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Russell Dickerson Expands RUSSELLMANIA TOUR 2025 with New Fall Dates and Smash Hit “Happen To Me”

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Multi-platinum entertainer Russell Dickerson, extends ROUND 3 of his RUSSELLMANIA TOUR 2025, adding more dates to the fall run. The tour has drawn sold-out crowds and is set to bring even more unforgettable moments as the excitement continues into summer and fall.

Dickerson’s latest and fastest-rising single, “Happen To Me” anthem has already made history as the biggest streaming debut of his career. “Exuding a big arena-ready energy and easily screamable lyrics,” (Holler) the track has already surpassed 56 million streams and climbed into the Top 30 on the country radio charts.

See all of the upcoming RUSSELLMANIA TOUR 2025 Dates below:
9/18 – Wallingford, CT – Oakdale Theatre
9/19 – Philadelphia, PA – The Fillmore Philadelphia
9/25 – Charlotte, NC – The Fillmore Charlotte
9/26 – Columbus, OH – KEMBA Live!
9/27 – Pittsburgh, PA – Stage AE
10/3 – Pickering, ON – Pickering Casino Resort
10/4 – Rama, ON – Casino Rama Resort
10/10 – Lincoln, CA – Thunder Valley Casino
10/14 – Spokane, WA – The Podium
10/15 – Seattle, WA – Showbox SoDo
10/17 – Calgary, AB – Grey Eagle Resort and Casino
10/18 – Saskatoon, SK – TCU Place
10/23 – Kansas City, MO – Uptown Theater
10/24 – Omaha, NE – Steelhouse Omaha
10/25 – Waukee, IA – Vibrant Music Hall
11/14 – Clearwater, FL – The BayCare Sound

Bold indicates newly added dates
* Jake Scott
^ Niko Moon

JINJER Drop Explosive “Fast Draw” Live Video from Duel, Packed with Tour Mayhem and Festival Fury

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Jinjer have released new music video for “Fast Draw”, a standout track from their latest album, Duel. Featuring live footage from their recent European tours alongside metal legends Sepultura, as well as highlights from last summer’s festival circuit, the video offers a front-row seat to JINJER’s live energy and commanding stage presence.

Renowned for their genre-defying sound and electrifying performances, JINJER continues to rise as one of the most dynamic forces in today’s metal landscape. The band spent 2024 on the road with Sepultura as part of the iconic group’s farewell world tour, and 2025 has already seen them bring their ferocity to stages across Asia and Australia. This summer, JINJER will storm North America as direct support for Babymetal, with additional high-profile festival appearances set for Download UK, Graspop Metal Meeting, and more.

Eugene Abdukhanov says of the new album: After all the releases we’ve made, finally having Duel in our hands and ready to be shared with the world, makes us very proud that our band still hasn’t run out of creativity and inspiration. The fact that we still challenge ourselves to release the best music we have ever made with each new release, is what keeps JINJER moving forward. This album was the longest songwriting process we’ve ever had and it took almost two years to complete. We worked very hard with every free minute we weren’t on tour, recording demos over and over again and always searching for the perfect sound for guitars, bass and drums. It was also the first time that Tatiana did vocal pre-productions, so it’s safe to say that none of our releases were so well thought out and calculated as this one. It pulverizes the boundaries of the modern progressive metal genre but still remains sophisticated, exciting and extreme all at the same time. We took up the challenge to expand our musical horizons even wider than before in order to cement Duel to be the next step in JINJER’s musical growth and hopefully the evolution of metal music in general.”

HEALTH and Chelsea Wolfe Unleash Haunting New Single “MEAN”

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 HEALTH joined forces with Chelsea Wolfe for their collaborative debut single, “MEAN.” The spellbinding track is out now worldwide via Loma Vista Recordings. Produced by Stint (Oliver Tree, Demi Lovato) and mixed by Lars Stalfors (SALEM, The Neighbourhood), “MEAN” fuses HEALTH’s signature industrial sonic edge with Chelsea Wolfe’s heavenly vocals to create an alternative banger pulsing with emotion and tension.

HEALTH’s headlining ‘RAT WARS EXPANSION TOUR’ is underway now, with shows across the Southeastern U.S.. The trio of Jake Duzsik, John “Johnny” Famiglietti, and BJ Miller will head to Europe in June for additional headlining shows and festival dates, with U.S. dates supporting Pierce the Veil to follow in October.

