Home Blog Page 498

HoneyLuv Heats Up the Dancefloor with New Single “Dancehall” and Her First-Ever Lead Vocal Performance

Eric Alper
-
0
HoneyLuv Heats Up the Dancefloor with New Single “Dancehall” and Her First-Ever Lead Vocal Performance

Berlin-based DJ and producer HoneyLuv, returns with a captivating and energetic new single “Dancehall” – a brilliant portrait of ecstasy, celebrating movement and expression. Setting the tone for an epic season ahead, the vibrant new single is available now.

Bold from the onset, “Dancehall” instantly drives listeners to the dancefloor – the buoyant beat fuses Latin pop and Afrobeats into an anthemic dance track. After her vocals have appeared on remixes in the past, this track marks the first time she’s singing on one of her own. Her velvety-rich vocals are layered over a lush bed of bouncing reggaeton-inspired rhythm, carefully designed to make hips sway, shoulders roll and feet refuse to stop moving. Creating an irresistible soundscape, HoneyLuv’s intoxicating beat draws listeners deep into her groove-filled realm where they are free to shake off every ounce of restraint as the track beams with color, movement and pure kinetic joy.

Refreshingly exuberant, “Dancehall” fosters camaraderie and connection, cultivating a space where listeners can immerse themselves in the beat and get lost in its reverie. Demonstrating her versatility and adaptability, the track arrives as a powerful assertion of HoneyLuv’s spirit: bright, bold and undeniably danceable.

HoneyLuv shares, “‘Dancehall’ came to life one night in my London flat; I was just vibing, mixing house with the dancehall and reggae I’d been into lately. Took it to the studio with the crew, and we knew we had something special. I’m counting down the days until you can finally vibe to it in full.”

A groove-obsessed powerhouse with boundless energy and a flair for flipping the script, HoneyLuv spins every record she plays into pure magic. With a spirit as bouncy as her productions and razor-sharp instincts, she transforms bumping passlines and funky rhythms into ecstatic dance-floor-ready journeys. The undeniable, self-taught talent was catapulted onto the scene in 2023 when she was crowned BBC Radio 1’s Future Star by Danny Howard, and she hasn’t slowed down since.

With a knack for captivating audiences through her dynamic performances and distinctive sound, HoneyLuv has proven she can rise to any occasion. The past few years have seen her conquer iconic stages like Coachella, Ultra Music Festival Miami, and Cercle Festival, play alongside music heavyweights including The Martinez Brothers, Idris Elba and Kevin Saunderson, and release vibrant collaborations with artists like Seth Troxler, Annie Mac, Muni Long and Jaden Thompson.

As she continues to overhaul the scene and command global attention with her radiating charm and playful ability to connect with audiences of all sizes, HoneyLuv isn’t just shaking up the scene – she’s owning it. Remixing the rules through her bold, feel-good and fiercely feminine lens, leaving an indelible mark on the scene as she charges ahead on her full-throttle ascent to the top.

The Manic Standstill Roar Back with “Bulletproof” and Unveil Official Lineup Ahead of New Album ‘Moving’

Eric Alper
-
0
The Manic Standstill Roar Back with “Bulletproof” and Unveil Official Lineup Ahead of New Album ‘Moving’

Los Angeles-based band The Manic Standstill is back with their powerful new single, “Bulletproof” – a song that came together with striking speed and intensity. Inspired by a casual challenge, vocalist and songwriter Adam Bones (known for his work with Save Ferris, Richie Ramone, Josie Cotton, The Two Tens) asked his wife, Megan, a true crime enthusiast and talented writer, if she could pen lyrics rooted in the genre. To his surprise, fully written lyrics appeared in his inbox the very next day.

“I was so excited and inspired by these incredible words that the music just poured out of me – I must have written the music in about five minutes,” he says. Megan later revealed that her lyrics were loosely based on the harrowing true story of Mary Vincent, a survivor of a brutal attack and an enduring symbol of resilience.

Following the success of their debut single, “Reasons Why,” “Bulletproof” was once again recorded and produced by Davey Warsop at Strong Studios. The track features the dynamic talents of Aixa Vilar (drums) and Michelle Rangel (bass) from the iconic punk band Go Betty Go, adding even more energy and urgency to the song’s message of strength.

