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Live Nation ANZ Launches ‘Next On’ Initiative Giving Developing Artists Full Venue Access And 100 Percent Of Revenue

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Live Nation ANZ launched Next On, a new initiative supporting developing artists, on Tuesday 10 March 2026 with a sold out show at Melbourne’s Palais Theatre featuring Peach Fuzz, who Melbourne based music reviewer Caitlin Dyson (Instagram: @musicreviewsbycaitlin) described as “one of the most engaging bands I’ve ever seen”, adding that they “owned the stage and made the night one to remember.”

Next On gives developing artists access to Live Nation venues with no hire fees while allowing them to keep 100 percent of ticket and merchandise revenue.

Artists also receive professional support including marketing assets, promotion across Live Nation channels, and live photography from each showcase.

With this in mind, Live Nation has partnered with acclaimed music photographer Michelle Grace Hunder to create new opportunities for developing photographers to shoot Next On showcases.

The initiative will see developing photographers selected to capture shows across the program, providing paid opportunities and hands on experience shooting live music in iconic venues while building a pathway into music photography.

Hunder will oversee the curation and selection of photographers across the series, helping identify new talent while ensuring high quality, social first imagery is captured across each show.

The partnership officially kicked off at the Next On launch event at the Palais Theatre, where Melbourne photographer Alicia Adorna was selected as the first photographer in the program, capturing the sold out Peach Fuzz showcase.

Alica Adorna, said “It was such an incredible opportunity to work with Live Nation on the Next On program. Shooting a sold out show, in an iconic music venue was a dream come true! Being able to capture the energy of the crowd as well as the amazing talent on stage was really special. It’s amazing to see programs like this supporting and uplifting developing photographers.”

Michelle Lucia, Senior Vice President, Product & Innovation, Live Nation APAC, said the initiative reflects how live music is shared and experienced today.

“Next On is about creating opportunities for developing artists to step onto iconic stages and connect with audiences. In today’s world, live music is also driven by social first storytelling, so capturing these moments properly is incredibly important. Partnering with Michelle Grace Hunder allows us to extend that same philosophy to photographers who are helping document the culture around live music and the next wave of artists.”

Michelle Grace Hunder said the partnership highlights the importance of creating pathways for photographers within the live music industry.

“There are so many talented photographers out there who just need the opportunity to get in the room and start shooting. Programs like Next On give photographers great experience working in live music environments while documenting artists at the start of their journey. Those early moments are often the ones that matter most.”

Applications are now open for developing photographers who would like to shoot upcoming Next On showcases. Photographers can register their interest HERE.

Following the launch with Peach Fuzz at the Palais Theatre in Melbourne, the Next On series continues with Robbie Mortimer at Anita’s Theatre in Thirroul on Friday March 27, MOHI at The Tuning Fork in Auckland on Friday April 10, and Them & I at The Outpost on Thursday May 7.

For more information visit: https://www.livenation.com.au/nexton and https://www.livenation.co.nz/nexton or to apply for Next On visit here.

Custom Cabinets for Luxurious Homes: Signs You Are Choosing the Right Option

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By Mitch Rice

A luxurious home may feature a wide range of furniture to define its beauty and charm; yet nothing can compare to the ability of cabinets to blend functionality with superior craftsmanship. Cabinets are among the most used furniture items daily, but they never look ordinary if built with precision and attention to detail. Their finish, dimensions, materials, and styles define their character. If you add a cabinet even to an otherwise neglected corner, it can suddenly come alive. Imagine the impact when that corner is adorned with truly luxurious storage solutions. In Pennsylvania, some furniture stores specialize in cabinet making. They offer custom and semi-custom cabinet solutions for households.

If you want to experience the ultimate sense of opulence, opt for luxury cabinets for your home. You will be delighted by their aesthetic and functional contribution to this highly personal space. What should these cabinets have? Let’s find out.

Quality indicators of high-end cabinets

These cabinets are typically made of plywood or solid wood because they provide strength and stability even after years of use. In solid wood, you often have choices like oak, cherry, walnut, and maple. These are recognized for their grain patterns, timeless looks, and warmth. Cabinet doors may not be made from solid wood due to expansion and contraction caused by exposure to humidity. They can be built with a solid wood frame, but the panels can be veneer. No matter the material, the cabinets feature seamless joints. You can expect many of the drawers to have dovetail joints. A top-end cabinet will be fully covered by a panel at the back for structural support and balance. Those with incomplete or flimsy backs look cheap.

