ka-punk icons Save Ferris have just dropped their highly anticipated new single and video, “Get Dancing.” The band is hitting the road again as part of their Spring 2025 Tour, bringing their signature high-energy performances to fans across the country.
Hailing from Southern California, Save Ferris burst onto the scene in the mid-’90s with their infectious blend of ska, punk, and pop. Led by powerhouse frontwoman Monique Powell, they quickly gained a devoted following with their dynamic live shows and bold reimagining of “Come On Eileen,” which helped catapult their debut album It Means Everything (1996) into the spotlight.
Known for their explosive horn sections, driving guitar riffs, and Powell’s unmistakable vocals, Save Ferris became a defining voice of the third-wave ska movement. Despite lineup changes and shifting musical landscapes, their vibrant sound and deep connection with fans have endured.
More than just hit-makers, Save Ferris played a pivotal role in bringing ska-punk into the mainstream and continue to inspire new generations of fans and musicians. With “Get Dancing,” they prove once again that their sound is both timeless and ever-evolving.
Upcoming Shows: Aug. 3, 2025 – London, United Kingdom – O2 Academy Islington Aug. 6, 2025 – Southampton, United Kingdom – The 1865 Aug. 7, 2025 – Huddersfield, United Kingdom – Parish Sep. 13, 2025 – Bethlehem, PA November 29 – Los Angeles, CA – Peacock Theater (with Yachtly Crew)
Fender Musical Instruments Corporation (FMIC) and the Fender Custom Shop today announce the release of the Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, an instrument made in collaboration with global country music superstar Brad Paisley. The striking, vintage-inspired guitar revitalizes one of Fender’s most enigmatic and beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.
“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” said Brad Paisley.
The tale of the Blue Paisley Telecaster began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Brad set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.
First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, these guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.
In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage shops, the instruments became prized by collectors and guitarists drawn to their eccentric aesthetic and rare backstory. Brad Paisley, who shares his name with the iconic design, naturally gravitated toward these standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.
“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” said Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”
The Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster offers a one-of-a-kind blend of nostalgia and precise craftsmanship, making it a versatile instrument for today’s players. Its lightweight body, crafted from a unique combination of alder, paulownia, and spruce, delivers exceptional resonance and comfort. Dressed in a striking Blue Paisley Relic® finish with a colorful, metallic burst, this guitar pays homage to its psychedelic roots while embracing subtle modern touches, featuring a custom ’60s Oval “C” maple neck with a round-laminated maple fingerboard for smooth, familiar playability. Under the hood, Seymour Duncan Custom Shop Hand-Wound Lost Paisley pickups provide warmth, clarity, and tonal balance, while the Glaser “G” Bender system allows for fluid, pedal-steel-like bends that elevate expressive performance. Finished with late-’60s appointments bundled with custom accessories—including a vintage-style case, period-correct Fender strap, and certificate of authenticity—this Telecaster is both a collector’s dream and a stage-ready workhorse.
“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” said Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville, TN. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”
The world’s biggest-selling soprano and legendary GRAMMY Award-nominated artist Sarah Brightman returns to start her new Christmas spectacle “A Winter Symphony” tour for one special show at the OLG Stage at Fallsview Casino on Wednesday, November 26, 2025 – marking the only Canadian date. Accompanied by orchestra, choir, and special guests, this enchanting holiday show will feature Brightman performing many of her holiday classics and greatest hits. Tickets and VIP packages at here though ticketmaster.ca.
“We are incredibly delighted to welcome back Sarah Brightman to the OLG Stage at Fallsview Casino,” says Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos. “It truly is an entire concert experience, between carefully curated, powerful vocals and exceptional musicians with captivating backdrops, guests can expect a holiday concert like no other.”
Sarah Brightman, international singing superstar and UNESCO Artist for Peace Ambassador, pioneered the classical crossover music movement and is famed for possessing a vocal range of over three octaves. Sarah is the only artist to have simultaneously topped the Billboard dance and classical music charts. Her voice has rung out from theatres, arenas, cathedrals, World Heritage sites and Olympic stadiums, bringing to life some of the world’s most beautiful music. Brightman’s work transcends all musical genres, synthesizing many influences and inspirations into a unique sound and vision. In May 2024, Sarah returned to the stage in her first theatrical role in over three decades as Norma Desmond in the lavish Australian production of Andrew Lloyd Webber’s Sunset Boulevard receiving glowing reviews and standing ovations. To close out a busy 2025, Sarah brings her new Christmas spectacle, ‘A Winter Symphony’, to the United States and Canada.
