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The Weeknd, Shakira, Tyla & More to Perform at 2025 Global Citizen Festival on September 27 in Central Park

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Just days after producing the first-ever FIFA Club World Cup halftime show, international advocacy organization Global Citizen announces the 2025 Global Citizen Festival, set to take place on Central Park’s Great Lawn on September 27th. The Weeknd and Shakira will headline this year’s festival, with performances by Tyla, Ayra Starr, and Mariah the Scientist. Global Citizen Ambassador Hugh Jackman will host the event, with additional participants to be announced in the coming weeks.

The 2025 Global Citizen Festival campaign will focus on providing energy access for one million people across Africa, ensuring 30,000 children around the world can access a quality education and football, in partnership with FIFA, mobilizing $200 million to protect 30 million hectares of the Amazon rainforest, and registering 40,000 New Yorkers to volunteer across the city. Tickets to the Global Citizen Festival are free and can be earned by taking action on these issues on the Global Citizen app or at globalcitizenfestival.com.

“I’m honored to headline the incredible Global Citizen Festival in Central Park this September. Music has always been my way of connecting with people and leaving a mark on the world. I can’t wait to perform, unite, and inspire action,” Shakira says.

“The 2025 Global Citizen Festival marks my eleventh year as host, and I’m thrilled by the progress we’ve made over the years,” adds Hugh Jackman, Global Citizen Ambassador. “The growing impact of the Global Citizen movement touches every corner of the world, and I’m eager to advocate alongside my fellow ambassadors, performers, world leaders, and private sector executives to leave the world better than we found it.”

The Global Citizen Festival is presented by Cisco. Major partners are Authentic Brands Group, Bridgewater Associates, Delta Air Lines, PayPal and Venmo, and P&G; Production Partner Live Nation; Exclusive U.S. Audio Partner iHeartMedia; and Location Partner New York City Parks. The 2025 Global Citizen Festival is produced by Emmy Award-winning production companies Done+Dusted and Diversified Production Services.

Fans can earn free tickets by downloading the app and taking action towards providing energy access for one million people across Africa, mobilizing $200 million to protect 30 million Hectares of the Amazon rainforest, and providing access to education for 30,000 children around the world.

The 2025 Global Citizen Festival campaign is also calling on governments, philanthropies, and the private sector to fund essential services of healthcare, nutrition, and safe classrooms that make it possible for children to access educational opportunities.

Global Citizen is the world’s leading international advocacy organisation on a mission to end extreme poverty NOW. Powered by a worldwide community of everyday advocates raising their voices and taking action, the movement is amplified by campaigns and events that convene leaders in music, entertainment, public policy, media, philanthropy and the corporate sector. Since the movement began, $49 billion in commitments announced on Global Citizen platforms has been deployed, impacting 1.3 billion lives. Established in Australia in 2008, Global Citizen’s team operates from New York, Washington DC, Los Angeles, London, Paris, Berlin, Geneva, Melbourne, Toronto, Johannesburg, Lagos and beyond.

Thrice Announce ‘Horizons/West’ Album With New Single “Gnash,” Tour With Modern Color & Downward Begins Oct 17

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Thrice return with Horizons/West, their highly anticipated new album set for release on October 3, 2025 via Epitaph Records. The announcement arrives alongside the release of the record’s blistering lead single, “Gnash,” available now on all streaming platforms. Pre-sale for the Horizons/West vinyl and exclusive merch is available now at ThriceMerch.com.

Serving as a companion to 2021’s Horizons/East, the new full-length album continues the band’s bold sonic exploration and philosophical depth, while standing firmly as its own statement. Horizons/West blends cinematic post-rock textures, intricate rhythms, and the raw urgency that defined Thrice’s early work, offering an album that’s equal parts introspection and confrontation.

“This is the first time we leaned into something that felt like a direct continuation, like a sequel to a previous album,” says frontman Dustin Kensrue.

