The Alan Parsons Live Project under Parsons’ direction, who also produced and mixed the track.

Distributed by LANDR, Radio is available now on all major streaming platforms. Net proceeds will be directed to the Brain Tumour Foundation of Canada to support research, awareness and assistance for patients and their families.

54-40 Announce New Album ‘PORTO’ And Drop Latest Single “Virgil” Ahead Of January Release

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Legendary Canadian rock band 54-40 return with their highly anticipated new album ‘PORTO’, set for release on January 23, 2026. The announcement follows the debut of four powerful new singles, “Running for the Fence,” “Die To Heaven,” “Time Will Tell,” and “Virgil,” released today, marking the beginning of a bold new chapter for one of Canada’s most celebrated bands.

Frontman Neil Osborne describes the project as “an album about renewal and resilience — it’s about the work it takes to keep creating, to stay connected, and to keep loving what you do.” Bassist Brad Merritt adds, “We’ve always tried to write songs that feel honest and grounded in real life. These new tracks capture that — they sound like where we’ve been, but also where we’re going.”

Formed in 1981 in Tsawwassen, British Columbia, 54-40 quickly became a cornerstone of Canada’s alternative rock movement. The band’s name — drawn from the 54°40′ northern boundary line once disputed between the United States and British North America — reflects both their West Coast origins and their independent spirit. Founders Neil Osborne and Brad Merritt, joined by guitarist Dave Genn and drummer Matt Johnson, forged a sound defined by melodic songwriting, poetic lyrics, and a steadfast work ethic.

Across five decades, 54-40 have produced a deep catalogue of era-defining hits, from “I Go Blind,” “Ocean Pearl,” “Since When,” and “One Day in Your Life” to “She-La,” “Nice to Luv You,” and “Love You All.” With multiple Platinum-certified albums, sold-out tours, and an enduring presence on Canadian radio, their music continues to resonate with generations of fans.

“ ‘PORTO was recorded with longtime producer Warne Livesey in Portugal and reaffirmed the band’s creative vitality. Osborne recalls, “It felt like the songs were writing themselves — we just had to get out of the way and let them happen.” That spirit of immediacy carries into ‘It Takes A Lot’, a record that explores endurance, artistry, and the balance between reflection and momentum.

Few bands have left as deep an imprint on Canadian music as 54-40. Emerging from the post-punk wave of the early ’80s, they helped define a distinctly Canadian alt-rock sound — one rooted in grit, melody, and introspection. Alongside peers like The Tragically Hip and Blue Rodeo, 54-40 helped shape a national identity in rock music, blending thoughtful lyricism with accessible, anthemic hooks.

Their influence extends across generations. Dozens of artists — from Our Lady Peace to Arkells — cite 54-40 as a foundational inspiration. Their timeless songwriting and commitment to authenticity have earned them numerous Juno Award nominations, as well as induction into the Canadian Music Hall of Fame’s Starwalk of Fame and a permanent place in the country’s cultural fabric.

As the band approaches its 45th year, 54-40 continue to command stages with the same energy and purpose that defined their beginnings. Their live performances remain electric — a mix of grit, musicianship, and camaraderie honed over thousands of shows. Osborne says, “When we play live, it’s not nostalgia. It’s about connection — with the crowd, with the songs, and with each other.”

With ‘PORTO’, 54-40 reaffirm their place as one of Canada’s most important rock institutions. The band will announce North American tour dates later this fall in support of the new record, bringing both their classics and latest material to fans across the country. As Osborne sums it up, “After all these years, we still feel lucky — we still love doing this. And that’s what it takes a lot of.”

PORTO Track Listing:
Die to Heaven
Running For the Fence  
It’s a Rough Life  
Time Will Tell  
Virgil  
Thank You Mother  
Beautiful All Of It  
It Takes a Lot  
Go Get’Em  
Wail (Numinous)  
Work Not Worry  

Blaine Sharp’s “The First Snowfall” Goes Viral With 100,000 Streams

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As the first snowflakes of the season begin to fall across North America, independent artist Blaine Sharp’s beloved holiday song “The First Snowfall” is experiencing a viral surge, amassing over 100,000 streams on Spotify. The swingin’ vocal version, which captures the magical transformation that happens when winter’s first snow blankets the world, has achieved a remarkable 66% listener engagement rate (Saves + Adds) on Spotify, proving that audiences are hungry for new holiday music infused with timeless sophistication and genuine emotion.

