Boney M featuring Maizie Williams return to the stage for “The Final Curtain Tour,” a celebratory run billed as the final chapter for one of disco’s most iconic names. Backed by a full live band, the shows spotlight a hit packed setlist including “Rasputin,” “Daddy Cool,” “Sunny,” “Rivers Of Babylon,” “Ma Baker,” “Gotta Go Home,” and “Brown Girl In The Ring,” delivering the songs that defined dance floors around the world.
With more than 150 million records sold globally, Boney M remain synonymous with the sparkle, color, and unstoppable momentum of the disco era. “The Final Curtain Tour” frames these performances as a last opportunity to experience that catalog live, turning each night into a shared singalong built on rhythm, nostalgia, and pure movement, a closing celebration that honors the band’s lasting place in pop and dance history.
Following the success of their recently released single “Carrion Ladder”, Archspire, the world’s fastest band, are proud to announce the Long Roads Big Loads North American Tour in Spring & Summer 2026, with special guests Undeath, Crown Magnetar, and Mutilation Barbecue.
The tour supports their upcoming album “Too Fast to Die”, due out April 10th, 2026.
The run kicks off on April 24th in Calgary, AB at The Palace Theatre and tears across North America before wrapping up at the Rickshaw Theatre in Vancouver, BC on June 6th.
Since 2009, Archspire has aimed to be one thing above all else: extreme. With their upcoming release “Too Fast to Die”, they’ve once again raised the bar for what extreme music can be.
“We’re like a bit of meth in your cigarette”, says vocalist Oliver Rae Aleron, describing the band’s unhinged live show. “I think people don’t quite know how to describe what they’re hearing”.
Now five albums deep, the band continues to push the limits of speed and virtuosity while somehow keeping a sharp focus on hooks. Their music sits on a knife’s edge of “too much”, and just when you think you’ve hit overload, they drop in a soaring melody or a meticulously crafted clean section long enough for you to breathe; before throwing you back into a rap-flow vocal assault or some of the fastest drumming you’ll ever hear.
In 2025, Archspire announced their new drummer, Spencer Moore, marking a shift in the band’s trajectory. New blood brings new influences, and with the first single “Carrion Ladder”, they intend to show exactly how quickly he proved himself.
“I had to step my game up fast to pull off the new material”, Spencer explains. “But once we started tracking, everything felt comfortable and natural”.
Recorded in 2025, the album reunites the band with world-renowned producer Dave Otero (Cattle Decapitation, Khemmis) for the third time. They locked themselves inside his Denver studio for several months, cutting out distractions and dedicating themselves entirely to the record.
“Too Fast to Die” follows the critically acclaimed Juno Award winning ”Bleed the Future”, and marks the band’s first fully independent release. Early in the writing process they chose to crowdfund the album, a strategy they’d used before; but nothing prepared them for the scale of what came next.
They raised nearly $400,000 CAD in 30 days, blowing past their goal in under 24 hours and confirming that independence was the right move.
“I was actually shaking when I pressed launch”, says guitarist Dean Lamb. “We’d never taken on something this big, and all I could think was, ‘man, I hope we don’t mess this up’”.
“Too Fast to Die” is set for release on April 10th, 2026, and represents a new chapter for Archspire. Now fully independent and armed with a revitalized lineup, they’re intent on expanding their already rabid fanbase, pushing the boundaries of extreme metal, and having a great time doing it.
