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Beyoncé’s Cowboy Carter Tour Becomes Highest-Grossing Country Tour in History, Breaking 30+ Stadium Records

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COWBOY CARTER TOUR is now the highest grossing country tour of all time as reported by Billboard. With this nine-city run, Beyoncé has extended two records — as the highest-grossing Black artist of all time and the highest-grossing R&B artist of all time — and becomes the first woman and the first American act to have two separate tours gross over $400 million. Additionally, she shattered more than 30 venue records across North America, the United Kingdom and Europe run, including at iconic stadiums such as SoFi Stadium in Los Angeles, MetLife Stadium in New Jersey, Tottenham Hotspur Stadium in London, Stade de France in Paris and more. 

Beyoncé delivered an era-defining live experience that blended storytelling, fashion, and cultural commentary—cementing COWBOY CARTER TOUR as one of the most ambitious and impactful tours of her career.  Blending genre-defying musicality and high-concept visuals, COWBOY CARTER TOUR was a genre-reimagining spectacle rooted in Beyoncé’s globally acclaimed and Grammy-winning COWBOY CARTER album, including Album of the Year. Each night unfolded American music traditions—fusing country, rock, folk, soul, and more—through her unique lens.

Critics all agreed, with GQ calling COWBOY CARTER TOUR “(Once Again) A Reassertion of Beyoncé as Our Greatest Living Performer” at the start of the tour. The Telegraph praised her London performance with a five star review at Tottenham Hotspur Stadium, stating “Nobody in pop can touch her…Armed with monster hits and a veritable war zone of pyrotechnics, Queen Bee reigns supreme in London.”

To recap the massive outing, which set new benchmarks for creativity, scale, and impact, key stats can be found below. 

COWBOY CARTER TOUR BY THE NUMBERS

The high production performance of COWBOY CARTER TOUR featured:

  • A nearly 3-hour set spanning 42 songs from across her catalog
  • 3 flying props, including a mechanical golden horse, a red horseshoe, and a convertible lowrider
  • 1 custom star stage design with robots, pyrotechnics, and immersive lighting that transformed each venue into a futuristic rodeo
  • Appearances from JAY-Z, Miley Cyrus, Ms. Tina Knowles, Shaboozey, The Mayyas, and Destiny’s Child
  • A globally sourced fashion wardrobe featuring over 25 designers that merged Western grit with avant-garde glamour
    • Designers included Anrealage, Balmain, Burberry, Calvin Klein, Coperni, Diesel, Dolce & Gabbana, Ferragamo (paired with jewelry by young British designer Shola Branson), Ferrari, Gucci, Loewe, Moschino, Mugler, Off-White by Ibrahim Kamara, Poster Girl, Ralph Lauren, Roberto Cavalli, Sacai, Schiaparelli, Stella McCartney, TELFAR, Versace, Vivienne Westwood, and more.  
    • Wardrobe leads for the tour include Shiona Turini, Karen Langley, Ty Hunter, and Timothy White.  
    • Make-up artist was Rokael Lizama, and hairstyling was handled by Neal Farinah for Cécred, the hair brand founded by Beyoncé. 
  • The shows were made possible by a 350+ member touring crew, including her two daughters – Blue Ivy and Rumi Carter – musicians, dancers, production teams, videographers, photographers and more. 

Each show contributed to a global impact of:

  • 1.5 million+ fans in attendance
  • 64 Kings and Queens of Beyoncé’s Beyhive were crowned “Rodeo Royalty” for their authentic and creative tour wardrobe during COWBOY CARTER TOUR.
  • 32 sold-out stadium shows across North America, the UK, and Europe
  • Over $400 million USD gross
  • 30+ stadium records broken
  • BeyGOOD’s commitment for the COWBOY CARTER TOUR exceeds $3 million in direct community investment.
    • BeyGOOD Foundation continues its work of helping communities with programs in entrepreneurship, scholarships, disaster response, including helping those affected by the recent wildfires in the Los Angeles, California area during the tour. 

Global Entertainment & Media Market to Reach $3.5 Trillion by 2029, Driven by AI-Powered Advertising Boom

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The global entertainment & media (E&M) industry edged towards US$3 trillion in revenue in 2024 and is forecast to hit $3.5 trillion in 2029 as advertising spend surges across platforms, according to PwC’s Global Entertainment & Media Outlook 2025-29, released today.

