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Equal Vision Launches 20th Anniversary Vinyl Repress of The Fall of Troy’s ‘Chaotic Classic Doppelganger’

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New York-based independent rock label Equal Vision Records has launched a new vinyl re-press of Doppelganger, the second studio album from the Seattle progressive post-hardcore band The Fall of Troy.

Serving as the band’s Equal Vision debut and celebrating its 20th anniversary, Doppelganger features melodic, uplifting vocals and harmonies with tortured, assaulting screams adjacent to mathematically precise rhythms and complex fretwork, giving way to loose jam-inspired divergences.

This is the musical crossroads where you’ll find The Fall of Troy, skittering off defiantly in one direction after another, refusing to stick to any one established road. If it sounds like it all adds up to chaos, that’s because it often does, but only in the same beautiful way as our own everyday experience. The brand new Doppelganger press is limited to 1500 units on orange cloud vinyl and is available now in the Equal Vision store here.

The Nixons Unleash Haunting New Lyric Video for “Dreams Of” from Gritty EP ‘Four Zero Five’

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The Nixons have released a new lyric video for their song “Dreams Of.” The single comes from the band’s latest EP, Four Zero Five, which refers to the area code in Oklahoma where the band formed.

Singer Zac Maloy says, “The song ‘Dreams Of’ tells the story of an infamous murder that happened to a young woman from my small hometown in Ada, Oklahoma. Unfortunately, this dark tragedy ended with corruption in the system and an innocent man taking the fall, destroying lives on both sides.”

The song features a blend of melodic but aggressive vocals. The heavy drums by John Humphrey, who also plays full time with Seether, and Ricky Brooks’ ferocious bass lay down the massively thick foundation. Topping it all off is the whirling dervish of guitars by Jesse Davis, at times a wall of sound, shifting effortlessly into the snakelike lead parts that help tell the twisted story through the music.

The Nixons want to embrace the fact that they are a bona fide, loud ’90s rock band that loves to turn the amps up and truly rock. With frontman Zac Maloy at the helm of the new EP, Four Zero Five features modern production and song writing elements that Maloy has developed over the years writing with bands like Shinedown, Halestorm and more.

Wolfgang Van Halen Unleashes Mammoth Single “The End” with Robert Rodriguez-Directed Horror Video and Tour Announcement

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GRAMMY Award-nominated songwriter, vocalist, multi-instrumentalist, and producer Wolfgang Van Halen is back with the latest single from the band he masterminds, Mammoth. “The End” is an adrenaline-driven rocker that kicks off with a signature lead guitar riff that has become a fan-favorite element in Wolfgang’s music.

The anthemic build of the intro gives way to the driving verse melody with each part carefully created and performed by Van Halen and his returning collaborator Michael “Elvis” Baskette. The chorus is driven by the unforgettable vocal melody as the message of “Take your hand in mine and watch the end with me.”

“I’ve had the tapping idea on the intro for ‘The End’ since before Mammoth. I was able to fit it into this world. It’s still over-the-top and shreddy, but it’s also melodic and controlled. Overall, I was doing some different things on the record, and I knew this was going to be a big step. Once we finished ‘The End,’ it felt really special to me,” explains Wolfgang Van Halen.

To coincide with the single release, Wolfgang and Mammoth have released a music video for “The End” that is one for the history books and something rarely seen in music videos anymore. Wolfgang teamed up with legendary director Robert Rodriguez to do a modern-day interpretation of Rodriguez’s 1996 hit film, From Dusk Till Dawn. The video tells the story of a rock band that is booked to play a show at a dive bar and given an ominous warning from the club owner portrayed by Danny Trejo. Mammoth decides they know better, and things quickly turn dire for the band before a surprising revelation during the final moments tie the complete video lore from the band together. Friends of Mammoth including Slash, Myles Kennedy and Wolfgang’s mother Valerie Bertinelli all show up throughout the short film. Horror effects icon Greg Nicotero offered his talents to the video to create zombies, werewolves and vampires that all bring a deadly end to the attendees of the show.