You can expect shelves and end panels to have proper thickness. Premium options may feature 3/4-inch thickness. Their hardware can be another point of interest. Most luxurious designs use soft-close systems. Drawer glides and hinges can be high-grade and feature soft-close mechanisms for quiet operation. Soft-close hardware also reduces the risk of early wear and tear. Make sure all the drawers extend fully when pulled out. This should give you full access to the contents without straining your body.

Furthermore, every cabinet will have a smooth finish inside and out, reducing fading, moisture damage, and chipping. As such, finished interiors require less maintenance. You can quickly wipe away stains and spots. When the cabinetry is finally installed, you won’t have any fit issues, as each piece is designed for the space it’s been allotted.

Additional notes

While the overall assessment of a cabinet can be made based on its design, you cannot ignore the importance of cabinet doors in drawing attention from other components at first glance. That’s why it makes sense to select this particular feature carefully. Since the focus is on achieving luxury, you can opt for glass doors for your kitchen and dining room cabinets. They look classy. You can showcase your expensive glassware, dishes, and other items neatly. However, glass doors also come in many variations. You can choose clear glass panels for displays. If you are a private person, choose seeded, ribbed, or frosted glass doors. These look outstanding because of their textured appeal. When combined with soft lighting inside, they look marvelous. For some more visual drama and a twist, you can also try options like chicken wire or wire mesh.

A luxury cabinet may not always be ornate or classic in appearance. It can stand out for its finish, installation quality, and fine modern craftsmanship.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Photo Gallery: The Hives And The Chats At Toronto’s History On March 23, 2026

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All photos by Mini’s Memories. You can contact her through Instagram or X.

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The Authorised Biography Of Big Country’s Stuart Adamson Arrives In ‘Stay Alive: The Life And Death Of Stuart Adamson’

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The full story of Stuart Adamson is finally being told. Author Scott Rowley delivers the authorised biography of the co-founder of The Skids and Big Country, with ‘Stay Alive: The Life And Death Of Stuart Adamson’ arriving March 26th via New Modern. Both of Adamson’s wives, his children, and his bandmates speak on the record for the first time, delivering accounts that are, by all accounts, unflinching, funny, and brutally honest.

This is not a straightforward music biography. ‘Stay Alive’ moves through alcoholism, addiction, depression, abuse, family, fame, and working-class pride, with a supporting cast that includes The Clash and the Rolling Stones along the way. Drug busts, flag burning, prison escapes, and riots all feature. For fans of Big Country and The Skids, this is essential. For anyone drawn to the complicated, deeply human stories behind great music, it is equally unmissable.

Wet Leg Make History As The First-Ever Musical Guest On Saturday Night Live UK

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Wet Leg etched their name into television history this weekend, performing as the musical guest on the very first episode of Saturday Night Live UK. The English rockers brought “Mangetout” and “Catch These Fists” from their sophomore album ‘Moisturizer’ to the inaugural broadcast, delivering a landmark moment for both the band and the new series.

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London-Born Indie Rocker Louise Aubrie Takes On Los Angeles With Sharp New Single “Midnight Calls”

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Louise Aubrie has been building something transatlantic for years, and her sixth studio album is where it all converges. The London-born indie rock artist releases “Midnight Calls,” the first single from ‘LFA’, her first record written and recorded entirely in Los Angeles, tracked at the legendary East West Studios on Sunset Boulevard and produced and mixed by Ken Sluiter.

The song arrives from a specific place. Aubrie spent her nights driving through Hollywood Hills, absorbing the mythology of the city at all hours, catching up with people across time zones, and finding new creative territory in the disorientation of it all. “It’s always interesting when you have a life in both the UK and US as I find I am awake at all times of the day and night catching up with people, which can trick your brain into new areas of creativity,” she says. That restless energy is embedded in every bar of the track.

“Midnight Calls” is tight, punchy, and guitar-driven, built on the same sharp songwriting instincts that earned Aubrie national airplay on BBC Radio 2, BBC 6 Music, Kerrang, and BBC Radio London, plus early praise from Billboard for her debut ‘Fingers Crossed…’, produced by Boz Boorer. Over the years she has recorded at Abbey Road, performed at The 100 Club in London and The Bowery Electric in New York, and worked alongside Keith Scott, Solomon Walker, Charlie Paxson, and Roger Joseph Manning Jr.