Horizons/West was produced and engineered by the band at New Grass Studios, with mixing and additional production by Scott Evans and mastering by Matthew J. Barnhart, both of whom also worked on Thrice’s The Artist in The Ambulance (Revisited), (2023). The release continues the band’s long-standing DIY ethos and adventurous spirit.

The album also marks a lyrical deep dive into themes of personal identity, societal manipulation, technological anxiety, and spiritual awakening. “A lot of this record is about parsing reality,” Kensrue explains. “We’re constantly being influenced by algorithms, by fear, by our own social echo chambers. Horizons/West tries to pull the curtain back on some of that. We’ve always just followed our curiosity, wherever it leads,” Kensrue reflects. “We want to keep growing, exploring, and making something that feels honest to who we are right now.”

HORIZONS/WEST TRACKLIST

1. Blackout
2. Gnash
3. Albatross
4. Undertow
5. Holding On
6. Dusk
7. The Dark Glow
8. Crooked Shadows
9. Distant Suns
10. Vesper Light
11. Unitive/West

Following the release, Thrice will embark on a nationwide headline tour this fall, joined by Modern Color and Downward. The tour kicks off October 17 in San Diego, CA, and includes stops in New York City, Toronto, Chicago, Denver, and Los Angeles, wrapping up November 23 in Anaheim, CA.

THRICE FALL 2025 TOUR DATES
w/ Modern Color and Downward

Oct 17 – San Diego, CA – Observatory NP
Oct 18 – Tempe, AZ – Marquee Theatre
Oct 20 – Dallas, TX – HOB Dallas
Oct 21 – Austin, TX – Emo’s
Oct 23 – Atlanta, GA – Masquerade Heaven
Oct 24 – St. Petersburg, FL – Jannus
Oct 25 – Orlando, FL – HOB Orlando
Oct 27 – Charleston, SC – Charleston Music Hall
Oct 28 – Norfolk, VA – NorVa
Oct 29 – Baltimore, MD – Baltimore Soundstage
Oct 31 – Boston, MA – HOB Boston
Nov 1 – New York, NY – Irving Plaza
Nov 2 – Philadelphia, PA – TLA
Nov 4 – Toronto, ON – Danforth
Nov 5 – Montreal, QC – Beanfield
Nov 7 – Cleveland, OH – Globe Iron
Nov 8 – Detroit, MI – Majestic
Nov 9 – Chicago, IL – HOB Chicago
Nov 11 – Minneapolis, MN – Fillmore Minneapolis
Nov 13 – Denver, CO – Summit
Nov 14 – Fort Collins, CO – Washington’s
Nov 15 – Salt Lake City, UT – The Union
Nov 17 – Vancouver, BC – Commodore
Nov 18 – Seattle, WA – Showbox SoDo
Nov 19 – Portland, OR – Roseland
Nov 21 – San Francisco, CA – Regency Ballroom
Nov 22 – Los Angeles, CA – The Novo
Nov 23 – Anaheim, CA – HOB Anaheim
Nov 25 – Anaheim, CA – HOB Anaheim

Sevendust Announce Acoustic Tour Celebrating ‘Southside Double-Wide’ With Cory Marks

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 A tour from Sevendust that has been over 2 decades in the making. To celebrate the 21st anniversary of their beloved acoustic album Southside Double-Wide Acoustic Live, the band is hitting the road for an exclusive, intimate tour.

Fans can expect stripped-down versions of their hardest-hitting tracks, deep cuts, and emotional favorites including “Black,” “Beautiful” and “Angel’s Son” -all performed with the raw power and soul that the band comprised of Lajon Witherspoon, Clint Lowery, John Connolly, Vinny Hornsby and Morgan Rose are known for.

The tour kicks off on November 14 in Columbia MO and will make stops in Memphis, TN (November 15),Pittsburgh, PA (November 24), Kansas City, MO (December 5) among others before it wraps on December 12 in San Antonio, TX.

This rare acoustic journey brings a unique perspective to the band’s signature sound, offering an unforgettable night of music. Special guest Cory Marks will be opening the tour.

