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Gorillaz Set ‘Saturday Night Live’ Debut With Ryan Gosling

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Animated alt-rock innovators Gorillaz are finally heading to Studio 8H. The Damon Albarn-led virtual band will make their first-ever appearance on ‘Saturday Night Live’ on March 7, joining host Ryan Gosling for what promises to be one of the season’s most talked-about episodes.

The performance lands just days after the release of their ninth studio album, ‘The Mountain.’ True to form, the project includes an eclectic lineup of collaborators, with names like Sparks, Black Thought, Dennis Hopper, and IDLES attached to the record. Gorillaz have spent decades blending animation, genre fusion, and live spectacle, and their SNL debut marks a milestone moment for the band.

Gosling returns for his fourth time as host, following previous appearances in 2015, 2017, and 2024. He will be promoting his upcoming sci-fi film ‘Project Hail Mary,’ based on the Andy Weir novel, ahead of its theatrical release. His last hosting stint produced one of the show’s most viral sketches, and expectations are high for another memorable night.

‘Saturday Night Live’ will also feature first-time host Connor Storrie with musical guest Mumford & Sons on February 28, followed by a March 14 episode with host and musical guest still to be announced. As for March 7, the stage is set for cartoon icons, cinematic spectacle, and a long-awaited debut from one of Britain’s most inventive bands.

Manchester Orchestra Mourn Drummer Timothy Very

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Timothy Very, longtime drummer for Atlanta indie-rock band Manchester Orchestra, has died at 42. The band confirmed his sudden passing in a statement shared on social media, describing him as “the most beloved human being any of us were lucky enough to know in this life.” No cause of death has been disclosed.

Very joined Manchester Orchestra in 2011 following the departure of drummer Jeremiah Edmond. Over the next 15 years, he became the band’s longest-serving drummer, contributing to albums including ‘Cope’ (2014), ‘A Black Mile to the Surface’ (2017), and ‘The Million Masks of God’ (2021), as well as 2023’s ‘The Valley of Vision’ EP. His steady, expressive playing became central to the band’s evolving sound.

“The entire Manchester Orchestra family has been devastated,” the band wrote. “Tim was instantly likable and interacted with everyone he met with kindness and warmth. His humor and energy were the very foundation that held together the entire MO universe.” They also reflected on his love for family, calling him “a more joyful dad” than most could imagine.

Born in Pensacola, Florida, Very began playing drums as a teenager and cited Dave Grohl as an early influence. He once described himself as a “songwriter’s drummer,” focused on serving the song rather than overpowering it. From touring internationally to helping shape some of the band’s most acclaimed releases, Timothy Very left a lasting mark on Manchester Orchestra and the wider rock community.

Daytona 500 Start Time Moved Up As Weather Looms Over Season Opener

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The 2026 Daytona 500 is already feeling the pressure, and the green flag has not even dropped. With rain in the forecast for Sunday afternoon and evening in Daytona Beach, NASCAR moved the start time up one hour in hopes of staying ahead of the weather. The Great American Race is now set to begin Sunday at 1:30 p.m. ET, with the green flag scheduled for approximately 2:13 p.m. ET on FOX.

According to FOX Weather, rain chances sit at 7 percent around 4 p.m. ET and increase to 12 percent by 7 p.m. ET. Thunderstorms are expected later in the evening. Highs are projected near 79 degrees with light winds, but as the FOX Forecast Center noted, the longer the race runs, the more the weather becomes a factor. Light to moderate rain could begin moving in around 6 p.m. ET, with possible lightning after 8 p.m.

Last year’s Daytona 500 was heavily impacted by rain, with two delays totaling more than three and a half hours before William Byron took the win. Weather has already played a role in the 2026 NASCAR season as well, with the Clash at Bowman Gray stretching over three and a half hours in wet and chaotic conditions.

With a stacked field led by pole sitter Kyle Busch and front-row starter Chase Briscoe, anticipation is high at Daytona International Speedway. NASCAR’s decision to adjust the start time could prove crucial in keeping the action on track and avoiding another marathon delay under Florida skies.

Queen Launch Immersive “Bohemian Rhapsody 360 Experience”

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Queen mark the 50th anniversary of “Bohemian Rhapsody” and the vinyl reissue of ‘A Night At The Opera’ with a special installment of the Queen The Greatest video series. The episode looks back at the making and impact of their 1975 masterpiece while unveiling a bold new way to experience the song.

The centrepiece is the “Bohemian Rhapsody 360 Experience,” an interactive journey accessible via smartphone, tablet, desktop, laptop, or VR headset. Set within a stark white void inspired by the cover of ‘A Night At The Opera,’ the immersive space surrounds viewers with a newly created visual celebrating five decades of the song. Classic live footage, rare photos, original promotional clips, on screen lyrics, and international single artwork all unfold around you.

Using a desktop or laptop, viewers can drag their cursor to explore the space. On a smartphone, simply rotate the screen and move the device to look around. With a VR headset, the experience becomes fully enveloping, placing fans inside a panoramic tribute to one of rock’s most ambitious recordings. It invites listeners to revisit the operatic sweep and theatrical scope that changed what a single could be.