“MEAN” serves as HEALTH’s first new single following their collaboration with Filter, “FREE TO DIE,” which was featured on RAT WARS ULTRA EDITION, a deluxe expansion of their critically acclaimed 2023 album RAT WARS. In addition to last year’s collaboration with FILTER, HEALTH released tracks with Lauren Mayberry (“ASHAMED”) and Bad Omens (“THE DRAIN”), as well as a remix for Lamb of God’s song “Laid To Rest” for the metal legend’s Ashes Of The Wake (20th Anniversary Edition) LP for Epic Records/Legacy Recordings (guitarist Willie Adler is also featured on the menacing RAT WARS/RAT WARS ULTRA EDITION track “CHILDREN OF SORROW.”).

Produced by Stint and mixed by Stalfors, RAT WARS and RAT WARS ULTRA EDITION are HEALTH’s highest streaming releases with a combined 88 million global streams to date. RAT WARS also debuted at #1 on Apple’s Alternative Top Albums Chart and in the Top 10 of Spotify’s Top Albums Chart, while earning the trio cover stories at Revolver, Kerrang!, and Fuze, as well as guest appearances on Amoeba’s What’s In My Bag, Alternative Press’ Artist Friendly podcast, Comedy Bang Bang’s CBB.FM, Loudwire’s Loudwire Nights, Songwriters on Process, Joe Pug’s The Working Songwriter, and more. Their fifth LP landed on ‘Best Albums of 2023’ lists by Revolver, Alternative Press, New York Magazine/Vulture, MXDWN (#1 Album of 2023), Heavy Consequence, Uproxx, and FLOOD Magazine, among many others.

“MEAN” marks Chelsea Wolfe’s first new music since 2024’s acclaimed She Reaches Out to She Reaches Out to She, an album the New Yorker praised for “stretching gothic sounds and themes beyond the boundaries of genre.” Wolfe completed the She Reaches Out to She Reaches Out to She triptych with two companion EPs: Undone, a collection of remixes from artists like ††† (Crosses), Boy Harsher, and Full of Hell, and Unbound, which stripped the songs to their raw, elemental core. Together, the triptych serves as a contemplation on the nature of change, an excursion through the ouroboric cycles that shape us, much like the phases of the moon.

Wolfe continues to tour through the fall-this spring she’ll perform at Los Angeles’ Cruel World Festival, then embark on a headline tour across Australia and New Zealand, followed by a North American run supporting Wardruna in September.

TESLA Announce Five-Night Las Vegas Residency at House of Blues This October

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Tesla are returning to House of Blues Las Vegas inside Mandalay Bay Resort and Casino later this year. Performances of TESLA: The Las Vegas Residency will take place on October 17, 18, 22, 24 and 25, 2025, and are scheduled to begin at 8:30 p.m.

During this exclusive five-day run of shows, TESLA will touch all sides of their unique discography including the heavier edge of electric songs like “Modern Day Cowboy,” “Hang Tough” and “Edison’s Medicine,” as well as their acoustic driven songs such as “Signs” and “Love Song” (two Top 10 Billboard charting hits).

Die-hard fans from all over the world are headed to Las Vegas to witness TESLA, America’s blue collar rock band, during this special limited-time engagement. And TESLA is ready to rock and show fans an unforgettable time.

James Announces First North American Headline Tour in 15 Years with Full Performances of ‘Laid’

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Fresh off a year of sold-out shows and critical acclaim, iconic British band James will return to North America this fall for their first full headline tour in more than 15 years, performing their beloved 1993 album Laid in its entirety for the first time ever. Each night will open with a full performance of Laid, followed by a second set featuring hits, rarities, deep cuts, and fan favorites from across their formidable catalog-including material from their latest UK chart-topping album Yummy.

The 17-date headline begins September 3rd in Atlanta and includes stops in Brooklyn, Toronto, Chicago, Los Angeles, San Francisco, and more, with additional performances played for Riot Fest and Ohana Festival.

A special fan pre-sale begins this Wednesday, May 7th at 10am local time, followed by a general on-sale this Friday, May 9th at 10am local time. VIP Soundcheck Packages will also be available, offering fans early access to the venue, a chance to witness the final three songs of the band’s soundcheck, a live Q&A with members of James, exclusive, limited edition merch items, and early access to merchandise shopping. For more information and to purchase tickets, visit https://wearejames.com.