The vibrant music video for “Bulletproof” was brought to life by Nicolette Vilar, lead singer of Go Betty Go, who also directed and conceptualized the project.

“I had seen Nicolette’s incredible video work for Go Betty Go and was blown away,” says Bones. “I asked if she’d be interested in making a video for us, and she came up with an amazing, colorful, and creative vision. We trusted her completely – and she absolutely delivered.”

Vilar says, “It was a pleasure working with The Manic Standstill on this very fun music video. The concept came to me when listening to the chorus of the song and knowing how tall everyone in the band is. I played with the surreal idea of a woman who goes from being tiny to crazy tall. I’m also inspired by the colors I see out in the California desert. I had a lot of fun directing the band and putting it all together in post.”

Bones adds, “At the time the video for ‘Bulletproof’ was conceptualized and shot, we had already established the core lineup of The Manic Standstill: Adam Bones, Eddy Hewitt, and Brad Dickert. Unlike the ‘Reasons Why’ video, which featured an ensemble of musicians, ‘Bulletproof’ proudly introduces and highlights the band’s official trio for the very first time.”

“Bulletproof” will appear on the band’s upcoming album, set to drop later this year via Wiretap Records/Double Helix.

*Featured guests on the upcoming LP ‘Moving’ include: Ian Fowles (The Aquabats) Kevin Preston (Prima Donna) Kody Templeman (Teenage Bottlerocket, The Lillingtons) Nicolette Vilar (Go Betty Go) Aixa Vilar (Go Betty Go) Michelle Rangel (Go Betty Go) Jonah Nimoy, Kelly Ogden & Luis Cabezas (The Dollyrots) Drew Champion (Suzi Moon) Paul Roessler (The Screamers) Packy Lundholm (I Fight Dragons) “Lights Out” Levine (Prima Donna) “Little” Dave Parker (Billy Liar, Johnny Madcap & the Distractions) Ari Shineplus Production by Davey Warsop.

Dry Kill Logic Unleash Ferocity and Melody with New Single “Now You Belong With the Dead”

Eric Alper
-
0
Dry Kill Logic Unleash Ferocity and Melody with New Single “Now You Belong With the Dead”

Dry Kill Logic are gearing up for a busy year in 2025. The band has dropped the new single “Now You Belong With the Dead,” produced by Greg Thomas (End, Shai Hulud, Misery Signals) and mastered by Will Putney (Fit For an Autopsy, Better Lovers). It’s a masterclass in storytelling, showcasing the band at their most melodic and their most brutal – fans old and new will immediately feel the impact of this ferocious new track.

“We wrote this song years ago, but it really came to life with Greg in the studio,” states singer Cliff Rigano. “It’s our most dynamic songwriting to date, and we’re stoked for everyone to hear it!”

Damiano David Invites You Into His World with “Voices” and Solo Album ‘Funny Little Fears’

Eric Alper
-
0
Damiano David Invites You Into His World with “Voices” and Solo Album ‘Funny Little Fears’

Maneskin frontman Damiano David has shared a “Live From Vevo Studio” performance video for his brand new single “Voices”, the latest track from his solo album “Funny Little Fears”, which is out now.

Damiano shared, “‘VOICES’ is about my inner battle-everything that pulled me away from myself and from really understanding what I wanted… and more importantly, what I didn’t want. This song is the final piece before the full story unfolds with the album.

” Funny Little Fears is basically my emotional diary from this past year. Writing it helped me work through some deep emotional blocks and anxiety, and let me show a more personal, maybe unexpected, side of myself-both musically and as a person. Releasing ‘VOICES’ before the album feels like opening the last door, inviting everyone into my inner world, without fear.”

KiNG MALA Ascends with Debut Album ‘And You Who Drowned In The Grief Of A Golden Thing’ and New Single “Ode To A Black Hole”

Eric Alper
-
0
KiNG MALA Ascends with Debut Album ‘And You Who Drowned In The Grief Of A Golden Thing’ and New Single “Ode To A Black Hole”

Bow down or black out. Unapologetic alt-pop songstress KiNG MALA – aka Areli Castro – enters her reign of chaos with the release of her debut album And You Who Drowned In The Grief Of A Golden Thing.