Originally released as the lead single from ‘A Night At The Opera,’ “Bohemian Rhapsody” spent nine consecutive weeks at No. 1 in the UK and has since become the most streamed song of the 20th century. The album has been reissued on crystal-clear vinyl, while the single is available in special formats including a transparent blue heavyweight 7” and a 12” picture disc. Half a century on, Queen’s crown jewel continues to expand its universe.

Dutch–South African Jazz-Hip-Hop Artist Zuko Sian Stages A Reckoning On “Spill A Little Tea”

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Recorded in a small home studio in Bethnal Green, “Spill A Little Tea” began with camomile tea and long conversations before the mic was ever switched on. The single blends jazz-leaning melodies with warm hip-hop production, framing Zuko Sian’s signature burgundy-red vocal tone, rich, expressive, and direct. It feels intimate from the first note, like a confession shared across a kitchen table.

Zuko wrote the track in fifteen minutes after a falling out with a friend, during the same period as a breakup. “I’ve always believed in calling things out because I care, but not everyone wants honesty. The song is about standing by your truth, even when people don’t like the version of you that speaks up.” The hook lands with quiet force: “You can say what you want, what you want about me but all I ever did was spill a little tea.”

The accompanying video, directed by Jade Laurelle and shot by Bea da Gama, reimagines Paul Delaroche’s 1833 painting The Execution of Lady Jane Grey. From handcrafted props to period costumes and lighting that mirrors the original canvas, the visual unfolds like a living gallery piece. Zuko even crafted elements herself, including details on the executioner’s costume, and wore a gown previously worn by Helena Bonham Carter in the film Lady Jane.

“While Delaroche’s painting wasn’t feminist in a modern sense, it highlighted a woman destroyed by structures of male power,” Zuko explains. “That story still echoes today, in laws, in cultures, in daily life. Spill A Little Tea is my way of saying: we won’t be silent anymore.” Born in Amsterdam and now collaborating with producers including Sam Barsh, Jordan Ware, and Tim Kellet, Zuko Sian continues to fuse jazz, soul, and hip-hop into cinematic storytelling that refuses to look away.

Cambridge Indie-Folk Songwriter Sakara Finds Hope In “Sunflower”

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Cambridge indie-folk singer-songwriter Sakara returns with “Sunflower,” the second in a run of singles leading toward her debut EP. After a summer of standout gigs including Cambridge Folk Club’s annual folk day and a slot at Glastonbury’s Rumshack stage, she steps back into release mode with a track rooted in quiet resilience and long-distance connection.

Written in 2020 as an ode to friendship from afar, “Sunflower” grew out of posted sunflower seeds and cat photos, small gestures carrying real weight. The song reflects the tension between gratitude and disappointment that can define your 20s, where life is rarely all golden light and easy answers. A live version is already available on YouTube, with an official music video to follow the full release.

“This song has a way of comforting me, not just as a reminder of my friend, but by saying there’s hope in times of loss and disappointment,” Sakara shares. “At the end of that chorus I’m still dancing, still asking ‘will you shine for me’? And every year the Sunflowers come back and follow through.” The sentiment feels grounded rather than sentimental, steady in its optimism.

Based near Cambridge, Sakara continues to collaborate with local musician and producer Francis Botcherby of Parliament of Wolves. Together they shape reflective storytelling through textured guitar lines and delicate harmonies. With themes of self-worth, identity, disability, and chronic illness woven through her work, “Sunflower” builds on the foundation set by her debut single “This Is Reality” and signals a thoughtful path toward her first EP.

Pennsylvania Goth-Rock Storyteller Jay Luke Confronts Memory On “Ghosts”

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Pennsylvania-based rock musician and author Jay Luke returns with “Ghosts,” a brooding new single now available across major streaming platforms. Known for pairing raw guitar-driven energy with reflective lyricism, Luke leans into a darker, more cinematic space here, delivering a track that lingers long after it ends.

Written as both a chilling and deeply personal piece, “Ghosts” draws inspiration from the psychological tension of films like The Sixth Sense and from Luke’s own experience watching his mother suffer from dementia-related hallucinations. The song explores the fragile boundary between memory and presence, and what it means to feel someone who is no longer physically there.

“This song was my way of processing the frightening beauty and sadness of seeing things that others can’t, the memories that haunt, the visions that stay, and the thin veil between life and what’s beyond,” Luke shares. The emotion in his delivery carries that weight, grounded in lived experience rather than abstraction.

Active in the music scene since 2003, Luke has shared stages with notable acts and released several acclaimed solo albums. Beyond music, he is also an illustrator and the author of When Coal Was Queen. With its goth-rock atmosphere and vivid storytelling, “Ghosts” adds another striking chapter to a catalog built on honesty and grit.

Six-City Punk-Rock Renegades The Balboas Tear In With ‘Bite! Blood! Repeat!’

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Six cities, one band, and thirteen tracks of sharp-toothed chaos. The Balboas return with ‘Bite! Blood! Repeat!’, a feral LP that rips through punk-rock, rockabilly, and garage rock with sweat-soaked intent. It is a snarling, surf-laced barrage that feels reckless on impact but tightly coiled underneath.