Nov 14 – Columbia, MO – The Blue Note
Nov 15 – Memphis, TN – Graceland
Nov 16 – Nashville, IN – Brown County Music Center
Nov 18 – Newport, KY – MegaCorp Pavilion
Nov 19 – Detroit, MI – Masonic Jack White Theatre
Nov 21 – Glenside, PA – Keswick Theatre
Nov 22 – Somerville, MA – Somerville Theatre
Nov 24 – Pittsburgh, PA – Stage AE
Nov 25 – Grand Rapids, MI – GLC Live at 20 Monroe
Nov 26 – Bloomington, IL – Bloomington Center for The Performing Arts
Nov 28 – Minneapolis, MN – The Fillmore
Nov 29 – Milwaukee, WI – Eagles Ballroom
Nov 30 – West Des Moines, IA – Val Air Ballroom
Dec 2 – Green Bay, WI – EPIC Event Center
Dec 3 – Lincoln, NE – Bourbon Theatre
Dec 5 – Kansas City, MO – The Truman
Dec 6 – East Moline, IL – The Rust Belt
Dec 7 – St. Louis, MO – The Hawthorn
Dec 9 – New Orleans, LA – The Fillmore
Dec 10 – Houston, TX – House of Blues
Dec 11 – Dallas, TX – Texas Theatre
Dec 12 – San Antonio, TX – Aztec Theatre

Ash Announce New Album Ad Astra, Share Lead Single “Give Me Back My World” Featuring Graham Coxon

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 Ash are today announcing their ninth studio album Ad Astra for release on October 3rd via Fierce Panda, and sharing its lead single ‘Give Me Back My World’.

Containing eleven brand new tracks, including their raucous take on surprise single and ‘Beetlejuice’ staple ‘Jump In The Line’, Ad Astra sees Graham Coxon appear on two particularly sassy songs and catches the perennial power-pop kings in especially rocket-fuelled form.

Ad Astra follows hot on the heels of Race The Night (the band’s highest charting album for 20 years), being released two years and one month later, and this is no coincidence. Ever the band who live for live music, Ash vowed that the fierce pandemic-induced five year chasm between [2018 album] Islands and Race The Night would never happen again.

Lead singer and guitarist Tim Wheeler comments on new single ‘Give Me Back My World’: “If I told you this song dates back to 2020 you’d hardly need a degree from the school of Marple, Holmes and Poirot to figure out what it’s getting at. And although those sentiments may be just a memory from the stand point of 2025, the song’s heart still feels relevant. In a time of chaos, disruption and angst there’s still a beautiful world out there and it’s worth fighting for.”

Continuing he says: “Have you ever had one of those moments where you feel the rug has been pulled from under you? Everything you took for granted goes up in smoke and you are no longer in control, and you can only look back in hindsight at a life that’s no longer yours? I think we’ve all had those moments. I think you can all relate to this song. But luckily for you it a) rails against this loss of control and b) is a total banger. So, fire it up and rage with us against the dying of the light.”

Bright Eyes Drop Surprise Single “1st World Blues” With Butter the Dog, The So So Glos & Ska-Inspired Video

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Continuing what has so far been a triumphant year of touring and new music, Bright Eyes has surprise-released a new single “1st World Blues.” The song, which makes a case for a fourth wave of ska, sees frontman Conor Oberst lamenting the current state of the world with its biting takedown of contemporary American capitalism, propelled by gang vocals and an infectious off-beat rhythm.

“1st World Blues” introduces a new sonic dimension from Bright Eyes and comes with a music video directed by Jared Sherbert, with animations by Sparks Studios. The video, which was shot on a hot summer day in Brooklyn, NY, features familiar faces like pro skater Nelly Morville, The So So Glos and producer/musician/mixer Adam Reich, while introducing a new star-in-the-making: Butter the dog.

“‘1st World Blues’ is an homage to ska in all its waves,” says Bright Eyes. “From Desmond Decker to Tim Armstrong, we’re just happy to add our track to the bin. The video is inspired by NYC 90s hip hop, which like ska, has a long tradition of unifying people & using celebratory music to convey subversive political themes. To be played loud. Windows down. Summertime.”

