Minus the Bear have shared a new music video for “Drilling,” directed and edited by Cheyne Smith, and produced by Minus the Bear and Do Better For Artists.
The video, featuring the band jamming in the same rehearsal space they utilized twenty years ago when they first wrote the song, furthers the rollout of the deluxe reissue of their 2005 breakout album, Menos el Oso, due August 22 via Suicide Squeeze. The “Drilling” video follows the release of two recordings heard on the deluxe edition of the album: “Hooray (Demo)” and “The Pig War (Demo).”
Suicide Squeeze has also announced an additional pressing of Menos el Oso (20th Anniversary Deluxe Edition), a 2xLP on beautiful Hand Pour Algae vinyl, limited to 1,000 copies worldwide. The 2xLP release will include a remastered version of the original album on one 12″, and 5 unreleased original demos and an etching by bassist Cory Murchy on the flip side of the other. The reissue also includes Los Archivos Del Oso, a 24-page archive photo journal from the band’s personal collection.
Speaking on the reissue announcement, vocalist Jake Snider says “…Oso is a band and fan favorite! We came into our sound on this record. Excited people get to hear these demos for the first time! Revisiting demos and hearing the evolution of some of these tracks puts me right back in our early 2000s practice space. And now we’re literally back in that same practice space for rehearsals. It’s wild!”
Guitarist David Knudson says “We toured so much for Menos el Oso – all these songs and riffs are stuck in my muscle memory like core childhood memories. The fingers and feet instinctively know where to tap and stomp at just the right time to make the notes and melodies leap out of my guitar. We were trying to push the envelope back in 2005 on this one – incorporating glitchy guitar samples, hip hop breakbeats and more electronic elements to the sound we had established on Highly Refined Pirates. Proud to say that 20 years later it still sounds fresh and I’m grateful people keep coming back to it as one of their favorites!”
He continues, “Menos el Oso put us on a trajectory that none of us were expecting. There is a “before ‘Pachuca Sunrise’ video” moment in time, and then there is an “after ‘Pachuca Sunrise’ video” moment in time. It seemed like once people heard that song, and saw that video, everyone went straight to Limewire, Napster, Soulseek, BitTorrent, etc. and shared the album immediately. Celebrating the twentieth anniversary of something this monumental in our lives is a gift. Having the chance to appreciate it with our fans, families and fellow bandmates while we are all alive and kicking is an opportunity I can’t wait to embrace.”
Electronic hardcore pioneers I See Stars have today announced their new album ‘THE WHEEL’, set for release on Friday, September 12 (via Sumerian Records). In celebration of the news, the band dropped their new track “Eliminator” along with the accompanying official visualizer.
Known for seamlessly fusing electronic soundscapes and futuristic production with crushing riffs and vocalist Devin Oliver’s soaring melodies, the upcoming full-length is the band’s latest body of work since their 2016 smash-hit album, ‘Treehouse’.
When asked about today’s announcement, I See Stars shared: “The last time we spent this much time on a record was our debut album, ‘3D’. ‘THE WHEEL’ is a time capsule capturing the past seven years of our lives. It’s a culmination of everything we’ve experienced individually, together, and as human beings navigating the chaos of the world.
“While we don’t plan to wait this long before releasing another album, we’re deeply grateful for the time it took to make this one. We poured ourselves into it, and we hope our fans feel that. We’re proud to finally share ‘THE WHEEL’ with you.”
SONS today release a brand-new track “I’m Tired” – a high-energy gut-punch for anyone who’s ever felt overwhelmed by the chaos of daily life. Raw, honest, and wildly relatable, this track taps into that universal urge to hit pause and escape. With shimmering hooks and explosive emotion, it’s the perfect teaser for their upcoming album Hallo set for release on September 26 via [PIAS] Recordings. Turn it up, hit repeat, and let it all out. You’re not alone.
About the song: “Besides enjoying life, you can also naturally experience exhaustion in all sorts of things. A song about that exhaustion that life sometimes brings and the urge to run away. The title speaks for itself and offers recognition for everyone.”
“I’m Tired” is the fourth glimpse of SONS’ third new album Hallo, following hot on the heels of “All Gold”, which was named Hotshot (Song of the Week) on Belgium’s premier radio station Studio Brussel.
With their forthcoming 3rd album Hallo the four-piece enter a new era, one in which their explosive garage rock gives way to songs that now also shine and sparkle. “Hallo” is the sound of youth unleashed. Of lives lived and experience knocking on your door. “Hello, we are SONS!”