The End Tour Fall Dates
Oct 31 – Show information to come soon
Nov 1 – Las Vegas, NV – House of Blues
Nov 4 – Dallas, TX – House of Blues
Nov 5 – Houston, TX – House of Blues
Nov 7 – Lake Buena Vista, FL – House of Blues
Nov 8 – Atlanta, GA – Tabernacle
Nov 9 – Charlotte, NC – The Fillmore
Nov 11 – Silver Spring, MD – The Fillmore Silver Spring
Nov 12 – Show information to come soon
Nov 14 – Montclair, NJ – The Wellmont Theater
Nov 15 – Pittsburgh, PA – Roxian Theatre
Nov 18 – Cleveland, OH – The Agora
Nov 19 – Detroit, MI – The Fillmore Detroit
Nov 20 – Columbus, OH – KEMBA Live!
Nov 22 – Onamia, MN – Grand Casino Mille Lacs Event Center
Nov 23 – Green Bay, WI – EPIC Event Center
Nov 25 – Chesterfield, MO – The Factory at The District
Nov 26 – Chicago, IL – House of Blues
Nov 28 – Oklahoma City, OK – Diamond Ballroom
Nov 29 – Show information to come soon
Dec 2 – Kansas City, MO – Uptown Theater
Dec 3 – Denver, CO – Ogden Theatre
Dec 6 – Tempe, AZ – Marquee Theatre
Dec 7 – Show information to come soon

Clap Your Hands Say Yeah Celebrate 20 Years with First-Ever Music Video for “The Skin of My Yellow Country Teeth”

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 Clap Your Hands Say Yeah are continuing to commemorate the 20th anniversary of their landmark self-titled debut with the album’s first-ever official music video, “The Skin of My Yellow Country Teeth,” co-directed by award winning filmmaker David M. Helman (IDLES, Vince Staples, American Football) and Daniel Henry (Julien Baker, Foster the People, Kurt Vile). Given carte blanche by Clap Your Hands Say Yeah founder and frontman Alec Ounsworth, the clip is a “celebration for the incompatible and the base models of all things, human and machine” says Helman, represented by a local hero who is a strip mall computer repairman (played by Eric Rahill). The protagonist gets glimpses into the customers’ lives while he tries to fill his own life with beautiful moments.

“I feel like there is a duality between the new and the old in the song – New York and West Virginia,” says Helman, who collaborated with Ounsworth on his 2014 album Only Run. He adds, “Electronics felt like real-world portals to jump seamlessly through time, to tap into virtual memories in a narrative way.”

Helman brought on co-director Daniel Henry, a fellow enthusiast for detail. Henry reflects, “Once we knew we were planning on swirling the digital lives of the customers on screen, we both took it as a personal challenge to fill this video to the brim with references from growing up on the internet.”

While most music videos are meant to add imagery to a song, this clip flips the script and has the track act as more of a soundtrack to the visuals. The key to making this concept successful had everything to do with the creative liberty Ounsworth gave to the directors.

“It’s not often an artist or project lets us run wild with the concept and inject it with all our favorite things – Alec rules,” says Helman.

“Twenty years ago, I stubbornly refused many music industry tools, one of which was music videos,” says Ounsworth. “My reasoning was that the listeners should be able to create their own visual accompaniment to the songs rather than have something ostensibly pushed upon them. The result was that no official video was ever made for the first album.

“I have since softened my stance on this after having considered the possibility that a music video might instead be thought of as a collaboration between artists (musician and director) who have mutual respect for one another’s work. In other words, I am happy to now let go and allow David Helman (whose work I sincerely admire) to put his and Daniel’s own interpretive stamp on ‘The Skin of My Yellow Country Teeth.'”

Godsmack’s The Oracle Returns on Remastered 2LP Vinyl with Deluxe “Saints And Sinners” Edition & New Behind-the-Scenes Documentary

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The Oracle, Godsmack’s fifth album, was the band’s third consecutive number one on the Billboard 200. The record’s first single, the adrenalized “Cryin’ Like a Bitch,” became an anthem for the UFC (Ultimate Fighting Championship). The Oracle is a special entry in the Godsmack catalog as it’s the band’s first album written entirely collaboratively. It is also Godsmack’s first album produced by Dave Fortman who produced both of Evanescence’s multi-platinum albums, along with albums by Superjoint Ritual, Mudvayne, Otep, Simple Plan, and Slipknot. The 10-track album is a white-knuckle ride through thrash metal, hard rock, and blues-rock that concludes in classic Godsmack style with the majestic power ballad, “The Oracle.” Experience The Oracle like you’ve never heard it before with exceptional remastered audio presented on 2LP 45rpm vinyl. The Oracle is now available in standard black vinyl and in colored vinyl as a limited-edition online exclusive through the Official Godsmack Store, UDiscover Music, and The Sound of Vinyl. The deluxe edition, titled “Saints And Sinners,” references the album’s working title. It boasts a special 7” single of “Whiskey Hangover” which rocketed to #1 on the Billboard Hot Mainstream Rock Tracks, and it is backed by the seething “I Blame You.”