The E&M industry is projected to grow at a compound annual growth rate (CAGR) of 3.7% until 2029 – a rate above the projected global economic growth average, but below pre-pandemic highs. Economic uncertainty and anaemic consumer spending growth, amid heightened domestic and international competition in the industry, is expected to weigh on E&M growth rates through the forecast period until 2029.

Bart Spiegel, Global Entertainment and Media Leader, PwC US, said:

“As the E&M industry continues to be impacted by broader economic uncertainty and constrained consumer spending, advertising is emerging as the leading powerhouse of the global entertainment and media industry’s revenues – a transformation expected to continue as AI transforms delivery models, democratises content production, serves highly curated content experiences, and reduces barriers to entry. The E&M industry has always been at the forefront of technological innovation, but companies will need to remain nimble and proactive to embrace the future and satisfy consumers in an ecosystem that rewards creativity and tailored content.”

Advertising to serve as industry engine for revenue growth as AI transforms advertising models

As growth for paid or subscription products slows amid heightened industry competition and constrained consumer spending – particularly in mature markets – advertising is forecast to represent a significant driver of revenue growth for the E&M industry at-large.

Of the three major E&M categories analysed (connectivity, advertising, consumer), advertising is expected to grow fastest – three times as fast (6.1% CAGR) as the consumer category (2%).

The fastest growing E&M revenue metrics over the next five years are all advertising driven – including retail advertising (15%), social and mobile on-stream video advertising (15%), and connected TV in-stream internet advertising (14%). Digital formats, which account for 72% of overall ad revenue in 2024, will rise to 80% in 2029, with new technologies including AI and hyper-personalisation expected to drive this even further. High growth areas include retail search advertising in e-shopping (rising from 32.7% in 2020 to 45.5% in 2029) and advertising in video games (rising from 32.8% in 2024 to 38.5% in 2029).

AI is impacting the E&M industry in many ways. One of the areas in which it is likely to influence revenue growth is in connected TV (any television that connects to the internet to stream video content). In 2020, connected TV advertising revenue equated to just 5.9% of total traditional broadcast TV advertising. In 2024, this figure had jumped to 22%. But with the rise of digital engagement and the prospect of AI-assisted hyper-personalisation, which may lead to greater end-user uptake, connected TV ad revenues will rise to $51 billion in 2029 – equal to 45% of traditional broadcast TV advertising.  

For now, connectivity remains the largest category, with spending reaching $1.3 trillion in 2029, growing at CAGR of 2.8% and driven mainly by mobile internet service revenue. However, advertising’s pronounced growth rates are set to see the gulf between connectivity and advertising spend rapidly narrow by 2029.

Non-digital revenue – including live music, events and cinema box office – lead consumer spending

Consumers may spend more of their free time online, but they continue to spend more of their entertainment budget offline. In 2024, non-digital formats accounted for 61% of consumer revenue – a level of spend expected to broadly continue through the forecast period.

While global cinema box office spending is expected to rise from $33 billion in 2024 to $41.5 billion in 2029, consumers’ preferences are continuing to shift toward locally produced films. Globally, the top five US studios’ market share has dropped from over 60% before the pandemic to 51% in 2024.

Video gaming remains an industry bright spot

The global video gaming industry continues to be an engine of E&M growth, with the global video games market exceeding the movie and music industry combined. Total revenues were $224 billion in 2024, with the industry expected to grow to nearly $300 billion in 2029 at a CAGR of 5.7%.

Developing markets continue to lead E&M industry growth rates 

Excluding connectivity revenues (e.g., mobile service subscriptions), the US comfortably leads as the world’s largest E&M market by revenue. It is forecast to grow at a CAGR of 3.8% until 2029 – lagging below the global average of 4.2%. Looking elsewhere, E&M revenues in China – the second largest market – will rise at a CAGR of 6.1%, powered primarily by its internet advertising segment, with a CAGR or 8.9%. The fastest growing markets globally continue to be in developing markets, including India and Indonesia, all with CAGRs above 7.5%. In India, much of the growth will stem from internet advertising – which is growing at a CAGR of 15.9% – driven by expanding internet penetration, rising 5G connectivity, and the popularity of social media and short-form video content. 