SONS still relentlessly torment their instruments but what sets Hallo apart from previous releases is a certain joie de vivre that has crept in. By looking deeper into themselves, they have discovered that not every message needs to be accompanied by a fist on the table. A tap on the shoulder and a telling glance can sometimes be more effective.
The talisman for this fresh, musical, but still sharp and powerful sound: producer David McCracken. Also known for shaping the sexy groove of dEUS classic “The Architect”, the British producer has an impressive resume having worked with Stone Roses’ frontman Ian Brown, A$AP Rocky, Beyonce and Depeche Mode amongst others. McCracken loved the band’s new demos and made several trips to the band’s hometown of Melsele to help whip the songs into shape. The band then decamped to London to record the album.
SONS greedily feasted on the skills and knowledge McCracken brought to the fore as can be heard on the infectiously danceable first single “Do My Thing”, which amassed over 300 radio plays in Belgium, climbed to the top 5 of leading radio Studio Brussels listeners chart De Afrekening and got support in The Netherlands, Germany, France and Eastern Europe.
Working with McCracken proved to be a perfect match for SONS. “He took us completely out of our comfort zone,” says singer/guitarist Robin Borghgraef. “His way of working was very straightforward, and he constantly asked us – and certainly me as a singer – the question, ‘What do you want to say?’ That approach made us start thinking more deeply about what we wanted for this record. And, unlike previous albums, the lyrics on ‘Hello’ received much more attention. More than once, the lyric served as the foundation of a song, whereas before we took a different approach: make up riffs, figure out a song and add lyrics. This new approach added depth to the album.”
As for the subject matter on Hallo, SONS continues to find inspiration in everyday life and in the way we allow ourselves to be held hostage to hustle and bustle of things. Furious title track ‘Hello’ is about the constant accessibility and love/hate relationship with social media, where everyone follows each other blindly. “This song set the tone for the sound of the whole album”, Robin explains, “So here we say ‘Hello’ to everyone who knows us or doesn’t know us yet. Welcome to our latest record.”
Julian Casablancas + The Voidz release (Megz of Ram.) Produced by Chris Tabron (Beyonce, Die Antwoord, and Battles,) the EP is a four-track fever dream that dives headfirst into the band’s ever-mutating sonic multiverse.
Equal parts synth-drenched sci-fi score and post-punk punch, the project plays like a transmission from a parallel dimension, stitched together with jagged hooks and neon emotion. Julian’s unmistakable vocals snake through the chaos, animating each track and offering a warped crystal ball into the band’s next evolution.
Fittingly, it was recorded in the same East Village basement where Is This It first took shape – a full-circle seance of sound that fuses nostalgia with the present.
Earlier this year, the band delivered an electrifying performance of “Blue Demon” on The Late Show with Stephen Colbert (watch below), earlier this year, fueling anticipation among fans for what’s next. The band features a motley crew of larger-than-life musicians: Julian, of course, the WWE-style guitar slinger Beardo, surfer/shredder Amir Yaghami, 808-human hybrid Alex Carapetis, Jeff “Mr L.A.” Kite tickling the digital ivories, and the group’s spiritual anchor as well as online voice, bassist / synths, Jake Bercovici.
The Voidz return to Europe this summer for a string of festival dates, including a special hometown performance with IDLES at Bristol’s Block Party Festival on August 2. They’ll also appear at All Together Now in Ireland and Ypsigrock in Sicily.
Live Dates: August 2 – Bristol, UK – IDLES’ Block Party Festival August 3 – Waterford, Ireland – All Together Now Festival August 9 – Sicily, Italy – Ypsigrock Festival
Southern California skate-punk veterans Pulley and punk-rock supergroup Fire Sale have teamed up for a four-song split 7″, appropriately titled Split Personality, set for release on Friday, September 5, 2025, via Negative Progression Records. Fans can get their hands on the limited-edition vinyl when pre-orders launch on August 15, 2025.
Formed in 1994, Pulley remains one of the most influential and enduring names in melodic skate-punk. With five full-length albums on the legendary Epitaph Records, followed by two more on indie labels SBAM and Cyber Tracks, the band has amassed 50+ million streams, countless worldwide tours, and a reputation for delivering heartfelt, high-energy punk anthems that stand the test of time.