With over 25 million albums sold and a 40+ year legacy, James remains one of the most revered bands to emerge from Manchester’s alternative scene. Laid, produced by Brian Eno and released in 1993, remains a cornerstone of that legacy – selling over 1 million copies worldwide and spawning transatlantic anthems like the title track and “Say Something.” Despite its cultural impact, this marks the first time the band has ever performed the album in full on tour.

“So looking forward to returning to North America,” said vocalist Tim Booth. “This time the album Laid will be the centrepiece of the set lists with the addition of deep cuts and favorites. Catch us before the end of the world and soak in the uplift of our nine piece love bomb.”

The upcoming North American tour follows James’ acclaimed 2024 co-headline run with Johnny Marr, which was met with widespread praise from both fans and critics. The Dallas Observer called it “a masterful display of new and classic material,” while Brooklyn Vegan noted that the band “had the packed Brooklyn Paramount singing along.” Goldmine hailed James as “an outstanding live band.”

This new headline tour builds on that energy. Fans can expect dynamic setlists, timeless songwriting, and the spontaneous energy James is famous for. The band is known for reshuffling their show night-to-night, meaning each performance is unique – and this tour will be no exception.

James returned from a 6-year hiatus in 2008 and have since entered one of their most creative and acclaimed periods, culminating in Yummy (2024)-their first studio album to top the UK Albums Chart. The record earned praise for its timely themes of AI, politics, and disinformation, with MOJO declaring: “after 18 LPs and over four interrupted decades at the coalface, James are still re-inventing themselves.”

Their 2023 orchestral project Be Opened By The Wonderful celebrated the band’s 40th anniversary and reaffirmed their reputation as bold musical innovators and exceptional live performers. Now, with Laid taking center stage and a second set full of surprises promised each night, this upcoming tour represents a landmark moment in James’ enduring story.

James – North American Tour Dates
Wednesday, September 3rd – Masquerade – Atlanta, GA
Thursday, September 4th – Cannery – Nashville, TN
Saturday, September 6th – Lincoln Theatre – Washington, DC
Sunday, September 7th – Union Transfer – Philadelphia, PA
Tuesday, September 9th – Paradise Rock Club – Boston, MA
Wednesday, September 10th – Brooklyn Steel – Brooklyn, NY
Sunday, September 14th – Queen Elizabeth Theatre – Toronto, ON
Monday, September 15th – Beanfield Theatre – Montreal, QC
Wednesday, September 17th – Globe Iron – Cleveland, OH
Thursday, September 18th – Majestic Theatre – Detroit, MI
Saturday, September 20th – Riot Fest* – Chicago, IL
Sunday, September 21st – First Avenue – Minneapolis, MN
Tuesday, September 23rd – Boulder Theatre – Boulder, CO
Thursday, September 25th – Commonwealth – Salt Lake City, UT
Saturday, September 27th – The Bellwether – Los Angeles, CA
Sunday, September 28th – Ohana Festival* – Dana Point, CA
Tuesday, September 30th – The Fillmore – San Francisco, CA
Thursday, October 2nd – Crystal Ballroom – Portland, OR
Saturday, October 4th – The Showbox – Seattle, WA
Sunday, October 5th – Commodore Ballroom – Vancouver, BC

*Festival appearances will not include a full performance of Laid

Toronto Launches the Toronto Music Experience, a Groundbreaking Home for the City’s Soundtrack

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Toronto’s rich musical legacy is taking centre stage with the launch of the Toronto Music Experience (TME) — a first-of-its-kind destination that will celebrate the city’s unparalleled contributions to music in Canada and around the world.

The news was announced at an intimate event held at Live Nation’s The Lounge in Toronto, where an inspiring mix of artists, cultural leaders, and city builders gathered to celebrate the bold vision behind this ambitious new project. The stage lit up with heartfelt testimonials from iconic talents including Alex Lifeson, Jully Black, Kairo McLean, Lorraine Segato and more – each sharing powerful words about the significance of TME. The evening also included TME Champions Sylvia Tyson, Murray McLauchlan, Jay Douglas, Tom Wilson, Kim Stockwood, Bill King and Thompson Egbo-Egbo, and featured a special performance by Steven Page, adding an unforgettable musical moment to the night. In a show of early philanthropic support, The Lewitt Family Foundation announced a generous commitment to match donations up to $100,000, helping to galvanize momentum for the project.