North American Tour Dates 2026: April 24 – Calgary, AB @ The Palace Theatre April 25 – Edmonton, AB @ Midway Music Hall April 26 – Saskatoon, SK @ Coors Event Centre April 27 – Winnipeg, MB @ The Park Theatre April 30 – Toronto, ON @ The Phoenix Concert Theatre May 01 – Montreal, QC @ Théâtre Beanfield May 02 – Quebec City, QC @ Salle Montaigne May 03 – Worcester, MA @ Palladium Upstairs May 05 – Reading, PA @ Reverb May 06 – New York, NY @ Gramercy Theatre May 07 – Baltimore, MD @ Baltimore Soundstage May 08 – Charlotte, NC @ The Underground May 09 – Richmond, VA @ The Canal Club May 11 – Orlando, FL @ The Abbey May 12 – Tampa, FL @ The Orpheum May 13 – Atlanta, GA @ The Masquerade May 15 – Austin, TX @ Come and Take It Live May 16 – Houston, TX @ White Oak Music Hall May 17 – Dallas, TX @ The Studio at The Bomb Factory May 18 – Tulsa, OK @ The Vanguard May 20 – Milwaukee, WI @ The Rave / Eagles Club May 21 – Minneapolis, MN @ Fine Line May 22 – Chicago, IL @ House of Blues May 23 – Omaha, NE @ The Waiting Room May 24 – Lawrence, KS @ The Granada May 27 – Colorado Springs, CO @ The Black Sheep May 29 – Albuquerque, NM @ Sunshine Theater May 30 – Mesa, AZ @ The Nile Theater May 31 – Los Angeles, CA @ The Belasco June 02 – Roseville, CA @ Goldfield Trading Post June 04 – Seattle, WA @ El Corazon June 05 – Portland, OR @ Roseland Theater June 06 – Vancouver, BC @ Rickshaw Theatre
FIRST CONTACT has been established, and full global disclosure has been approved as second album EARTH NATION is set for worldwide transmission on 1 March via a new alliance with London’s JPU Records.
FIRST CONTACT is the epic new project led by Japan’s RYU, best known as the creative force behind cyber-trance metal innovators BLOOD STAIN CHILD. Free from the constraints of genre, the project boldly goes where progressive rock structures, metal hooks, expansive synth work and cinematic atmosphere collide.
Joining the audio voyage are special recruits Sawa (Aldious), responsible for bass, and MaoMao and TanTan, who provide smooth and soaring vocals when the tracks are not unfolding as instrumental masterpieces. The same team worked on debut album PEACEMILLION, released in August 2025.
A tour has also been announced following the release of EARTH NATION, entitled FIRST CONTACT 1st Live Tour “Space Alliance”. The tour touches down on 28 March at LIVE SPACE ODYSSEY in Osaka, followed by Shinjuku Wildside in Tokyo on 4 April. The countdown has begun.
The transmission goes live on 1 March, with close encounters to follow.
Barry Manilow has announced the cancellation and rescheduling of several January concert dates after doctors discovered a cancerous spot on his left lung that will be surgically removed. The news follows a stretch of health challenges that included prolonged bronchitis and came shortly after Manilow completed five annual Christmas charity concerts at the McCallum Theatre in Palm Desert, raising millions for Coachella Valley nonprofits. An MRI ordered as a precaution led to the discovery, which Manilow shared was caught early, with doctors believing it has not spread and will not require chemotherapy or radiation.
Manilow will take approximately one month to recover following surgery, prompting the January arena dates to move to later in 2026. He confirmed plans to return to the stage for Valentine’s weekend concerts at the Westgate Las Vegas on February 12, 13, and 14, followed by rescheduled tour stops through spring. Ticket holders for the affected January shows can use their existing tickets for the new dates. Manilow also encouraged fans to be proactive about their health and seek medical testing even for mild symptoms.
Rescheduled January Tour Dates: February 27 – Tampa, FL – Benchmark International Arena March 6 – Columbus, OH – Nationwide Arena March 11 – Charleston, SC – North Charleston Coliseum March 13 – Orlando, FL – Kia Center March 14 – Sunrise, FL – Amerant Bank Arena March 16–17 – Estero, FL – Hertz Arena April 24 – Greensboro, NC – First Horizon Coliseum April 27 – Jacksonville, FL – VyStar Veterans Memorial Arena April 29 – Duluth, GA – Gas South Arena
Culture Wars continue their strong run with “In The Morning,” a groove driven rock track that arrives during a standout year for the band. The single follows major touring moments alongside Keane, Wallows, and LANY, a Top 20 U.S. Alternative Radio breakthrough with “It Hurts,” and more than eight million global streams on “Typical Ways.” Built on thick guitar tones and steady rhythm, the song captures a quiet moment of reflection, leaning into atmosphere and feeling rather than excess.
Vocalist Alex Dugan frames the song around a familiar early morning headspace, shaped by loneliness, memory, and emotional pull, while noting it reflects an earlier version of himself. Sonically, the track signals a clear shift for the band, influenced by the scale and energy of their live shows, including a recent appearance opening for LANY at the Philippine Arena. “In The Morning” introduces the direction of their upcoming debut full length album ‘if not now, when?,’ due in early 2026, grounding Culture Wars’ next chapter in groove, texture, and lived experience.