Fire Sale, a powerhouse lineup featuring former members of Face to Face, No Use For A Name, and The Ataris, has quickly carved its own path with a series of acclaimed 7″ releases, energetic live shows across Europe, Canada, and the U.S., and heavy rotation on SiriusXM Faction Punk. Split Personality marks their latest entry, pairing their relentless melodic hooks with Pulley’s classic skate-punk urgency for a must-have collector’s piece.
“Torn Apart By Time” – “As life passes by there are always distractions. Keep the commitment to how things started out and have the perseverance to stand with longevity. Make time to sit back and listen to the music.” “Write A Note If You Leave” – “Everyone has experienced loss. This song was inspired by losing my mom but speaks to anyone who’s had to say goodbye to someone they love. I miss her, and I miss that hand-written, heartfelt communication.” Fire Sale
“An Archaic Construct” – “The song questions the manufactured ways in which we are expected to behave.”
“Call Of The Void” – “It’s about acting on an intrusive thought-whether it’s driving into a light pole or ‘stumbling’ off a cliff in Cudahy.”
With multiple tracks already receiving early spins on SiriusXM Faction Punk, upcoming music videos premiering via BlankTV, and the combined legacy of two of punk rock’s most respected acts, Split Personality is set to be one of 2025’s essential punk vinyl releases.
Hot Water Music and Bane have just announced its co-headline tour for late 2025. Spanning the month of November, the tour will take in nine evenings across the U.S. midwest and east coast, visiting markets such as Cleveland Heights, OH on Wednesday November 5, Chicago, IL on Thursday, November 6, Richmond, VA on Sunday, November 9, Philadelphia, PA on Wednesday, November 12, Providence, RI on Friday, November 14 and more. Tickets for all shows will go on sale this Friday, August 1 at 10 a.m. local time.
Sacrifice. Loyalty. Camaraderie. These aren’t just words, they are the qualities that have defined Hot Water Music’s songs, lyrics and ideology for the past three decades. However, instead of celebrating 30 years of existence with a nostalgia lap or formulaic album, the band decided to mark this milestone with their most ambitious collection of songs to date. Correspondingly, Vows sees the band taking their pioneering punk sound to bold new heights via inventive arrangements, pop-friendly sensibilities and a new generation of musical guests that include Brendan Yates and Daniel Fang of Turnstile, Thrice, Dallas Green of City and Colour and Alexisonfire, The Interrupters, and Popeye Vogelsang of Calling Hours and melodic hardcore greats Farside. Additionally, Hot Water Music also recently released its four-song split EP with Quicksand in late 2024. Featuring classics covered by each band from Quickand’s Slip and Hot Water Music’s No Division, the EP also features the unreleased tracks “Supercollider,” Quicksand’s first new song since 2021’s Distant Populations, and “Undertow,” a new Hot Water Music song lifted from its Brian McTernan-produced Vows sessions.
Recently, Equal Vision and Bane released the 25th anniversary edition of It All Comes Down To This, the band’s celebrated debut album. Fully remixed by Brian McTernan and entirely remastered, this new, updated collection gives this hardcore classic the justice it finally deserves. After more than 20 years and a long process of tracking down the tapes, the band finally got them transferred and into the hands of McTernan in 2023. In December 2023, the band got the first rough mix and were blown away by how good it sounded. After a few more months, McTernan turned in the final mix and it literally brought tears to the band’s eyes; Steve Austin captured the songs for that time and McTernan’s talent brought it to life and made it sound the way it was always intended to be heard.
Last month, Equal Vision also issued the digital release and vinyl pressing of Boston 6:58 PM from Bane, a collection of 7″ offerings being presented as a single release for the very first time. In 2009, the band released two EPs across the world called the Cities EPs, which were all limited releases and never released digitally. After waiting over 15 years, Bane wanted to give these a proper release and have them available everywhere, including streaming services. To some, Boston 6:58 PM will give the appearance of an entirely new album since it was not widely available.
Hot Water Music and Bane will be making the following appearances together in November. Dates below.
NOVEMBER 05 – Cleveland Heights, OH – Grog Shop 06 – Chicago, IL – Bottom Lounge 07 – Pittsburgh, PA – Preserving 08 – Rutherford, NJ – The Blackbox 09 – Richmond, VA – Broadberry 11 – Amityville, NY – Amityville Music Hall 12 – Philadelphia, PA – Underground Arts 13 – Baltimore, MD – Baltimore Soundstage 14 – Providence, RI – Fete Music Hall 15 – Hampton Beach, NH – Wally’s *
Today, rising country artist Lanie Gardner was revealed as the latest “Highway Find” for SiriusXM’s The Highway (ch. 56). The announcement came as a surprise during her appearance on SiriusXM’s Highway Mornings with host Cody Alan, where he broke the news live on air.