Inspired by everything from brutalist architecture to Robert Eggar’s The VVitch, Catholicism, Egyptian death lore, Renaissance art, and so much more, And You Who Drowned In The Grief Of A Golden Thing is a thrilling cinematic fever dream that dives into desire vs. obsession, humanity vs. monstrousness – and the consequences of the push/pull.

Of the album, KiNG MALA shares, “This album is the project of my dreams. A perfect culmination of all that inspires me – sonically, conceptually, and visually. It’s everything I’ve ever loved and feared formed into one story. These characters have evolved and changed with me as this album was made, and at the end of its creation, both they and I have transformed.”

To celebrate her coronation, the KiNG has also unveiled the video for “Ode To A Black Hole,” which depicts her tragically glam spiral into an emotional abyss

“Ode To A Black Hole” is about what it feels like to still love the thing that’s killing you. Whether that’s a person or a career or a substance or yourself. It’s a dedication to the worst thing that’s ever happened to you, it’s a tribute to the end of the world, the absence of light,” says MALA. “There’s this perfect moment between when you realize it’s hurting you and when you leave. Ode exists in that space. It’s so painful and yet strangely romantic to love something that takes everything from you.”

5 Surprising Facts About Janet Jackson’s ‘Control’

Eric Alper
-
0
5 Surprising Facts About Janet Jackson’s ‘Control’

Released in 1986, Control marked a radical shift in Janet Jackson’s career and in the sound of contemporary pop and R&B. With Jimmy Jam and Terry Lewis at the helm, the album redefined what artistic independence could sound like, blending synthesizers, funk grooves, and confrontational lyrics into a confident, polished body of work. Beyond its commercial and critical success, Control is full of surprising decisions, defiant choices, and creative breakthroughs that shaped the music industry for years to come.

Here are five lesser-known facts that reveal the full scope of what went into Control.

1. The entire album was recorded far from Los Angeles—on purpose.
Jimmy Jam and Terry Lewis insisted that Control be made at their Minneapolis studio, not in Los Angeles, where Janet’s father Joseph could oversee the process. Their condition: no bodyguards, no family interference, and full creative control. This geographic separation allowed Jackson to shed the constraints of her past and focus entirely on developing her own voice—musically and personally.

2. Janet co-wrote and co-produced many of the tracks, despite being new to the process.
Though she had not taken creative control on her previous albums, Jackson was deeply involved in shaping Control. Jam and Lewis started by listening—spending their first week together simply talking with her. As she opened up, the songs evolved to reflect her real-life experiences, from personal loss to street harassment, with Janet stepping up to help compose arrangements and lyrics.

3. “Nasty” was inspired by a real incident that happened during recording.
While staying at a Minneapolis hotel, Jackson was confronted by a group of men who harassed her outside. Instead of seeking help, she stood her ground—an experience that directly fueled the attitude and lyrics of “Nasty.” The signature triplet swing rhythm was crafted by Jam on an Ensoniq Mirage, and the aggressive tone of the track became a defining influence on the emerging new jack swing sound.

4. “What Have You Done for Me Lately” was a last-minute addition.
Originally meant for Jam and Lewis’s own project, this song was added late in the recording process after A&M executive John McClain asked for one more uptempo track. The lyrics were rewritten to reflect Janet’s recent annulment from James DeBarge. It became the lead single and the perfect distillation of the album’s central theme: taking ownership of one’s voice, life, and choices.

5. The album cover was a visual declaration of independence.
Janet’s sharp, futuristic look—styled by illustrator Tony Viramontes—helped establish her as a fashion icon. With big hair, an all-black ensemble, and angular lines, the imagery was bold, modern, and entirely her own. For the first time, Janet wasn’t being styled as someone’s little sister—Control was her aesthetic, her message, her power.

Control reshaped not only Janet Jackson’s career but the landscape of pop and R&B itself. Its impact can still be felt in the way artists blend personal storytelling with electronic production and bold visual style. These hidden details highlight how Control was more than a musical statement—it was a blueprint for self-definition and artistic reinvention.