Also, Godsmack is releasing The Making of The Oracle documentary on YouTube for the first time ever. Originally released as a bonus DVD in a special 2010 edition of the album, the documentary offers fans an inside look at the process, methodology, and rituals behind the creation of The Oracle.

The Oracle Tracklist

Standard Edition

Side A

Cryin’ Like A Bitch

Saints And Sinners

War And Peace

Love-Hate-Sex-Pain

What if?

Side B

Devil’s Swing

Good Day To Die

Forever Shamed

Shadow Of A Soul

The Oracle

“Saints And Sinners Deluxe Edition”

Side A

Cryin’ Like A Bitch

Saints And Sinners

War And Peace

Love-Hate-Sex-Pain

What if?

Side B

Devil’s Swing

Good Day To Die

Forever Shamed

Shadow Of A Soul

The Oracle

7” Bonus Vinyl

Side A

Whiskey Hangover

Side B

I Blame You

Saint Motel Expands “Symphony in the Sky” Tour with Fall U.S. Dates, Culminating in Cavern Concert Spectacle

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Saint Motel has unveiled the next leg of their already epic The Symphony in the Sky Tour. A new round of US headline dates gets underway October 10 at Louisville, KY’s Mercury Ballroom and then travels through to a very special show at Grundy County, TN’s naturally-occurring subterranean amphitheater, The Cavern, on November 1. Special guests will be announced soon.

The expansive live schedule celebrates the recent arrival of Saint Motel’s visionary new album, Saint Motel & the Symphony in the Sky. The album sees the RIAA Platinum-certified band pushing their renowned sonic versatility to new heights on such boldly inventive tracks as “Stay Golden,” “Steady Hand,” and the funky, fluorescent “Get It At Home”.

THE SYMPHONY IN THE SKY TOUR / NORTH AMERICA 2025

OCTOBER
10 – Louisville, KY – Mercury Ballroom

11 – Grand Rapids, MI – The Intersection

13 – West Des Moines, IA – Val Air Ballroom

14 – Oklahoma City, The Jones Assembly

15 – Fayetteville, AR – JJ’s Live

17 – Pensacola, FL – Vinyl Music Hall

18 – Miami, FL – ZeyZey

20 – Charleston, SC – Charleston Music Hall

21 – Charlotte, NC – The Fillmore Charlotte

22 – Richmond, VA – The National

24 – New Haven, CT – Toad’s Place

25 – Providence, RI – The Strand Ballroom

27 – Portland, ME – State Theatre

29 – Buffalo, NY – Town Ballroom

30 – Pittsburgh, PA – Roxian Theatre

NOVEMBER
1 – Grundy County, TN – The Caverns

Alison Goldfrapp Launches New Label & Announces Euphoric Electro-Pop Album “Flux” with Lead Single “Find Xanadu”

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Alison Goldfrapp, the creative force behind some of the most captivating music of the past two and a half decades, today announces her new album “Flux”, out August 15th on her recently launched record label, A.G. Records. She also shares the lead single, “Find Xanadu,” a shimmering electro-pop anthem that promises to set dance-floors ablaze.

“Find Xanadu” is a platinum-plated blast of synth-pop euphoria that invites the listener to join Alison on a cosmic odyssey to a sci-fi utopia. Fizzing with energy and innovation, the song captures the magic of escapism and the allure of the unknown. Co-produced by Alison, Swedish songwriter Stefan Storm (Sound Of Arrows) and Richard X, the release marks an exciting chapter for Alison as she embarks on her journey as an independent label owner with A.G. Records.

“If you’re lucky enough to have the option, owning your own masters feels like a no-brainer these days. While being a solo independent artist comes with its own set of challenges, it truly suits me and has given myself and the people I work with a sense of empowerment and invigoration for this album” -Alison Goldfrapp

Alison’s dedicated approach as pop inquisitor has firmly situated her as the rare leftfield artist who has been embraced by the mainstream without diluting one iota of her individuality. Goldfrapp scaled the charts, with multi-platinum album sales, unforgettable Glastonbury performances, multiple Brit and Grammy nominations, an Ivor Novello for “Strict Machine” as well as the Ivor’s Inspiration Award in 2021. The momentum towards her journey into solo music was solidified back in 2021, when she collaborated with Röyksopp on two tracks for their seventh album “Profound Mysteries”, culminating in the brightly shimmering track “Impossible”. 2023’s debut solo album ‘The Love Invention’ was unmistakably the work of Alison Goldfrapp as a pop auteur, a dazzling showcase of her matured musicianship as well as her relentless curiosity for the new. Alison’s psychotropic world was brought to vivid life through both an audio and visual landscape. She most recently collaborated with Purple Disco Machine on their dazzling single “Dream Machine’.