“When you see piranhas in action you think chaos, but piranhas are extremely organized and efficient, allowing them to strip a carcass to the bone and distribute food in seconds. It’s a dynamic The Balboas are familiar with,” explains co-founder Richard Griffith. “When you first drop the needle on a Balboas record, all you hear is chaos. But, the Balboas are far from random when it comes to making a record, they are methodical as f*ck.” That tension between frenzy and discipline fuels the entire record.

The album features a stacked list of collaborators including Mike Watt, Paul Roessler, Eddie Spaghetti, and Kitten Kuroi. The Balboas also team up with The 5.6.7.8.s for a track inspired by Kill Bill’s Go Go Yubari, aligning with the release of Kill Bill: The Whole Bloody Affair. Jimmy Dale brings his own jolt of energy, noting, “We managed bring quite the curveball of raw energy that the music scene really is lacking. Of course, I’d lay it down on the skins, guitar, whatever for them. I feel right at home.”

Among the standout tracks is “Florida Man,” a grimy, distorted dive into the myth and madness of the Sunshine State. “Florida Man is a greasy, distorted, journey through the stereotype of the crazy lifestyle of the sunshine state,” says Griffith. The track features Dusty Watson on his first washboard recording and finds the band leaning fully into their most depraved impulses.

For more than 25 years, The Balboas have built their reputation the hard way, sharing stages with everyone from Agent Orange and the Dictators to Southern Culture on the Skids and Dick Dale. ‘Bite! Blood! Repeat!’ pushes that legacy forward with grit, swagger, and a reverb soaked sneer that refuses to sit still.

Cardiff Folk-Rock Firebrand Ophelia’s Beard Unveil Biting New Single “Red Sea”

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Seven decades after Dylan plugged in, folk-rock still shifts and stretches to fit the moment. Cardiff-based folk-rock artist Ophelia’s Beard step into that lineage with “Red Sea,” a striking new single that blends roots warmth with something darker simmering underneath. It is folk with a bite, sharp at the edges and unafraid to turn the tide mid-song.

“Red Sea” opens with a breezy arrangement before gradually morphing into a more ominous undercurrent. The tension builds without losing its melodic pull, and Ophelia Lark Pearce’s soaring vocal performance commands every second. Fans of First Aid Kit and Florence + The Machine will find a familiar sweep here, but there is grit woven through the gloss.

The track showcases a tight, focused band performance. Electric guitar and banjo lines cut through the mix, the rhythm section drives with intent, and the atmosphere feels cinematic without losing its roots. It is a confident statement from an artist already making waves on the local scene.

“Red Sea” is out now on all major streaming platforms via Dirty Carrot Records.

Seattle Speed-Rock Veterans ZEKE Floor It With 7″ Blaster “Peterbilt”

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Seattle speed-rock lifers ZEKE return with a new 7″ single, “Peterbilt,” and it hits like a brick through a windshield. Since forming in 1992, the band have carved out their own lane with a volatile mix of hardcore punk velocity and rock ’n’ roll grit. On this latest release, they double down on everything that made their name loud in the first place.

The two tracks, “Peterbilt” and “From The Ashes,” are a full-throttle charge. Razor-sharp riffs slice through relentless drumming, the bass rumbles underneath, and Blind Marky Felchtone’s feral snarl drives it straight into the red. There is no warm-up lap here. In under three minutes, ZEKE deliver the kind of impact most bands stretch across an entire record.

Led by founding members Blind Marky Felchtone and Donny Paycheck, alongside Jason Freeman and Jeff Hiatt, the band channel their explosive live energy directly onto vinyl. It feels immediate and unfiltered, like standing too close to the amps in a packed club. “Peterbilt” is high-octane punk rock with zero compromise.

The tracks are not available on streaming platforms, making the 7″ the only way to experience this latest burst of speed. ZEKE are back on the road as well, bringing their breakneck fury across Europe.

Tour Dates:

18.03.2026 – NL – Eindhoven – Effenaar
19.03.2026 – DE – Saarbrücken – Studio 30
20.03.2026 – BE – Aalst – St-Annazaal
21.03.2026 – GR – Athens – An Club
23.03.2026 – DE – Köln – Volta Club
24.03.2026 – tba
26.03.2026 – tba
27.03.2026 – ES – Vitoria-Gasteiz – Jimmy Jazz
28.03.2026 – ES – Madird – Gruta 77
29.03.2026 – PT – Lisbon – Republica da Musica
30.03.2026 – ES – Jerez de la Frontera – La Guarida
02.04.2026 – ES – Valencia – 16 Toneladas
03.04.2026 – ES – Barcelona – Upload
04.04.2026 – FR – Montpellier – Secret Place
05.04.2026 – FR – Marseille – Molotov
07.04.2026 – DE – Freiburg – Atlantik
08.04.2026 – DE – Wiesbaden – Schlachthof
09.04.2026 – DE – Düsseldorf – Pitcher
10.04.2026 – NL – Rotterdam – Baroeg
11.04.2026 – NL – Zwolle – Skroetfest