Reneé Rapp Drops Fierce New Album ‘BITE ME’ and Plots Massive Arena Tour

Eric Alper
-
0
Reneé Rapp Drops Fierce New Album ‘BITE ME’ and Plots Massive Arena Tour

 Today, critically acclaimed singer-songwriter Reneé Rapp has released her long-awaited second studio album BITE ME (via Interscope Records). The 12-song offering includes previously released tracks “Mad”, “Why Is She Still Here?”, and fan-favorite “Leave Me Alone”, which served as the first single from Rapp’s bold new era. BITE ME is a raw, unfiltered, and vulnerable album about owning your narrative and embracing self-acceptance in its truest form, and like Rapp herself, creates a community for unfiltered self-expression.

To celebrate her sophomore album, Rapp performed standout track “Shy” for the first time on The Late Show with Stephen Colbert – watch the stellar performance HERE. She’ll continue with the special BITE ME Album Release Show tonight at Warsaw in Brooklyn and the BITE ME North American headlining tour, which kicks off September 23rd in Colorado at Red Rocks Amphitheatre. Her largest tour to date, the 16-city run includes major arena plays at venues across the country including the iconic Madison Square Garden in New York, TD Garden in Boston, and The Kia Forum in Los Angeles. Speculation around the news began last month, when Reneé Rapp-branded tabloids began to pop up at newsstands across the country with easter eggs hinting at the upcoming announce. Find full list of dates below and more information HERE.

Earlier this summer, Rapp revealed the BITE.ME website, urging fans to ‘sign a hundred NDA’s’ ultimately revealing a slew of hints about the yet-to-be-announced album. In the weeks following, the internet erupted with ‘Bite Me’ related clues – from Rapp’s “Bite Me” lip tattoo to posts from the likes of Paris Hilton, Charlize Theron, Monica Lewinsky, Gabby Windey, and more. Since kicking off the campaign, the anticipation for the project has grown exponentially with each single. In May, Rapp performed “Leave Me Alone” live for the first time during the 2025 American Music Awards.

Just a few weeks later, she released her second single from the project “Mad” which she performed live on release day during The Today Show’s Summer Concert Series.

This exciting new chapter marks Rapp’s first music release since 2023, when she collaborated with GRAMMY award-winning artist Megan Thee Stallion on hit record “Not My Fault” from the official soundtrack to Paramount’s feature film MEAN GIRLS (which also saw Rapp reprising her iconic role of Regina George). The song earned Rapp’s highest ever day one streams on Spotify to date and saw a legendary performance between the two stars on Saturday Night Live. Earlier that same year, Rapp released her first studio album Snow Angel, earning her the largest first-week sales for a female artist’s debut album in the U.S. upon release. That fall, she embarked on the ‘Snow Hard Feelings Tour’ in support of the project, a sold-out headlining run met with massive demand, featuring four nights in New York and one in Los Angeles at the iconic Greek Theatre. Now, with the release of her sophomore effort, Rapp is positioned to ascend to even higher levels of stardom in this next era.

RENEÉ RAPP BITE ME TRACKLIST:

1. “Leave Me Alone”
2. “Mad”
3. “Why Is She Still Here”
4. “Sometimes”
5. “Kiss It Kiss It”
6. “Good Girl”
7. “I Can’t Have You Around Me Anymore”
8. “Shy”
9. “At Least I’m Hot”
10. “I Think I Like You Better When You’re Gone”
11. “That’s So Funny”
12. “You’d Like That Wouldn’t You”

RENEÉ RAPP – 2025 NORTH AMERICAN TOUR DATES:

Tue Sep 23 – Morrison, CO – Red Rocks Amphitheatre
Thu Sep 25 – Rosemont, IL – Allstate Arena
Sat Sep 27 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill
Mon Sep 29 – New York, NY – Madison Square Garden
Wed Oct 1 – Brooklyn, NY – Barclays Center
Thu Oct 02 – Boston, MA – TD Garden
Mon Oct 06 – Columbia, MD – Merriweather Post Pavilion
Wed Oct 08 – Columbus, OH – Nationwide Arena
Fri Oct 10 – Minneapolis, MN – The Armory
Mon Oct 13 – Portland, OR – Theater of the Clouds
Wed Oct 15 – San Francisco, CA – Bill Graham Civic Auditorium
Fri Oct 17 – Los Angeles, CA – Kia Forum
Wed Oct 22 – Austin, TX – Moody Amphitheater at Waterloo Park
Thu Oct 23 – Irving, TX – The Pavilion at Toyota Music Factory
Sun Oct 26 – Atlanta, GA – State Farm Arena
Mon Oct 27 – Tampa, FL – Yuengling Center
Wed Oct 29 – Charlotte, NC – Spectrum Center