TME will take a storytelling-driven approach to explore Toronto’s musical past, present, and future through immersive exhibits, pop-up activations, live performances, and education initiatives. From the Indigenous peoples who first made music on this land, to the musical legacy of the Underground Railroad, Yorkville’s folk scene, Michie Mee’s pioneering hip hop, and global icons like Drake, The Weeknd, Gordon Lightfoot, and Rush – TME will spotlight the artists and movements that shaped the city’s music scene, celebrating the diversity that makes Toronto a cultural powerhouse.

While music education will be a core tenet of TME, the experience will be immersive and interactive and display instruments, lyrics, costumes and rare artifacts from Toronto artists and the city’s live music scene, and it won’t stop there. TME will include multi-use performance and production spaces for artists at all stages of their careers, retail and café spaces that double as creative hubs, and ongoing educational programming designed to foster appreciation and access to music for everyone. It will also house a rotating calendar of temporary exhibitions, developed in partnership with other leading music institutions in Canada and beyond.

TME has already been showcasing the impact of the Toronto music scene, in partnership with the Friars Music Museum, through acclaimed exhibits like Rhythms and Resistance: Caribbean Music in Toronto, Toronto Sound: The Yonge Street Scene, and the latest exhibit Shaking the Foundations: Women Trailblazers in Toronto Music. Ongoing TME branded ‘pop up’ programming is planned digitally and in locations across the GTA. 

Denise Donlon, celebrated music industry and broadcast executive and member of TME’s Advisory Board, says, “Toronto’s artists have long punched above their weight on the world music stage – but there’s never been a space dedicated to telling that story. The Toronto Music Experience will be more than just a modern museum; our mission is to build an experiential space where artifacts meet immersive experiences in tribute to the artists, communities, and cultures that make our city sing. It’s a powerful way to celebrate our past and inspire the next generation of creators.”

Backed by over 250 of Canada’s most respected voices in music, media, and culture, the organization’s Board of Directors is a diverse and passionate group of Torontonians with backgrounds in the music industry, business, media, arts and culture and government, including: Derek Andrews, Elaine Bomberry, Kim Cooke, Del Cowie, Lorna Day (Chair), Mike French, Mark Garner, Nicholas Jennings, Syma Shah, Stephen Stohn, Klive Walker and Liz West.

An equally distinguished Advisory Board lends further expertise, including Donlon, Brainerd Blyden-Taylor, Ray Danniels, Bob Ezrin, Bernie Finkelstein, Molly Johnson, Randy Lennox, Riley O’Connor, Joan Pierre and Dr. Duke Redbird.

“The Toronto Music Experience will be a place where visitors and Torontonians from all walks of life can come together to explore the soundtrack of their city — and in doing so, better understand one another,” says Day. “This is about creating a permanent cultural space that reflects and amplifies who we are as a city and a destination which inspires future musical success stories.”

The Toronto Music Experience has officially secured Charitable Status, marking a major milestone in its development. With a five-year plan guiding its path to opening a permanent cultural home by 2029, the organization is now focused on building momentum through fundraising, partnerships, and community engagement to bring this bold cultural vision to life.

5 Surprising Facts About Steely Dan’s ‘The Royal Scam’

The Royal Scam, released in 1976, radiates surreal satire, jazz precision, and lyrical puzzles. With tales of acid kings, skyscraper beasts, and sly nods to rock rivals, the album is packed with curious gems. Here are five delightful facts tucked inside the grooves.

1. “Kid Charlemagne” Tells the Tale of a Psychedelic Trailblazer
The album’s opener draws inspiration from Owsley Stanley, the famed LSD chemist of the 1960s counterculture. His “Technicolor motorhome” likely refers to the Merry Pranksters’ kaleidoscopic bus. Through jazz fusion and biting lyrics, Steely Dan immortalized a moment of psychedelic history.

2. Larry Carlton’s Guitar Solo Became a Landmark
Carlton recorded his solo on “Kid Charlemagne” in segments, blending precision and spontaneity. Each phrase bends and twists with fluid energy, earning it recognition as one of rock’s greatest solos. The final product flows so smoothly, it feels like a song within a song.