Gardner joins the ranks of past “Highway Finds” like Luke Combs, Gabby Barrett, and Parker McCollum. From her viral cover of Fleetwood Mac’s “Dreams” to her genre-blending debut album A Songwriter’s Diary, Gardner has quickly made a name for herself with a sound that fuses country, classic rock, and soul.
Now gearing up for the release of her sophomore album Faded Polaroids on September 5, Gardner continues her breakout year by being selected as a “2025 Artist to Watch” by the The Recording Academy/GRAMMY and embarking on her Grand Ole Opry debut on August 6. Spanning 18 tracks, her forthcoming new album follows a series of recent collaborations this summer with Thomas Rhett, Warren Zeiders, and Dorothy, and showcases her evolution as both a writer and artist.
With heartfelt lyrics, powerhouse vocals, and a clear creative vision, Lanie Gardner’s spotlight as a SiriusXM “Highway Find” marks another major milestone in her fast-rising career.
Born and raised on a farm in Clark County, Ohio, HASTING, stage name of songstress Kate Hasting, has all of the cow tippin’, tailgate sittin’, and dip dippin’ know-how you could want out of a rising Country Music Artist. “The farmer’s daughter with a twist,” she’s the kind of artist unafraid to take a simple, “low-hanging fruit” song idea and transform it into something unexpectedly rich and complex-like a bottle of wine…or in this case…box of wine. HASTING exemplifies this on her upcoming single “Truck Talk,” due out August 15th, ahead of several new songs and leading into her family’s annual Hasting Farm Fest on September 26th and 27th.
Hasting’s tongue-in-cheek while sincere writing style is catchy and relatable: “There’s always a lot of…how do I say it…’Truck Talk’ in country music. See what I did there?. I’ve heard people say, ‘country music has enough truck songs.’ I’d argue that I fell in love with country music for its truth telling and ability to fit a story into a three minute format. There’s nothing more exciting than authenticity. The songs I am releasing are from my vantage point and what I have lived…my childhood and adulthood is full of trucks. To me, there will never be too many truck songs. “Truck yeah!’ The past six years, I feel like I have lived a million lifetimes. There has been death, heartbreak, and recently, illness. Sometimes I think the new songs I am putting out are divine because they have been so hard to bring to life. That’s due to my own stubbornness, but also just the weight of the last few years. I am excited for ‘Truck Talk’ and the songs that follow to finally have their moment.”
She continues, “I recallI asking someone what the term ‘pillow talk’ meant and they said, ‘It’s when you say a lot of I love yous, make plans, or talk about the future in the moment while hooking up with someone. It just might be more intense or exaggerated because y’all are in bed together.’ I am paraphrasing, but I remember it being very close to that sentiment. I remember thinking…that is exactly what guys do while you are in their truck. I don’t really remember when I started thinking the term ‘Truck Talk’ was funnier than ‘Pillow Talk,’ but I have had this title in my brain for years. That weird pathway is how a lot of songs come to be for me…”
As HASTING shared in a 2020 interview with People Magazine, “What the accident did was give me a chance to be 100% me. For a long time, I tried to be the pretty girl in the sundress singing breakup songs, but the accident was this lightbulb moment telling me that life is too short… why try to be anything other than what you are?”
This turning point also marked the beginning of her journey in recovery, a theme HASTING embraces both candidly and with a healthy dose of humor. As she puts it, “Trash not trashed is the future of my music…” It’s a philosophy that infuses her songwriting and performances with both vulnerability and wit. Her fresh perspective has also inspired HASTING to take a more active role in her community and the music industry. She co-founded “Meet Music Row,” an initiative dedicated to fostering creative collaboration among up-and-coming artists and established names. And in her hometown, she hosts “HASTING FARM FEST, ” an annual celebration of music, art, and connection-proof that her roots in both music and community run deep.
From the very beginning, HASTING has been a natural on stage and off. Her quick wit and unapologetic crowd banter have earned her opening spots with artists such as Craig Morgan, Kellie Pickler, Little Big Town, and more. HASTING’s ability to connect with those around her have led to a built in following far outside the realm of country music. Now, HASTING is fully embracing the artist she was always meant to be. She’s traded in the high heels for Crocs and isn’t looking back. While she’s written for artists like Priscilla Block, Maggie Baugh, and Alli Colleen, her latest work represents her full creative expression. “One Man’s Trash” is the perfect reintroduction to an artist who is evolving, finding her voice, and making music that speaks to both the joy and the messiness of life.