A vocalist, songwriter, and composer from Burlington, Ontario now based in Los Angeles, Sharp creates music that stops time, blending vintage charm with modern elegance. “The First Snowfall” lives at the crossroads of jazz, Broadway, and traditional popular song, evoking the warmth and sophistication of the great hit parade artists of the 1950s and 60s including Sinatra, Crosby, and Nat King Cole. Arranged by Teryn Ré, one of the rare female bandleaders in jazz today, and co-written with pianist Carey Frank, who currently tours with Kate Hudson, the track features big band instrumentation with a timeless swingin’ feel that brings freshness to vintage sound.

“I wrote The First Snowfall while feeling homesick in Los Angeles during the pandemic, when the border was closed and I couldn’t get home to Canada or see my family for over two years,” Sharp reveals. “The most Canadian thing I could think of while stuck in LA for the holidays was snow. In my heart, I kept returning to the imagery of snow and that childhood feeling when the first snow of the season would fall. This was the song I had to write.”

Sharp crafted the song as a quiet tribute to Irving Berlin’s “White Christmas,” keeping the language simple, honest, and relatable while letting the melody do the emotional heavy lifting. “One of the most vivid memories I wanted to capture in the song is that transformation that happens in November, when everything feels grey and lifeless until that first snowflake falls, and suddenly the world feels new again, full of sparkle and the promise of the holidays,” he explains. The track was engineered by Grammy winner Harriet Tam and mastered by Grammy/Emmy winner Clark Germain.

The song carries profound personal meaning for Sharp. “My mother passed away from ALS the September before the song was released, and I made sure she was able to hear the finished version. It’s deeply emotional for me because the song’s journey into the world coincided with the end of hers. She loved family and the holidays, and her love lives on in this song and the sentiment that no obstacle, no amount of snow, will stop you from getting home to your loved ones for Christmas. When listeners share with me how this song is meaningful to them, in their own way and for their own personal reasons, it touches me deeply.”

The viral success of “The First Snowfall” has opened doors for Sharp’s entire catalog, with listeners discovering other songs including “Le Vent d’été (Summer Wind)” and “Violette.” “As an independent artist, I’m blown away by how audiences are connecting,” Sharp says. “Every time it snows now, my inbox fills with video clips and messages from people playing the song and filming the falling snow. I love that so many tag the song and share their videos on YouTube too. It’s amazing to see them experience, in real time, the very emotions that inspired the song.”

A new instrumental version of “The First Snowfall” is out now, offering fans another way to experience the beauty of the melody. “Knowing that my song is now part of so many lives for Christmas does my heart good, people decorating their tree, carving their turkey, living important moments as my song plays. Finding this connection in people’s lives is what it’s all about as an artist,” Sharp reflects. “The fact that The First Snowfall keeps resurfacing and growing bigger every year tells me it has an enduring message. I like to think of it as a snowball, gathering momentum as it rolls forward.”

Critics have embraced Sharp’s artistry with enthusiasm. “Blaine Sharp is a charismatic singer who knows what it takes to charm the audience and get them to experience something heartfelt and real, track after track,” wrote Jim Olin of All About Jazz. Jazz Corner News praised his work, noting “Wanderlust is among the year’s prettiest albums… Blaine Sharp has a voice that is both timeless and classic, it shines like the brightest suns.”

Following the remarkable viral success of “The First Snowfall” this season, Sharp is planning a tour and a new album for 2026, continuing his mission to create music that connects deeply with listeners who appreciate new songs infused with the timeless spirit of the greats.

Honeybear, The Band Releases “Unbroken” And Announces Winter Tour

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Honeybear, the Band, the Vancouver-based vintage soul, blues, and roots quartet that music blog B-Side Guys describes as sounding “as if The Teskey Brothers decided to collaborate with the ghost of Muddy Waters,” releases their new single “Unbroken” out now. The track serves as a quiet anthem to resilience, blending soul, blues, and pop sensibilities into a message that has resonated far beyond its original intention.

“Originally the tune was written as a quiet anthem to resilience, targeted at a friend of ours who was going through a really rough patch and needed some help to see the light at the end of the tunnel,” the band explains. “However, this song has ended up being much bigger than us, our friends, and our own situations. Many that we play the song for can think of their own particular situation or relationship where some of this song’s energy could have helped, and we are glad to hear their stories and bring it forward.”