Bright Eyes’ high-octane, coast-to-coast North American tour will pick up again on August 26 in Ojai, CA, before heading to Vancouver and then Seattle for Bumbershoot Festival. In November, the band will head to Asia for rare performances in Singapore, Osaka and Tokyo.

In May, the trio celebrated the 25th anniversary of their beloved 2000 album Fevers & Mirrors with a powerful new recording of the album’s plaintive closing track “A Song To Pass The Time”, available exclusively on Bandcamp. Bright Eyes also teamed up with longtime friends and collaborators Cursive to release “Recluse I Don’t Have to Love,” a mashup of their modern classic fan favorites “Lover I Don’t Have To Love” (by Bright Eyes) and “The Recluse” (by Cursive). The mashup was released on National Trans Day of Visibility, with all profits going to The Poison Oak Project.

Bright Eyes on Tour:
Tuesday, Aug 26 – Ojai, CA – Libbey Bowl
Wednesday, Aug 27 – Sonoma, CA – Gundlach Bundschu Winery
Thursday, Aug 28 – Forest Grove, OR – McMenamins Grand Lodge
Friday, Aug 29 – Vancouver, BC – Malkin Bowl
Saturday, Aug 30 – Seattle, WA – Bumbershoot 2025
Monday, Sep 1 – Boise, ID – Treefort Music Hall
Tuesday, Sep 2 – Salt Lake City, UT – The Depot
Wednesday, Sep 3 – Las Vegas, NV – House of Blues Las Vegas
Thursday, Nov 27 – Singapore, Singapore – Capitol Theatre
Wednesday, Dec 3 – Osaka, Japan – Yogibo META VALLEY
Thursday, Dec 4 – Tokyo, Japan – EX THEATER ROPPONGI

Metallica Expands Scholars Initiative With $3M Grant To 15 New Colleges

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All Within My Hands (AWMH), the non-profit, philanthropic organization created by the members and management of Metallica, proudly announces Year 7 of its Metallica Scholars Initiative (MSI) with its largest grant to date, totaling approximately $3M. Fifteen new schools will join our MSI community in the fall, with each new school receiving $75,000 to enhance the student experience within career and technical education programs. The Metallica Scholars Initiative now has a presence in 75 colleges across all 50 United States and the territory of Guam, and is expected to reach approximately 10,000 students. AWMH continues to work closely with its long-time partner, the American Association of Community Colleges (AACC), on the Initiative.

“I could not be any prouder of our Metallica Scholars. We know that our country needs millions of skilled tradespeople, and it warms my heart to know that our Foundation’s efforts are making a positive impact and putting hard-working people on the path to careers in the trades. Whether it’s a school visit or a meet and greet before a show, there is no better feeling than meeting our Metallica Scholars in person and hearing their stories of grit and determination firsthand, along with their pride and commitment. It is truly inspiring. To think we started with a few schools and a couple hundred students, and we’re now in 75 schools nationwide, about to reach 10,000 students. It’s just incredible.” – Robert Trujillo

Launched in 2019 by All Within My Hands in partnership with the American Association of Community Colleges, MSI began with 10 colleges focused primarily on Manufacturing programs. The workforce initiative has since expanded to offer opportunities in diverse fields for students interested in gaining the skills and training necessary to establish meaningful careers that provide family-sustaining wages. Additional curricula in Year 7 include Air Traffic Control, Agricultural Technologies, Fire Technologies, and AI, coupled with conventional trades such as Construction, Welding, Commercial Driving Licensing, and Advanced Manufacturing. To date, AWMH has invested over $13.5M in the American workforce.