Wilson Chow, Global Technology, Media and Telecommunications (TMT) Leader, PwC China, said:

“Consumers have never had as numerous or diverse choices of entertainment services on offer, but this competition, paired with economic uncertainty and rising costs, is seeing consumer spend growth stagnate. If entertainment and media businesses are to capture new audiences and generate growth, they must be thinking about the connected ecosystems in which they operate, leveraging the power of advertising and AI, the combination of which is allowing for far more cost-effective and personalised content creation and engagement models.”

Kygo’s Hollywood Bowl Concert Film ‘Back at the Bowl’ Hits Theaters Worldwide in SCREENX and 4DX

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DJ-music producer Kygo and CJ 4DPLEX, the world’s leading producer of premium film formats and cinema technologies, today debuted the official trailer and concert film poster for the highly anticipated, KYGO: BACK AT THE BOWL. Following Kygo’s sold-out concert from the Kygo World Tour at the iconic Hollywood Bowl, the film is set for a worldwide theatrical release on Friday, September 26 and is specifically produced for CJ 4DPLEX’s all-encompassing SCREENX format and programmed for the ultimate concert experience in 4DX.

Directed by Grammy-nominated and Emmy Award-winning filmmaker Sam Wrench (“Taylor Swift: The Eras Tour,” “Billie Eilish Live at the O2”), the concert film delivers remixed and remastered soundscapes, complemented by breathtaking visuals that capture the energy of the full-house performance. The cinematic experience features extended imagery and exclusive behind-the-scenes footage, all filmed in 8K with 18 cameras to fully take advantage of the 270-degree SCREENX format.

KYGO: BACK AT THE BOWL will debut at cinemas worldwide in all formats including PLF, 4DX, SCREENX and 2D screens. SCREENX enhances the traditional movie-going experience by seamlessly extending the screens onto the auditorium’s surrounding walls on the left and right sides. This premium 270-degree panoramic display amplifies visuals and fully immerses audiences in a one-of-a-kind cinematic experience making viewers feel like they are right there in the crowd. 4DX incorporates more than 21 different environmental effects, such as motion, vibration, water, wind, lightning, and scents, perfectly synchronized with the music and on-screen action for the ultimate concert experience.

“I’m so excited for fans to experience the magic of last fall’s Hollywood Bowl show in this immersive SCREENX and 4DX experience,” said Kygo. 

The concert showcases Kygo and featured artists performing hits from across his career including “Higher Love” and “It Ain’t Me”, and includes guest appearances from multi-Grammy winner Ryan Tedder for the first-ever live performance of their song “Chasing Paradise”; Ava Max, who performs alongside Kygo for a live performance of their hit song “Whatever,” off Kygo’s new self-titled album; Zara Larsson, performing alongside Kygo for a live performance of their song “Like It Is”; as well as Calum Scott, Justin Jesso, Parson James, & more.

Don Savant, CEO & President, CJ 4DPLEX America said, “We’re proud to collaborate with Sam Wrench and Kygo’s team at Palm Tree Pictures on this incredible concert film. The energy of a live show is truly unparalleled, and the panoramic visuals of SCREENX’s 270-degree format brings that atmosphere to life. It’s a cinematic event fans won’t want to miss and can only be experienced in theaters, including PLFs, 4DX, SCREENX, and 2D Cinemas.” 

Production companies include Wrench’s Next of Kin Content, an EverWonder Studio company; CJ 4DPLEX; and Palm Tree Pictures, Kygo and longtime manager Myles Shear’s new film and TV production arm. Executive producers include Kyrre Gørvell-Dahll, Myles Shear, Mike Hoerner, and Sarah Lieberman for Palm Tree Pictures; Mike Antinoro for Next of Kin; and Jun Bang, Don Savant, Paul Hyo Kim, and Greg Drobnick and for CJ 4DPLEX.

Live Entertainment Market to Hit $270B by 2030, Fueled by Music Concert Boom and Immersive Tech

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The global live entertainment market is expected to grow from USD 202.90 billion in 2025 to USD 270.29 billion by 2030, growing at a CAGR of 5.9% according to a new report by MarketsandMarkets. The live entertainment market is driven by rising consumer demand for immersive, real-time entertainment experiences, fueled by the popularity of live concerts, sports, and interactive events. Advancements in live-streaming, virtual reality, and augmented reality technologies have expanded audience reach and engagement across platforms. The integration of digital ticketing, mobile apps, and data analytics has also enhanced user experience and event management efficiency. Additionally, increased consumer spending on leisure activities and favorable government policies supporting cultural and entertainment events are encouraging investment in the sector. These factors contribute to the robust expansion of the live entertainment market.

