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Hanumankind Drops ‘Monsoon Season’, Announces First-Ever North American Tour Following Global Breakthrough

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Speaking on the project, Hanumankind’s camp shares Monsoon Season is a compilation of songs gathered over the years before the spotlight and the noise. The tracks come from a time of obscurity, shaped in the quiet, a persistent grind, long before recognition came knocking. A multitude of sounds and emotions because change has been the only constant throughout.

Hanumankind also announced his debut headlining North American dates earlier this month which will see the “Big Dawgs” rapper tour across major cities kicking off in Atlanta, GA and include stops in Washington, DC, New York, Chicago, Los Angeles as well as hometown Houston, TX. “OTW TOUR — NORTH AMERICA” builds upon the momentum of his triumphant U.K and European run, which featured sold-out performances in Amsterdam, Paris, Dublin, and London.

HANUMANKIND NORTH AMERICAN HEADLINING TOUR DATES:
8/22 Atlanta, GA @ Buckhead Theatre
8/23 Washington, DC @ The Howard Theatre
8/24 Toronto, ON @ Danforth Music Hall
8/26 New York, NY @ Webster Hall
8/28 Chicago, IL @ Thalia Hall
8/29 Houston, TX @ House of Blues
8/31 Los Angeles, CA @ The Fonda Theatre
9/2 San Francisco, CA @ The Regency Ballroom
9/3 Vancouver, BC @ Commodore Ballroom
9/4 Seattle, WA @ The Showbox

Hailing from the Southern Indian state of Kerala, Hanumankind is one of India’s most exciting additions to the global music scene. He grew up in Houston, TX where he found his affinity for rap and freestyling before moving back to India in his adulthood. And it was here, in the burgeoning independent music scene of India where Hanumankind would cut his teeth at local open mics while releasing a string of EPs and singles catching a swell of local support — showcasing unmatchable lyrical prowess while delivering visually striking music videos. The energy matched his live shows where he quickly began to sell out club shows, performing at festival weekenders and more. He would then sign with Def Jam India in 2023 and became one of Rolling Stone India’s “Future of Music” artists later that year. Six months later, Hanumankind broke onto the global stage with a bold new single “Big Dawgs,” produced by Kalmi. It came with an attention grabbing music video directed by filmmaker Bijoy Shetty where Hanumankind revives the adrenaline-fueled allure of the Well of Death — an iconic attraction at Indian carnivals. Bijoy’s direction captures the vibrant energy of the art form, blending Indian cultural elements with modern hip-hop flair. Capturing the attention of critics and fans alike on the internet, “Big Dawgs” won the hearts of many including rap icons like Bun B, Project Pat and A$AP Rocky who would go on to be featured on a remix. The song peaked at #9 on the Global charts and has celebrated numerous breakthrough moments including peaking at #23 on Billboard Hot 100 and topping the R&B R&B/Hip-Hop Digital Song Sales chart. The song ended the year RIAA Platinum certified and in the Top 10 of Most Streamed Rap Songs charts on Spotify joined by rap luminaries like Kendrick Lamar, Eminem, 21 Savage and more. He would then sign to Capitol Records and begin a run of live shows and festivals including a debut performance at Coachella earlier this year. Preceding the debut appearance, Hanumankind released his follow up single “Run It Up” — yet another explosive arrival, it reuniting the triple threat that is Hanumankind, producer Kalmi and filmmaker Bijoy, and took over conversations across the internet and social media. HMK has been heralded by the likes of Rolling Stone, Complex, NME, The Guardian and more as an artist to watch as he continues to break boundaries of blended sounds, arresting visuals and one-of-a-kind performance energy that comes from an artist destined to change the landscape of hip hop to come.