To evaluate the program’s efficacy, the University of Southern California (USC) Sol Price School of Public Policy independently researched and quantified MSI’s impact on the skilled trades and the return on investment (ROI) earlier this year. The research extended into all Year 6 community colleges, covering more than 350 fields of study at these institutions, measuring the cost of completion and anticipated salaries post-graduation. The key observation is that the ROI – the ratio of a program’s cost to anticipated median wage – across all MSI-supported programs is a very high and cost-efficient 8.3X. This means that on average, MSI graduates can expect to earn 8.3X the upfront cost of their program during their first year in the workforce. Additionally, the research identified some of the fastest-growing and highest-paying fields of study that Metallica Scholars can pursue to achieve lucrative careers in the trades. Among the former are Information Security Analysts, Software Developers, and Occupational Therapy Assistants, while the latter includes Robotics and Mechatronics, Dental Hygienists, and Air Traffic Controllers.

“2025 is a watershed moment for the Metallica Scholars Initiative,” stated Peter Delgrosso, Executive Director, All Within My Hands. “With the addition of 15 new schools this fall and USC’s independent research articulating the strength of our results, we are eager to tackle the quantifiable shortage of skilled labor our nation faces. If we extrapolate these ROI numbers over a career, it demonstrates how effective and profitable learning a trade can be for the individual, and how society as a whole also benefits from community college graduates. This insight will profoundly affect MSI going forward, impacting how people view careers in the trades, encouraging more corporate and individual sponsorship, and driving its advancement across the country. We’re thrilled to incorporate these findings into this year’s planning and expansion.”

Year 7 also marks the renewal of our partnership with the Lowe’s Foundation, which has provided $1 million in support as part of its five-year, $50 million commitment to prepare 50,000 people for skilled trades careers.

It takes a village to achieve these results, including the continued support from many of our long-time corporate partners, notably workwear manufacturers Carhartt, Wolverine, and our newest partner, CNH, a global leader in agricultural and construction equipment. In addition to our corporate partners, we would like to thank our executive and advisory board members and, of course, the Metallica Family, who have staunchly supported AWMH from day one and worked tirelessly to advance our mission.

Newly Added Metallica Scholar Colleges:

Allan Hancock College – Santa Maria, CA
Atlantic Cape Community College – Mays Landing, NJ
Chattahoochee Valley Community College – Phenix City, AL
College of Southern Idaho – Twin Falls, ID
Community College of Beaver County – Monaca, PA
De Anza College – Cupertino, CA
Eastern New Mexico University-Ruidoso – Ruidoso, NM
Ivy Tech Community College Columbus – Columbus, IN
Laramie County Community College – Cheyenne, WY
Leeward Community College – Pearl City, HI
Mott Community College – Flint, MI
Northeast Community College – Norfolk, NE
Northland Pioneer College – Holbrook, AZ
Orangeburg-Calhoun Technical College – Orangeburg, SC
Salish Kootenai College – Pablo, MT

From Vegas to Manila: Where Do Online Casinos Win Big?

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By Mitch Rice

You can tell a lot about a region by the way it plays. Some countries love the dazzle, some go straight for strategy, and others? They’re all about speed and convenience. That’s why comparing online casinos in the United States and Asia is more than just a game-by-game breakdown—it’s a look at what different players value, expect, and enjoy.

Whether you’re a casual spinner or a serious strategist, understanding how each region builds its digital casino scene can actually make you a smarter player. And if you’re curious about what the U.S. casino scene currently looks like, this is a great time to compare the top online casinos in the U.S. before diving into how Asian platforms are raising the bar in their own way.

Let’s break it down and see how these two heavyweights measure up.

The U.S. Casino Scene: Bonuses, Safety, and Brand Recognition

The U.S. has a relatively new online casino market compared to Asia. Online gambling is still being legalized state by state, which means most American players only got access to legitimate online platforms in the last few years.

That freshness comes with some pros and cons.

Bonus-Heavy Culture

U.S. casinos lean hard into sign-up promotions. You’ll find generous welcome bonuses, free spins, and risk-free first bets. The competition is fierce, so brands are constantly upping the ante to grab attention.

These bonuses often come with playthrough requirements, of course—but for players who enjoy maximizing value, the offers can be substantial.

Trusted Brands, Big Names

Many online casinos in the U.S. are extensions of well-known land-based casinos. Think BetMGM, Caesars, and DraftKings. This gives new players peace of mind since they’re familiar with the brand already.