As the year ends, SoundExchange is looking back at 2025’s Top 20 Tracks and Breakout Creators. The annual lists are based on 12 months (December 1, 2024-November 30, 2025) of non-interactive streaming data from more than 3,000 digital service providers operating under statutory licenses for which SoundExchange administrates, collecting and distributing royalties to recording artists and rights owners.
“At the end of each year, SoundExchange digs through the data to understand which tracks received the most streams and which new artists are starting to breakout,” said Michael Huppe, President and CEO of SoundExchange. “It’s obvious that this year brought some great music to the forefront, and we know that 2026 will bring even more.”
Teddy Swims takes the crown on the SoundExchange 2025 Top Tracks list with “Lose Control,” and also shows up a second time in the top 10 with “Bad Dreams.” Myles Smith is in second place with “Stargazing,” followed by Billie Eilish‘s enduring “BIRDS OF A FEATHER.” Rounding out the top five are the inescapable “Too Sweet” from Hozier and “APT.” the hit collaboration from BLACKPINK’s ROSÉ and Bruno Mars.
SoundExchange’s 2025 Breakout Creators list is made up of artists who gained traction for their music and talent this year. This data-based set reflects these creators’ significant streaming activity, fueled by strong debuts or career highlight releases that connected with wider audiences.
Topping this year’s Breakout Creators list is Myles Smith, the British singer-songwriter whose “Stargazing” notched itself at #2 on this year’s Top Tracks list. Alex Warren, who hit with “Ordinary” this year and was named SoundExchange’s 2025 Breakout Artist, took the next spot. The top of the list was rounded out by country artist Zach Top, actor-turned-recording artist Leon Thomas, and Lola Young, who broke through with her single “Messy,” which landed at #14 on the year’s Top Tracks list.
Since 2003, SoundExchange has maintained its commitment to ensuring creators are paid fairly for their work through advocacy, innovation, and efforts to create a fairer music industry for all. In 2025, SoundExchange passed the milestone of cumulative distributions of $12 billion delivered directly to recording artists and rights owners.
SOUNDEXCHANGE 2025 TOP TRACKS
“Lose Control” – Teddy Swims
“Stargazing” – Myles Smith
“BIRDS OF A FEATHER” – Billie Eilish
“Too Sweet” – Hozier
“APT.” – Bruno Mars & ROSÉ
“Bad Dreams” – Teddy Swims
“A Bar Song (Tipsy)” – Shaboozey
“Die With A Smile” – Lady Gaga & Bruno Mars
“luther” – Kendrick Lamar & SZA
“That’s So True” – Gracie Abrams
“Beautiful Things” – Benson Boone
“Taste” – Sabrina Carpenter
“Pink Pony Club” – Chappell Roan
“Messy” – Lola Young
“Anxiety” – Doechii
“Love Somebody” – Morgan Wallen
“Espresso” – Sabrina Carpenter
“Ordinary” – Alex Warren
“Miles On It” – Marshmello & Kane Brown
“Residuals” – Chris Brown
SOUNDEXCHANGE 2025 BREAKOUT CREATORS
Myles Smith Alex Warren Zach Top Leon Thomas Lola Young Gigi Perez sombr Hudson Westbrook Addison Rae ROLE MODEL Ty Myers Graham Barham Neton Vega Max McNown Lanie Gardner Tito Double P AZ Chike Balu Brigada Disco Lines Damiano David
Bowie Odyssey 76 is the latest volume in Simon Goddard’s long running Bowie Odyssey series, arriving via Omnibus Press and focusing on one of the most volatile years in modern music history. Set against the backdrop of 1976 Britain, the book traces David Bowie at his most confrontational, publicly embodying the Thin White Duke while navigating a country gripped by political unrest, racial violence, and cultural fracture. Goddard frames the year as a collision of art, provocation, and exhaustion, capturing the moment when Bowie’s public image and private reality were pulling dangerously apart.
As the narrative follows Bowie’s movement toward Berlin alongside Iggy Pop, the book charts a creative turning point that reshaped his future output and secured his reputation as the defining innovator of the decade. Told in stark black and white prose, ‘Bowie Odyssey 76’ reads as both cultural document and personal chronicle, mapping how turmoil, escape, and reinvention fed into a new musical direction. This seventh installment continues Goddard’s year by year approach, offering a focused, unsentimental portrait of an artist standing on the edge of collapse and transformation.