SiriusXM and FOX Nation announced today a new bundle of their streaming services that delivers enhanced consumer value and access to the full libraries of streaming content from each company. With this first-time offering, subscribers will have access to SiriusXM’s All Access (App Only) plan and the FOX Nation service for a single price of $11.99 per month, representing a savings of 33% a month.
“FOX News Media and SiriusXM are leaders in news and entertainment programming respectively, and we are delighted to bring to the market a bundle of our streaming services that offers exceptional consumer value,” said Dave Geary, SiriusXM’s Senior Vice President of Business Development and Partnerships. “FOX Nation’s library of original video programming and SiriusXM’s vast offering of music for every mood and moment, live sports from every major league, plus entertainment and news combine to make a highly attractive streaming audio and video bundle.”
FOX News Media President & Executive Editor Jay Wallace added, “We are excited to work with our partners at SiriusXM to bring fans of FOX News the opportunity to access extensive content offerings at a discounted price. From FOX Nation’s on-demand original entertainment, lifestyle, and faith content to SiriusXM’s vast line up of music, sports, comedy and more, we are thrilled bundle subscribers will enjoy premier programming across all interests.”
Subscribers of the streaming bundle will have access to SiriusXM’s hundreds of ad-free music channels, the must-hear moments in live sports and an extensive lineup of sports-focused channels, as well as the latest in news – including simulcasts of the FOX News Channel, FOX Business Network and FOX News Headlines 24/7 – politics, entertainment, faith and comedy programming via the SiriusXM app. Subscribers will also be able to view FOX Nation’s thousands of hours of exclusive lifestyle and entertainment content, including “Martin Scorsese Presents: The Saints,” Kevin Costner’s “Yellowstone to Yosemite”, Greg Gutfeld’s “What Did I Miss?”, from documentaries to specials from FOX News Media personalities and much more.
Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, “Heaven”, which reached No. 2 on the Billboard Hot 100. The band’s success continued in the early 1990s with the double platinum album Cherry Pie (1990), which provided the hit song of the same name.
In 1992, Warrant released their third album, the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band’s fourth album Ultraphobic produced by a returning Beau Hill (Alice Cooper, Ratt, etc…) was released in March 1995 and, featured the singles “Family Picnic”, “Followed” and the ballad “Stronger Now”.
Now to celebrate the 30th Anniversary of Ultraphobic it has been remastered and will be released on vinyl for the first time, along with an accompanying CD. The vinyl will be 180g available in both Orange Swirl and Black. There will be a limited amount of CD/LP bundles with a signed print by original members Erik Turner and Jerry Dixon while supplies last.
Rising LA-based Americana-rock band American Mile returns with their most emotionally resonant single yet, “Waiting on a Sunday. ” This stirring ballad about a single mother’s fight to keep her family afloat is from their sophomore album American Dream, out now.
Blending heartfelt lyrics with soaring melodies and rich instrumentation, the song captures the quiet desperation of a woman doing everything she can to feed her children and hold on to hope. “Waiting on a Sunday” is a stellar showcase of American Mile’s gift for storytelling-raw, honest, and deeply human.
The band intended to write something that felt real-something that could be someone’s truth. This song is about when you feel like you’ve tried everything, and all that’s left is to believe in something better, even if it never comes. Will that Sunday ever come? We may never know. But for the woman at the heart of the story, hope lies just beyond the horizon. American Mile comprises four seasoned Los Angeles-based studio and touring musicians who, like many Los Angeles-based creatives, flocked to the city of angels from small towns to pursue their dreams. With roots deep in classic rock and country, their music is simultaneously nostalgic and unmistakably current, resonating with fans across generations. The band fuses Americana, rock, and soul with cinematic songwriting and powerhouse vocals, hitting those sweet spots that blend heavy-hitting riffs with soulful lyrics that have earned them comparisons to The Black Crowes, The Brothers Osborne, and Nathaniel Rateliff & the Night Sweats, among others.