The pre-recorded/recorded streaming type holds the largest market share in the live entertainment market in 2024.

The dominance is driven by increased consumer preference for flexible, on-demand content accessible across platforms like YouTube, Spotify, and Netflix. Content creators and organizers benefit from scalable monetization models, including subscriptions, advertising, and pay-per-view. The segment’s low operational costs and global reach further cement its leadership. The live ticket sales segment follows as the second largest, propelled by strong consumer turnout for in-person events post-pandemic recovery.

Music concerts are projected to be the fastest-growing application segment in the live entertainment market during 2025–2030.

The growth is fueled by the rising demand for immersive, communal experiences and the resurgence of large-scale festivals and international tours. Technological innovations such as AR-enhanced shows and hybrid concert formats have also broadened audience access and engagement. The segment is further supported by increased artist-led initiatives and brand sponsorships targeting the youth demographic. As artists and organizers increasingly prioritize direct fan interaction and experiential content, the music concert segment is poised for rapid expansion through 2030.

China is expected to grow with the highest CAGR in the live entertainment market during the forecast period,

Music concerts are the fastest-growing segment in China’s live entertainment industry, powered by a strong post-pandemic rebound in attendance—concerts with over 10,000 people rose by 84.4% in 2024—and a surge in festival tourism, especially among 18–30-year-olds, who travel across cities for immersive experiences. Government support—through subsidies, streamlined approvals, and venue incentives—is boosting large-scale events in cities like Shanghai, Sichuan, and Haikou. Moreover, the integration of AR, hybrid streaming, and festival innovations has expanded reach and engagement, while concert-driven tourism generates substantial economic spillover in accommodation, dining, and retail.

Major companies operating in the global live entertainment companies include Live Nation Entertainment (US), AEG (US), CTS Eventim (Germany), HYBE Corporation (South Korea), SM Entertainment (South Korea), MSG Entertainment (US), and TEG (Australia).

Skywork Unveils Mureka V7 and TTS V1, Ushering in a New Era of Emotionally Intelligent AI Music and Voice

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Skywork has unveiled its latest music model, Mureka V7, alongside an all-new audio model, Mureka TTS V1. The latter introduces groundbreaking Voice Design capabilities for timbre customization, delivering an exceptional experience to users worldwide.

Previous iterations, including the Mureka O1 and V6 models, have garnered widespread global recognition, fueling nearly 3 million new user registrations since their official launch in late March.

Mureka V7: Crafting More Captivating Melodies for You

The latest upgrade Mureka V7 transforms users’ musical inspiration into a single click. It marks not just a quantum leap in efficiency, but a fundamental evolution in sound quality.

1. Mureka V7 delivers superior music quality. With enhanced melodic development, better arrangements, and more realistic vocal / instrument rendering, it ensures radio-ready excellence in every creation.

2. Mureka V7 redefines musical innovation. Compositions generated by Mureka V7 can actively inspire creator workflows.

Of course, these auditory enhancements are rooted in measurable technical advancements:

1. An increase in average performance rating of V6’s 43.4% to V7’s 57.7% represents a significantly higher probability of generating desirable songs from lyric inputs.

2. With 44% enhanced vocal realism and expression, the output consistently sparks reactions like “This can’t be AI-generated!”

3. With nearly 100% improvement in overall audio quality, Mureka V7 overcomes homogenized AI sound profiles.

How Mureka Crafts Irresistible Melodies?

Mureka V7 introduces major enhancements to MusiCoT (Analyzable Chain-of-Musical-Thought Prompting (https://musicot.github.io/), a specialized Chain-of-Thought (CoT) prompting framework designed for music generation. This upgrade delivers significant improvements in the coherence and sonic performance of AI-generated music mainly through three key innovations:

Structure-First, Generation-Second: Cognitive Modeling of Human Compositional Processes

MusiCoT first guides the model to generate a comprehensive musical structure – including sections, emotional arcs, and instrumentation layouts – prior to audio token generation. This approach effectively resolves the “local optimization trap” inherent in traditional AR models, enabling compositions with more natural progression and dynamic development.