Comprising Ian Beaty on vocals and bass, Colin Brumelle on guitar, Mike Kenney on keyboards, and Tim Watson on drums, Honeybear takes listeners on an old school road trip through the dusty back roads of American music. While the band formed in 2023, the four members are old friends who have been playing together in other formations for over a decade, crossing paths on tours across Canada, down the West Coast, and beyond. As individual performers, they have appeared at most major folk and jazz/blues festivals in Canada.

The band’s origin story captures the spirit of musical perseverance that defines their sound. When the pandemic struck and live music came to a standstill, the four friends found themselves jamming outdoors in parks, with amps and PA systems hooked up to jerry rigged motorcycle batteries, just to bask in the joy that is playing live music with like minded souls. That creative determination has paid dividends.

Their debut FACTOR funded album, self released in June 2025 on their own Playmor label, has received well over 4 million streams on Spotify with approximately 110,000 monthly listeners. The album has been featured on official Spotify Editorial playlists including Nu Blue, New Music Friday, Blues Bar, and Best Blues of 2024. The band is also receiving airplay on CBC, NPR, CKUA, and other indie and co-op radio stations across the globe.

Honeybear is fast becoming a festival favorite with appearances at Rifflandia, Barnside Harvest Fest, Vancouver Jazz Festival, Harmony Arts, Wapiti, Starbelly, and many more. Recent packed club shows at some of the country’s favorite dive bars including The Horseshoe in Toronto, the Rainbow in Ottawa, and the Ironwood in Calgary have seen the band routinely selling out shows in brand new markets.

Tour Dates:


Dec 5  Vancouver, BC – Wise Hall
Dec 13 Vancouver, BC – Keithmas @ The Rickshaw
Dec 26 Vancouver, BC – Guilt & Co.

Feb 13 Penticton, BC – The Hub
Feb 14 Salmon Arm, BC – Song Sparrow Hall
Feb 15 Kelowna, BC – Red Bird Brewing
Feb 17 London, ON – The Richmond
Feb 18 Toronto, ON – The Horseshoe *
Feb 19 Montreal, QC – L’Escogriffe *
Feb 20 Ottawa, ON – The Rainbow *
Feb 21 Kingston, ON – The Broom Factory *

March 5 Calgary, AB – The King Eddy
March 6 Edmonton, AB – The Aviary +
March 7 Camrose, AB – The Bailey + * w/ Mr. Pinstripes
+ w/ Kyle Mosiuk and his Band

Folk Pop Artist Melanie Peterson Releases New EP ‘Read It on the Radio – Vol 2’

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Acclaimed Toronto-based folk-pop artist Melanie Peterson will release her eighth EP, ‘Read It On The Radio – Vol 2’, out now, following her month-long residency at the legendary Cameron House in Toronto last month.

Peterson, known for her luminous vocals and emotionally resonant songwriting, reunites with longtime producer Mitch Girio for this second installment of her ‘Read It On The Radio’ series. The project captures the warmth and intimacy of her live performances while showcasing her interpretive depth across a handpicked collection of covers.

The EP opens with a heartfelt rendition of John Fogerty’s “Have You Ever Seen the Rain”, where Peterson’s acoustic phrasing and understated delivery reflect a sense of quiet joy. “I started feeling more and more happy inside while performing the song live,” Peterson said. “It didn’t matter if I was upset or frustrated or whatever. I kept getting happier every time I sang it.”

Another highlight, Melanie Safka’s “Brand New Key”, connects Peterson back to her musical roots. “My parents were folkies and named me after Melanie,” she recalls. “It’s remained a favourite to perform live,” featuring her trio partners Paul Therrien, Jennifer Wakefield, and Peter Collins on backing vocals.

Peterson also takes on The English Beat’s “Save It for Later”, a power-pop anthem that transforms under her melodic folk sensibility. With Peter Collins on harmonies and Mitch Girio’s textured guitars, the arrangement adds emotional clarity to the original’s restless energy.

Her interpretation of “Elliot’s Song” from HBO’s Euphoria offers a quiet, introspective moment. “We had a great time giving it a gentle lift in this version,” Peterson shares. Written by Labrinth, Muzhda Zemar-McKenzie, and Zendaya, the song fits seamlessly into the EP’s reflective tone.