Regulation-First Approach

American platforms are closely monitored by state regulators. This ensures fair play, data security, and protection from shady practices. The downside? It sometimes makes the user experience feel a little…formal. There’s not always room for playfulness in how sites are designed or how fast they innovate.

The Asian Casino Landscape: Fast, Mobile-First, and Feature-Rich

Now let’s flip the coin and look at Asia. While laws and access vary widely across the region, one thing is consistent: Asia’s online casino platforms are fast-moving, mobile-optimized, and full of layered features.

Mobile Comes First

In markets like the Philippines, Thailand, and Indonesia, the smartphone is king. Asian platforms are built for mobile from the ground up. Apps load quickly, interfaces are sleek, and many games are tailored for portrait orientation.

This focus on speed and usability makes play feel seamless. You can spin, bet, and cash out in seconds.

More Than Just Games

Asian platforms often act like entertainment ecosystems. You’re not just logging in to play blackjack—you’re entering a gamified space where you can earn loyalty points, level up, chat with live hosts, and even wager on non-casino events like elections or celebrity competitions.

Local Flavor Matters

Asian casino sites are more likely to incorporate local languages, payment methods (like GCash or Paytm), and cultural themes in game design. You’ll find traditional games like Sic Bo alongside global favorites like slots and poker.

Game Selection: Who Offers More Variety?

Let’s talk content.

U.S. Game Libraries

U.S. casinos tend to focus on the essentials:

  • Slots from providers like NetEnt and IGT
  • Classic table games (blackjack, roulette, baccarat)
  • Live dealer experiences (especially popular in New Jersey and Pennsylvania)

Because of tight regulations, game additions roll out slowly, and third-party developers must pass strict licensing hurdles.

Asian Game Menus

Asian platforms go deep and wide. You’ll still find the staples, but there’s more room to experiment. Expect:

  • Anime-style slots with storylines
  • Gameshow-style live dealer experiences
  • Asian classics like Dragon Tiger, Fish Prawn Crab, and Mahjong-based games

Some platforms even offer live-streamed betting hosted by influencers, blending gaming and entertainment.

Payouts, Payments, and Processing Times

In the U.S.

Payments in American casinos go through bank wires, PayPal, credit cards, and ACH transfers. Withdrawals can take a few business days, depending on your bank. Most platforms prioritize compliance, which means ID verification is a must.

While safe, the process can sometimes feel slow, especially for mobile-first users who are used to instant everything.

In Asia

Asia is all about instant transactions. Digital wallets like PayPay, GrabPay, and crypto options are more commonly accepted. Some platforms offer payouts within hours—especially if you’re using a preferred mobile wallet.

This quick turnaround makes the overall experience smoother, especially for users who play casually and want quick access to their winnings.

Design and User Experience

U.S. Sites: Clean and Classic

The average American casino site is straightforward. Navigation is intuitive, branding is often bold and polished, and there’s a clear path from login to gameplay. But if you’ve used more than a couple of platforms, you might notice they all start to look the same.

Asian Sites: Flashy and Feature-Packed

Some Asian platforms feel like stepping into a theme park—bright visuals, constant motion, and live features everywhere. You might see spinning banners, VIP lounges, reward wheels, and countdown timers.

It’s fun, but can be overwhelming if you’re used to a calmer interface. Still, for players who love engagement and energy, this design style delivers.

Loyalty Programs and Player Retention

How the U.S. Handles It

American casinos often sync their online loyalty programs with physical resorts. For example, Caesars online play might earn you hotel discounts or comp points at their Vegas locations. This crossover appeal works great for travelers and loyal patrons.

Online-exclusive programs are typically point-based and may include free spins, cash back, or tier-based status perks.

Asia’s Take

In Asia, loyalty often means gamification. Players can “level up” their status through daily check-ins, win streaks, or mini challenges. Some sites even include social elements—like leaderboards or community tournaments—to keep users coming back.

The experience is less about redeeming hotel stays and more about digital progress and rewards within the platform itself.