3. “The Fez” Features a Rare Co-Writing Credit
Paul Griffin, the session keyboardist, helped shape the melody during the recording of “The Fez” and received co-writing credit. Becker and Fagen, known for their meticulous credits, added his name in a spirit of generosity and curiosity. Griffin’s playful riff helped elevate the track’s groove.

4. Steely Dan and the Eagles Traded Musical Winks
“Everything You Did” includes the line, “Turn up the Eagles, the neighbors are listening,” a lyric sparked by Becker’s girlfriend’s listening habits. The Eagles replied later that year in “Hotel California” with, “They stab it with their steely knives,” a lyrical nod. The connection reflected shared management and mutual respect.

5. The Album Cover Merged Two Striking Visions
The dreamlike cover art—featuring a man asleep beneath looming animal-headed skyscrapers—was originally created for a Van Morrison project. Designer Ed Caraeff added a photo of a Boston vagrant to complete the surreal composition. Fagen and Becker once called it the most memorable artwork of the decade.

The Royal Scam sails through jazz, funk, and lyrical folklore with polished ease, every track shaped by masterful musicianship and sharp imagination. Each listen reveals another layer waiting to be uncovered.

5 Surprising Facts About Christopher Cross’ Debut Album

Christopher Cross’s debut album arrived like a pastel sunrise over calm water—digitally recorded, gorgeously arranged, and immediately embraced. Here are five charming facts that float just beneath the surface.

1. Christopher Cross Turned Down Steely Dan
Donald Fagen and Walter Becker invited Cross to play guitar on a Steely Dan album, a high compliment from two of the most meticulous musicians in pop. He politely declined, choosing instead to focus on his own rising star. Within a year, he was collecting Grammys and riding the wind on his own terms.

2. “Sailing” Was Inspired by a Teenage Friendship
Cross wrote “Sailing” about Al Glasscock, an older friend who took him out on the water when he needed an escape during high school. Their calm afternoons at sea stayed with Cross for decades. The song became a shimmering tribute to those moments—and a soft rock classic that continues to soothe.

3. The Band Found Its Groove Thanks to a Simple Kick Drum
During early sessions for “Ride Like the Wind,” the band felt uneasy in the studio, and the takes weren’t clicking. Producer Michael Omartian suggested a four-on-the-floor kick pattern to ground the energy. That simple rhythm unlocked the song’s pulse and helped transform it into a top-charting hit.

4. Michael McDonald Was a Last-Minute Addition
Cross originally sang all the vocals on “Ride Like the Wind,” including the signature response lines. Omartian felt the song needed contrast, and Michael McDonald’s voice was the perfect fit. His smooth delivery added depth—and became one of the album’s most beloved touches.

5. Cross Once Owned Stevie Ray Vaughan’s Famous Strat
In 1974, Cross traded in a Stratocaster at a local Austin shop for a Gibson Les Paul. The very next day, a young Stevie Ray Vaughan walked in and bought that same guitar—his future Number One. That instrument went on to make history in blues rock, with Cross unknowingly part of its origin story.

Christopher Cross remains a high-water mark for soft rock—digitally pristine, endlessly melodic, and filled with stories that still shimmer in the sun.

10 Album Covers That Should Be in an Art Museum

Album covers are more than packaging—they’re portable exhibitions, identity statements, cultural time capsules. As an art designer and museum curator, I’ve long believed the best of them belong in galleries, framed and lit with reverence. Here are 10 covers that don’t just complement the music—they elevate it to visual art.

A Seat at the Table (2016) – Solange
With its muted palette and quiet power, Carlota Guerrero’s portrait of Solange is a masterclass in softness as strength. It’s vulnerability as visual language, echoing fine art portraiture from past and future.

Bitches Brew (1970) – Miles Davis
Mati Klarwein’s psychedelic painting explodes with Afrofuturist surrealism. It’s cosmic, chaotic, and breathtaking—a visual jazz odyssey as layered and wild as the music itself.

Dark Side of the Moon (1973) – Pink Floyd
A refracted beam of light, a black void, and the beginning of a design legacy. Hipgnosis and Storm Thorgerson’s minimalist cover turns physics into poetry—timeless, mathematical, and haunting.