“I want to laugh in this chapter,” says HASTING. “I really want to focus on the good in life and bring good to others.” And with her music, she’s doing just that-bringing a whole lot of heart, humor, and authenticity to the world.
Celebrate the season with your favorite Christmas song, ‘Rockin’ Around the Christmas Tree,’ and this full-color, photo-filled book of inspiration, food, crafts, and fun that will make your holiday season merry and bright.
Get the most out of your Yuletide celebrations and let the Christmas spirit ring with this full-color festive handbook to all things holiday! You will rock around your Christmas tree this season with the beloved, nostalgic #1 chart-topping song as your guide to a host of holiday fun, from recipes and crafts to party games, decor ideas, and more!
Back in 1958, sock hops were the rage, aluminum Christmas trees were the future, and 13-year-old singer Brenda Lee was recording the soon-to-be-classic “Rockin’ Around the Christmas Tree.” This delightful gift book—perfect for stockings, coffee tables, or under the tree—celebrates the song’s record-breaking revived popularity, with ideas for holiday parties, innovative decorations, cozy meals, and more.
Whether you are at the Christmas party hop or hanging the mistletoe where you can see, you will get a sentimental feeling when you:
Choose from over 30 recipes for food and cocktails such as pull-apart pastry puffs, Christmas morning casserole, ornament and gingerbread cookies, and a holly jolly espresso martini
Welcome others into the celebration with fun games, party ideas, and a soundtrack for all your Christmas gatherings
Relive your favorite Christmas memories as you dip into nostalgia and learn the fascinating history behind familiar traditions, such as hanging mistletoe, watching Christmas movies, or decorating cookies
Make your home merry and bright with creative ways to decorate your door, set your table, and wrap your gifts
Enjoy insights and stories from the song’s origins and legacy of singer Brenda Lee and songwriter Johnny Marks
Rockin’ Around the Christmas Tree is an ideal gift for:
Your family member or friend who has an over-the-top love for the Christmas season (you know exactly who!)
A “family gift” for your household in the lead-up to Christmastime to help you celebrate together and get the most out of your holiday festivities
A gift for yourself (because maybe you are the person with the over-the-top love of Christmas!)
With everything from Christmas carol lyrics to fun holiday trivia, Rockin’ Around the Christmas Tree gives you all the feels, fun, and festivities you love about the season. Rock on in the new old-fashioned way!
Acclaimed singer, songwriter and performer Kathleen Edwards shares two new songs today—“Little Red Ranger” and “When the Truth Comes Out”—the latest offerings from her highly anticipated new album, Billionaire, out August 22 on Dualtone Records (pre-order). Produced by Jason Isbell and Gena Johnson, the new 10-song project recalls the lyrical sharpness and unflinching candor of Edwards’ acclaimed debut Failer.
Of “When the Truth Comes Out,” Edwards shares, “I wrote this for a good friend who had a lot of people fall out of her life in a short period of time. Watching her go through it reminded me: people have short memories, they love the safety of keeping the most famous person in the room comfortable, a false narrative is more convenient than rocking the boat. The truth isn’t always popular, but in time it’s the thing that you can hold on to when other’s backs are turned.”
Additionally, of “Little Red Ranger,” she reflects, “Part love letter to the Canadian boy who moves to LA to pursue his dreams and his heart, part holding the hand of the mom and dad wondering if their kid will decide to set down roots somewhere far away. Bird in a tree if you look away, you miss the chance to see it fly away. Life unfolds before you in real time, looking back just to see you weren’t paying attention when it was happening. This song pulls at my heart more than most songs on the record, it’s my story, it’s every parent’s story, like the follow-up to Empty Threat. Matt Sucich sang on this song before we even recorded it, and his backing vocal just sits so right with mine.”
Ahead of the release, Edwards has shared three additional tracks: “Say Goodbye, Tell No One,” “Pine” and “Save Your Soul,” which is currently top 10 and rising on the Americana Radio chart and #23 and climbing on the Triple A chart. In celebration of Billionaire, Edwards will embark on an extensive headline tour this fall including stops at New York’s Bowery Ballroom, Boston’s Brighton Music Hall, Chicago’s Lincoln Hall, Ottawa’s Bronson Centre, Minneapolis’ Fine Line, Lexington’s The Burl, St. Louis’ Off Broadway and Milwaukee’s Vivarium among others. See below for full tour routing.