Hanumankind — Monsoon Season Tracklist:
1. Reckless (Ft. Denzel Curry)
2. ⁠Big Dawgs (Ft. Kalmi)
3. ⁠Goons (Ft. Maxo Kream)
4. ⁠Run it Up
5. ⁠Someone Told Me (Ft. Roisee)
6. ⁠Cause (Ft. Rudy Mukta)
7. ⁠29.11.23
8. ⁠Monsoon Season
9. ⁠Holiday
10. ⁠Villainous Freestyle
11. ⁠Sicko
12. ⁠Big Dawgs Remix (Ft. A$AP Rocky)

MGK Unleashes “miss sunshine,” a Psychedelic Slice of Lost Americana Ahead of New Album

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Multi-platinum recording artist mgk, returns with his new single and video “miss sunshine.” The single is a road trip-ready summer anthem that seamlessly blends the soulful sounds of southern rock and modern pop. “miss sunshine” adds another tile to mgk’s lost americana mosaic. The Sam Cahill directed video, showcases mgk and his band as giants in a meticulously crafted miniature world, which perfectly complements the song’s carefree, psychedelic-tinged vibe.

His forthcoming album will includes previous singles, “vampire diaries” and “cliché,” is set to release globally on August 8. Fans can pre-order lost americana HERE. Earlier this week mgk launched a save the date for his annual MGK Day weekend celebration. The three-day event in Cleveland, Ohio honors his local impact with a star-studded weekend of community events, music, art, and philanthropy.

The GRAMMY-nominated musician recently performed at Nickelodeon’s Kid’s Choice Awards and Today Citi Concert Series. Adding to the excitement, mgk is set to headline the 30th Anniversary Vans Warped Tour in Orlando, FL on November 15-16. He will also headline Mobile Zone at Sphere Stage during the FORMULA 1 HEINEKEN LAS VEGAS GRAND PRIX on November 20-22.

The renowned superstar eclipsed genre expectations by releasing the widely acclaimed album Tickets to My Downfall in 2020. The platinum album topped the Billboard 200 and became his first No. 1 effort. The album landed 18 tracks on the Hot Rock Songs chart. Platinum singles, “bloody valentine” and “my ex’s best friend,” both went No. 1 at Alternative. His follow-up album, mainstream sellout, became his second album to hit No. 1 on the Billboard 200 and was nominated for a Grammy Award for “Best Rock Album”.

Daniel Caesar Shares “Have A Baby (With Me),” Talks ‘Son Of Spergy’ and Creative Sparks With Tyler, The Creator

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Daniel Caesar releases new single “Have A Baby (With Me),” the first taste of his forthcoming album Son Of Spergy, which is set for release later this year via Republic Records. First teased last week with a video letter shared on socials, the album was further discussed in Daniel’s Billboard cover story that was released yesterday. In conversation with Tyler, The Creator, the two discuss Daniel’s career to date, their creative relationship (especially as it pertains to Daniel’s work across Tyler’s 2024 album CHROMAKOPIA), what fans can expect from Son Of Spergy, and more. 

The single arrives on the heels of Daniel’s feature on “The Field,” from Blood Orange’s forthcoming album Essex Honey, alongside Caroline Polachek, Tariq Al-Sabir, and The Durutti Column. Even more recently, he contributed songwriting, backing vocals and production to “DEVOTION” featuring Dijon on Justin Bieber’s latest album SWAG.

Listen to “Have A Baby (With Me)” above now, read Daniel Caesar’s Billboard cover story for more about Son Of Spergy and stay tuned for more album news soon.

Morgan Wallen Drops “Miami” Remix With Lil Wayne & Rick Ross After Hard Rock Stadium Hype

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After teasing a new rendition of his Keith Whitley-inspired “Miami” in The Magic City itself during his walkouts at Hard Rock Stadium on July 11 and 12, Morgan Wallen‘s remix featuring rappers Lil Wayne and Rick Ross is available now.

Wallen first tossed the idea of featuring a rapper on the Charlie Handsome produced song during his interview with Theo Von in April, stating at the time, “It seemed like it could use a rapper on there. I didn’t end up using a feature… it’s one of those songs where it wouldn’t be surprising if we got a remix and did that once it’s out.”