WAR’s Golden Era Returns with ‘The CD Collection 1971–1975’ Box Set

Eric Alper
-
0
WAR’s Golden Era Returns with ‘The CD Collection 1971–1975’ Box Set

On September 5th, Rhino celebrates the enduring legacy of WAR with The CD Collection 1971–1975—a deluxe five-disc box set honoring the band’s groundbreaking early years and continuing the year-long celebration of their landmark album Why Can’t We Be Friends?. This beautifully packaged collection features five essential albums—WAR (1971), All Day Music (1971), The World Is A Ghetto (1972), Deliver The Word (1973), and Why Can’t We Be Friends? (1975)—capturing the band’s first chapter following the departure of former frontman Eric Burdon. These albums mark the creative emergence of WAR as a singular force in American music—fusing funk, jazz, Latin rhythms, soul, rock, and psychedelia into a genre-defying sound all their own.

Housed in a striking package featuring original artwork by acclaimed illustrator Dave Van Patten, whose surreal, hand-drawn style channels the same boundary-pushing energy that defined WAR’s music and message, each album delivers the most vibrant and immersive listening experience to date. 

Following 2021’s Record Store Day vinyl exclusive, this CD box set is a must-have for both longtime collectors and new listeners—offering a fresh lens into WAR’s most iconic era. From the streetwise poetry of The World Is A Ghetto to the unifying call of Why Can’t We Be Friends?, these albums remain as powerful, joyful, and relevant as ever.

Pre-order The CD Collection 1971-1975 Here

2025 marks the 50th anniversary of Why Can’t We Be Friends?, WAR’s blockbuster album that helped define the sound of the ‘70s. As Variety says, “When it comes to low rider Cali-cool multiculturalism, WAR wrote the biggest, loudest book.” That legacy continues to grow, with the band reaching new milestones and long-overdue recognition. After kicking off the celebration with a national performance at the Macy’s Thanksgiving Day Parade, WAR was honored earlier this summer with a star on the Hollywood Walk of Fame, cementing their impact on American music and culture.

Fresh off that celebration, the band returned from a triumphant European tour filled with career-defining moments. At the Love Supreme Festival, WAR was joined by surprise guest Questlove, who jumped behind the kit for a fiery encore of the timeless hit “Low Rider.” He later praised the band on Instagram, writing: “I’d never thought I’d see a 70s unit actually nail the groove and funk of their peak period…” Now, The CD Collection 1971–1975 gives a new generation of listeners the chance to experience WAR at their creative peak: five classic albums, newly remastered and reimagined, capturing the heart, soul, and revolutionary spirit of one of the most vital bands of the 20th century.

Tracklist 

CD 1: War (1971)

  1. SUN OH SON
  2. LONELY FEELIN’
  3. BACK HOME
  4. WAR DRUMS
  5. VIBEKA
  6. FIDEL’S FANTASY

CD 2: All Day Music (1971)

  1. ALL DAY MUSIC
  2. GET DOWN
  3. THAT’S WHAT LOVE WILL DO
  4. THERE MUST BE A REASON
  5. NAPPY HEAD (THEME FROM “GHETTO MAN”)
  6. SLIPPIN’ INTO DARKNESS
  7. BABY BROTHER

CD 3: The World Is A Ghetto (1972)

  1. THE CISCO KID
  2. WHERE WAS YOU AT
  3. CITY, COUNTRY, CITY
  4. FOUR CORNERED ROOM
  5. THE WORLD IS A GHETTO
  6. BEETLES IN THE BOG

CD 4: Deliver the Word (1973)

  1. H2 OVERTURE
  2. IN YOUR EYES
  3. GYPSY MAN
  4. ME AND BABY BROTHER
  5. DELIVER THE WORD
  6. SOUTHERN PART OF TEXAS
  7. BLISTERS

CD 5: Why Can’t We Be Friends? (1975)

  1. DON’T LET NO ONE GET YOU DOWN 
  2. LOTUS BLOSSOM  
  3. HEARTBEAT  
  4. LEROY’S LATIN LAMENT (Medley)
    1. LONNIE DREAMS
    2. THE WAY WE FEEL
    3. LA FIESTA
    4. LAMENT
  5. SMILE HAPPY  
  6. SO  
  7. LOW RIDER 
  8. IN MAZATLAN
  9. WHY CAN’T WE BE FRIENDS? 