With “Flux”, her second album following 2023’s critically-adored “The Love Invention”, Alison stands on a precipice of new experiences in more ways than one. Arriving on August 15th in partnership with Absolute Label Services and led by the joybomb of a single “Find Xanadu,” the album showcases some of her most undeniable pop hooks since Goldfrapp’s iconic album Supernature as well as her most poignantly vulnerable songwriting to date. Stay tuned for more in the coming months.

Wilderado Announces Fall Headline Tour Ahead of Red Rocks Show with The Revivalists

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Wilderado has announced fall headline run following their summer tour with Seattle’s The Head and The Heart and just ahead of their Red Rocks show on October 9th with The Revivalists. The fall tour will kick off on September 24th in Fayetteville, AR at JJ’s Live and wrap up in Colorado Springs, CO on October 7th at The Black Sheep.

Tulsa’s Wilderado – Max Rainer (lead singer, guitarist), Tyler Wimpee (guitarist, vocals), Justin Kila (drums) – continue to tour behind their latest full-length album Talker, released last fall via Bright Antenna Records. The album’s lead single “Higher Than Most,” which the band performed live on CBS Saturday Morning in January, is climbing the Alternative Radio chart, currently sitting in the Top 20.

Recorded in Norman, OK with producers James McAlister (Gracie Abrams, The National) and Chad Copelin (Sufjan Stevens, SYML), Talker showcases Wilderado’s signature mix of expansive indie rock, soaring harmonies, and open-road Americana. Known for adventurous arrangements and razor-sharp songwriting, the album builds on the momentum of their 2021 self-titled debut album, which earned the band their late-night TV debut on Jimmy Kimmel Live! and morning TV debut on CBS Saturday Morning.

Alongside Talker, Wilderado’s recent highlights include contributing a cover of Richard Thompson’s “Wall Of Death” to the Grammy-nominated Twisters soundtrack, with frontman Rainer making an on-screen appearance in the film. They also delivered a standout performance at Lollapalooza and released their first ever live LP, Wilderado Live, capturing fan favorites like “Surefire” and “Head Right”-both Top 10 Alternative hits.

CONFIRMED WILDERADO TOUR DATES
July 21 at Scissortail Park Festival in Oklahoma City, OK
July 23 at Variety Playhouse in Atlanta, GA#
July 25 at The Windjammer in Isle of Palms, SC#
July 26 at The Windjammer in Isle of Palms, SC#
July 27 at Greenfield Lake Amphitheater in Wilmington, NC#
July 29 at 9:30 Club in Washington, DC#
July 31 at Stone Pony Summerstage in Asbury Park, NJ*
Aug. 1 at Riverfront Amphitheater in Richmond, VA*
Aug 2 at Riverfront Park in Harrisburg, PA*
Aug 3 at Stage AE – Club in Pittsburgh, PA*
Aug 5 at Jacobs Pavilion at Nautica in Cleveland, OH*
Aug 6 at Everwise Amphitheater in Indianapolis, IN*
Aug 7 at Meijer Gardens in Grand Rapids, MI*
Aug 8 at The Salt Shed – Fairgrounds in Chicago, IL*
Aug 10 at The Astro Amphitheater, La Vista, NE*
Aug 13 at Ogden Amphitheater in Ogden, UT*
Aug 14 at Outlaw Field in Boise, ID*
Aug 15 at Edgefield Amphitheater in Troutdale, OR*
Sep 24 at JJ’s LIVE in Fayetteville, AR#
Sep 26 at Revolution Music Room in Little Rock, AR#
Sep 27 at House of Blues Dallas in Dallas, TX#
Sep 28 at House of Blues in Houston, TX#
Sep 30 at Saturn in Birmingham, AL#
Oct 2 at Mercury Ballroom in Louisville, KY#
Oct 3 at Mighty Roots Music Festival 2025 in Stovall, MS
Oct 5 at Delmar Hall in Saint Louis, MO#
Oct 7 at Black Sheep in Colorado Springs, CO#
Oct. 9 at Red Rocks with The Revivalists in Morrison, CO

* supporting The Head and The Heart
# headline dates
^ radio show

Eric Church Launches Epic “Free the Machine Tour” with Elle King, Marcus King Band & Charles Wesley Godwin

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With his highly anticipated album Evangeline vs. The Machine out now, Eric Church will bring the next chapter of his critically acclaimed live show to fans in major cities coast to coast as his Free the Machine Tour kicks off a run of 22 arena dates on Sept. 12.