“Miami” is track 35-of-37 on Wallen’s fourth studio album, I’m The Problemreleased in May. I’m The Problem remained atop the Billboard 200 chart for eight consecutive weeks in the U.S. and Canada and has already yielded four No. 1’s at country radio, including “Just In Case,” which is on its third week at No. 1, and the title track, which remained at No. 1 for eight weeks.

Upon its release, I’m The Problem debuted at No. 1 globally across seven countries, while Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week – claiming all top three spots. Wallen has since claimed ten weeks with at least three songs in the top 10 on the Billboard Hot 100, becoming the only country artist to achieve this feat. Wallen is on his ninth consecutive week atop the all-genre Billboard Artist 100 chart – marking 28 career weeks on top.

Abroad, I’m The Problem became Wallen’s first album to debut at No. 1 on the U.K. Official Charts, making him one of only five artists to debut at summit with a country album. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in ten years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” recently topped Australia’s Country Airplay chart.

The project sparked Wallen’s 2025 I’m The Problem Tour, which is currently underwaywith just 12 dates remaining. I’m The Problem Tour included previous stops in Houston, Texas; Miami Gardens, Fla.; Glendale, Ariz. and two consecutive nights at Camp Randall Stadium in Madison, Wisc., marking the largest concerts in the state’s history.

With upcoming stops in Seattle, Wash.; Cleveland, Ohio; Foxborough, Mass. and more, I’m The Problem Tour features a rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as second-of-four, and Zach John King added as first-of-four on all remaining dates. 

Morgan Wallen 2025 I’m The Problem Tour Dates
July 25 // Lumen Field // Seattle, Wash. w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, Wash. w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, Calif. w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, Calif. w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, Ohio w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, Ohio w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, Mass. w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, Mass. w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
*Zach John King added as first-of-four on all remaining dates

Photo Gallery: Our Lady Peace, Collective Soul, Wintersleep, and Greylin at Toronto’s Budweiser Stage on July 24, 2025

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All photos by Mini’s Memories. You can contact her through Instagram or X.

‘Pride & Prejudice (sort of)’ Is the Riotous, Joyful Theatre Experience You Deserve

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I’ve never laughed that much in a theatre. That’s what you need to know. Not polite, scattered chuckles, but real, involuntary bursts—gasping, shoulder-shaking, face-hurting laughter that came in waves and never quite let up. Two and a half hours flew by at the CAA Theatre, where Pride & Prejudice (sort of) has returned for a summer run. I’ve seen clever shows before. I’ve seen daring. But this was something else entirely: a play that feels like it was built not only to entertain but to gather a roomful of strangers and make them feel like co-conspirators.

Created and co-directed by Isobel McArthur, this irreverent reimagining of Jane Austen’s novel is told from the perspective of five working-class women—the maids, the background characters, the invisible hands that hold everything together. They take over the stage and the story, trading bonnets for microphones and courtship rituals for karaoke. It’s not a parody. It’s not satire. It’s theatre that embraces chaos, craft, and comic timing with equal precision.

Each of the five core performers plays multiple roles with remarkable fluidity, leaping between characters, accents, and emotional tones without missing a beat. Naomi Preston Low’s Elizabeth Bennet anchors the show with control and intelligence, drawing laughs with deadpan delivery and silences as much as with lines. Rhianna McGreevy, toggling between Mrs. Bennet and Darcy, is an astonishing presence—shifting posture, pitch, and rhythm in a heartbeat, and somehow making both roles equally compelling. Eleanor Kane brings a delightful unpredictability to Lydia and Mary; her ability to command the stage with a glance or an off-kilter gesture made her scenes some of the evening’s most surprising.