Mimi Barks has announced a UK headline tour for Spring 2026, marking her return to the stage with a renewed and intensified vision. The run begins March 31 in Swansea and wraps April 9 in London, with support from trap metal act SWARM6IX. Following a period of silence and upheaval, the tour introduces the next phase of Mimi Barks’ evolution, tied to new music, a new EP arriving in 2026, and a wave of visuals shaped by transformation and resolve.
Known for forging her own lane through a collision of metal, industrial, and trap, Mimi Barks has developed what she calls DOOM TRAP, a sound built on weight, emotion, and confrontation. Her path from Germany to Berlin’s underground and onward to London has fueled a rise that includes appearances at Download Festival, Wacken Open Air, Bloodstock, Boomtown, and 2000 Trees. These upcoming shows signal a return sharpened by experience, bringing heavier material and uncompromised intensity into intimate rooms across the UK.
UK Tour Dates 2026: March 31 – Swansea – The Bunkhouse April 1 – Plymouth – The Junction April 3 – Milton Keynes – Craufurd Arms April 4 – Nottingham – Rough Trade April 5 – Newcastle – Cluny 2 April 6 – Glasgow – Garage Attic April 7 – Sheffield – Corporation April 8 – Manchester – Star & Garter April 9 – London – Islington Academy 2
Capillary kick off the year with the release of their debut album ‘in remembrance,’ out now via 51st State Records. Recorded, mixed, and mastered by Justin Bartlett at Studio 4 in Conshohocken, Pennsylvania, the album leans into guitar driven momentum, patient builds, and emotionally charged vocals. Drawing influence from Sunny Day Real Estate, Rites Of Spring, Mineral, and Title Fight, the record moves between open armed sing alongs and heavier, inward looking stretches without losing intensity or focus.
Across ten tracks, Capillary trace moments of change, loss, and self awareness that surface during the shift into adulthood. Guest appearances from Dazey Doom on “impermanence” and Koyo on “plainview” expand the album’s emotional range, while the grief soaked centerpiece “disaster//perspective” anchors the record with weight and tension. Vocalist and guitarist Jake Rubin describes the album as a reflection on growth and what comes after, framing ‘in remembrance’ as a body of songs meant to evolve alongside the listener and settle into daily life through repetition and time.
Golden Globe and GRAMMY-nominated recording artist, songwriter, actor, and producer Nick Jonas celebrates the start of 2026 with the release of his brand new single, “Gut Punch,” out now. The soaring and emotionally-charged track offers the first glimpse of his highly-anticipated solo album, Sunday Best, arriving February 6th and ushers in his most open and personal era yet.
“Gut Punch” opens with sparse piano and introspective lyrics of self-doubt; a moment of brutal honesty that swells into a powerful chant-ready chorus, as he sings “Hit me like a gut punch. I hurt my own feelings. How did I get so good at being mean to myself?”
On the song’s deeper inspiration, Nick shares, “I tend to be hyper critical of myself, not typically about my appearance or getting older, but I was wondering, ‘Am I doing everything to be the best version of myself? Am I a present and thoughtful husband? Am I a good father?’ As time goes by, the stress and complications of life will weigh on you. It’s important to remember there was once a version of you who was carefree and loved the world.”
Sunday Best marks Nick Jonas’ first solo project in nearly five years and captures him at his most open, introspective, and artistically renewed. On the album, he dives deeper than ever before, drawing from important life chapters, both celebratory and challenging, that he’s faced over the past two years and the new perspective he’s gained as both a husband and father. Through unguarded storytelling and vulnerable moments he has never previously shared publicly, the album offers listeners an intimate look into his world and explores honesty, growth, and rediscovery.
Sonically, Jonas draws inspiration from his musical roots and early years singing in church choirs, infusing the record with the warmth and spirit of musical influences from both his childhood and adult life. Sunday Best features vivid lyricism, rich and soulful arrangements, and warmly layered instrumentation that highlight his most emotionally resonant work to date.
Ring in the new year with “Gut Punch” out now, and get ready for Sunday Best on February 6th.
