Dyssidia emerge with purpose on “Serum Sickness,” a tightly wound and venomous new single that signals a bold new chapter. The track moves with intent, weaving cryptic lyricism into layered, dynamic shifts that feel tense, fluid, and emotionally charged. Mitch Brackman delivers a gripping vocal performance that balances restraint and release, while the band locks into a sound that feels precise yet atmospheric. It is focused, fearless, and alive with momentum, and it stands as a powerful statement of clarity, confidence, and forward motion.
Dyssidia Return With Razor Sharp Progressive Metal On “Serum Sickness”
Blood Command Ignite Chaos And Emotion On “Mariah’s Song”
Blood Command roar back with “Mariah’s Song,” a fierce and emotionally charged single that blends jagged riffs, hardcore velocity, and a soaring, emo-leaning chorus into one unstoppable rush. Fronted by Nikki Brumen, the track captures the chaos of overwhelming love with total conviction, hitting hard while staying irresistibly melodic. It’s pure adrenaline, sharp and heartfelt at the same time, and it distills everything thrilling about the band’s sound into a single explosive moment. This is heavy music with pulse, purpose, and absolute fire.
Rufus Wainwright And Pacific Jazz Orchestra Reimagine Weill Classics
Rufus Wainwright joins forces with the Pacific Jazz Orchestra on ‘I’m a Stranger Here Myself – Wainwright Does Weill’, an expansive and beautifully detailed tribute to the music of Kurt Weill. The album places Wainwright’s expressive voice inside the rich textures of a 40-piece orchestral jazz ensemble, opening up Weill’s songs in ways that feel theatrical, daring, and emotionally alive. This collaboration is thrilling, curious, and deeply joyful in its ambition.
Out now, the album is introduced by a striking new take on “Mack the Knife”, paired with a performance video that captures the chemistry between Wainwright and the orchestra. The project feels immersive from start to finish, blending classic songwriting with lush modern arrangements that invite repeat listens. It’s a dream collaboration brought fully to life with confidence and care.
Paul Rodgers And Geezer Butler To Be Honored At 2026 Sound And Vision Awards
Adopt the Arts will honor rock legends Paul Rodgers and Geezer Butler on March 2 at the 2026 Sound And Vision Awards at the Palm Springs Plaza Theatre. With Matt Sorum serving as musical director and leading an all-star band of Rock and Roll Hall of Fame inductees, the night celebrates songs that helped shape generations of music lovers, with Jane Lynch hosting the event. Proceeds support Adopt the Arts music education programs across Los Angeles and the Coachella Valley, reaching more than 3,500 elementary students. Honoring artists of this caliber while directly fueling music education makes this celebration feel powerful, meaningful, and deeply uplifting.
OSLO Return With “Accidental Tourist” And Cinematic EP ‘The Great Divide’
Oakland-based trio OSLO step back into focus with “Accidental Tourist,” a sweeping and emotionally charged new single featuring Adrian Young. The track anchors their six-song EP ‘The Great Divide’, out now, and carries a cinematic weight that mirrors the band’s journey across time, place, and connection. Built on layered guitars, keys, and a steady pulse, the song captures motion and reflection in equal measure, with Young’s drumming adding a familiar spark and forward momentum. This is the sound of a band reconnecting with its core and pushing it somewhere deeper.
‘The Great Divide’ brings together a close-knit creative circle, with additional drum contributions from Tony Austin, Jonny Cragg, and Reto Peter, who also co-produced and mixed the EP. Recorded in Oakland, the project leans into atmosphere and texture, blending analog pedals and synth programming into immersive soundscapes that feel intimate yet wide open. There is something genuinely energizing about hearing OSLO stretch out again, embracing emotional depth while sounding confident and clear-eyed. The EP plays like a thoughtful reintroduction, rooted in honesty and driven by the joy of making music together again.
SPEED Unleash “AIN’T MY GAME” From ‘ALL MY ANGELS’ EP
SPEED keep charging forward with “AIN’T MY GAME,” a groove-heavy, chest-pounding track from their ‘ALL MY ANGELS’ EP, out now. Built on muscular riffs and shouted vocals, the song locks into a physical, movement-driven rhythm while its lyrics center on living honestly and rejecting illusion. The EP was produced by Elliott Gallart at The Chameleon Studios and channels reflection, unity, and emotional weight without losing any intensity. This release balances heart and force, and it hits with the kind of conviction that makes hardcore feel both personal and communal all at once.