Emma Rose Creaner and Christine Steel round out the cast with finely calibrated performances. Creaner’s Bingley is a bright, lovable fool whose optimism is both hilarious and strangely touching, while Steel’s Jane and Lady Catherine are played with a quiet mastery that gave even the broadest moments a kind of gravity. All five performers handle the script’s constant tonal pivots with ease—from farce to pathos, from slapstick to sincerity—without ever losing their grip on the audience.

What astonished me most was how well the show managed its emotional register. Yes, it is loud and bawdy (which is what the world needs more of), but beneath the chaos is a tightly constructed commentary on class, agency, and voice—both literal and metaphorical. The pop songs that dot the show’s landscape aren’t throwaway gags. When “You’re So Vain” erupts in a showdown between Elizabeth and Darcy, it feels both entirely ridiculous and, somehow, emotionally honest. “Young Hearts Run Free” lands as a disco interlude and a feminist declaration.

The theatre itself—modest in size, with excellent acoustics—is essential to the experience. Sitting among a crowd that was as audibly delighted as I was made the production feel communal. There was something deeply satisfying in hearing so many others laughing, recognizing the joke, joining in on the ride. It reminded me of what live theatre can do that streaming can’t: it creates a room where the energy feeds back on itself.

By the end, as the final song echoed and the audience stood for its curtain call, I realized I hadn’t looked at my watch once. I had been completely absorbed. Pride & Prejudice (sort of) is a reclamation of her wit, spirit, and sharp social gaze, filtered through the lens of women who rarely get the spotlight. It is both joyful and deliberate in its disorder, and I would see it again in a heartbeat.

Due to popular demand, PRIDE & PREJUDICE*(*SORT OF) by Isobel McArthur, last season’s sold-out, irreverent and hilarious smash-hit comedy will return to Toronto’s CAA Theatre for a strictly limited engagement, July 22 to August 17, 2025. 

Tickets will go on sale at 10AM on Friday March 7, 2025 at www.mirvish.com or by phone at 1.800.461.3333. 

21 Greatest Opening Lines in Rock History

Some songs don’t walk into the room—they kick the door down, wink at the bartender, and drop a lyric so good you’re hooked for life. The opening line is the handshake, the headline, the hit of electricity that says, “Sit down. You’re not going anywhere.”

Here are 25 of the greatest first lines in rock history—the ones that grab you by the collar and pull you into a world of riffs, rebellion, and poetic chaos.

“Please allow me to introduce myself…” – The Rolling Stones, “Sympathy for the Devil”
Like the Devil showing up in a velvet blazer. Mick Jagger makes the apocalypse sound charming.

“Hello darkness, my old friend…” – Simon & Garfunkel, “The Sound of Silence”
A mood. A meme. A masterpiece. Sadness has never sounded so poetic.

“Just a small town girl, living in a lonely world…” – Journey, “Don’t Stop Believin’”
If you’ve ever belted this in a karaoke bar with strangers, congratulations—you’ve lived.

“You were working as a waitress in a cocktail bar…” – The Human League, “Don’t You Want Me”
Soap opera vibes in under ten words. And the synth hasn’t even kicked in yet.

“Load up on guns, bring your friends…” – Nirvana, “Smells Like Teen Spirit”
Teen angst wrapped in gasoline and flannel. Welcome to the ’90s.

“Is this the real life? Is this just fantasy?” – Queen, “Bohemian Rhapsody”
Six words and you’re already questioning your existence. Freddie didn’t come to play.

“There’s a lady who’s sure all that glitters is gold…” – Led Zeppelin, “Stairway to Heaven”
A myth, a journey, a shopping metaphor that launched a thousand guitar solos.

“I may not always love you…” – The Beach Boys, “God Only Knows”
Starts like a breakup, ends up being one of the greatest love songs ever recorded. Brian Wilson magic.

“I am an antichrist, I am an anarchist…” – Sex Pistols, “Anarchy in the U.K.”
Not exactly easing into things. Punk arrived, and it had something to say.

“Let me tell you how it will be…” – The Beatles, “Taxman”
George Harrison and his guitar had some financial advice—and a killer riff.