‘LFA’ is a record shaped by relocation, late nights, and the charged feeling of standing on the edge of something new. “Midnight Calls” makes a strong case for paying close attention to what comes next.

The Cab Announce ‘Back From The Dead’ Tour And New Album ‘Chasing Crowns’

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The Cab are making their return count. The pop-rock outfit releases “Back From The Dead,” a hook-driven new single that pairs with their earlier release “Locked and Loaded” to set the table for their highly anticipated full-length album ‘Chasing Crowns’, arriving April 24th.

Frontman Alex DeLeon is direct about what the song means. “This was the last song written for the record. We had a lot of music we loved but nothing that really felt like the Anthem to kick the door open to,” he says. The central lyric, “pulled that bullet out of my head,” lands as a metaphor for confronting everything that once held the band back. “It’s really a song about redemption. This was really a statement to the scene saying this is our renaissance and rebirth.”

Where “Locked and Loaded” leaned into rock-heavy territory, “Back From The Dead” pivots toward pure pop momentum, earworm hooks and all. The contrast between the two tracks signals an album with range, one that refuses to stay in a single lane. ‘Chasing Crowns’ has the makings of a genuine statement record for a band with something to prove.

The Cab hit the road May 22nd for The Back From The Dead Tour, covering Dallas, Los Angeles, Seattle, Denver, Chicago, Nashville, Boston, and more. A second New York City date has been added following a sold-out first night. Tickets and VIP packages, including the option to add a vinyl copy of ‘Chasing Crowns’, are available now.

Indie Pop Legends The Wedding Present Bring ‘Seamonsters’ And New EP ‘Maxi’ To North America This Spring

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The Wedding Present are heading to North America with a full US and Canada tour launching this week, performing their classic indie album ‘Seamonsters’ in full alongside material from their catalog and tracks from their brand new EP ‘Maxi’, out April 3rd on HHBTM Records. All shows feature Mark Robinson of Unrest in support.

‘Maxi’ is a six-track EP that revisits the concept of the band’s 1996 motoring-themed release ‘Mini’, but arrives three decades on with considerably more ambition. Frontman David Gedge points to guitarist Rachael Wood as a key reason for the expanded sonic scope. Opening track “Scream, If You Want To Go Faster” builds slowly with a post-rock tension before igniting, flowing directly into the infectious riff of “Grand Prix,” driven by the complexities of Wood’s playing. It is a sharp, energized piece of work from a band that has never stopped moving forward.

‘Seamonsters’, released in 1991 and produced by Steve Albini, remains one of the most visceral and emotionally raw records in the British indie canon. Hearing it performed live in rooms this size is a genuine event. The Wedding Present have always been a live band first, and this tour is built for exactly that kind of direct, unfiltered connection.

Twenty-four dates across the US and Canada take the band from Austin to Los Angeles, with stops in New Orleans, Brooklyn, Toronto, Chicago, Seattle, and beyond.

2026 North American Tour Dates:

March 29 — Austin, TX @ 29th St Ballroom

March 30 — Houston, TX @ White Oak Music Hall

March 31 — New Orleans, LA @ Gasa Gasa

April 2 — Atlanta, GA @ The Earl

April 3 — Charlotte, NC @ Amos Southend

April 4 — Durham, NC @ Motorco Music Hall

April 6 — Washington, DC @ Black Cat

April 7 — Brooklyn, NY @ Music Hall of Williamsburg

April 8 — Cambridge, MA @ Sinclair

April 10 — Montreal, QC @ Theatre Fairmont

April 11 — Toronto, ON @ Lee’s Palace

April 12 — Cleveland Heights, OH @ Grog Shop

April 13 — Grand Rapids, MI @ Pyramid Scheme

April 14 — Chicago, IL @ Lincoln Hall

April 17 — Milwaukee, WI @ X-Ray Arcade

April 18 — Minneapolis, MN @ Cedar Cultural Center

April 21 — Denver, CO @ Meow Wolf

April 25 — Vancouver, BC @ Wise Hall

April 26 — Seattle, WA @ Crocodile

April 27 — Portland, OR @ Mississippi Studios

April 29 — Sonoma, CA @ Gundlach Bundschu Winery

April 30 — San Francisco, CA @ Chapel

May 2 — Los Angeles, CA @ Lodge Room

May 3 — Pioneertown, CA @ Pappy & Harriet’s