Homogenic (1997) – Björk
Nick Knight and Alexander McQueen created a character both otherworldly and emotionally grounded. It’s fashion editorial meets intergalactic folklore—a moving sculpture frozen in digital time.

Sgt. Pepper’s Lonely Hearts Club Band (1967) – The Beatles
A full-blown tableau of icons, misfits, and muses. Peter Blake’s collage captures not just a band, but a moment. It’s part theater set, part time capsule, all art history.

Surrealistic Pillow (1967) – Jefferson Airplane
The raw, black-and-white photo by Herb Greene reads like a protest poster crossed with a basement zine. It’s lo-fi elegance before that was even a phrase—unfiltered, defiant, and perfect.

The Miseducation of Lauryn Hill (1998) – Lauryn Hill
Carved into faux wood like a school desk, it’s a visual of rebellion through knowledge. It belongs in a room with James Baldwin quotes and Nina Simone piano chords echoing in the walls.

Trout Mask Replica (1969) – Captain Beefheart and His Magic Band
Part horror show, part surrealist joke—this cover is avant-garde nonsense you can’t forget. A fish head and a fedora somehow become pure, strange genius. It’s the art school fever dream we secretly love.

Unknown Pleasures (1979) – Joy Division
Peter Saville’s cover, derived from a pulsar radio signal, feels like silence visualized. No title, no band name—just data turned into dread. It’s been reprinted on T-shirts, tote bags, and yes, gallery walls.

The Velvet Underground & Nico (1967) – The Velvet Underground
Andy Warhol’s banana is cheeky, clean, and instantly iconic. The peelable version? Interactive art before Instagram filters existed. Pop art made punk before punk had a name.

Album art is intention made visible. In a perfect world, record sleeves would hang beside oil paintings and digital installations. After all, art doesn’t just live in museums—it lives in your headphones, your memories, and your shelves. Maybe it’s time we gave it the frame it deserves.

10 Tips for Performing Live, Even If You’re Nervous

No matter how many open mics, arena shows, or shower concerts you’ve done, performing live can still feel like tightrope walking with your soul exposed. Stage fright is natural—but it doesn’t have to run the show. Here are 10 tips to help you sing, strum, speak, or scream through it with confidence.

1. Feel the Fear—Then Invite It In
Nerves are just your body trying to help. It’s adrenaline saying, “This matters.” Thank it. Channel it. Don’t fight the butterflies—teach them to fly in formation.

2. Breathe Lower, Not Louder
Belly breathing calms the nervous system and anchors your sound. Inhale through your nose, expand the ribs like an umbrella opening. Exhale slowly. Repeat until your shoulders stop auditioning for a turtleneck.

3. Know Your First 30 Seconds Cold
Memorize your intro or first verse like it’s your favorite snack. Confidence comes from muscle memory, and nothing soothes the jitters like crushing that opening moment with ease.

4. Say Hi to the Room
Seriously. Wave. Wink. Tell a quick story. Human connection beats perfection. You’re not just performing music—you’re sharing energy. Make it personal, not perfect.

5. Practice Messing Up
Yup, rehearse a mistake. Then recover with a laugh or a lyric shift. Perfection is boring. Resilience is riveting. Your audience roots for you when you roll with it.

6. Use Your Anchors
Wear a bracelet, a scent, or a pair of socks that makes you feel safe. Familiarity calms the brain. Stage becomes less “stranger danger” and more “oh hey, I’ve got this.”

7. Visualize the Show Going Well
Not just the applause—imagine plugging in your cable, breathing through a high note, cracking a smile mid-song. Train your brain to expect success instead of sabotage.

8. Move Like You Mean It
Motion lowers cortisol. Even a gentle sway or tapping your foot creates rhythm in the body and signals confidence to the mind. Stillness is powerful—but don’t freeze.

9. Talk to Yourself Like You Would Your Best Friend
Would you call your friend a flop before their big gig? No? Then don’t say it to yourself. Be your own hype person. Affirmations may feel cheesy—but they work.

10. Leave Space to Be Surprised
The best performances have magic in the mess. Let go of “getting it right.” Be open to the room, the vibe, the unexpected. Trust your prep—and then let it breathe.

Performing live is a cocktail of fear, freedom, focus, and fun. You don’t have to feel fearless to be fabulous. You just have to show up, breathe deep, and tell your story—one shaky, shining note at a time.