Interpretable Musical Chain-of-Thought with Style-Adaptive Capabilities

By integrating CLAP (Contrastive Language-Audio Pretraining), MusiCoT constructs a semantically grounded musical chain-of-thought. The improvement not only enhances structural analyzability and controllability but also accepts reference audio inputs of variable lengths as style prompts, significantly improving model flexibility in stylistic replication and variation while mitigating risks of direct copying.

Leading Comprehensive Validation: From Subjective Evaluation to Objective Metrics

Extensive experimental results demonstrate MusiCoT’s superior performance across both subjective and objective metrics. The technology significantly outperforms conventional solutions in structural integrity, melodic coherence, and overall musicality, achieving state-of-the-art benchmarks in multiple evaluations.

The latest iteration of MusiCoT achieves unprecedented alignment with human compositional cognition at the structural level. Through scale-up of the proprietary datasets of Mureka and embedding refined information granularity, the latest solution features enhanced controllability and scalability, largely bridging the text-audio modality gap. Future iterations will further advance the system’s creative potential and industrial-grade capabilities.

Mureka TTS V1: Unlimited Timbre Choices, One-Click Customization

Moreover, the newly launched Mureka TTS V1 supports the Voice Design feature, which means users can generate custom vocal timbres simply by describing desired voice characteristics in text.

Mureka TTS V1 also demonstrates significant improvements across key technical metrics in voice design function:

1. Scoring 4.6 for speech sound quality, surpassing ElevenLabs (4.36), with significantly superior auditory performance across all competitors;

2. Scoring 4.64 for word segmentation and phrasing accuracy, indicating superior comprehension of input intent and linguistic expression;

3. Significantly improved overall listening experience, delivering markedly smoother and more coherent audio output

Mureka V7 represents a paradigm shift in AI music generation – from mere technical utility to genuine artistic empathy. This isn’t just an upgrade; it’s the dawn of emotionally intelligent composition, where every melody resonates with human feeling and every rhythm pulses with narrative purposes.

Today, Mureka V7 is a personal recording studio in your pocket. Tomorrow, we hope to see your songs that are created in your bedroom or kitchen, or even in the subway, to top the charts.

Your creative journey begins from Mureka!

W Montréal and Billboard Launch ‘Billboard Live’ Series with Local Star CRi on July 31

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W Montréal is turning up the volume on its commitment to music, culture, and bold luxury with the launch of an exciting new collaboration: Billboard Live at W Montréal. On July 31, the hotel will host the inaugural edition of this exclusive series, headlined by Montréal’s own CRi, the critically acclaimed electronic music artist known for his atmospheric soundscapes and genre-defying performances.

Music has long been one of W Hotels’ core passion points—alongside Taste, Scene, Body, and Stance—each shaping how the brand curates immersive and elevated guest experiences. From W PRESENTS, the global platform spotlighting emerging talent, to local activations that blur the lines between high-design hospitality and cutting-edge performance, music is in W’s DNA.

“We’re thrilled to announce a bold new partnership between W Montréal and Billboard & Rolling Stone Canada—two icons at the intersection of music, culture, and lifestyle. With a powerful editorial footprint and a trusted voice in championing both emerging and established talent, Billboard and Rolling Stone Canada bring unmatched credibility and cultural relevance to this collaboration.” Says Alexandre Tessier, Director of Sales and Marketing, W Montreal.

The Billboard Live series is an extension of Billboard’s deep-rooted authority in music culture. As the definitive voice of the global music industry for more than a century, Billboard is known for its iconic charts, in-depth artist coverage, and culture-shaping storytelling. Its evolving platforms continue to spotlight both mainstream and emerging artists across genres—shaping the sounds and stories that move audiences around the world.

By bringing Billboard Live to W Montréal, the partnership merges two powerful tastemakers in hospitality and music. The result: a high-impact platform for discovery and celebration—one that’s as editorially rich as it is emotionally resonant.

