All photo credits belong to Tim Snow and Osheaga.




















Life of Agony are excited to announce the “30 Years of Ugly” tour, a celebration of their deeply personal 1995 release, Ugly (Roadrunner Records). For the first time in the band’s history, the New York quartet will perform their sophomore album in its entirety, giving fans a rare opportunity to experience the full power and emotion of this critically lauded record in a live setting.
Ugly marked a major artistic evolution for the band, showcasing a rawer, more melodic side while still delivering the heavy grooves and anguished intensity that defined their debut, River Runs Red.
Lyrically, the album features some of the band’s most beloved and emotionally resonant tracks, including “Let’s Pretend,” a haunting ballad that explores the pain of loss and denial; “Unstable,” focusing on the devastating impact of cancer; “Lost at 22,” an anthem of youthful confusion and desperation; and the title track “Ugly,” a slow-burning, introspective piece that builds to a cathartic crescendo. Throughout, the album delves deeply into themes of depression, isolation, and despair, giving voice to emotional struggles with a rare honesty. Songs like “I Regret” and “Damned If I Do” revealed a more driving hard rock edge, while deep cuts like “Other Side of the River” and “How It Would Be” cemented the album’s reputation as an unfiltered and affecting release in the metal/crossover canon.
“Everyone was expecting River Runs Red, Part 2, but Ugly was a left, right, and U-turn! People were like, ‘Okay, this is different?!'” explains L.O.A. guitarist Joey Zampella. “It took some time to sink its hooks into our listeners, but when it did, it became a classic. I’m super excited to celebrate the ‘Ugly Duckling’ of the L.O.A. catalog!”
The U.S. leg of the tour kicks off September 19 in Bensalem, PA, and includes a special lineup featuring God Forbid. L.O.A. and God Forbid are then joined by Jasta, the solo project of Hatebreed frontman Jamey Jasta on September 20 at Starland Ballroom in Sayreville, NJ. Jasta will be the main support on the rest of the U.S. dates. Following the U.S. run, Life of Agony will head overseas in November for a full European leg, joined by special guests Ugly Kid Joe. This is meaningful and significant, because U.K.J. frontman Whitfield Crane took over lead vocals for L.O.A. in 1998, when Keith Caputo exited the group temporarily.
“Ugly was probably the most emotionally vulnerable record we ever made,” says L.O.A. bassist Alan Robert. “It was a big risk back then-to release something so different from River Runs Red – but we were just in a much different headspace, and we always wore our hearts on our sleeves. The album ended up connecting with people in a deep, lasting way. Playing it live from front to back is going to be powerful for both the band and the fans.”
“I’m very excited to get back out on the road to play Ugly in its entirety and to share the stage with God Forbid, our boy Jasta, and our good buddies from Ugly Kid Joe – along with our special friend Whitfield Crane,” says L.O.A. singer Keith Caputo. “I might even have to convince Whit to sing an L.O.A. song with us out there. That would be so cool. I’m looking forward to creating more incredible moments with L.O.A. and making memories with great people in killer bands. Come hang out with us for an unforgettable night of music and entertainment.”
LIFE OF AGONY U.S. TOUR DATES
WITH SPECIAL GUESTS JASTA
(GOD FORBID APPEARS ON SELECT DATES AS MARKED):
9/19 – Bensalem, PA – Broken Goblet* (L.O.A. & G.F. only)
9/20 – Sayreville, NJ – Starland Ballroom* (L.O.A., G.F., + Jasta)
9/21 – Norwalk, CT – District Music Hall
9/23 – Pittsburgh, PA – Jergels
9/24 – Columbus, OH – The King of Clubs
9/26 – Cleveland, OH – The Winchester
9/27 – Flint, MI – The Machine Shop
9/28 – Joliet, IL – The Forge
9/30 – Leesburg, VA – Tally Ho Theater
10/1 – Reading, PA – Reverb
10/3 – Worcester, MA – Palladium
10/4 – Hampton Beach, NH – Wally’s
10/5 – Patchogue, NY – Stereo Garden
EU TOUR DATES
WITH SPECIAL GUESTS UGLY JOE:
11/4 – Dornbirn, AT – Conrad Sohm
11/7 – Munich, DE – Backstage Werk
11/8 – Pilsen, CZ – KD Serikova
11/9 – Katowice, PL – P23 (L.O.A. only)
11/11 – Berlin, DE – Columbia Club
11/12 – Hannover, DE – Capitol
11/14 – Saarbrucken, DE – The Garage
11/15 – Eindhoven, NL – Helldorado Festival
11/16 – Antwerp, BE – Trix
11/18 – Utrecht, NL – Tivoli Rotunda
11/19 – Bochum, DE – Zeche
11/20 – Drachten, NL – Iduna
All photo credits belong to Chris Phelps and Osheaga.






