“Eric Church in concert is as much a catharsis as a hell-raising Friday (or Saturday) night,” declares POLLSTAR, with Stereogum adding that he is “at the top of his genre because he breaks its rules in big, exciting arena-filling ways.” Praised by Forbes for his “leave-it-all-on-the-stage mentality,” Church will be joined across varying dates by special guests Elle King, Marcus King Band and Charles Wesley Godwin.

“From front to back, these shows will be different than anything you’ve ever seen or heard from us before,” shared Church in a video message sent directly to Church Choir members. “I cannot wait to see you on the road for this tour.”

Having consistently taken industry-leading precautions to protect fans from scalpers, Church is reserving all pit tickets on the Free the Machine Tour for premium Church Choir members to ensure his most passionate and loyal fans are closest to the stage. Premium Church Choir members will receive request instructions via email. Pit tickets will be will-call only to deter resale (except where prohibited by state law).

The news of a tour comes just ahead of the imminent release of Church’s latest album, Evangeline vs. The Machine, available everywhere this Friday, May 2. Expanding the legacy of one of country music’s most fearless storytellers and anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations.

Free the Machine Tour
Sept. 12 || Pittsburgh, Penn. || PPG Paints Arena || Elle King
Sept. 13 || Columbus, Ohio || Nationwide Arena || Elle King
Sept. 18 || Philadelphia, Penn. || Wells Fargo Center || Elle King
Sept. 19 || Boston, Mass. || TD Garden || Elle King
Sept. 20 || Brooklyn, N.Y. || Barclays Center || Elle King
Sept. 25 || Green Bay, Wisc. || Resch Center || Marcus King Band
Sept. 26 || Milwaukee, Wisc. || Fiserv Forum || Marcus King Band
Sept. 27 || Des Moines, Iowa || Wells Fargo Arena || Marcus King Band
Oct. 2 || Detroit, Mich. || Little Caesars Arena || Marcus King Band
Oct. 3 || Lexington, Ky. || Rupp Arena || Marcus King Band
Oct. 9 || Indianapolis, Ind. || Gainbridge Fieldhouse || Marcus King Band
Oct. 10 || Grand Rapids, Mich. || Van Andel Arena || Marcus King Band
Oct. 11 || Cleveland, Ohio || Rocket Arena || Marcus King Band
Oct. 23 || Salt Lake City, Utah || Delta Center || Charles Wesley Godwin
Oct. 24 || Boise, Idaho || ExtraMile Arena || Charles Wesley Godwin
Oct. 25 || Spokane, Wash. || Spokane Arena || Charles Wesley Godwin
Nov. 6 || Vancouver, B.C. || Rogers Arena || Charles Wesley Godwin
Nov. 7 || Portland, Ore. || Moda Center || Charles Wesley Godwin
Nov. 8 || Seattle, Wash. || Climate Pledge Arena || Charles Wesley Godwin
Nov. 13 || Sacramento, Calif. || Golden 1 Center || Charles Wesley Godwin
Nov. 14 || Fresno, Calif. || SaveMart Center || Charles Wesley Godwin
Nov. 15 || Inglewood, Calif. || Intuit Dome || Charles Wesley Godwin

Cola Boyy’s Posthumous Album “Quit to Play Chess” Shines with Indie-Pop Brilliance on New Single “Crushin’”

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Matthew Urango – aka – the “disabled disco innovator” – aka – Cola Boyy latest track “Crushin'” is out now. Produced with Jared Salomon (Lola Young, Remi Wolf), “Crushin'” is a quintessential Californian indie pop song and the latest taste from the artist’s upcoming posthumous sophomore album Quit to Play Chess, also out now.

“Crushin'” joins previous album cuts “Walk Again” and “Babylon.” Colay Boyy was able to work on Quit to Play Chess right up until he passed away, approving the mastering that very day, making the release date the only posthumous thing about it. Trusted collaborators on this release include Andrew VanWyngarden, co-leader of MGMT, Jared Solomon (Remi Wolf, Lola Young, Foushee), Nate Fox (Chance The Rapper, Lil Wayne), Blase and Lewis OfMan.

The new album was designed as capsules where hip-hop and R&B flourish (scratching, brass samples, pitched vocals, among others) merge, and enrich Cola Boyy’s sound without distorting the groovy DNA of his music. While his previous album unfolded as a radiant disco-funk manifesto, Quit to Play Chess, transcends stylistic boundaries with songwriting that is strikingly immediate.

At its core, Cola Boyy’s music will continue to serve as a soundtrack for revolutions: against ableism, inequality, and xenophobia. He used music as a message to bring people together, shining a light on the things we all have in common instead of the things that divide us.