Foghat Announce 50th Anniversary Edition of ‘Fool for the City’

Eric Alper
-
0
Foghat Announce 50th Anniversary Edition of ‘Fool for the City’

 It’s become commonplace to hear the words, “I can’t believe it’s been 50 years since that album came out!” That exclamation comes this year for legendary rockers FOGHAT–Roger Earl (founding drummer), Bryan Bassett (guitar), Scott Holt (lead vocals/guitar), and Rodney O’Quinn (bass)– whose Platinum-selling fifth album, FOOL FOR THE CITY (which gave us the rock anthems “Slow Ride” and the title track) was originally released on September 15, 1975. 

To celebrate this illustrious occasion, Rhino Records is releasing the 50th Anniversary Edition of FOOL FOR THE CITY on September 12, 2025. This special reissue available as a double-vinyl or double-CD version, features the newly remastered original tracks, as well as an electrifying bonus disc featuring a never-before-released live album recorded during two live performances at the Aragon Ballroom in Chicago in 1975. Pre-order info is here.

A limited number of autographed CDs and vinyl can be pre-ordered now on TalkShop.Live, which will include an exclusive insert signed by Roger Earl and producer Nick Jameson. On Wednesday, August 6 at 4:00pm PT/7:00pm ET, Roger Earl and producer Nick Jameson will appear on the site’s Rock & Roll Channel with their good friend and host Steve Harkins for an in-depth discussion about FOOL FOR THE CITY and the incredible bonus material on the 50th Anniversary package. 

Captured and performed by multi-talented bassist/producer Nick Jameson—the mastermind behind both FOOL FOR THE CITY and 1977’s legendary FOGHAT LIVE—these raw, high-energy recordings have been resurrected nearly 50 years later. Mixed and mastered by Jameson himself at a studio in Reykjavik, Iceland, the result is a time capsule of pure rock fury. The CD edition will also include two bonus live tracks and a brand new interview with founding drummer Roger Earl and Jameson, diving into the making of “Slow Ride” and the magic behind the FOOL FOR THE CITY sessions. 

“Nick is a genius,” says Earl. “He worked tirelessly to make these live tracks as powerful as his original LIVE mixes—and we are absolutely thrilled with the results.” Check out more from him about the album on this video posted on the band’s YouTube page. 

“From the iconic album cover, to the first 30 seconds of the opening track, FOOL FOR THE CITY 50 years later is still as relevant today as in 1975,” declares bassist Rodney O’Quinn. “A go to album while cruising down the highway of life. “ 

Lead/slide guitarist Bryan Bassett who has mixed, produced and mastered all of Foghat’s releases since 2000 says, “Included in this release are several ‘live’ recordings from the band in 1975. The mixes for these live tracks were done by the multi-talented producer/engineer/ musician Nick Jameson who was the producer on the original FOOL FOR THE CITY record. An awesome set of rare bonus tracks for your FOGHAT collection. “ 

As singer Scott Holt exclaims, “FOOL FOR THE CITY, birthplace of ‘Slow Ride,’ as well as one the greatest most iconic album covers ever, the music inside this masterpiece continues to excite and entertain and 50 years on, still being embraced, consumed, treasured, streamed and played on radio stations all over the world! FOGHAT has an embarrassingly rich catalog, but the body of work that is FOOL FOR THE CITY is a standard of great American Rock & Roll! And now, remastered with bonus live tracks?!? What a great time to be alive and rocking out to FOGHAT!” 

“I am absolutely thrilled that the four merry lads who created Slow Ride can at long last be heard performing together live,” says Nick Jameson. “This performance happened mere weeks after we recorded the FOOL FOR THE CITY album, and we were at the absolute top of our game. And I’m so happy that FOOL FOR THE CITY once again sounds the way it did when it was first released. Love always to Dave and Rod; they live on in this music!” 