KATATONIA have unveiled the second new single from their upcoming album, Nightmares as Extensions of the Waking State, out now via Napalm Records! “Temporal” balances fragility and strength – its intense verses culminating in a soaring, emotionally charged chorus. The track arrives with a beautiful lyric video.
Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of the genre, effortlessly shifting between haunting vulnerability and commanding artistry. KATATONIA’s music is pure and heartfelt from the northern wilderness; cast in mournful dirges for a world that needs a renaissance.
Jonas Renkse comments: “Temporal, when the enchantment is gone. When riffing is on, the combination offers no solace other than the pleasure of the vicious circle & the colours of the night. Enjoy.”
On Nightmares as Extensions of the Waking State, crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like “Thrice” and “Warden” pulse with dynamic energy, while “Lilac” sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, “Wind of No Change”, merges subtle electronic textures with KATATONIA’s enigmatic soundscapes. The breathtaking “Efter Solen” (Engl. After the Sun), featuring Swedish lyrics, with minimalistic yet striking instrumentation.
Following the release of their acclaimed singles ‘Tempest’ and ‘Outside the Fade’, Derbyshire’s boundary-pushing alt-rock outfit Shadows of a Silhouette return with their latest offering, ‘No Matter Where I Go’, along with a music video. A lean, razor-edged cut of garage-rock minimalism, the track delivers a rush of energy that’s both raw and irresistibly direct – cementing the band’s sonic evolution ahead of their debut album ‘For Those That Know’.
Driven by a gutsy guitar riff and propelled by unrelenting rhythm, ‘No Matter Where I Go’ wastes no time. There’s a sense of urgency here, a stripped-down intensity that feels immediate and unfiltered. That’s no accident. According to lead guitarist Reece Carter, the song was salvaged from an old voice memo recorded back in 2021. “I found this 30-second audio of me and Nay [Nathan Brown] jamming the first verse – it was just sitting there,” he explains. “It never materialised into anything with the band at the time, but I just loved how raw and to the point the riff was and thought that the lyrics were class. I knew it was the perfect tune to go on the debut LP.”
The track might have ended up on the cutting-room floor, if not for Carter’s persistence. After the first day of recording, he recalls cornering the rest of the band at the studio – “I was rambling on for ages to Nay (Nathan) and Tyler [Henderson] about how we had to make this song. They wanted to hold it for album two or release it later, but I wouldn’t drop it until it got made.”
Frontman Nathan Brown delivers one of his most compelling vocal performances yet, wrapping sharp melodic lines around lyrics that stemmed from what he describes as “nothing short of a flash of inspiration – the sort of thing that seems to appear from nowhere.” Reece had called him in with the rediscovered riff, and it sparked something immediately. “As usual, my mind wandered far from wherever I was standing – drawn, I’d like to think, by the simple, defiant nature of the riff itself,” Brown recalls.
What followed was a vivid narrative set in the American desert, imagined through the lens of incarceration and fleeting freedom. “It begins with an escaped convict in a stolen prison van, having just smashed through the gates in a desperate sprint for freedom,” Brown explains. “But in a place where there’s nowhere to hide – and no real way to survive – his escape seems doomed from the start. After he crashes in a haze of adrenaline, he faces a choice: brave the wilderness, risking death in the labyrinth of desert canyons, and maybe die a free man; or return to the road and savour what little freedom he’s managed to snatch. Either way, he’ll serve his time – in hell, or back behind bars.”
The single was recorded at Liverpool’s iconic Motor Museum Studio, a creative haven for legendary UK bands including Arctic Monkeys and The Lathums. With Al Groves at the production helm, the band captured the grit and immediacy of their sound in full force. Groves, known for his work with Bring Me the Horizon and Cast, brought a punchy, analogue sensibility to the track, harnessing the band’s live-wire energy while giving the mix a crisp, modern finish.
Formed in the heart of Derbyshire, Shadows of a Silhouette channel the restless spirit of the Midlands into a sound that feels at once familiar and unshakably their own. With Brown, Carter, William Scott on bass, and Tyler Henderson on drums, the four-piece blend the lo-fi immediacy of early 2000s garage rock with the lyrical depth and tension of modern indie. Touchstones like The White Stripes, The Strokes, and early Kings of Leon can be heard in the DNA of their music, but their identity is unmistakably theirs – born of shared experience, local grit, and an instinct for connection.