Marketing Styles: Subtle vs. Sensory Overload

U.S. Campaigns

American platforms take a measured approach to marketing. Think clean email campaigns, social ads, and promos linked to sporting events or holidays. Messaging usually emphasizes safety, fairness, and responsible gaming.

Asia’s Approach

Marketing in Asia is flashier, often integrated into social platforms like LINE or Telegram. You’ll see bold banners, rapid-fire notifications, and even animated characters announcing the latest promo.

This high-energy approach drives urgency but may not be for everyone.

Social Play and Community Features

A growing trend in online casinos is the idea of social play—think live chat, multiplayer tournaments, or even streamer-hosted game rooms.

In the U.S.

While social features are emerging, they’re still somewhat limited. You might find chat boxes in live dealer rooms or tournament-style leaderboards, but overall the experience is still largely solo.

In Asia

Asian platforms often feel more like social networks. You can gift virtual items, join real-time betting parties, and participate in limited-time group challenges. It’s less about playing alone and more about joining an online gambling community.

Legal Landscape: Who Can Play?

U.S. Reality

Only a handful of states have fully legalized online casinos. These include New Jersey, Pennsylvania, Michigan, and a few others. That means access is limited, and geolocation tech is used to restrict play based on your physical location.

Asia’s Patchwork

Asia’s legal situation varies wildly. Some regions (like the Philippines) have state-regulated platforms and even license international casinos. Others ban online gambling entirely, which pushes players toward offshore sites.

This legal uncertainty creates risk for both players and platforms, even though demand continues to grow rapidly.

Final Thoughts: Which Region Wins?

It’s not really about one being better than the other—it’s about fit. If you value safety, brand recognition, and seamless integration with real-world rewards, U.S. casinos offer a solid, regulated experience.

But if you’re after energy, innovation, fast payouts, and gamified play, Asian platforms bring the action in ways that feel more like entertainment than just wagering.

In the end, the best choice depends on what kind of player you are—and how you like your wins delivered.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Kodak Black Drops “By Myself” With DJ E Money & G6reddot, Flipping Fabolous & NE-YO Classic With Cameo From NE-YO

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Kodak Black releases his new single “By Myself” featuring South Florida risers DJ E Money and G6reddot. The booming cut samples the iconic strings from Fabolous’ 2007 Timbaland-produced hit, “Make Me Better (feat. NE-YO),” and leans into the idea that teamwork makes dreams work.

“By Myself” mixes solemn orchestration with trap drums and big bass, while Kodak lays down a bluesy, slyly catchy melody for the hook: “I could do this by myself, but I prefer if we were together / You know I don’t really need no help, but it’d be nice if you helped me help you.” DJ E Money drops a slick verse and G6reddot lets loose his trademark gruff delivery – making clear that the track is as much about working together as it is a warning to any who’d betray the team. Kodak drives the point home with homespun wisdom in his closing verse: “We bust down at the table / You don’t go in your room with your plate.”

The “By Myself” video brings the concept to life, finding the three rappers taking over a small bar and celebrating across scenes involving cards, liquor, women, and so much cash that Kodak has to sweep it up with a pushbroom. In separate spaces, a pop-locking conductor leads a small orchestra, and Kodak is seen bringing roses to an overgrown cemetery. The video surpassed over 725k views and features a throwback cameo from NE-YO who also appeared in the intro skit. The skit pays homage to Fabolus and NE-YO’s cut and features influencer Big SLM TY.

Recently Kodak received the key to the city in his home of Pompano Beach. Prior to that the hometown hero entered 2025 with serious momentum, dropping three full-length projects in less than two months at the end of the year. On Christmas Day, Kodak released Gift for the Streets, a star-studded affair featuring Lil Yachty, Veeze, Rob49, Taylor So Made, No Limit Records OG C-Murder, DJ E Money, and more, not to mention a partial Hot Boys reunion between Juvenile and BG. But Kodak season kicked off in November with a pair of mixtapes: the haunted and inward-looking Dieuson Octave (see “Catch Fire”), titled after the artist’s actual birth name, and Trill Bill (see “News Matt”), which for the most part captured him from a different angle – the “fly, fresh, and foolish” side, to quote Kodak.