Blake Whiten Digs Deep On “Hard To Break” As Momentum Keeps Rising
Blake Whiten leans into emotional storytelling on “Hard To Break,” a new single that feels raw, relatable, and fully lived in. Built on intimate strumming that gradually opens into a rich mix of dobro, banjo, steel, and drums, the song captures the push and pull of a heart that refuses to let go. Whiten’s vocal delivery carries real weight, pulling listeners straight into the story and holding them there. This track feels honest in the best way, and it lands with the kind of sincerity that makes fans stop and listen a little closer.
The release arrives as Whiten’s rise continues to accelerate, fueled by the growing success of “Rollin’ Stone” and a packed touring schedule. With his first headlining run underway and bigger stages ahead, “Hard To Break” sounds like a confident step forward from an artist hitting his stride. There is something exciting about watching this chapter unfold in real time, and this song proves Whiten has the voice and songwriting instincts to keep building something special.
Marcus King Band Share ‘Darling Blue’ And Duet With Noah Cyrus
Marcus King Band return with ‘Darling Blue’, an album that feels expansive, lived-in, and deeply connected to the band’s chemistry. Out now, the record arrives alongside a standout new collaboration, “The Shadows”, featuring Noah Cyrus. The song unfolds with sweeping melody and emotional weight, and Cyrus’ voice slides in with stunning ease, adding a new texture that elevates the moment. It is a track that lingers, rewarding close listening while still feeling instantly familiar. This album hits with warmth and confidence, and it sounds like a band fully in sync with itself.
Leading into the release, the band shared fan-favorite cuts like “Heartlands”, “Here Today”, “Carry Me Home”, “Carolina Honey”, and “Honky Tonk Hell”, building momentum one song at a time. The Darling Blue Tour is now underway, bringing this material to life night after night, with select dates joined by Angel White, Laci Kaye Booth, and Pearl. There is something especially exciting about hearing Marcus King and his band stretch out together again, and ‘Darling Blue’ feels like the kind of record fans will keep returning to because it sounds honest, open, and made with real love for the music.
Yachtley Crew Set Sail With Smooth Grooves On ‘Seas The Night’
Yachtley Crew return in full nautical glory with ‘Seas The Night’, a studio album that leans hard into feel good harmony, glossy grooves, and laid-back West Coast charm. The 11-track collection blends 10 beloved yacht rock covers with one original standout, “Pain Of Losing You”, delivering the kind of smooth sailing sound fans instantly recognize. From start to finish, the album feels like golden hour stretched across an entire evening, and it lands as a joyful celebration of the band’s signature style. This record is pure comfort listening with a wink and a smile, and it is an absolute blast from first spin to last.
Produced by Chris Lord-Alge and mastered by Ted Jensen in Los Angeles, the album captures the same warmth and energy Yachtley Crew bring to the stage. “Pain Of Losing You”, written by Diane Warren, fits seamlessly into the set and adds a heartfelt centerpiece to the journey. Fresh off a sold-out Australian run and deep into their Seas The Night tour, the band sound fully locked in and having fun. Fans are going to eat this one up because it feels effortless, polished, and endlessly replayable, the kind of album that turns any night into a smooth cruise.
Ty Myers Brings Blues Swagger And Late Night Fire To “Come On Over, Baby”
Ty Myers taps into raw blues energy on “Come On Over, Baby,” delivering a track that feels lived-in, playful, and effortlessly cool. The song moves with a slow burn, pairing sly lyrics with electric guitar lines that wink and tease before exploding into full-bodied emotion. Myers’ voice carries a confident urgency, riding the groove straight into a chorus that feels built for closing time moments and dimly lit rooms. This one pulls listeners in fast and refuses to let go.
Recorded at Fame Recording Studios with producer Brandon Hood, the track shows Myers sharpening his instincts as both a writer and performer. Guitar work from Tom Bukovac and Kris Donegan adds muscle and personality, giving the song its restless pulse and unforgettable edge. Fans are already buzzing about how naturally this sound fits him, and it feels like a thrilling step forward that invites repeat listens and loud singalongs. As his Select Tour continues to sell out, “Come On Over, Baby” lands as a confident, crowd-pleasing release that hits right on the heart.