“The energy of Montréal is electric, and music is the heartbeat of it all. This collaboration with Billboard marks a new chapter for us—bringing together artists, creatives, and our guests in a way that’s deeply immersive, uniquely local, and undeniably W.” Said Sarah Le bars, Marketing Manager, W Montreal.

The Billboard Live at W Montréal debut will be a high-impact evening celebrating the convergence of sound, style, and innovation. Because at W Montréal, every scene has a soundtrack!

Fender Unveils 2025 Fender Next Class, Spotlighting 20 Global Artists Shaping the Future of Guitar

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Today, Fender Musical Instruments Corporation (FMIC) announces its seventh annual Fender Next class: a global artist development program designed to spotlight and support the next generation of guitar players making waves in music and culture. Since its launch in 2019, Fender Next has elevated 175 artists across various genres and geographies, offering them the tools, visibility, and platform to shape the future of guitar.

Handpicked by Fender’s Artist Marketing team, the 2025 Fender Next artists hail from all corners of the U.S., Mexico, U.K., France, Germany, Japan, China, and New Zealand—showcasing the global impact and creative range of today’s guitar community. Since its inception, Fender Next has helped fuel the rise of dozens of genre-defining artists, with 75+ featured in Fender campaigns and eight earning FMIC signature models including boygenius, Blu DeTiger, Orville Peck, Kingfish, Tyler Bryant and much more.

Selection for Fender Next is guided by guitar ability, artistic influence, fan engagement, and alignment with Fender’s brand, along with industry referrals and data-driven insights from managers, labels, agents, and tastemakers that further inform the curation process. Additionally, for the first time in Fender Next history, alumni Omar Apollo and IDLES, were invited to personally nominate artists, further enriching the program’s sense of community and creative continuity.

“Fender Next has always been about championing the artists who are redefining the role of guitar in music and culture,” said Jason Klein, Artist Marketing Lead, Fender. “What makes this year especially meaningful is that some of our past Fender Next alumni helped identify and recommend artists of the new class—proof of both Fender and the creative community’s belief in this artist development program and its ability to inspire next generation guitarists. We’re honored to support these artists with the tools and opportunities they need to thrive and grow.”

Fender will drive increased exposure for the new class of Fender Next artists through the brand’s award-winning marketing campaigns, inclusion on Fender’s website and social channels which boast more than 17 million followers worldwide. This year’s class will also receive a curated welcome pack featuring gear that supports their creativity in the studio and on the road, including a Player II Modified Stratocaster with gig bagHammertone effects pedalMustang Micro Plus headphone ampPreSonus HD9 headphonesFender strapcablemug and a one-year PreSonus Studio One subscription.

Beyond product and platform access, Fender Next artists benefit from strategic partnerships that help amplify their reach on the global stage. This includes editorial support and unique programming and performance opportunities via Lagunitas Brewing Company; connecting artists with new fans and celebrating the intersection of music and culture.

In 2025, the tradition continues with a new class reflecting modern guitar’s bold, boundary-pushing spirit. Featuring rising stars like Malcolm Todd, Renee, Horsegirl, Leon Thomas, and many more, the Fender Next Class of 2025 boasts a stacked roster that spans genres, from pop and indie, to alt-rock, punk and R&B. These artists are redefining what it means to be a modern guitarist and pushing the boundaries of music across all styles and stages.

The Fender Next Class of 2025 Includes:

• Aziya (UK)• Lambrini Girls (UK)
• Balu Brigada (New Zealand)• Leon Thomas (USA)
• Brandy Senki (Japan)• Maggie Baugh (USA)
• Chinese Football (China)• Malcolm Todd (USA)
• Cruza (USA)• Man/Woman/Chainsaw (UK)
• Darumas (USA)• Marc Scibilia (USA)
• Flawed Mangoes (USA)• Oracle Sisters (France)
• Fleshwater (USA)• otoha (Japan)
• Friko (USA)• Renee (Mexico)
• Horsegirl (USA)• wavvyboi (Germany)

“We are super excited to be part of Fender Next. Time to blast riffs and throw a tv out a hotel window. Thank you to all involved, may the gods of rock smile down on you amen,” said Lambrini Girls.

“I’m so excited to be on Fender Next, this is like a dream come true for me. I grew up watching some of my idols do this series so it’s definitely a full circle moment. I hope to inspire more people to pick up the guitar and hopefully fulfill their dreams of being in Fender Next too,” said Malcolm Todd. 