Their debut singles ‘Tempest’ and ‘Outside the Fade’ showcased two sides of their sonic palette: expansive and anthemic on one hand, brooding and introspective on the other. ‘No Matter Where I Go’ completes the trio with a rough-edged punch to the chest – a reminder of how visceral the band can be when stripped down to its core elements.
Shadows of a Silhouette spent much of 2024 on the road for their debut UK tour, bringing their feverish live set to new audiences across the country. That momentum continues into 2025, with headline shows at Rough Trade already lined up and more dates on the horizon. Their sold-out appearances at venues like The Bodega and Fiddler’s Elbow in Camden have proven their ability to pack out rooms and leave a lasting impression.
With over 230,000 Spotify streams and growing recognition from outlets like BBC Introducing East Midlands, Derby Telegraph, and RGM, Shadows of a Silhouette are poised for their breakout. ‘No Matter Where I Go’ isn’t just another release – it’s a snapshot of a band doubling down on its identity, refining its voice, and refusing to compromise.
This is the sound of a band pushing forward – gritty, immediate, and totally their own. The debut album is coming. And if this single is anything to go by, it’s going to hit hard.
Veteran NYC rocker Willie Nile has released his new album “The Great Yellow Light” on CD, 12″ LP vinyl, digital download and via streaming services on River House Records.
The Great Yellow Light is filled with passionate guitar-driven, melodic songs, a mix of anthemic rockers and sensitive ballads with a subtle socio-political message throughout. Willie was joined in the studio by his core band Jimi Bones – electric & acoustic guitars, backing vocals, Johnny Pisano – bass, backing vocals and Jon Weber – drums, providing soaring lead vocals, electric guitar and piano himself. Besides Earle, special guests include Irish music icon Paul Brady on vocals, The Hooters’ Rob Hyman and Eric Bazilian on keys and strings respectively, Black 47 members Larry Kirwan, Fred Parcells, and Chris Byrne and legendary sidemen Waddy Wachtel and David Mansfield.
Among The Great Yellow Light’s highlights is “Wake Up America” which Nile describes as “a call out to our better angels. Even though the history of America is riddled with pain and injustice and the divisions between us are greater than ever, I refuse to give in. I know we can do better than this. Heartfelt thanks to Steve for bringing his beautiful ragged, gritty, street-wise voice to it.” “Washington’s Day” was written by Willie with Rob Hyman and Eric Bazilian and 5 x Grammy nominated producer Rick Chertoff; it portrays, “Romeo and Juliet in Arlington National Cemetery. A prayer for hope, compassion, liberty, and a better world for all mankind,” according to Nile. He calls “Electrify Me”” A raucous punk howl. Passion and compassion lives and is worth fighting for.”
“For me, the album’s title refers to those rare magical moments of awe and wonder that make life worth living,” says Willie. “My band played great on these sessions, no doubt thanks to all the live shows we’ve been doing. The special guests each brought unique magic to the party! Bless all their generous hearts.”
ka-punk icons Save Ferris have just dropped their highly anticipated new single and video, “Get Dancing.” The band is hitting the road again as part of their Spring 2025 Tour, bringing their signature high-energy performances to fans across the country.
Hailing from Southern California, Save Ferris burst onto the scene in the mid-’90s with their infectious blend of ska, punk, and pop. Led by powerhouse frontwoman Monique Powell, they quickly gained a devoted following with their dynamic live shows and bold reimagining of “Come On Eileen,” which helped catapult their debut album It Means Everything (1996) into the spotlight.
Known for their explosive horn sections, driving guitar riffs, and Powell’s unmistakable vocals, Save Ferris became a defining voice of the third-wave ska movement. Despite lineup changes and shifting musical landscapes, their vibrant sound and deep connection with fans have endured.
More than just hit-makers, Save Ferris played a pivotal role in bringing ska-punk into the mainstream and continue to inspire new generations of fans and musicians. With “Get Dancing,” they prove once again that their sound is both timeless and ever-evolving.
Upcoming Shows:
Aug. 3, 2025 – London, United Kingdom – O2 Academy Islington
Aug. 6, 2025 – Southampton, United Kingdom – The 1865
Aug. 7, 2025 – Huddersfield, United Kingdom – Parish
Sep. 13, 2025 – Bethlehem, PA
November 29 – Los Angeles, CA – Peacock Theater (with Yachtly Crew)