And the party doesn’t stop there. FOGHAT wants their legions of loyal fans to help celebrate. They’re being invited to design their own version of the iconic FOOL FOR THE CITY album cover for a chance to win big. The Grand Prize is a trip for two to Las Vegas, NV to hang out with the band at their September 

13 show at the Cannery Hotel & Casino. Second and third place winners will score exclusive band merchandise. All entries will be showcased in a special 50th Anniversary tribute video and on FOGHAT’s social media. Fans should submit their designs by August 15 on the band’s website. Download the original background HERE and let their imagination run wild. 

FOGHAT is still making chart-topping music and touring all over North America, the U.K. and Europe 50 years later. Their latest album, SONIC MOJO, was released November 10, 2023, and remained on the Billboard Top 10 “Blues Albums” chart for 34 weeks, including two weeks at #1. It is the first time the band has ever landed at #1 on any of Billboard’s charts after a new album release. Even “Slow Ride” had never reached #1. SONIC MOJO is available in various formats, including a single CD boasting 12 electrifying tracks in a stunning six-page digipak and digital copies. For vinyl enthusiasts, there’s a limited edition 180gram, neon purple vinyl version featuring 11 tracks and a gatefold jacket, as well as extra special CD and vinyl bundles. The album’s four singles, “Drivin’ On,” “She’s a Little Bit of Everything” (co-written by the late Kim Simmonds from Savoy Brown), “Black Days & Blue Nights,” and “I Don’t Appreciate You” are streaming on all digital outlets and the band’s official YouTube page. 

Vintage Guitar has immense praise for SONIC MOJO. “Few things in life are guaranteed – but one is that drummer Roger Earl will keep FOGHAT truckin’…FOGHAT’s trademark sound is here, with fresh twists planted in the blues – and even country…FOGHAT’s blistering guitar-boogie boogies on!” 

The band’s journey began in 1971, and their legacy is written in Rock & Roll history with their classic hits “Fool for the City,” “Slow Ride,” and “I Just Wanna Make Love To You,” eight Gold records, one Platinum record, and one double-Platinum record. Through ups and downs, tragedies, and triumphs, one thing remains constant: FOGHAT’s unwavering dedication to music. It’s all about the music, always has been and always will be. 

Here is the track listing for the 50th anniversary edition of FOOL FOR THE CITY: 

ORIGINAL ALBUM: 

1. Fool For The City 

2. My Babe 

3. Slow Ride 

4. Terraplane Blues 

5. Save Your Loving (For Me) 

6. Drive Me Home 

7. Take It Or Leave It 

1975 LIVE RECORDING: 

1. Fool For The City 

2. Home In My Hand 

3. My Babe 

4. Honey Hush 

5. Slow Ride 

6. I Just Wanna Make Love To You 

7. *Wild Cherry 

8. *Maybellene 

*CD only 

Madonna Celebrates 40 Years of ‘Dress You Up’ With Digital Release

Eric Alper
-
0
Madonna Celebrates 40 Years of ‘Dress You Up’ With Digital Release

Madonna celebrates the 40th anniversary of her quintessential single “Dress You Up” with three track digital release, out today. The song was the final single from the Diamond-certified album Like a Virgin on July 31, 1985, and continues to endure cross generational appreciation for this timeless dance classic. 

https://open.spotify.com/album/3xZLQ2dPzasCmJ9gFnur2X?si=k4MfczWKR-q7OT9ZnDZM3g

With the tragic news this week of the passing of the doll designers and Madonna superfans Mario Paglino and Gianni Grossi, she dedicates this release to them. In a statement, she writes, ‘Thank you for dressing up so many of your creations in Madonna iconic looks over the years.’

“Dress You Up” Track Listing:

  1. Dress You Up Remix/Edit – 3:48

2. Dress You Up The 12″ Formal Mix – 6:18

3. Dress You Up The Casual Instrumental Mix – 4:38

1...497498499...3,081Page 498 of 3,081

Follow us on Instagram @thatericalper

That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

Popular posts

Popular category

© Copyright - That Eric Alper