Ariana Grande Unveils ‘Plush Vanilla,’ Her Dreamiest LOVENOTES Fragrance Yet, Exclusively at Sephora

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Academy Award nominated and Grammy winning global sensation Ariana Grande expands her LOVENOTES fragrance collection with her newest scent, Plush Vanilla, launching exclusively with Sephora on July 31st. The launch of Plush Vanilla introduces a new chapter to the multihyphenate’s iconic LOVENOTES fragrance collection bringing in a new era of gourmand fragrance.

“The launch of the LOVENOTES fragrance collection was incredibly special to me and I was so excited to continue this story and deliver my next little love letter to my fans. I love this new chapter of the collection, the fragrance itself is so incredibly addictive and delicious, and I am so excited to have developed this as an exclusive for Sephora. It was such an honor to launch in Sephora and this next step is truly just so exciting and such an honor. This fragrance is so divine, and my favorite from the LOVENOTES collection I can’t wait for everyone to experience Plush Vanilla!”

After over a decade of unwavering success, Ariana Grande embarked on a strategic retail partnership with Sephora, expanding the brand into stores nationwide and Sephora.com in July 2024. The successful launch brought Ariana’s fragrance portfolio into one of the most influential, global beauty retailers and further expanded the brand’s visibility within the premium fragrance market. The upcoming, exclusive launch of Plush Vanilla marks the ongoing collaboration and commitment to building the Ariana Grande fragrance business together. ™

“The Plush Vanilla launch marks an exciting next step in our ongoing partnership with Sephora,” explains Noreen Dodge, Chief Marketing Officer and Chief Commercial Officer of LUXE Brands. “Their commitment to innovation and trend leadership within the fragrance category aligns perfectly with Ariana’s creative vision for the brand. We’re proud to bring this exclusive, new fragrance to life with a retail partner who shares our passion for building the brand in a way that resonates deeply with today’s consumer.”

“Launching Ariana Grande Fragrances at Sephora was a defining milestone for both the brand and our company, marking a new chapter of growth,” said Tony Bajaj, Chief Executive Officer of LUXE Brands. “We’re incredibly proud of what this partnership represents and the momentum it continues to build.”

LOVENOTES Plush Vanilla, created by DSM-Firmenich’s Clement Gavarry, is a light, silky vanilla that flows effortlessly, like layers of soft silk. Wrapped with creamy sandalwood, warm amber, and cashmere woods, the effect is a delicate, playful, modern vanilla that is addictive and alluring.

The iconic LOVENOTES bottle has been reimagined with a whimsical design in a vibrant, lavender color featuring miniature floating hearts that bring the collection to life.  The striking campaign image of Ariana is featured on the carton as a bold evolution to the design.

New Podcast ‘Charlie’s Place’ Tells the Untold Story of a Jim Crow-Era Nightclub That Defied Segregation Through Music

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How did a Black man in the 1940s Jim Crow South open a club where Black and White people danced side by side to the tunes of music’s legendary entertainers? The answer lies in a story as unforgettable as the music that turned a nightclub into a place of unity.

Beginning Monday, July 21, 2025, CHARLIE’S PLACE, a new five-episode, documentary-style podcast series hosted by filmmaker Rhym Guissé, uncovers the unbelievable true story of a revolutionary Myrtle Beach juke joint that brought communities together through the power of music. Segregation was the law in the 1940s and 1950s, but Charlie’s Place had its own rules—Black and White people were welcome to enjoy some of the greatest musicians of our time: Little Richard, Count Basie, Ray Charles, Duke Ellington, Lena Horne, Ella Fitzgerald and many more. The groundbreaking music venue became a symbol of joy, strength and hope in a divided time. In CHARLIE’S PLACEGuissé shares the remarkable story of resilience and unity of a community and the transformative power of music.

Charlie Fitzgerald, a powerful Black businessman whose past was shrouded in mystery, was the club’s enigmatic founder who achieved the impossible—an integrated nightclub in Myrtle Beach. His success was an inspiration to many but a danger to those in power. As the club flourished, it sparked intense resistance from segregationists, leading to a raid by Ku Klux Klan members, and profound change that reverberated through the community.