Closing with Nick Lowe’s timeless “(What’s So Funny ’Bout) Peace, Love and Understanding”, Peterson channels optimism through jangly guitars and bright harmonies. “There’s never a time when this message feels out of place,” she notes. “Singing it now feels more relevant than ever.”

The EP marks another creative chapter in Peterson’s evolving artistry. From her early breakout at Canadian Music Week to multiple FACTOR grants and national airplay, she continues to define her own path through song. BBC Radio once described her as “Mary Poppins with a broken heart,” and that blend of tenderness and precision remains evident in every note.

Peterson’s upcoming residency at The Cameron House will celebrate both her original catalogue and the new EP. Each Monday evening, she and her band performed two sets—one of her signature originals and one featuring the new covers—creating a unique listening experience that blends storytelling and musical craft.

Joining her on stage are Peter Collins (bass, backing vocals), Jonathan Billings (guitar, backing vocals), and “Lucky” Pete Lambert (drums, backing vocals). The performances promise the same warmth and connection that have made Peterson a beloved presence on Toronto’s live music circuit.

With ‘Read It On The Radio – Vol 2’, Melanie Peterson invites listeners into an intimate dialogue between artist and song—a collection that bridges eras, influences, and emotions with unfiltered grace and charm.

The Blues Foundation Salutes 2026 Keeping The Blues Alive Honorees

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The Blues Foundation enters its 45th year with immense excitement, saluting the 2026 Keeping The Blues Alive (KBA) honorees during International Blues Challenge week, set for Tuesday, January 13 through Saturday, January 17, 2026. This year’s esteemed KBA recipients, including Cognac Blues Passion, John Anderson, Jeff Davis, Michael Gray, Jazz Alley, Nola Blue, Jim Hartzell, Robert Terrell, and Mark Jacobson, are recognized for their crucial roles in advancing the art and commerce of the blues, chosen annually by a select panel of blues professionals. These achievements will be celebrated at the Keeping the Blues Alive Awards brunch on Friday, January 16, 2026, at the Hyatt Centric in Memphis. The KBA ceremony is a key part of the Blues Foundation’s 40th Annual International Blues Challenge, the world’s largest and most renowned blues music competition, which will see over a thousand musicians from across the globe arrive in Memphis to compete for prizes, bookings, and the honor of winning the challenge, with events, showcases, and master classes happening all along historic Beale Street.

Zkeletonz Launch Debut Album ‘OUT’ With Feisty New Dancefloor Bangers

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Zkeletonz, the fiercely independent band born from London’s DIY scene, is celebrating the launch of their debut album ‘OUT!’ with the release of two feisty new singles, “Shut Up (Don’t Talk About It)” out now and “Marmalade” due on December 12th. Having grown from self-promoted warehouse parties to commanding major stages, the band perfectly showcases their electronic but guitar-based fusion sound, which has already earned them BBC 6 Music and Radio 2 backing. The album features heavyweight contributions from Alex Gopher and Sam Wheat, and channels the spirits of Breakbot, Phoenix, Daft Punk’s ‘Homework’, and classic Ed Banger French Touch, creating a sonic love letter to London club culture.

“Shut Up (Don’t Talk About It)” is an exceptional slice of Zkeletonz music that absolutely oozes new-rave attitude, driven by non-stop rhythms and bubbling bass, escalating into a perfectly crafted electro-pop banger. “Marmalade” turns the heat up even further, featuring sticky warped electronics that dissolve around frontman Gav Venture’s intense falsetto emotions. Their debut album ‘OUT!’ commences a trilogy of releases and focuses on invoking the adventurous and hedonistic spirit of a by-gone but never forgotten time in musical history, pulling influence from big hitters like The Strokes and MGMT, mixed up with obscure electroclash legends.

The band, working completely independently without a manager or label, has appeared across BBC radio networks and shared stages with legends like The Specials and Nile Rodgers, even gaining mentorship from DJ Yoda. Zkeletonz will officially launch their album ‘OUT!’ at The Camden Club on Thursday, December 12, in a special event presented by SleazeBox. The vinyl production has been funded by their dedicated fan community, who raised over £1,000, confirming shipping dates for late January 2026, though very limited hand-made copies will be sold in true DIY style at the launch gig merch stand.