For the last two decades, GRAMMY-winning quintet The SteelDrivers have had a pretty simple process of whittling down songs to record for their new albums: Do we all like them? Do they have that SteelDrivers sound? With their new single, “Booze and Cigarettes”-the latest from Outrun, the band’s upcoming album on the legendary Sun Records-the choice was a no-brainer. Like most SteelDrivers songs, there’s a good time layer to their Bluegrass Americana styling with a slight tinge of something deeper at play. But make no mistake, it’s a catchy number that will be stuck in listeners’ heads well after the first listen.
“I stop by right around 5 almost every day / I work close by and this little dive keeps calling out my name,” sings SteelDrivers guitarist Matt Dame to set the scene. “I can’t say I’m a regular, I ain’t quite there yet / I’m just here for the booze and cigarettes.” The walking bass line and chugging mandolin wind their way around a bluesy arrangement. Fiddle and banjo dance over the top leading into the song’s chorus, putting a little dark spin on the dive bar aesthetic: “The booze goes down easy / And the smoke calms my nerves / It’s like nobody sees me / Sitting here all alone getting just what I deserve.” “I wrote this one about seven or eight years ago with Verlon Thompson,” says SteelDrivers fiddler, Tammy Rogers. “That’s the great thing about songs…they don’t have an expiration date!”
“Booze and Cigarettes” is the latest single from Outrun, which is due out on May 23rd. Outrun features the classic, blues-infused bluegrass sound the band has been known for for two decades now, freewheeling and fun, rich with stories and singalongs alike. Beyond the ever-evolving musical nature of The SteelDrivers, this seamless ebb and flow between intricate bluegrass and the hardscrabble blues, another key element of Outrun is this underlying tribute to late founding member Mike Henderson. And though Henderson passed away in 2023, his memory and presence is still profoundly felt by the group, onstage and in the studio.
Indie singer/songwriter Trevor Sensor teases his new album A Few Tears of Eros with the bluesy rocker “The Farm” out today on High Black Desert Records. The single and accompanying video premiered earlier this week on Under The Radar: “…his reedy Dylan-esque croon… bar-burning guitar solo… draws out all of the ambient tension, fury and frustration churning away in the track, fully letting loose in a climatic storm of unbridled emotion.”
“The song came to me while I was working in a field. It was mid-summer, the sun was hot, and I’d been digging holes since morning. I looked around and thought, ‘How’d I end up working on the farm?’, explains Trevor. “I’d probably made a couple of wrong turns way back when to end up here-following my dream too blindly. Nevertheless, here I was and still am.”
The video for “The Farm,” filmed by friend Ryan Ohm, captures Trevor in his element, “me in my corner with the desolation which surrounds it.” This is not an homage to the past but rather an acknowledgment to the meanness of plebeian existence. The only nourishment here is for the spirit-hope is a novel concept. “One time, when I was out of work, I went to a temp agency tucked in a dilapidated strip mall. I told the man there my story, and after I’d finished he said, ‘Well, we’ll see what we can do. We’re not really used to people with dreams around here.’ I think that about sums it all up.”
“The Farm” is the first single from his fourth album, A Few Tears of Eros, an exploration of modern love in a dejected and atomized world that looks at the in between. “A lot of songs I hear deal with beginnings or aftermaths of romance… what lurks beneath the surface of happily-ever-after is what interests me.”
A Few Tears of Eros will be released August 8, 2025 on High Black Desert Records.
Mississippi rebel Colin Stough returns today with his hard-edged new anthem, “White Trash”-out now. Co-written by Stough, Jamie Collazo, and Kenny Whitmire, and produced by James LeBlanc and Phillip White, “White Trash” is a battle cry for the outcast – fueled by conviction and delivered with a devilish grin.
Driven by raw vocals and a defiant country-rock swagger, the unapologetic declaration finds Stough doing what he does best: stripping away pretenses and leaning full-tilt into every scar, setback, and stereotype with pride. Written and recorded in January, “White Trash” delivers on all fronts.
“I grew up on the ‘other side of town’ with the rest of the outcasts,” Stough says. “It used to hurt when my mom and I would get called white trash; I think this is my way of reclaiming that. I love where I come from; if that’s white trash, I’ll own it.”