In addition to Edwards (vocals, acoustic guitar), Isbell (electric guitar, acoustic guitar, keys, synth, background vocals) and Johnson (engineer, piano, background vocals), the album includes Anna Butterss (bass), Annie Clements (bass), Chad Gamble (drums and percussion), Jen Gunderman (piano, celeste, Hammond B3 organ, Wurlizter) and Shelby Lynne and Allison Moorer (background vocals).
Of the album, Edwards shares, “I decided to call the record Billionaire because the word is used in such a caustic way these days. But we should all want to be billionaires in life, to be rich in experience, friendship, purpose, and the pursuit of the things that bring us joy.”
Of working with Edwards, Johnson shares, “Kathleen is as funny as she is deep. She loves to rock, have fun and nerd out on guitar tones, which both Jason and I love to do as well. It was important to us to make sure we were featuring all the sides of her in the production of this album from tracking to final mix. She totally thrived on the energy of the full band when we were in the studio and was also open to an idea I had for the song, ‘Little Pink Door.’ That song ended up being a live one-take performance of Kathleen singing while playing acoustic guitar, accompanied by Jason on electric guitar and Jen Gunderman on piano. Both Jason and Jen were right there with her every single breath, only playing when it felt right. I remember when the take finished, Jason said he wouldn’t change a thing about it, and I couldn’t have agreed more. It’s in those moments when you know that something truly special is being made. I am so looking forward to attending a live show and experiencing both the energy and intimacy these songs and stories will bring to the audience.”
Celebrated as one of the forebears of modern alt-country and Americana music, Edwards is beloved by fans and fellow musicians, and praised by The New York Times for her, “droll, observant and unsparing tone that is all her own. In her best lines, Edwards has the conversational vernacular and emotional eloquence of a great short-story writer.”
Since debuting in 2003, Edwards has released five albums, including 2020’s Total Freedom—her first after stepping away from music for almost a decade. Released to overwhelming acclaim with pieces at The New Yorker, The New York Times, Rolling Stone and more, Pitchfork called it, “a creative breakthrough, written solely for the thrill of discovery,” while Rolling Stone declared it as, “devastatingly great.” Most recently, Edwards released a covers EP featuring special guests Isbell, Bahamas and Daniel Tashian and including renditions of Isbell’s “Traveling Alone,” Bruce Springsteen’s “Human Touch,” The Flaming Lips’ “Feeling Yourself Disintegrate,” Tom Petty’s “Crawling Back To You” and more. She has been nominated for multiple JUNO and Americana Awards and, in 2012, was awarded the SOCAN Songwriting Prize.
BILLIONAIRE TRACK LIST 1. Save Your Soul 2. Say Goodbye, Tell No One 3. Little Red Ranger 4. When the Truth Comes Out 5. Billionaire 6. Need A Ride 7. Little Pink Door 8. FLA 9. Other People’s Bands 10. Pine
KATHLEEN EDWARDS TOUR DATES August 21-23—Hubbards, NS—The Sundown Salut August 28—Burlington, ON—Royal Botanical Gardens September 14—Albany, NY—Lark Hall September 16—New York, NY—Bowery Ballroom September 17—Red Bank, NJ—The Vogel @ Count Basie Center for the Arts September 19—Fairfield, CT—The Warehouse September 20—Camden, NJ—XPoNential Music Festival September 21—Alexandria, VA—Birchmere October 14—Buffalo, NY—Asbury Hall October 15—Ithaca, NY—Hangar Theatre October 17—Boston, MA—Brighton Music Hall October 18—Northampton, MA—Academy of Music Theatre October 19—Bethlehem, PA—Musikfest Cafe October 22—Kent, WA—Kent Stage October 23—Kalamazoo, MI—Bell’s October 25—Milwaukee, WI—Vivarium October 26—Minneapolis, MN—Fine Line October 29—Chicago, IL—Lincoln Hall October 30—Iowa City, IA—Englert Theatre November 1—St. Louis, MO—Off Broadway November 2—Lexington, KY—The Burl November 5—Columbus, OH—The Athenaeum Theatre November 6—Pittsburgh, PA—Thunderbird November 8—Ottawa, ON—Bronson Centre March 13—Miami, FL—Cayamo Cruise 2026