“I get up in the evening, and I ain’t got nothing to say…” – Bruce Springsteen, “Dancing in the Dark”
The most relatable lyric ever written for anyone who’s stared at a blank Word doc at 10 p.m.

“We don’t need no education…” – Pink Floyd, “Another Brick in the Wall (Part II)”
Technically a double negative. Still got banned by schools. Mission accomplished.

“I heard there was a secret chord…” – Leonard Cohen, “Hallelujah”
And every songwriter has been chasing it ever since.

“You can’t start a fire without a spark…” – Bruce Springsteen, “Dancing in the Dark”
Yes, it’s so good it gets to be on this list twice. Bruce is the king of opening lines and midlife crises.

“We’re leaving together, but still it’s farewell…” – Europe, “The Final Countdown”
No one knows where they’re going. But the synth riff is already packing snacks.

“Oh mama, can this really be the end?” – Bob Dylan, “Stuck Inside of Mobile with the Memphis Blues Again”
Bob says what we’re all thinking after checking the news.

“It’s nine o’clock on a Saturday…” – Billy Joel, “Piano Man”
He paints the entire bar in one line. And somehow makes harmonica cool.

“She was more like a beauty queen from a movie scene…” – Michael Jackson, “Billie Jean”
A mysterious woman. A bass line that grooves forever. Instant drama.

“She came from Greece, she had a thirst for knowledge…” – Pulp, “Common People”
Jarvis Cocker narrates class warfare like it’s a soap opera. And we’re all ears.

“You got a fast car, I want a ticket to anywhere…” – Tracy Chapman, “Fast Car”
One line, and you’re already in the passenger seat, chasing something better. Pure storytelling.

“Once upon a time, you dressed so fine…” – Bob Dylan, “Like a Rolling Stone”
A fairytale opening for the end of innocence. Dylan brings the thunder with a sneer.

10 Tips for Making Social Media Work for You (Without Losing Your Mind)

Let’s face it—social media is loud, fast, weird, and kind of wonderful. It’s a place where you can promote your work, meet cool people, and find out what your cousin ate for lunch. But it can also feel like drinking from a firehose while juggling flaming hashtags. Here are 10 fun and totally doable ways to make social media your buddy, not your burnout.

1. Post like you’re texting a friend
People love warmth and honesty. Whether you’re sharing a playlist or your dog’s latest nap pose, talk like you’re chatting with someone who roots for you. Bonus points for kindness and gifs.

2. Set a timer, not a trap
Give yourself a window—15 minutes in, 15 minutes out. Social media thrives on endless scrolling, but you thrive on balance and snacks. Let your phone serve you, not the other way around.

3. One platform at a time, superstar
Instagram, TikTok, X, Threads… it’s a lot. Pick your favorite and give it love. Like your favorite concert venue, some places just fit your voice better than others.

4. Use the mute and unfollow buttons like glitter
Your feed should lift you up, not leave you spiraling. Curate with joy. You’re not stuck in a group chat—you’re building a digital space that makes you smile.

5. Celebrate the little things
Finished a rough draft? Shared a song you love? High five! Your feed doesn’t need to be groundbreaking to be great. Small moments are the ones that connect us all.

6. Take breaks like it’s a holiday
Step away guilt-free. The internet keeps spinning, but you don’t have to. Touch grass. Hug a dog. Let your brain do something offline and deeply unfiltered.

7. Embrace your weird
You’re into niche documentaries and haunted house soundtracks? Amazing. The internet is wide enough for every passion. Someone out there has the same obsession—and they’ve probably got a fan account for it.

8. Schedule posts like a time-traveling genius
Apps can post for you while you sleep, shower, or rock out at a concert. Use them! Be everywhere without being everywhere. That’s what robots are for.

9. Ask questions that start conversations
Instead of shouting into the void, invite people in. “What’s your favorite comfort album?” gets more joy than “LOOK AT MY CONTENT.” Talk with, not at.