The podcast takes listeners on a journey through the legendary venue’s history—revealing the truth behind its origins, the challenges it faced and the vibrant community it brought together. Interspersing interviews with historians, cultural experts and Carolinians who share firsthand accounts of growing up during the height of Charlie’s Place, Guissé tells the story of how this music venue defied segregation and what happens when people choose courage and community over division. It’s a tale of triumph and tragedy, of resilience and joy, of a place where music did more than entertain—it changed lives and shaped a movement.

“Charlie’s Place is a meaningful part of Myrtle Beach’s history that reminds us of the power of community and the importance of coming together, even in the hardest times. Preserving its legacy is about more than just remembering the past. It is about honoring the people who stood up for unity in a divided time and helping that message continue to inspire future generations,” said Stuart Butler, President, Visit Myrtle Beach.

“Working on this project showed me the beauty of preserving Black legacy with care. Storytelling isn’t just creative work — it’s about honoring culture and history, and I feel truly honored to carry that responsibility,” said Guissé. 

Co-produced by Atlas Obscura, the leading travel and content community destination, Rococo Punch, the award-winning independent audio production studio known for their thoughtful storytelling and exquisite sound, and in partnership with Malcolm Gladwell’s acclaimed podcast and audiobook company, Pushkin Industries, and Visit Myrtle Beach, CHARLIE’S PLACE is a captivating exploration of an overlooked and significant chapter in American history. The first episode will air on Monday, July 21, 2025, with future episodes available weekly on all major podcast listening platforms. Starting July 21, Pushkin+ subscribers can binge the full, five-episode series ad-free. Pushkin+ subscribers can also access ad-free episodes, full audiobooks, and exclusive binges of other Pushkin content. Sign up for Pushkin+ on the Charlie’s Place show page on Apple Podcasts or at pushkin.fm/plus.  For more information on Charlie’s Place, visit www.charliesplaceshow.com

Leona Lewis to Sparkle in Las Vegas with 33-Show Holiday Spectacular ‘A Starry Night’

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Grammy-nominated and record-breaking Christmas sensation Leona Lewis will light up Voltaire at The Venetian Resort Las Vegas this holiday season with A Starry Night, a new Christmas spectacular beginning in November. The powerhouse vocalist, performing her first-ever live shows in the United States, will transform the glitz and glam of Voltaire into a winter wonderland during a set of 33 exclusive performances running from November 1st through January 3rd.

Presales start on Wednesday, July 30th at 10 am local time ahead of the general sale on Friday, August 1st. Vibee VIP Concert & Hotel Experience packages will also be available. A Starry Night is intended for all ages. General admission tickets start at $75.

Delivering an enchanting evening of career-spanning records including “Bleeding Love,” “Better In Time,” and her new Christmas classic “One More Sleep,” Lewis’s impressive vocals will be on full display inside the intimate venue with a show designed to capture the spirit of the season. The Christmas spectacular, filled with heartfelt hits and holiday cheer, will offer guests of all ages a one-of-a-kind theatrical experience not to be missed.

“I’m elated to bring this show to Voltaire as it’s been years in the making, made specially for my fans,” said Leona. “Christmas has always been such a special time for me and my family and there’s nothing quite like the energy of Las Vegas during the holidays. I cannot wait to take the stage and spread some holiday magic!”

Leona Lewis 2025 A Starry Night:

Saturday, Nov 1
Sunday, Nov. 2
Wednesday, Nov. 5
Friday, Nov. 7
Saturday, Nov. 8
Sunday, Nov. 9
Wednesday, Nov. 12
Friday, Nov. 14
Saturday, Nov. 15
Sunday, Nov. 16
Tuesday, Nov. 25
Thursday, Nov. 27
Friday, Nov. 28
Saturday, Nov. 29
Friday, Dec. 5
Saturday, Dec. 6
Sunday, Dec. 7
Wednesday, Dec. 10
Friday, Dec. 12
Saturday, Dec. 13
Sunday, Dec. 14
Wednesday, Dec. 17
Friday, Dec. 19
Saturday, Dec. 20
Sunday, Dec. 21
Wednesday, Dec. 24
Friday, Dec. 26
Saturday, Dec. 27
Sunday, Dec. 28
Tuesday, Dec. 30
Wednesday, Dec. 31
Friday, Jan. 2
Saturday, Jan. 3