Before all that, Kodak was focused on his record label Vulture Love’s first official project, Vulture Love Presents: The Last Zombies on Earth, which dropped last summer featuring contributions from VVSNCE, Lil Crix, G6reddot, GorditoFlo, Big Fredo, Jay Dirty, Taji Akeil, and more.

Vandelux Announces New Album CLOSER Out Oct 10, Shares “Swimming in the Dark” Featuring His Daughter’s Heartbeat

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Multi-instrumentalist, producer, and vocalist Vandelux released his next single, “Swimming in the Dark,” and today announces his new LP, CLOSER, out on October 10, 2025.

The new track has the signature Vandelux beats with lyrics delving into maturity. Vandelux says, “Swimming in the Dark” is a track I wrote a day after we saw our daughter on the ultrasound for the first time. I sampled her heartbeat from the ultrasound doppler and worked it into the foundation of the song. This is probably the most important song of the album to me.. kinda represents a key transition point from previous life to current.”

The video feels like a fever dream where the protagonist is overwhelmed by a new phase of his life and almost drowns before realizing that he has to step up and take on a new persona as he moves into maturity.

With the release of this powerful song, Vandelux is releasing the full LP, CLOSER in October, an 11 song set that was produced and recorded by Vandelux in his San Francisco home studio and mixed/mastered by Mixing Engineer, Kyle Mangels and Mastering Engineer Kristian Montano in Toronto.

Songs include previously released singles, Best Of My Love (feat. Zak Abel), Last Train, I Want You and Swimming in the Dark.

The Vancouver-born vocalist, multi-instrumentalist, and producer a.k.a. Evan White utilizes music as a means to convey feeling and truth. His songs draw his innermost thoughts into the light. After gathering hundreds of millions of streams and performing to packed crowds worldwide, this emotionality underscores the artistry of this second full-length offering.

“I’m not a great communicator in general, so music is a pathway for me to get my feelings out,” he states. “The album is definitely an expression of how I’ve felt over the past couple of years. It’s authentic to who I am and what I want to sound like now.”

Vandelux will hit the road beginning on October 31 in San Francisco. He will traverse the US ending in Minneapolis with stops in Dallas, Austin, DC and Chicago among others (tour dates below). Extensive tour highlights, include high-profile festivals like Outside Lands and Bonnaroo,a US trek supporting KYGO, his annual “Ski Tour” and an opening slot supporting Elderbrook with a stop at the iconic Red Rocks amphitheater.

Vandelux, the alter-ego of Evan White, burst onto the production scene in 2016 with electrifying remixes that topped underground music charts. Vandelux’s track “Matter of Time,” from his debut album, When The Light Breaks, spent over nine weeks on the Billboard Dance Charts.

Vandelux’s story resonates with anyone who has longed to chase their passion. After years at a hedge fund, he felt called to pursue music. He told Words&Music, “Finance felt like a job, and music felt like meditation; it was a way to recharge, relax, and refresh. It was challenging some days to try and force yourself to be creative after work.”

In 2023, sold-out shows across the U.S. and Canada-and an ever-growing audience discovering his songs-ultimately emboldened him to commit fully to his craft. “I didn’t want to be 80 years old saying, ‘I wish I gave it a shot,'” he added, describing the pivotal moment that fueled his leap into music.

Miley Cyrus Premieres ‘Billions Club Live’ in Paris With Hits, Fan-Favorite Medley & New Songs

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In this special Billions Club Live concert film,  takes the stage in Paris to perform her biggest songs on Spotify—each with over 1 billion streams—plus a never-before-played medley of fan favorites ‘The Climb’ and ‘We Can’t Stop,’ and select tracks from her new album, . This intimate performance celebrates Miley’s evolution as an artist, her impact on pop culture, her Billions Club milestones, and the fans who helped her reach them.