10. Log off with love
You did your best today. Whether you posted or just lurked, you showed up. Now go reward yourself with a snack, a nap, or a dance break to Fleetwood Mac.

Social media is a strange, sparkly parade—and you get to choose your float. Be kind, be curious, and most importantly, be you.

Understanding Poker Table Dynamics

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By Mitch Rice

If you’ve ever sat down at a poker table and thought, “Why does this feel so different from my last game?” You’re not alone. Every poker table has its own rhythm and level of competitiveness. That’s what we call table dynamics, and learning how to read them can make a big difference in how often you walk away with chips in your pocket.

So, let’s check out what poker table dynamics are, how to spot a good one, and what to watch for when choosing where to play.

How Do You Choose the Most Profitable Poker Tables?

Poker is not just about how you play your cards; it’s about how strategically you pick your table as well. A profitable table is one where you have an advantage over other players, which pulls down experience level compared to their skill set, too loose, or too passive.  

Here’s what to look for:  

  • Loose Players: These guys tend to play far too many hands, call everything without regard to odds, and chase every single draw under the sun. You want them at your table.  
  • Passive Players: They rarely raise a bet while checking/calling most of the time is a player that is easier to control and bluff.  
  • Happy Gamblers: Individuals who are drinking and chatting focused on strategy will lose are wonderful for gambling against because they’re typically unfocused on planning.

What Should You Be Aware Of at the Poker Table?

When playing poker at OMG Casino or a physical establishment, you’ll want to pay attention to a few key dynamics. They include:

Types of Players  

As we have seen, players do show different traits at the table. Some might fall into being a tight, loose, aggressive, or passive player. It is not necessary for you to learn everyone’s precise style but having a rough idea helps when it comes to adjusting your strategy.  

Hands Per Hour   

Live poker is naturally slower than online poker, but not all tables are equally fast. Always look for tables with high hands-per-hour as more hands mean better opportunities to win. At live tables, you’ll notice some dealers and players move faster than others. Avoid desks where every hand takes forever.  

Table Size  

The number of players impacts everything. A full ring of nine to ten sets tends to foster a cautious game as participants are ordinarily slower and more conservative in their play style. On the other end, 6-Max tables are loaded with nonstop action and aggression while head-to-head matches are fast-paced and incredibly tactical.

Stakes

Higher stakes aren’t always ideal games Instead often present greater threats. Stick around the level that you can consistently beat the competition and only move forward when your win rate justifies it. 

How Do You Know If a Poker Table Is “Good”?

Whether you’re playing live or online, there are a few ways to tell if a table is worth your time.

Look for High Flop Percentages 

Most online sites will show you what percentage of players are seeing the flop. If that number is above 30–35%, it’s a sign that players are loose and playing weak hands. That’s a good table.

Check Average Pot Size

If pots are consistently big, it usually means players are calling and betting more loosely. These are profitable situations for a disciplined player.

Watch the Action for 10–15 Minutes

If you’re not sure about a live table, don’t feel pressured to jump in right away. Watch a few hands. Are players making wild bets? Limping into every pot? Calling everything down? That’s a good sign.

Avoid Tight, Silent Tables

If everyone is folding constantly, no one is talking, and pots are tiny; don’t waste your time. That’s a table full of grinders or nits.

Final Thought

Finding the right poker table is so important. You want to be close enough to the action, but not stuck between two screamers. The better you get at spotting table dynamics like player types, betting behavior, and pace of play, the more you’ll find yourself in profitable situations. And in poker, that’s half the battle.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Michael Jackson’s Isolated Vocals For “Dirty Diana”

Released as the fifth single from Bad, Michael Jackson’s “Dirty Diana” blended hard rock edge with pop precision, featuring a searing guitar solo by Steve Stevens. Its lyrics dove into the world of groupies, echoing the grit of “Beat It.” It topped the Billboard Hot 100 in 1988 and remains one of his fiercest hits.